Someone Explain To Me Why I Randomly Started Listening To Sleep Token For The First Time Like Three Days

I have a bad habit of mentally overstimulating myself with emotional experiences through fiction so I am trying to chill out a bit in the aftermath of my first bg3 playthrough. It was suggested I try the Baldur's Village mod, and I finally figured out how to make it work!!! I haven't played sdv in a while, so it's nice to start a new save anyway. this mod is making me smile so much already — I love it. So far we've got:

I hate to break it to you, Lewis, but none of them are law-abiding and only Wyll and Gale pay taxes.

Fine art.

The best boy in the realms!!!

Rolan with his 57 precepts

My portraits are bugged lol (or this group is just full of weirdos)

I FOUND HIM the man finally left his room.

This is my reading posture, too.

He just took like thirty sips in a row. Is he okay?

Astarion, were... were you eating a bowl of blood like it's tomato soup?

Astarion wants an eel? I will get him an eel. I caught it through sheer force of will.

The eel appeased him.

This mod makes me very happy. I'm trying not to do the very thing I was avoiding in downloading this mod by speedrunning it obsessively. Calm down. Plant a cauliflower. Process your first bg3 playthrough in peace and stop feeling like you need to do everything at once.

"He is the hero he had been waiting for centuries"

Thanks I'm sobbing now

One thing I absolutely love about Astarion’s redemption arc is the complexity of his relationship with the figure of the hero.

Astarion is a vampire, a monster, and also a victim (as well as, in a way, a perpetrator, due to his forced obedience to Cazador). He is the first person in desperate need of a hero to save him and the last person suited for the role of a hero.

He prayed to every god for salvation, even for death, and even that was denied to him. He resents heroes and the powerful, and when confronted with the idea that both have a duty to protect the weak, he scornfully responds that no, they’ve done a terrible job—that in 200 years, no one saved him from torture, and that it was the mind flayers, other monsters, who finally freed him. And that, in reality, the powerful only use their strength to bend others to their will and serve their own selfish interests. It’s in this same conversation that Astarion declares his desire to be better than Cazador—stronger, more powerful—though the player likely meant kinder, more noble.

Yet, despite everything he says, despite his disapproval of every heroic action taken in Act 1, Astarion is irreversibly drawn to the figure of the hero. First and foremost, he seeks their protection, though still through the warped lens of his past under Cazador’s cruel talons. Secondly, he is extremely sensitive to kindness, understanding, acceptance—to being treated like a person, just as a true hero would treat him.

And then, this is something I particularly noticed while playing as Karlach—Astarion is fascinated by Wyll, who is, in many ways, the quintessential hero of the party. He even admits that if he had to choose one of them to feed on, it would be Wyll, because he is sweet and righteous, just. Which is a contradiction, because the very traits that draw Astarion to him are the same ones that make him want to drain him dry. Love and hate, all in one.

With this in mind, even the conversation after meeting Aurelia and Leon takes on a deeper meaning. The player sees something in Astarion, but he still refuses to recognize it, to admit it, and rightfully says he can’t be what we see in him—a good person, a righteous, understanding, even heroic figure. And yet, the player sees through him…

And it’s breathtaking when, during the ritual, just before stabbing Cazador, Astarion says those very same words: "You're right. I can be better than him." But this time, he doesn’t mean stronger or more powerful. No, this time, he means it exactly as it was first presented to him and so bitterly rejected. And he means it with all his heart.

And in doing so, in freeing all his siblings and all the poor souls imprisoned there, Astarion commits a truly heroic act. He does for others what he once desperately hoped for himself, what he prayed for—becoming the hero he needed. Because at the same time, he is freeing himself—from his chains, from his narrow worldview that saw everything in terms of power and dominance. For the first time, he is free to live outside of the path that someone else forced upon him.

And that’s exactly why, in my opinion, the next morning, it’s right to tell him that yes, we were the heroes who stood by his side, but we only gave him a push. Because, in the end, he saved himself.

He is the hero he had been waiting for centuries!

