Hi! Can you explain waiting rooms please? Like how to script them, what they do, etc
Hello friend!! I sure can ☺️ (long post incoming)
A waiting room (or WR) is a (non-mandatory) place that you can script to shift to and it’s a sort of in between for your CR and DR. You usually shift to your WR to kind of collect your thoughts and get ready to fully enter your DR. A lot of times your WR is a simple and rather empty room that just has you in it. (It can include whatever you want I’m just giving an idea) And a lot of people have a door in their waiting room that they can open and step into their DR “portal”
As mentioned above, WR are a space to calm down and “process” your shifting before continuing into your DR. It helps people not feel so startled by just opening their eyes and being DIRECTLY in the action of their DR. Also, for some people, visualizing a single room is a lot easier than your whole DR world.
I mention this a lot (but I know newer shifters don’t always know this) but scripting is NOT necessary to shift. It is a helpful tool to organize your thoughts, just like methods are, but you do not 100% need one in order to shift. If you do still want to write a script for your WR, it can be whatever you want! It could be simple bullet points with description of the room, it could be a single paragraph, it could be a drawing, ANYTHING! Whatever helps you visualize or however you like to set up your script is what you should do!
Thanks for the ask and I hope this helps!! If you have any other questions, send them my way!!!
LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)
Production costs aside, clothes tell the audience about how characters think of themselves.
Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.
Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.
His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.
In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.
In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.
In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.
The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.
Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.
When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.
Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.
The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.
pls i need more boops
Reblog if its ok to spam you with boops
Have been thinking about the Loki&Natasha scene in A1 for years now, and I kinda think that them misunderstanding each other had a lot to do with what "kind" of manipulation they used on each other, or rather where their manipulative skills came from.
Let me explain:
Natasha was taught to professionally manipulate people: she reads the body language, looks for context clues, makes a conclusion, goes through a "toolbox" in her head, chooses a "tool" to apply. Example: the bad guy is monologuing, she reads his body language, reads context clues, comes to conclusion that the guy is overly arrogant and crazy and not well-collected, chooses a behavior that will make him tell her his plan. It's a purely professionally learned skill.
Loki's manipulation skills come from a place of empathy. Yes, you didn't misread this statement: empathy is an ability to understand on a deep level what other people feel, relate to this feeling. It is a pretty neutral thing on its own. Loki looks at someone, especially if he knows something about their background (which isn't necessary, but it makes it easier) and knows how they must feel. He looks at Natasha and knows of her deepest insecurities and fears because he understands emotions and feelings exactly. This is why in all of the movies he is capable of always finding a way to encourage people/enrage them/get into their trust etc. It's not a learned skill. Well, at least not in the same way - I guess living with a brother with anger issues who's capable of risking getting everyone killed over being called a "princess" does make you more aware of the emotional state of people around you.
And you can see this difference in the scene itself: she's playing by the book and her tactics are precise, with the goal of getting to know his plan. He's trying to get under her skin, to make her feel a certain way. We don't really know what his exact goal was but I suspect with all of this camera showing her through a glass in which we see his reflection while he's speaking thing - he wanted her to realize. "I know you, because I am you. You're a puppet in the hands of people exploiting your skills and forcing their will, and so am I. I know how it hurts, hear what I'm saying. You brought the monster here, and he's coming for more if you don't stop him". Loki is leaving a bunch of clues to other avengers as well, but I feel like he really put his money on Natasha, which... makes sense tbh.
And in the end both of them failed, because they came with different goals and worked from different perspectives: she worked with classic body language&context clues, he worked from a place of empathy, he gave her a poem she didn't know how to read.
And this skill difference is also present in their interactions with other characters: when Natasha tries to encourage Tony and he reacts in unexpected way, she's frustrated - the "toolbox" failed, and she genuinely doesn't know how to deal with this. Same with Loki: when he cannot understand someone's feelings, it's harder for him to work with that.
And it's even reflected in the words they choose: Natasha's "thank you for your cooperation" and Loki's "you will never be a god", for example.
