I Spam Like So Often That I Sometimes Put Off Notifications For An Hour So That It Doesnt Look Like Im

What the fuck

Are they seriously holding against him that he tried to kill Thanos????? Or Malekith???

ʀᴇᴀʟɪᴛʏ ꜱʜɪꜰᴛɪɴɢ

𝐀 𝐆𝐮𝐢𝐝𝐞 𝐓𝐨 𝐒𝐜𝐫𝐢𝐩𝐭𝐢𝐧𝐠

This post will be an introduction to scripting - you can also use scripting for manifesting but this post will mainly talk about scripting from a reality shifting point of view. I will start off with some general calcifications for the people who are new to reality shifting itself.

𝐖𝐡𝐚𝐭 𝐈𝐬 𝐑𝐞𝐚𝐥𝐢𝐭𝐲 𝐒𝐡𝐢𝐟𝐭𝐢𝐧𝐠?

“Simply put, reality shifting is the movement of your consciousness from one reality to another (...). Think of yourself not as one physical body but as one conscious being that expands over all realities. When you shift, you tune into that consciousness in another reality.” - @astra-nomy

𝐂𝐨𝐦𝐦𝐨𝐧 𝐀𝐛𝐛𝐫𝐞𝐯𝐢𝐚𝐭𝐢𝐨𝐧𝐬

DR (desired reality) - The reality you want to shift to. You can have as many DRs as you want.

DR self (desired reality self) - This refers to yourself in your desired reality.

CR (current reality) or OR (original reality) - It’s the reality you’re shifting from to your DRs and back. Basically, the reality you're living in right now.

WR (waiting room) - This is a reality you can make up and use as something like a lobby where you can go to before shifting to your DRs. You don’t need a waiting room but many use it to spend some time there when they want to 'escape' their CR for a bit but also don’t want to go to their DRs.

-> ꜱᴄʀɪᴘᴛɪɴɢ

In the following paragraphs I will explain what scripting is and how to do it. I will also try to give you some ideas for scripting and answer some common questions.

𝐖𝐡𝐚𝐭 𝐈𝐬 𝐒𝐜𝐫𝐢𝐩𝐭𝐢𝐧𝐠?

If you want to shift realities you can write a script to define what you would like to experience in your DR - how you should look like, how you want things to play out or how you want the reality to look like etc. Whatever you script will happen in your DR.

𝐃𝐨 𝐈 𝐍𝐞𝐞𝐝 𝐀 𝐒𝐜𝐫𝐢𝐩𝐭?

No, not really. Scripting is completely optional and you don’t need a script to shift. As shifting mainly operates on the bases of your subconsciousness, you don’t need to script everything because your subconsciousness already knows what you want - because it's you. It's just that scripting helps most of us with visualizing certain things, organizing our thoughts and committing to our idea of what exactly we want to experience. Reading your script before attempting to shift can also make the process of shifting easier for you.

𝐖𝐡𝐚𝐭 𝐃𝐨 𝐈 𝐍𝐞𝐞𝐝 𝐓𝐨 𝐊𝐞𝐞𝐩 𝐈𝐧 𝐌𝐢𝐧𝐝 𝐖𝐡𝐞𝐧 𝐈 𝐖𝐚𝐧𝐭 𝐓𝐨 𝐒𝐜𝐫𝐢𝐩𝐭?

Actually, you don’t need to keep anything in mind while scripting. There are no rules on how to do it and there are many different ways to script. Just find a way of scripting that you enjoy.

The format doesn’t matter. You can find yourself a cute notebook and use it for scripting or you can make a digital script.

You don’t need to care about your way of phrasing things. You don’t need to write from a specific perspective. You can write it as if you're creating a character or you can write it from your point of view. Also, you don’t need to write full sentences. You can just write ‘brown hair’ instead of ‘I have brown hair’ or you can just use an emoji that shows someone with brown hair - it really doesn't matter how you do it as long as YOU UNDERSTAND WHAT YOU MEAN.

It is not always about writing, you can also use pictures to express what you mean. For example you can make a moodboard or create a file on your phone with pictures representing what you want. Or you can even make a presentation or a short video.