And that thought makes my heart race! ❤️

larian writers, with hands placed on astarions shoulders like a proud parent: this is a thoughtful and touching narrative about male victims of abuse

fans: hey, thats fuckin sweet! do you have any more of these stories in your game?

larian writers, grimacing as they turn their heads towards wyll and gale: okay so, in our defense, it gets kinda murky when its a hot white woman doing it

gale stans: wasnt he groomed?

larian writers: but he liked it? his ultimate goal is to get back with her :)

wyll stans: isnt it kinda gross that the devil who owns his soul keeps blatantly sexually harassing him in front of everyone as a form of humiliation-based punishment?

larian writers and also whoever the fuck wrote that christmas animation (you motherfucker, when i fucking get you i stg): i know canon says otherwise, but he secretly wants her. dont you want her? you can fuck her if youd like

halsin stans: hey, so, uh-

larian writers, sprinting out of the room:

Bats! This is a very self indulgent post for me and it’s an excuse to draw bats lol. Close ups and some facts below 👇

So some of these are based on vibes but there are some interesting reasons I chose some of these.

So Cazador is actually based on an extinct species of bat which is basically a massive vampire bat which are about 30% larger than a common vampire bat

Astarion is of course a common vampire bat . I couldn’t find much info on the existence of albino ones but I based him off the few images I could find

To add, Dalyria is from a species that has wings that appear pinkish due to lack of pigment, which is my personal theory for why she has that pink tone in her skin, she’s really pale

Leon being a fruit bad just made sense in my head (Maybe baby bat Victoria is under his wings lol)

Petras being a Pallid bat made sense because of course Pallid=Pale=Pale Petras

I love the idea of Aurelia being a little brown bat because I feel like I HC her as having a more diminutive and reserved personality and I feel that goes with little brown bats

Yousen is a species of Microbat which of course are some of the smaller bats in the world

I feel like Violet would be very proud of her long ears

The Graceful Cloth makes it incredibly tempting to gently poke the wearer in the ribs.

What I like about the Dryad Test scene (Astarion romance spoilers)

So I haven't done any other character's romance yet, but I want to talk about the brilliance of Astarion's version of the “romance test” scene in the circus. While I do think it was a missed opportunity to show a little more vulnerable reaction when you first call him forward to do the test (calling him the "one you love"), before he covers it up with his usual mask, I think this is a beautifully subtle scene overall. Which is impressive given how indulgent it is. The whole premise is that you full well know the true answers to the questions, but if you want to make him happy and comfortable, you wont give them. He’s clearly uncomfortable with you bringing up personal information in front of an audience, even if it’s to correctly answer the question. He obviously isn’t taking the test seriously at all, and is doing it more to just have fun and mess around. As much as I adore sincerity, this scene is just so in-character for Astarion I can't be mad at it. You’re showing him how well you know him *by* answering incorrectly, because you know *that’s* what he wants. You're showing that you know him, and you don't need to prove it. While it would have been fun and cute to just have a little moment here that plays right into the dryad's game without any twists, this execution of the scene suits Astarion's current emotional state so much better, and makes it more engaging. The story doesn't just pander to the player, no matter how indulgent Astarion seems as a character. He’s imperfect and struggling a lot, and the player needs genuine patience to see the real him in those rare moments when he lets the mask fall.

He’s been making some very slow changes throughout the game up to this point, and he’s still grappling with that. It’s obvious that even he doesn't really understand or want to face his feelings and how he’s changed, as he’s unwilling to even put a label on his relationship with the player character at this point. He’s all about using his mask as a shield, and so the times we’ve seen behind it have been insanely vulnerable by his standards; private moments meant to stay between the two of you. So of course he wouldn't like it if you just bring up his deepest feelings in a public setting all for some silly carnival activity. He’s also very much the type to say: “like I need a dryad to tell me how I feel”, when prompted with the game in the first place. He probably only agreed because the player wanted to, and he wanted to just have a bit of a laugh. It’s not that he doesn't have genuine feelings for the character, but rather that he has no clue how to handle them. He’s probably holding back a lot at this point in the story, and it probably scares him that he’s getting so attached to someone. Someone that could be taken from him. He probably sees that as a weakness that Cazdor could exploit to hurt him even more, and so his  natural instinct would be to keep everything close to his chest. Orin’s line about Gortash using our connection as a noose by which to hang us probably illustrates his fears perfectly. It’s scary when you have feelings beyond your control, and given that he probably hasn't felt this way about someone in as long as he can remember, if ever, he’s probably even more unnerved. This subtle internal struggle is perfectly illustrated in this scene. At this point in the story overall, he’s confused, on edge, afraid, angry, but also maybe the slightest bit hopeful for the first time in a long time, because of the player. 