This post will be an introduction to scripting - you can also use scripting for manifesting but this post will mainly talk about scripting from a reality shifting point of view. I will start off with some general calcifications for the people who are new to reality shifting itself.
𝐖𝐡𝐚𝐭 𝐈𝐬 𝐑𝐞𝐚𝐥𝐢𝐭𝐲 𝐒𝐡𝐢𝐟𝐭𝐢𝐧𝐠?
“Simply put, reality shifting is the movement of your consciousness from one reality to another (...). Think of yourself not as one physical body but as one conscious being that expands over all realities. When you shift, you tune into that consciousness in another reality.” - @astra-nomy
𝐂𝐨𝐦𝐦𝐨𝐧 𝐀𝐛𝐛𝐫𝐞𝐯𝐢𝐚𝐭𝐢𝐨𝐧𝐬
DR (desired reality) - The reality you want to shift to. You can have as many DRs as you want.
DR self (desired reality self) - This refers to yourself in your desired reality.
CR (current reality) or OR (original reality) - It’s the reality you’re shifting from to your DRs and back. Basically, the reality you're living in right now.
WR (waiting room) - This is a reality you can make up and use as something like a lobby where you can go to before shifting to your DRs. You don’t need a waiting room but many use it to spend some time there when they want to 'escape' their CR for a bit but also don’t want to go to their DRs.
-> ꜱᴄʀɪᴘᴛɪɴɢ
In the following paragraphs I will explain what scripting is and how to do it. I will also try to give you some ideas for scripting and answer some common questions.
𝐖𝐡𝐚𝐭 𝐈𝐬 𝐒𝐜𝐫𝐢𝐩𝐭𝐢𝐧𝐠?
If you want to shift realities you can write a script to define what you would like to experience in your DR - how you should look like, how you want things to play out or how you want the reality to look like etc. Whatever you script will happen in your DR.
𝐃𝐨 𝐈 𝐍𝐞𝐞𝐝 𝐀 𝐒𝐜𝐫𝐢𝐩𝐭?
No, not really. Scripting is completely optional and you don’t need a script to shift. As shifting mainly operates on the bases of your subconsciousness, you don’t need to script everything because your subconsciousness already knows what you want - because it's you. It's just that scripting helps most of us with visualizing certain things, organizing our thoughts and committing to our idea of what exactly we want to experience. Reading your script before attempting to shift can also make the process of shifting easier for you.
𝐖𝐡𝐚𝐭 𝐃𝐨 𝐈 𝐍𝐞𝐞𝐝 𝐓𝐨 𝐊𝐞𝐞𝐩 𝐈𝐧 𝐌𝐢𝐧𝐝 𝐖𝐡𝐞𝐧 𝐈 𝐖𝐚𝐧𝐭 𝐓𝐨 𝐒𝐜𝐫𝐢𝐩𝐭?
Actually, you don’t need to keep anything in mind while scripting. There are no rules on how to do it and there are many different ways to script. Just find a way of scripting that you enjoy.
The format doesn’t matter. You can find yourself a cute notebook and use it for scripting or you can make a digital script.
You don’t need to care about your way of phrasing things. You don’t need to write from a specific perspective. You can write it as if you're creating a character or you can write it from your point of view. Also, you don’t need to write full sentences. You can just write ‘brown hair’ instead of ‘I have brown hair’ or you can just use an emoji that shows someone with brown hair - it really doesn't matter how you do it as long as YOU UNDERSTAND WHAT YOU MEAN.
It is not always about writing, you can also use pictures to express what you mean. For example you can make a moodboard or create a file on your phone with pictures representing what you want. Or you can even make a presentation or a short video.
You don’t need to script every detail! The length of your script doesn’t matter! You could just write ‘I have brown hair.’ as the only thing to script and anything else in your DR would still include all the other things you want. I often see people who get anxious when they try to shift because they feel like they haven’t scripted enough - that is totally unreasonable! As I said before, your subconsciousness already knows what you want and making a script is not even necessary to begin with. So please be careful with getting obsessed with making your script ‘perfect’. If you can’t decide on something just leave it open instead of being unhappy with what you scripted- your subconsciousness will fill in all the gaps. Just make it enjoyable for yourself!
