Mama, We All Go To Hell, Mama, We All Go To Hell, I'm Writing This Letter, In Pink Glitter Gel,

If you couldn’t tell, I’ve been rewatching yhs and drawing along the way. I keep forgetting to post them sooooooo…..

AAAAHHHH!!! Ok. I saw some TikTok videos saying “combine the last video game you played and last tv show you watched” and I was like “oh, that would be danganronpa v3 and dungeon meshi”. Now I’m going fucking insane over it.

Anyway, here’s what I think all the v3 characters, races would be in the dungeon meshi universe.

Angie-Gnome. This one is kinda weird to start with BUT, gnomes live side by side with nature spirits and ask them for help with magic and stuff. I think Angie suits being a long life race, idk why. Also she’s would looks so cute with the ears.

Gonta-Oger. Big. Need I explain more? He’s just a gentle giant, and I think the big horns and teeth would also add to his “people get scared when they see me” story.

Himiko-Gnome. It’s literally perfect, shut up. Magic being culturally significant, generally a pretty short race, even for a character design point! The sleepy droopy eyes!!!! AHHHH! Love her.

Kaede-Tall man. She’s just so!!!! That’s all I can say. I just think if she was made another race it would take away from her everything. Like I debated an elf but, it just didn’t feel right.

Kaito-Tall man. Are you going to sit here and tell me that kaito isn’t the most guy of men. He would 100% say shit like “I only have a short life, so I need to make the most of it!” Then run head first into a dragon fight without any plans.

Kiibo-Beast man. Specifically a werewolf, like just. “I know I’m a beast man, but I’m still just as human as anyone else!” And he would still get to contemplate his humanity:DDD. I can just picture kokichi being a massive bitch about it too.

Kirumi-Elf. She’s just hot like that. Also you know, the expectation of her being perfect and talented. I feel like at first she would pity short life races and fall into the “they are like children” mindset (obviously still doing anything they asked of her, she’s still herself) then after meeting the cast, would go “oh, wait. These are just people. They don’t need pity for just existing”.

Kokichi-Half foot. Ok this is another one that’s absolutely perfect. Like the lock-picking, them commonly being known for thievery, and he would absolutely use those big old ears for no good!!!! Literally just a perfect match.

Korekiyo-Kobold. Ok. This is going to be the first of a few “because I said so” he would just look so god dam good like that. It would just add to his “I’m mysterious and not much is known about me” vibe. Yes. I know kobolds tend to stay in there community’s, and can’t speak in the common tongue that well. Fuck you!!!

Maki-Half foot. I know some might question this, but hear me out! It would be so handy for her assassin thing! Like the hearing would be a massive help, her size would make it easier to go unnoticed, also she would be incredibly light footed.

Miu-Dwarf. They’re like the technology race! They invent shit! Also her brash attitude would just fit in most with dwarves, she’s probably a bit confused why everyone’s getting mad at her for being, well, her.

Rantaro-Elf. Because I said so #2. He’s just hot, I don’t think he would pity short life races tho. My mans is too well traveled for that shit to slide.

Ryoma-Dwarf. Ok yes. It is because he’s short. But also because of his demeanour, like he’s really gruff and stoic, I imagine his backstory would be much of the same, but with the added benefit of “I will outlive most of the friends I make, so why make friends in the first place”.

Shuichi-Elf. Pure fucking vibes. Just look at him. Also something something, his parents are probably these great Influential people or whatever, and he feels like all he’s achievement’s mean nothing….. something something.

Tenko-Kobold. Another absolutely perfect one! Like, just! AG! Look at everything we know about kobolds! It can be applied to Tenko!! Also she’s not immune to the “because I said so” argument. She’s my favourite. Kobolds are my favourite. Boom. Done.

Tsumugi-Tall man. Don’t even try to argue this one. Tall men are the “nothing too special about them” race. The plain race. Like I don’t know what you want from me.

Anyway that’s all. Maybe keep an eye out for some art of this crossover. Idk. Had lots of fun tho. Obviously if anyone wants to use this idea as a springboard you absolutely can, but please let me see!!! I wanna see someone going as insane as I am about my favourite game being crossed over with such a cool manga/anime

Seen no one else made this meme so i took matters into my own hands

Don’t Hug Me, I’m Scared is what happens when two deeply toxic people try and fail to cope with the death of someone they simultaneously loved and viewed as a burden

(within the universe of the show, obviously I don’t mean Joe and Becky. I don’t know their lives)

Meet Roy and Lesley - two young creatives trapped in the drudgery of capitalism. They make each other laugh with songs about dancing files and asides that the boss got where he is because he just wandered into the office and didn’t leave. They want to break away from the world of vending machine coffee and office small talk and create something, something that will make a difference. But making your favorite idea takes two things they don’t have - money and confidence. So, for a while, their dreams stay dreams. And then one day during an office retirement party, they decide sick of waiting. They propose marriage and a business partnership. They’ll make their dream a reality even if it kills them.