The best part is that his instincts about not wanting his personal information shared with a stranger is justified, as Orin shows up to ruin the fun. Apparently in early versions of the game, its at this point that she would kidnap the player’s romanced companion, but apparently play testers hated that (this is just what I've heard). It would be so neat, even though I'd panic and drop everything to hunt her down. That sinking feeling when Orin reveals herself is only magnified if you answer the “true” options during the love test, because now one of our greatest enemies has critical information that could be used to hurt our loved one. 

Anyway I just love how subversive this scene is because of who Astarion is as a person, and how it illustrates the unique bond he has with the player character. His reactions are so cute when you give answers that he likes (like saying what he wants most is revenge, or that most things fear *him*, actually). This is a rare moment when it seems like he's actually having fun. It's just two idiots in love messing around, and that's important.

(This is all just my interpretation. Feel free to disagree)

the way disco elysium plays with and ultimately shatters the concept of "camaraderie" in the police and the military truly is So. Good.

it introduces you to kim who is this ideal of the Brother in Arms - you meet him and you know. he'd lay it all down for you.

you then proceed to realize this is a kim thing, not a cop thing, despite the skill that informs you about it being The Cop Camaraderie skill

the rest of the cops are not just unhelpful, they're cruel. they're a boys' club of toxic masculinity, homophobia and joking about how they abuse their power, like when jean stole mustard from a homeless man. if harry begs them for help, the greatest kindness the operator can do for him is pretend he didn't hear and cut the connection to save harry's pride. the more you put into this skill, the more the rancid underbelly of policing and policemen as individuals in this system comes to light.

and that's before we get into the plot-relevant stuff, how martinaise was abandoned by jean and co because jean was too damn busy trying to make a point to harry than do his fucking job.

then there's the bond between the paramilitary squad. unlike the cops, they're tight, a family to each other, and it makes them completely immune to reason the moment the Head of their hierarchy gets murdered. and this head of theirs, the most rational, most charismatic of them all, their leader, still was a monster who, for His Men and their Morale, saw kidnapping some poor girl and offering her like a human sacrifice to the pit of animals that was his squadron as a Rational course of action.

maybe there's love there, in a way, but it's the kind of love that wholly depends on seeing your circle as the only people deserving of life, and the rest of the world as insects.

and i think abt how so many other stories that try to be cop or military critical still fall into that trap of believing that the people in these environs are a Family doing their Best, that they got each others back and thats all that they need to get through this!(whatever plot event is happening)

and not that its like. a cesspool of keeping each other in Check or maintaining that Family only by Othering the rest of the world

What is your take on Astarion's relationship with his siblings?

I have put unreasonable amounts of time into thinking about what the dynamics were like during Cazador's reign in that house. I mean, imagine sharing the same tasks, bedrooms, and general experiences of abuse and duress with the same people FOR TWO HUNDRED YEARS. That's absolute madness. If any of you have had experiences with co-living with family under stress for any extensive amount of time, you know very well the levels of emotional 4D chess-ing that tend to take place as a result. You end up distributing so much frustration and anger around and often onto the very same people you will ultimately seek comfort from - this is that situation but blown up to impossible proportions.