𝐖𝐡𝐚𝐭 𝐂𝐚𝐧 𝐈 𝐈𝐧𝐜𝐥𝐮𝐝𝐞 𝐈𝐧 𝐌𝐲 𝐒𝐜𝐫𝐢𝐩𝐭?
You can include anything you want! But I will give you some ideas on what to include but just know that they are not necessary.
ꜱʜɪꜰᴛɪɴɢ ᴀꜰꜰɪʀᴍᴀᴛɪᴏɴꜱ:
Here you can write down just normal shifting affirmations. You can also script how you shift like with a certain method or with a certain action like tapping your wrist free times and saying the name of your DR whatever.
ʏᴏᴜʀ ᴅʀ:
You can define how your DR looks like, what the living circumstances are, you can make up new stuff in your DR (especially if you're shifting to a series/movie). You can script that racism or homophobia and stuff like that doesn't exist there or just that everyone is being treated right. If your DR is based on a movie/series you can script that certain events don’t happen and you can make up new events/situationships. You can script certain scenarios you want to happen. Also, some people write down their first shifting moment - when and where they shift to and how they want it to play out. I also saw some people writing down stuff like ‘No one finds my behavior weird the first time a shift’ etc.
ꜱᴀꜰᴇ ᴡᴏʀᴅꜱ/ᴀᴄᴛɪᴏɴꜱ:
A safe word in shifting is a word or action or phrase you can say when you quickly want to go back to your CR or WR! It works instantly and it can be anything you want - many use something weird that you wouldn’t say normally in your daily life but something you can easily remember (something like ‘Hakuna matata’ or ‘Back to the ghetto’ lmao). If you want, you can also script that your safe words will only work when you want it to and/or you can script that you always remember your safe words.
ᴛɪᴍᴇ ʀᴀᴛɪᴏ/ᴛɪᴍᴇ ᴇQᴜɪᴠᴀʟᴇɴᴄᴇ:
Here you define how much time passes in one reality (CR/DR) when you’re in another reality. For example, you could just script that ‘1 Week in your DR equals 30 minutes in your CR’ or that ‘1 year in your DR equals 1 hour in your CR’. Also, you can script that no time passes in your CR when you're in one of your DRs. And the same goes the other way around (how much time passes in your DRs when you’re in your CR). There are some rumors going around that a huge time difference would strain your body once you come back to your CR but that doesn’t necessarily have to be the case. You could script that everytime you shift back to your CR you’re well rested and healthy - or something like that.
ʏᴏᴜʀ ᴅʀ ꜱᴇʟꜰ:
You can list personal details (name, age, birth date etc.). You can describe how you look like, what your personality is like, what kind of powers or skills you have, what kind of background you have, your life circumstances, your housing, your family etc.
ɪᴍᴍᴜɴɪᴛʏ/ꜱᴀꜰᴇᴛʏ ᴀꜰꜰɪʀᴍᴀᴛɪᴏɴ:
Really useful is also to script a certain immunity. I know that many people want to shift to certain realities that are a bit dangerous and where you have to fight and stuff so you could script something like ‘I am immune to being attacked/hurt. I am always safe and protected. I am immortal. I am immune poison or dr*gs.’ etc. I would also advise you maybe to script that you are immune to bringing trauma from your DRs to your CR and back or that your mental health stays unaffected. Also, you could think about what you would like to happen in the case of you dying in one of your DRs. I, for example, have scripted that I always wake up in my waiting room once I die in one of my DRs. It’s pretty much up to you what safety affirmation you use and it I guess it also depends on where you're shifting to.
ᴄʜᴀʀᴀᴄᴛᴇʀꜱ ᴀɴᴅ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ:
You can make up new characters in your DR or include people from your CR (like your best friend). You can script their appearance, personality, abilities, your connections with etc. The same goes for characters that are already in your DR, you can change them completely or you can script how you are connected to them, what kind of relationship you have with them or how you get to meet them etc.
