Spin The Wheel And Let It Randomly Assign You A Gender Identity.

LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)

Production costs aside, clothes tell the audience about how characters think of themselves.

Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.

Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.

His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.

In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.

In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.

In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.

The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.

Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.

When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.

Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.

The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.

Thor. (Thor 1)

Thor is a brother. A prince. King. Lover. Fighter. Avenger. His identity is wrapped so tightly around these fragments that if he lets go, he’ll fall to pieces. But he’s fragmented because he shattered. And he shattered because of what happened in Thor: God of Thunder. 

Thor’s arc in the first movie, I believe, centers around the idea of consequences. It’s not falling in love with Jane, it’s not Asgard, not someone slapping him over the head. It’s the fact that his choices suddenly have weight and meaning. 

Thor gets banished for slaughtering Jotun unprovoked. 

Thor’s relationship with Jane, Darcy, and Erik is poor because he’s treating them like crap. 

Thor fails to capture his hammer because he’s not worthy. (To whatever standard Odin has set.) 

Thor, as he’s told, is the catalyst of his father’s death. 

There’s this moment in this scene when you can watch his face go from earnest to oh. That was me. I did that. Me. Not you. ME.

Thor is the prince of Asgard, which is basically an empire of nine worlds. He is used to having diplomatic immunity. He could do no wrong. With that ripped out away from him, Thor doesn’t talk. He shuts down, and settles inside himself, thinking. 

Not reacting. Thinking. 

Thor isn’t an idiot. He’s impulsive, there’s a difference. His first reaction is violence, because he was raised in a society where slapping your enemies over the head brutally was just something that was done. As much as I love Frigga, when Thor was banished, in the deleted scene, she didn’t go to Odin so tell him oh my gosh, our son killed all these Jotuns, why didn’t we teach him better? She complains that Odin’s punishment was too harsh. 

Thor has never been told to stretch this much, and had it stick before. And Loki does it. He does it in a way that’s a little cruel, and cold, but he tells Thor to stop being such an idiot. 

And Thor, miracle of miracles, actually listens. 

This is not a story of Thor becoming worthy. This is the story of Thor realizing where his priorities need to be. It’s the story of him growing up. 

And this is where we get to my final point. I think that almost none of this–none of it–would have sunk deeply into Thor’s psyche if Loki didn’t fall of the Bifrost when they fought. 

Look at them. Loki is dangling. Thor is being held onto by his foot. 

And Thor doesn’t care. 

Because the only thing he’s focused on is his little brother. Hanging there. Dying. His best friend that just tried to kill all the Jotuns. His confidante that just disowned him. His biggest supporter that fought him. And Thor doesn’t understand. He doesn’t understand. He doesn’t know what Loki uncovered at that point.

This is just his brother who is going to die if he doesn’t do anything. 

And then Loki addresses his last words to their father. Not him. Their father. And Odin rejects him. It always struck me that Thor sees Loki’s face close off and then immediately knows what Loki is going to do. He’s not surprised, he’s not shocked. He knows. Loki lets go, and Thor can’t catch him.

Thor can fly. Odin didn’t let him go until Loki was beyond any chance of recovery, and Thor blamed himself. He’s solemn after Loki’s death. He rejects his parents’ and friends’ comfort. He goes to Heimdall to start looking out for Jane, because he is not going to let someone else he cares about slip beyond his reach. 

Thor’s consequence for his actions in Thor 1 was his brother. And that nearly killed him. Thor 1 was never, never about becoming worthy. At least, not for Thor.

“How is he?”

“He mourns for his brother.” 

shorthands for dumbassery that i have grown to love deeply

"how dare you say we piss on the poor" in response to someone misinterpreting your post

"_ isnt gonna fuck you" for suck up behavior

"woah. should we tell everyone? should we throw a party?" for who the fuck cares

"and what if the world was made of pudding" for when would this ever matter.

"and sharks are smooth both ways" for a group of people heatedly arguing with 1 guy who is fucking with them all

".. but its about a witch in the alps finding her lost cat" for someone trying to sanitize something to the point of absurdity

uh oh! one of your organs has mysteriously vanished! Spin this wheel to find out which one!

Make the most of the next two months

Get all your vaccines

Travel while we have a functioning DOT

Read and buy books on feminism, anti-racism, pro-lgbt

Attend drag shows

Don't skip any of your classes

Read and buy history books

Find your out-of-state networks

Learn to carry cash

Get birth control solutions

Support the Biden/Harris administration

Postpone large purchases and save money

Be careful of what you say online, like un-ambiguous attacks against the incoming administration, especially in spaces that contain your full name or personal information

Feel free to add on.

Personally, this is not a bad character design

But you cooked better with your first design tho

I think the problem here is that he looks too fairy/court jester-y whereas the first design was unhinged in a trickster way

Absolute eyesore of a character

Absolute eyesore of a character

I'm reading Dr. Jackson Crawford's translation of the Poettic Eddas and I've found it great so far. His style of translation is very good at making the text accessible without stripping away the substance of the text.

He also made a fun translation of the Havamal into a cowboy that is so unnecessarily well done that it's funny.

Im trying to read the poetic edda so that i can actually understand the mythology im obsessed with but i have quickly realised that the translation im reading is udder garbage, it said that odin adopted loki which is not true theyre blood brothers not adopted father and son.

So does anyone know of any better translations?

Only day you can reblog this

This but it's actually a thing for my fandom that the character is written badly and not cared for by basically everyone except their actor. So I've made it my sworn duty to protect the og version of him and rewrite the present narrative to follow the beats that the studio seems to want for the franchise without sacrificing the character.

You don't have to tell me I have a problem. I know.

i mean this in the gentlest possible way but if 75% of what you're posting for a given fandom is fuming rage spirals then maybe just maybe it's time to take a step back and consider whether or not you're actually having any fun with this optional thing you do for fun