You don’t need to script every detail! The length of your script doesn’t matter! You could just write ‘I have brown hair.’ as the only thing to script and anything else in your DR would still include all the other things you want. I often see people who get anxious when they try to shift because they feel like they haven’t scripted enough - that is totally unreasonable! As I said before, your subconsciousness already knows what you want and making a script is not even necessary to begin with. So please be careful with getting obsessed with making your script ‘perfect’. If you can’t decide on something just leave it open instead of being unhappy with what you scripted- your subconsciousness will fill in all the gaps. Just make it enjoyable for yourself!

𝐖𝐡𝐚𝐭 𝐂𝐚𝐧 𝐈 𝐈𝐧𝐜𝐥𝐮𝐝𝐞 𝐈𝐧 𝐌𝐲 𝐒𝐜𝐫𝐢𝐩𝐭?

You can include anything you want! But I will give you some ideas on what to include but just know that they are not necessary.

ꜱʜɪꜰᴛɪɴɢ ᴀꜰꜰɪʀᴍᴀᴛɪᴏɴꜱ:

Here you can write down just normal shifting affirmations. You can also script how you shift like with a certain method or with a certain action like tapping your wrist free times and saying the name of your DR whatever.

ʏᴏᴜʀ ᴅʀ:

You can define how your DR looks like, what the living circumstances are, you can make up new stuff in your DR (especially if you're shifting to a series/movie). You can script that racism or homophobia and stuff like that doesn't exist there or just that everyone is being treated right. If your DR is based on a movie/series you can script that certain events don’t happen and you can make up new events/situationships. You can script certain scenarios you want to happen. Also, some people write down their first shifting moment - when and where they shift to and how they want it to play out. I also saw some people writing down stuff like ‘No one finds my behavior weird the first time a shift’ etc.

ꜱᴀꜰᴇ ᴡᴏʀᴅꜱ/ᴀᴄᴛɪᴏɴꜱ:

A safe word in shifting is a word or action or phrase you can say when you quickly want to go back to your CR or WR! It works instantly and it can be anything you want - many use something weird that you wouldn’t say normally in your daily life but something you can easily remember (something like ‘Hakuna matata’ or ‘Back to the ghetto’ lmao). If you want, you can also script that your safe words will only work when you want it to and/or you can script that you always remember your safe words.

ᴛɪᴍᴇ ʀᴀᴛɪᴏ/ᴛɪᴍᴇ ᴇQᴜɪᴠᴀʟᴇɴᴄᴇ:

Here you define how much time passes in one reality (CR/DR) when you’re in another reality. For example, you could just script that ‘1 Week in your DR equals 30 minutes in your CR’ or that ‘1 year in your DR equals 1 hour in your CR’. Also, you can script that no time passes in your CR when you're in one of your DRs. And the same goes the other way around (how much time passes in your DRs when you’re in your CR). There are some rumors going around that a huge time difference would strain your body once you come back to your CR but that doesn’t necessarily have to be the case. You could script that everytime you shift back to your CR you’re well rested and healthy - or something like that.

ʏᴏᴜʀ ᴅʀ ꜱᴇʟꜰ:

You can list personal details (name, age, birth date etc.). You can describe how you look like, what your personality is like, what kind of powers or skills you have, what kind of background you have, your life circumstances, your housing, your family etc.

ɪᴍᴍᴜɴɪᴛʏ/ꜱᴀꜰᴇᴛʏ ᴀꜰꜰɪʀᴍᴀᴛɪᴏɴ:

Really useful is also to script a certain immunity. I know that many people want to shift to certain realities that are a bit dangerous and where you have to fight and stuff so you could script something like ‘I am immune to being attacked/hurt. I am always safe and protected. I am immortal. I am immune poison or dr*gs.’ etc. I would also advise you maybe to script that you are immune to bringing trauma from your DRs to your CR and back or that your mental health stays unaffected. Also, you could think about what you would like to happen in the case of you dying in one of your DRs. I, for example, have scripted that I always wake up in my waiting room once I die in one of my DRs. It’s pretty much up to you what safety affirmation you use and it I guess it also depends on where you're shifting to.

ᴄʜᴀʀᴀᴄᴛᴇʀꜱ ᴀɴᴅ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘꜱ:

You can make up new characters in your DR or include people from your CR (like your best friend). You can script their appearance, personality, abilities, your connections with etc. The same goes for characters that are already in your DR, you can change them completely or you can script how you are connected to them, what kind of relationship you have with them or how you get to meet them etc.