At first, things are fine. They create a lovely little program about a duck and a monster man, teaching children about the world through song and laughter. Sometimes Roy wants to cut a few too many corners, is a bit too obsessed with saving money, but he means well. Lesley’s ideas are sometimes a bit too out there - Roy has to remind her a lot that they’re writing for children, it doesn’t have to be that deep - and she doesn’t always take criticism well, but she’s just dedicated to the craft. They always make up no matter how many fights they have. Around the same time they finally have a finished project, ready to be pitched, Lesley announces she’s pregnant.

They’re thrilled to be parents. When David is born, it almost makes them forget how many times the show has been rejected, how many retools they’ve had to do to make their ideas appeal to someone, anyone. Funds are tight, tensions are high, but surely having the sweet, innocent face of a baby will help them calm down. Lesley decides that’s what’s missing in the show - a child character, to ask questions and be guided by his loving adult companions and a constantly changing array of musical teachers. David becomes a character in the show, a representation of every child they’re trying to help teach.

But it quickly becomes clear that there’s something not right about David. He doesn’t smile as much as other babies, doesn’t babble or imitate sounds he hears. When other children are starting to talk, David stays quiet. Leslie explains to her other mum friends that he’s just a great thinker. It takes him a long time to walk, and when he does, he’s very clumsy. Roy laughs it off, saying he’s no prima ballerina himself. The boy will get the hang of it. But symptoms keep piling up - David sometimes rocks back and forth and stares into space. He doesn’t look people in the eye when they speak to him. He moves his hands around in odd ways and repeats words over and over. He covers his ears whenever he and Lesley go to the park because it’s too loud, complains his clothes hurt, food feels weird. He hates being hugged. His parents try to be understanding, but as stressed as they are, something has to give.

Roy gets angrier. He grows to resent his son and all his mystifying quirks. He just knows that the boy is doing it on purpose, and if he would just listen to his father and stop acting so strange, then everything would be fine. Lesley, meanwhile, shuts herself off. She hides away and daydreams about how things are “supposed” to be - her show is supposed to be famous by now. David is supposed to be normal. Her marriage is supposed to be strong. Her life is supposed to be better. And she can’t stand being reminded that none of that is true.

Then the unthinkable happens - David dies. While his mother was hiding in her fantasies and his father was stewing in anger, David wandered out the front door, chasing a bird. An oncoming driver didn’t stop in time.

After the doctor gave them the news, Roy and Lesley got a phone call - their show has finally been picked up. Each iteration of the show is Roy and Lesley refusing to properly process their grief and accept that their negligence lead to David’s death. He’s immortalized in the show forever, but in different ways. He’s no longer a human who lived and felt and was real. He’s a character that Roy and Lesley can make do and be whatever they want.

Roy uses the show to vent his frustrations, to punish David for all he put him through. He polices David’s actions, telling him the right way to create and feel and eat and dream, the way ROY thinks he should. After all, if David had only listened to him, he’d still be alive. As Red and Duck start questioning his decisions, asking him to stop being so aggressive and overstimulating, he eliminates them. The avatar of David is left all alone to face his father’s mounting violence and cruelty. We see Roy’s understanding of how the show was created - he plucked Lesley from obscurity and gave her everything, without him there’d be no show, and Lesley would still be making files dance as their coworkers looked at her in annoyed confusion.

Lesley uses the show as a way to fix things. David is still alive and she can make sure he grows up right - he learns about making friends and driving a car and grown up things like bills and insurance and getting a stable job. All the teachers are gentler, kinder. What she would have been if she could. And everything resets at the end. Even when things become horrifying, even when everyone is lost and scared, even when faced with death, Lesley always has backups. No mistakes this time, she just knows it. And if the avatar of David ever starts asking questions, ever starts wondering what’s beyond this house, where Lesley can keep him safe? She can always distract him, tidy up, and start over. Lesley’s thoughts on the show’s creation is that, if it wasn’t for her, Roy would have been perfectly content to waste his life as an office drone because he didn’t have the courage to break out.

It doesn’t matter which of them is right. All that matters is the show. And no matter what they do, David is still gone. All they have left is this puppet they seem to have very limited control over. It’s clearly taking its toll on them, physically. They’re barely human anymore. No matter how they twist and turn, they’re still just dancing in chains.

I wonder what will happen.

Needed this, thanks.

hey if ur reading this and ur in a bad spot mentally or anything i hope u feel better soon and have a good day

Some halfway cleaned sketches of Klarion

I gave up drawing some bits and got too tired to finish the rest

Forever a witch boy never a man

I was trying to capture that age range

The thought of Klarion eyes looking like Teekl’s when looking through them was a fun hc

Same with witches sharing traits with their familiar so reflective eye in the dark

I’m British. It is just like that.

everyones theorising about dhmis being in a time loop or a simulation but have you considered that britain is just like that.

My first drawing Pepe and I think it should be the last. I was trying to go a more human-frog mix. Obviously that didn’t go well.