Hello :) Just To Say That I Am Loving Your Writers Page, It's Helping Me Out So Much With My Character

Hello!!!! Do you have any tips / prompts for slowburn? Or romance in general? It's been a long time since i wrote about love and I think I'm rusty ;;;

Hi :)

Here are some tips for writing slow burn romance.

Slow burn

Slowing it down

make it slow, but not too slow. Give the readers little moments and interactions at first and then show how they develop a deeper connection over time

you need realistic reasons for why they are not together yet

here are two lists of reasons why people break up while still loving each other and for forbidden love that you could both use

Chemistry

make it realistic, a couple with good chemistry needs to be balanced

they need to have similarities to make them connect, but don’t just agree with everything the other one is doing

same goes for contradicting traits, it is important to show the differences and working around them makes for a good partnership, but don’t have them fight constantly

Don’ts

slow burn is often full of mistakes, misunderstandings and problems, but your characters should never do something that is unforgivable for the other person

don’t make one person totally unlikable without a believable redemption arc and the other person to be a sweetheart, because chances are, the readers may not even want them to be together in the end

don’t make the pair dysfunctional without giving the reader reason to believe that they better themselves and their relationship, otherwise the reader will leave the happy ending feeling like this is not going to work out in the long run and is therefore really unsatisfying

Prompts

I don’t have specific prompts for slow burn right now, but check out my romance tag if there is something in there that inspires you. Here are two older prompts I instantly thought of (from this post).

“We don’t have to go quick if you feel uncomfortable. I just need to know that we’re moving somewhere.”

“I just can’t. Not right now.” “That’s ok. Is it alright if I wait for you?“

Have fun!

- Jana

Words to Describe Someone's Voice

I went scouting through the internet for words to describe a character’s voice. Here’s a handy list for all you writers:

Adenoidal/Nasal - Some of the sound seems to come through the nose.

Appealing - Shows that you want help, approval, or agreement.

Breathy - With loud breathing noises.

Brittle - You sound as if you are about to cry.

Croaky - Sounds as if they have a sore throat.

Dead - They feel or show no emotion.

Disembodied - Voice comes from someone who you cannot see.

Flat - Spoken in a voice that does not go up and down.

Fruity - Deep and strong in a pleasant way.

Grating - Unpleasant and annoying.

Gravelly -  Low and rough.

Gruff - Has a rough low sound.

Guttural - Deep and made at the back of your throat.

High-Pitched - Very high and shrill.

Hoarse -  Low rough voice, usually because their throat is sore.

Honeyed -  Falsely sweet voice.

Husky - A husky voice is deep and sounds hoarse often in an attractive way.

Low - Quiet and difficult to hear / in a deep voice.

Matter-of-fact - Used about someone’s behavior or voice.

Modulated - Controlled and pleasant to listen to.

Monotonous -  Boring because it does not change in loudness or become higher or lower.

Orotund - Loud and clear.

Penetrating - So high or loud that it makes you uncomfortable.

Plummy - This word shows that you dislike people who speak like this.

Quietly - In a quiet voice.

Raucous -  Loud and sounds rough.

Ringing -  very loud and clear.

Rough - Not soft and is unpleasant to listen to.

Shrill -  Very loud, high, and unpleasant.

Silvery - Clear, light, and pleasant.

Singsong - Rises and falls in a musical way.

Small - A small voice or sound is quiet.

Smoky - Sexually attractive in a slightly mysterious way.

Softly Spoken - A quiet gentle voice.

Sotto Voce - A very quiet voice.

Stentorian - Loud and severe.

Strangulated - One that someone stops before they finish making it.

Strident -  Loud and unpleasant.

Taut - Shows someone is nervous or angry.

Thick - Voice sounds less clear because of an emotion.

Thin -  High and unpleasant to listen to.

Throaty - Low and seems to come from deep in your throat.

Tight - Shows that you are nervous or annoyed.