ᴍᴇᴍᴏʀɪᴇꜱ:

It could also be interesting for you to think about how you deal with your memories. I saw someone writing down that they forget their CR memories for a certain period of time to really experience life in their DR and then get their memories back at a certain time (for example after they went through the main plot). You can also script that when you’re in your DR that your CR is a distant memory but you’re aware that you need to return to your CR. Regarding your life in your CR: You could script that the memories of your DRs are stored in a library in your Waiting Room or you can script that your DR memories are just like fainted memories (like that of dreams) in your CR - so that it doesn’t affect you too much in your daily CR life. If you have romantic/close relationships with people in your DR, I would recommend to script that you don’t feel these feelings as intense or not at all when you're in your CR (so that you don’t struggle with missing them or get ‘homesick’ in your CR). Another tip from me is that if you have a waiting room, try to shift to your WR first. There you can process the experiences of your DR and try to rest for some time and mentally prepare yourself for your CR life before shifting back to your CR - because many often struggle in their daily CR life after shifting back especially if they stayed in their DR for a long period of time - and you can avoid that if you give yourself enough time in (for example) a waiting room.

ᴏᴛʜᴇʀ:

As there is no limit to what you can script you can also include magical items (magical watch/bag etc) for your DR or stuff like ‘I don’t get my period in my DR.’ to make your life more easier there.

𝐒𝐜𝐫𝐢𝐩𝐭𝐢𝐧𝐠 𝐓𝐨𝐨𝐥𝐬

Again, it’s your choice on how to do it. Here I’ll just list some ideas for inspiration.

notion (it’s pretty famous in the shifting community and you can create your own templates and so on)

google docs

paper notebook

canva

pinterest (for pictures and for creating pinboards)

tumblr (I like creating moodboards like this or this )

picrew (for creating characters or scripting appearances)

artbreeder (also for creating faces and for defining your looks)

powerpoint (for making a presentations)

and many more :)

𝐒𝐢𝐝𝐞 𝐍𝐨𝐭𝐞

You don’t need to feel bad for what you script. It’s your choice. You can decide what you want to experience. Just keep in mind that you will really LIVE in that reality you scripted. So, don’t underestimate this and stay safe! <3

I hope this post is helpful to you guys. If you have more questions regarding scripting, I will add it to this post! - Just send me your questions. :)

© daisys-reality

My personal conspiracy theory: RFK’s brain worm isn’t dead. It’s piloting him Ratatouille style. It’s been steering him to a government health office for years as part of a grand plan to deregulate food safety so more and more people get parasites and the brain worm reigns supreme over a population that is slowly being eaten away.

Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.

Anthony and Cleopatra: here's the BBC version, here's a 2017 version.

As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.

Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.

Cymbelline: Here's the 2014 one.

Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.

Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.

Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.

Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.

King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.

Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.

Measure for Measure: BBC version here. Hugo Weaving here.

The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.

The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.

A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!

Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.

Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.

Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.

Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.

Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!

The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.

The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.

Timon of Athens: here is the 1981 movie with Jonathan Pryce,

Troilus and Cressida can be found here

Titus Andronicus: the 1999 movie with Anthony Hopkins here

Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.

Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.

The Winter's Tale: the BBC version is here

Please do contribute if you find more. This is far from exhaustive.

(also look up the original post from time to time for more plays)

genuinely fucked up that if i want to interact with someone online i have to say words and have a conversation instead of just mashing my face against them like a cat

happy ides of march eve remember to completely disregard any weird happenings or foreboding omens and look forward to tomorrows beautiful day

my tumblr experience (colorized)

I love screaming into the void, I do, but these normal text posts go absolutely nowhere and sometime it does get a bit frustrating

I'm reading Dr. Jackson Crawford's translation of the Poettic Eddas and I've found it great so far. His style of translation is very good at making the text accessible without stripping away the substance of the text.

He also made a fun translation of the Havamal into a cowboy that is so unnecessarily well done that it's funny.

Im trying to read the poetic edda so that i can actually understand the mythology im obsessed with but i have quickly realised that the translation im reading is udder garbage, it said that odin adopted loki which is not true theyre blood brothers not adopted father and son.

So does anyone know of any better translations?