ᴍᴇᴍᴏʀɪᴇꜱ:
It could also be interesting for you to think about how you deal with your memories. I saw someone writing down that they forget their CR memories for a certain period of time to really experience life in their DR and then get their memories back at a certain time (for example after they went through the main plot). You can also script that when you’re in your DR that your CR is a distant memory but you’re aware that you need to return to your CR. Regarding your life in your CR: You could script that the memories of your DRs are stored in a library in your Waiting Room or you can script that your DR memories are just like fainted memories (like that of dreams) in your CR - so that it doesn’t affect you too much in your daily CR life. If you have romantic/close relationships with people in your DR, I would recommend to script that you don’t feel these feelings as intense or not at all when you're in your CR (so that you don’t struggle with missing them or get ‘homesick’ in your CR). Another tip from me is that if you have a waiting room, try to shift to your WR first. There you can process the experiences of your DR and try to rest for some time and mentally prepare yourself for your CR life before shifting back to your CR - because many often struggle in their daily CR life after shifting back especially if they stayed in their DR for a long period of time - and you can avoid that if you give yourself enough time in (for example) a waiting room.
ᴏᴛʜᴇʀ:
As there is no limit to what you can script you can also include magical items (magical watch/bag etc) for your DR or stuff like ‘I don’t get my period in my DR.’ to make your life more easier there.
𝐒𝐜𝐫𝐢𝐩𝐭𝐢𝐧𝐠 𝐓𝐨𝐨𝐥𝐬
Again, it’s your choice on how to do it. Here I’ll just list some ideas for inspiration.
notion (it’s pretty famous in the shifting community and you can create your own templates and so on)
google docs
paper notebook
canva
pinterest (for pictures and for creating pinboards)
tumblr (I like creating moodboards like this or this )
picrew (for creating characters or scripting appearances)
artbreeder (also for creating faces and for defining your looks)
powerpoint (for making a presentations)
and many more :)
𝐒𝐢𝐝𝐞 𝐍𝐨𝐭𝐞
You don’t need to feel bad for what you script. It’s your choice. You can decide what you want to experience. Just keep in mind that you will really LIVE in that reality you scripted. So, don’t underestimate this and stay safe! <3
I hope this post is helpful to you guys. If you have more questions regarding scripting, I will add it to this post! - Just send me your questions. :)
© daisys-reality
Personally, this is not a bad character design
But you cooked better with your first design tho
I think the problem here is that he looks too fairy/court jester-y whereas the first design was unhinged in a trickster way
Absolute eyesore of a character
do you miss the charm of the 90s/00s web where sites had actual personality instead of the same minimalistic theme? are you feeling drained by social media and the constant corporate monopoly of your data and time? do you want to be excited about the internet again? try neocities!!
neocities is a free hosting website that lets you build your own html website from scratch, with total creative control. in their own words: "we are tired of living in an online world where people are isolated from each other on boring, generic social networks that don't let us truly express ourselves. it's time we took back our personalities from these sterilized, lifeless, monetized, data mined, monitored addiction machines and let our creativity flourish again."
web3 has been overtaken by capitalism & conformity. websites that once were meant to be fun online social spaces now exist solely to steal your data and sell you things. it sucks!! building a personal site is a great way to express yourself and take control of your online experience.