Toneless - Does not express any emotion.

Tremulous - It is not steady because you are afraid or excited.

Wheezy - Has difficulty breathing.

Wobbly - Unstable tone due to fright or emotions.

You probably heard this a lot but your writing is so amazing it's literally god tier omg 💖 If you don't mind answering, do you have any writing tips? I really wanna improve my writing and try to be as good as you. (keyword: try)

oh god uh

so here’s a little list of stuff I PERSONALLY do, but please remember everybody writes differently and that’s a GOOD THING so this might not work for everybody

1. Skip around

Sometimes you just get a SCENE, like one specific scene in your head that you want to write. Write it out, and if it doesn’t end up working in the fic, copy and paste it into a different document and keep it, because it’s very possible (and LIKELY) that you’ll use it later in the story. It’s a way of pre-planning if you’re not one of those authors that likes to plan a strict outline at the very beginning, at least you’ll have a general roadmap based off scenes you’re imagining and have already partially written. I have a close friend who works for a publishing company and she always told me to start as close to the end as possible when you’re writing. It’ll not only encourage you to have a fluid, overarching plot line already thought out, but if you put all your effort and energy into writing an impeccable beginning, your story will gradually lose that spark as you go on.

2. Take a solid break between writing and editing

If you can swing it, try not to look at your story for a few days after you’ve finished writing the first draft. If you wait, the words will hit differently and it’ll allow you to edit as if you have a fresh set of eyes. Sometimes that isn’t possible, especially if you’re like me and procrastinate hardcore, but that also leads into my next tip

3. Write when you’re tired, edit when you’re awake

You’d be surprised at how fluidly the words will come when you’re not awake enough to focus on them. Seriously. Writer’s block can hit, and that SUCKS, but I’ve noticed a lot of that can just be due to you being overcritical of your work WHILE you’re writing it. You can totally be a writer AND an editor, but you can’t do both at the same time. It’ll hinder your creativity and stunt your progress, and it’s a hard mindset to escape. That’s why I usually write really late at night, sleep, and then edit the next day.

4. Actually write

This is an important one, kinda self-explanatory. It’s also usually the one people struggle with the most. Writing is hard. It’s HARD. It takes brainpower and determination to do, it doesn’t just come naturally. STORYTELLING is a natural human instinct, coming up with ideas and sharing them with friends, but actually taking the time to write it DOWN and make it COHERENT and COMPLETE is something altogether different. It’s exhausting and sometimes you just don’t want to do it. Do it anyways. Think about the end goal, not the effort it’ll take to get there. Keep writing, keep adding a sentence or paragraph or page every single day, and the more progress you make, the easier it’ll become. Lastly,

5. Set deadlines

This one is a little bit of a catch 22 and I don’t recommend it for everyone. This is only if you struggle with perfectionism and feel like you’ve spent literal MONTHS to YEARS on a single piece of work because it’s just not there yet. If you’ve had a document that you’ve been working on for a long ass time and you haven’t published it, set a deadline for posting. ANNOUNCE the deadline, even if you don’t have many followers who are paying attention. It might be a little anxiety inducing to set a date for yourself without having it finished, but it will force you to drop that perfectionist streak that’s stunting your work and buckle down instead. Again, THIS IS NOT FOR EVERYONE. I just personally was one of those fanfic authors that had 22 unfinished google docs and zero of them published after years of writing. I started setting deadlines for myself, and now I actually get to share my stuff with yall instead of hiding it away and being too critical about it. Deadlines. Deadlines suck, but they encourage productivity in some individuals, and I happen to be one of them.

Try some of these things out, see if they help any!! 🧡🧡

So I thought this was commonly known internet navigation (but apparently it might just be those of us who have been using the internet since the 90's who still know it). Or so it seems based on... a grumpy comment I got.

When you see an arrow like this:

It means you click it to expand out a hidden section.