So, "strained" doesn't really do justice as a descriptor here. I believe the family had a dynamic, ever-evolving hierarchy within itself, years-worthy of time where the spawn shifted alliances and made "cliques" within themselves - rebels would evolve into pushovers and trusted friends would turn into snitches. You had endless amounts of drama within the group and flies on the walls would witness them cut each other's heads off one day and sob into one another's laps the next.

Naturally I think all of them were resistant to the concept of being a "family" at first, but it's pretty much impossible to not develop family-like ties throughout that long of a period. Following Cazador's death, I believe there would be further splintering within as some want to maintain said ties and others are eager to cut them - seeing both their siblings and the relationships themselves as yet another painful reminder of what Cazador imposed upon them.

I think Astarion falls into the latter category. If he had his way, he would never see, speak, or think of his brothers and sisters again. And while the sibling nomenclature is a deeply-rooted habit, he doesn't think it holds any legitimacy whatsoever (whether or not that's the case in his heart is another matter).

Dalyria (the moon-elf physician, whom I have come up with a story, personality, background and motivations during several long showers that might not necessarily line up with yours, so, if anything of what I'm about to say seems pulled out of a hat, it's because it was) is the opposite. She has grown attached to the constant presence of her siblings and taken a mother-goose role upon herself. With the Exception of Leonard and Violet (more on that later) she has decided they are her responsibility and wishes the group would stick together.

I like to think that there's a lot of history between those two in particular. Obviously, the interactions between Astarion and his siblings are very brief, but It's enough to run with. Dalyria shows a lot of concern and understanding towards him and even pleads when he threatens Petras' life - again, I think she did a lot of trying to pragmatically keep the peace among them and genuinely grew attached to a few - Astarion being the main one of said few. You even get the smallest hint of a on-and-off intimate relationship with the way he derisively calls her by her nickname.

Also, Astarion very occasionally showcases enough emotional maturity that I could see him latching onto the one other person around who seems to have her wits about her, but he's still flawed enough that Dalyria can think of him as a younger sibling that needs her care. Not to mention that, to me, she demonstrates a penchant for moral superiority and a dash of a machiavellian outlook, based on her diary and her completely unapologetic initiative to kill a child on the small chance it would lead her to a cure - not any child either, but Leonard's child. I can totally see Astarion sympathizing and gravitating towards someone like that.

Which brings us to the rest of the siblings - I would wager that, at least by the end of it all, Leonard and Violet were the odd-ones out. As it tends to happen within any tight-knit group, when one succeeds by stepping over the others (even if the reasons for it are justifiable) that brews a lot of resentment and eventual exclusion. Leonard not only did that, but he apparently still held onto hope of future and family outside the Szarr house; wheter or not everybody wanted out, I think a us-versus-them mentality is unavoidable under those circumstances, and Leonard was looked down upon by the others in their respective ways for what he was trying to do.

Violet just seems like she had gone a little cuckoo to me. We get very little about her, but when I think of an adult woman playing childish pranks on her roomates while you are all stuck in what's essentially a human trafficking ring... I think of a person who's either just a very silly breed of evil or who has lost touch with reality, and the latter is more interesting, imo. I think no one liked her, not only because she was a nuisance but also because she became completely emotionally untouchable. I think both Violet and Leonard are spawn who did not survive long after they were all freed.

I'll stop here before I ramble on for another 8 paragraphs about Aurelia, Yousen and Petras (Oh Petras, my beloved), but, yes, suffice to say that I believe it was kind of complicated LOL

EDIT: Not me calling Leon "Leonard" this whole post. Sorry buddy, you look like a Leonard.

Just me losing my mind over Astarion's storyline (spoilers)

Playing bg3 for the first time and literally had to take a few days off playing after the Cazador fight and the graveyard scene just to emotionally process because I was a wreck. Thought I was safe, only to log back on, talk to Astarion, and get the conversation where he’s starting to heal and he’s smiling so genuinely and then pulls out the “this is a gift, you know” callback line. Had to take another day off because I was sobbing again I cannot put into words what this character has done to my brain chemistry. Having the time of my life with this game. Very normal and fine

Little Astarion the bat! (*˘︶˘*).｡*♡