Digital Portrait Of My Best Friend Grey Frequency, In The Style Of Shepard Fairey's OBEY.  See What

The Mystery Science Theater 3000 seats, the most minimalist ASCII art I've ever done.  Thanks, ISO-8859-1!

fuckyeahmst3k:

ooòôõ

Filmed in letterrama

An excerpt from my lies-about-Doctor-Who book.

An excerpt from Doctor Huh?!, a book in progress.

3 September, 2004: The Making of a Logo

“Right,” said Russell T Davies, pouring himself another mug of tea before turning back to his art team. “Now, on to the next issue; the logo. Suggestions?”

“Let’s reuse the Diamond Logo,” said junior...

I multitrack a capella'd "Tom's Diner."

I'm your Suzanne Vega now.

This also exists on Soundcloud.

The great Harold Ramis passed away today.  His work meant a great deal to me; not only Ghostbusters (which I love) but his many other contributions to the world of comedy and the art of filmmaking.

As the news circulated, a small shrine to Ramis popped up on the sidewalk in front of Ghostbusters HQ (or, as it’s known in real life, Hook and Ladder 8.)  I sketched a portrait of Ramis on a small art card, and went downtown to add it to the memorial.  I then got to hang out for a bit with the others who had gathered there in the cold - including a Ghostbuster in full homemade uniform and proton pack - and we all chatted about what the man and his work meant to us.

He’ll be missed.

Stupid Twitter trick: 1) Crop an image down to 338x83px (or a multiple thereof.) 2) Slice it out into four 83x83px blocks with 2px gaps in between (or your multiple thereof.) 3) Tweet the images via Twitter's internal photo-uploading gadget, from right-to-left. 4) ??? 5) Profit!

10-minute sketch: "HOW'D IT GET BURNED?"

Done while watching this clip on a loop in the corner of my screen.  Drawing this has made me crave a plate of nachos, slightly overdone with the cheese just a little bit burned.

The Next HOPE conference badge, for which I did the graphics.

These badges didn't just grant admission to the conference, they served as fully functional and hackable tracking beacons for its Attendee Meta-Data project.  (There's a video explaining the basics here, and more hardcore hardware info from the extremely neighborly Travis Goodspeed here.)  After the electronics were laid out and finalized, I was given the badge files so I could scrawl like a madman all over graphically enhance them.

I used what space and resources I had to bring the badge in line with the conference's retrofuturistic design theme, while highlighting and playing with some of the text labels and gadgetry within.  I even snuck in a silly little detail only a few people ever found and called me out on; the grid above the arrow logo makes use of a method I came up with in elementary school for hiding messages in notebook sheets, and contains the conference's initials.

This is the first thing I ever made completely in Inkscape.

Jude "St. Jude" Milhon (March 12, 1939-July 19, 2003)

Jude Milhon, generally known as St. Jude, was an author and hacker whose achievements span many corners of hacker culture. Her work with seminal cyberpunk showcases Mondo 2000 and Boing Boing, her work in cypherpunk (a term she coined, and movement she founded), and her righteous and mischievous persona continue to inspire.

Acrylic on canvas, 5x7″.  From my September 2015 set Luminaries of the Hacker World.

My BFF Grey has a listing on the Internet Movie Database.

As you may know, if someone listed on IMDb wants to upload a photograph to their listing they need to buy a pro membership on the site.  While I couldn't do that for her, I did the next best thing: I redrew my Fairey-ish portrait of her in smileys, and posted it to her IMDb message board.

I can't help but think the potential of message board smileys as an artistic medium has barely been scratched.

Sharp J-SH04 2001

Manufactured by Sharp for the J-Phone brand, the J-SH04 is generally recognized as the world’s first camera phone.

The J-SH04 innovatively integrated a mobile phone and digital camera, devices many people of the day regularly kept on-hand, into a single unit with the camera functionality integrated into the phone itself.   For the first time, users could use a single device to take digital photos (at a then-impressive 0.11 megapixels) and share them via the mobile network.

The device (and photo-sharing in general) took off among young users and set the model for all future camera phones, devices which forever changed how we take and share photos and document our world.

Acrylic on canvas, 5x7″.  From my series of paintings of historical telephones.