It's an accordion section/menu! It's useful in web design to hide information that may be overwhelming under specific headers so people can only see what they need.

Here I'm using it for people who need the content warnings to be able to check, but for those who don't need them and don't want to be spoiled to just move right past without accidentally reading anything.

It's still the user's responsibility to click the arrow and read things as they need! But it is all warned. (And, yes, the all encompassing issues are already a tag on the fic, I'm just providing additonal warnings per chapter.)

A Flirting Guide For Writers (And Real World Usage)

I reblogged a post a day or so ago, and the result (which made me sad) was mostly people saying that they feel they cannot flirt (and therefore cannot write it effectively). 

So I thought I’d share my own, admittedly limited, knowledge (under the guise of writing advice) so that you can all write kick-ass romance and show your feelings like the boss-ass-bitches you are! 

The Basics; Eye-Contact, Personal Space, Body Language

The thing about flirting is that most of it is non-verbal, and the world is split between those writers who find this part the easiest, and those who find it the most incomprehensible. 

The problem is that it’s all dependent on a fine, mostly unspoken, line which makes the interaction creepy if crossed. When writing a character who is trying to flirt with someone, or when trying to flirt with someone yourself, you need to keep three main things in mind; personal space, body language, and potential restriction. This is especially important for men. The problem is that this is mostly instinctual, and so it can be hard to write if you haven’t had time to develop the right skills yourself. 

Personal space

When trying to show that your character is flirting you need to make a note of them moving into the other person’s personal space but not too much. Consider this; someone leaning into your space just a little to speak to you versus someone being practically nose to nose with you. One catches your attention, the other is uncomfortable at best and intimidating at worst. The idea is to lean in enough to show interest and create a sense of intimacy, without becoming overbearing or threatening. As a rule, I find that I begin to feel uncomfortable if a man I’m not sure of gets closer than the distance it would take to perform a ballroom Waltz. 

To get an idea of how that looks, hold up your hand at arms length as if pushing someone away or pressing against a wall. Now slowly bend your elbow until the point sits just under your breast or pectoral muscle. 

That’s the maximum personal space invasion I allow from people I don’t know well. In my experience, this is common to many women, though others prefer more space. Likewise, in my experience, men I have met seemed perfectly comfortable with me being closer than even that, but I am small, relatively unthreatening, and we have to allow for the fact that we were in the position of viewing each other as romantic interests. Men may prefer more space from other men, or from individuals that they do not see in a romantic light already. This changes from person to person, and noting your characters preference is a good way to show what kind of person they are.

Eye-Contact 

Another fundamental which relies on instinct subtlety; conventional wisdom says that you should make eye-contact in order to show interest. Actual wisdom will also tell you that too much becomes intense and a little creepy. If your character holds someone’s eye for too long its becomes fixative rather than flirtatious; it becomes staring. Depending on your character and their interest this can either read as obsessive, creepy, or aggressive. 

Flirtatious eye contact can take a few forms; 

1 - the “getting caught” method where a person looks at someone and quickly looks away again. When caught have your character (or yourself) look away quickly and then back, hold eye contact for a few moments and then acknowledge the other person. A smile, wink, or nod will suffice for this. 

2 - the “lash” method where someone, usually a woman, catches their crushes eye, looks down, and then back up from under the lashes. Also very effective when done by men with big eyelashes. 

3 - the “full cheese” method by which someone winks, grins, or wiggles their eyebrows. This is effective when used sparingly. 

If your character also touches the person they are flirting with lightly, this will build tension. The touch should be gentle, but obviously deliberate. Avoid possessive gestures like gripping or pulling, however. 

Body Language

When flirting, the body language of both people is important; your character should watch their crush for signs of interest and/or discomfort. 

Positive signs; leaning in, touching, playing with hair, smiling, licking or biting lips, tilting their head slightly, mirroring. 