the best part about making your own site is that you can do literally whatever the hell you want! focus on a specific subject or make it a wild collection of all your interests. share your art! make a shrine for one of your interests! post a picture of every bird you see when you step outside! make a collection of your favorite blinkies! the world is your oyster !! here are some cool example sites to inspire you: recently updated neocities sites | it can be fun to just look through these and browse people's content! space bar | local interstellar dive bar creature feature | halloween & monsters big gulp supreme peanutbuttaz | personal site dragodiluna linwood | personal site patho grove | personal site
sound interesting? here are some guides to help you get started, especially if you aren't familiar with html/css sadgrl.online webmastery | a fantastic resource for getting started with html & web revival. also has a layout builder that you can use to start with in case starting from scratch is too intimidating web design in 4 minutes | good for learning coding basics w3schools | html tutorials templaterr | demo & html for basic web elements eggramen test pages | css page templates to get started with sadgrl background tiles | bg tiles rivendell background tiles | more free bg tiles
want your site to be cool? here's some fun stuff that i've found blinkies-cafe | fantastic blinkie maker! (run by @transbro & @graphics-cafe) gificities | internet archive of 90s/00s web gifs internet bumper stickers | web bumper stickers momg | gif gallery 99 gif shop | 3d gifs 123 guestbook | add a guestbook for people to leave messages cbox | add a live chat box moon phases | track the phases of the moon gifypet | a little clickable page pet adopt a shroom | mushroom page pet tamaNOTchi | virtual pet crossword puzzle | daily crossword imood | track your mood neko | cute cat that chases your mouse pollcode | custom poll maker website hit counter | track how many visitors you have
also, there's actually a pretty cool community of people out there who want to bring joy back to the web! melonland project | web project/community celebrating individual & joyful online experiences. Also has an online forum melonland intro to web revival | what is web revival? melonking manifesto | status cafe | share your current status nightfall city | online community onio.cafe | leave a message and enjoy the ambiance sadgrl internet manifesto | yesterweb internet manifesto | sadly defunct, still a great resource reclaiming online social spaces | great manifesto on cultivating your online experience
i want everyone to make a neocities site because it's fun af and i love seeing everyone's weird personal sites that they made outside of the control of capitalism :) say hi to me on neocities
EDIT: part 2!!
spin this list of all of the pokemon. you are now that pokemon.
Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
ok enough is enough. whichever one of you virgins invented instagram starbucks recipes, die 1000 deaths. I had a customer come in today holding out their phone (full brightness) and looking all shy and Im immediately like 🙄 fine ok, what does the instagram user want me to make for them this time. well this time it's a cringe harry potter themed frappucino. excuse me??? "can you make this for me?" I said excuse me??? -- I mean *customer service voice* "yeah it looks like I have all the ingredients, haha sure!"
ok cringe instagram harry potter frappucino drinker. ok. die. "Ive never had this drink before" yeah I can tell due to the fact that it didnt exist until someone posted a #aesthetic photo of it to instagram 14 hours ago ok. ok,
but whatever, Im paid to put up with this shit. so I add the ingredients all up on my computer and congrats! ur harry potter cringe social media drink has $10 worth of syrup in it. are you happy??? is this what you wanted??? a $10 frappucino??? $10. for a drink. you doubled the price of this drink for ur off-brand "harry potter and the legend of the overpriced starbucks drink" drink. you doubled the price!!! is this how u imagined spending ur day? is this what u wanted to do when u woke up this morning? $10 for a 24oz drink?
and u know, you KNOW the influencer making this recipe doesn't even work at a starbucks cause when it was all said and done the drink looked like shit. my blender was straining against the weight of your sins (and syrups) and Im sweating, Im an animal, Im losing my mind and my blender is getting watered down frappucino syrups everywhere -- u put so much shit liquid in this blender it doesnt even fit in the cup btw. it's making a huge mess. but is it instagramable? no, its fucking ugly. #trending #foryoupage #cringe $10 harold potter drink for adult children,
so are you happy? is ur social media influencer bestie happy? I made ur stupid $10 drink for u. does it taste good? no? well I hope instagram shuts down tomorrow. I hope you read a different book. I hope I never get sober. there is no sign of land. I hope you die. I hope we both die.
Rowen || all pronouns (go apeshit with them; if you wanna stick to one use they/them) || witch practitioner || 🍉free palestine🍉 || obsessed with the moon and stories || mainly a lurker, but can and will post/reblog random shit || pfp from pfp42 on tiktok, header from ouorname on pinterest
127 posts