Negative signs; leaning away, crossing arms, pursing lips, refusing to make eye-contact, raising their shoulders, crossing their legs away from the other person, frowning, clenching jaw, balling fists. 

This body language can apply to both characters in the scene. 

Advanced Techniques; Verbal Cues, Suggestions, And Other Senses

This is the shit I thrive on, as a writer you will probably feel the same way; I notice the sounds, smells, and textures of another person as well as what they say (in fact, when you read my work you’ll notice that the smell of any romantic lead is noted upon more than once). 

Verbal Cues

This is the thing that most people focus upon when it comes to discussions or attempts at flirtation. The verbal sparring that comes with flirting is what really gets our stomachs churning and our hearts pulsing… but why are some people so naturally good at it, while others are… less so? 

And why does some of the most vapid and run-of-the-mill stuff seem to work between the right people? 

Well, the sad news for your unlovely characters is that physical attraction makes us more likely to respond to even the most poorly constructed of verbal flirtation. Then again, beauty is in the eye of the beholder so even the least pretty of characters could find themselves flirting up a storm with the right person. 

Verbal cues include; 

- Gentle teasing 

- Compliments

- Inside jokes

- Using someone’s name (yes, really)

- Asking questions and responding in a thoughtful way

- Sexual innuendo (when used tastefully and sparingly)

Suggestion

This is the easiest to miss or overshoot because it’s a combination of everything else we’ve already covered. For example, your character saying to a friend, 

“I’m just going to hop into the shower, talk soon.” 

Is not a suggestive statement. Now imagine your character flirting with someone on the phone before sighing and saying, 

“I’m going to take a shower… I’ll speak to you soon, ok?”

The difference is subtle but important; the second suggests that they don’t want to stop talking to the other person, that they definitely want to speak to them again as soon as possible, and subtly encourages the other person to consider them in the shower. You see? 

Easy to miss, easy to fudge. Suggestion is hard to pull off, and hard to write, but think of it this way - suggestion;

1) Encourages the other person to think of you/your character in an intimate way

2) Implies enjoyment in and desire for their presence

3) Is open-ended and encourages reciprocation

The Other Senses

This is not so much flirting, but the act of making your character/yourself as appealing as possible to another. Personal hygiene, a good fashion sense, and good manners are a part of this.

But - 

When writing about this you should not discuss it directly unless your character is making a conscious choice. Instead, focus on the character that yours is focussed upon. 

- How do they smell?

- What are the textures of their clothes?

- What manners do they affect?

- Does their voice have a texture?

- Do they touch your character a lot? 

- Do they note upon your characters smell or noticeably try to take in their smell? 

- Do they react noticeably to your character’s voice or mannerisms?

This is just a basic guide, of course, but if you get this down you’re in a good position to build romantic tension in every walk of life!

If you found this post useful and you want to help keep me writing, you can support me through Kofi!

Because We're More than Eyes and Hair!

I think 90% of writers will agree that in their first drafts of their first pieces, they’d describe a character like “she had blonde hair and green eyes” and leave it at that. I’m guilty of it, I’ll admit. But why not have some great, specific descriptions that flesh out your characters and how others perceive them?!

A quick note about eyes: In all honesty, eye color isn’t always apparent. Eyes may look dark from a distance, and you only realize they’re a deep blue when you get closer. Don’t feel like you have to mention eye color right away. It can be something mentioned later, when your characters have a soulful heart to heart.

Btw, I threw this list together in about 10 minutes so I’m sure there are other things that could be added. Feel free to comment or message me, and I’ll add them to the master list.

Hair

Long

Short

Wavy

Curly

Frizzy

Straight

Choppy

Thick

Thin

Braided

Tied up

Loose

Wild

Face

Long

Narrow

Wide

Round

Oval

Eyes

Round

Narrow

Squinty

Deep-set

Small

Beady

Oval

Nose

Narrow

Pinched               

Wide

Flat

Crooked

Hooked

Pointed

Large

Dainty

Cheeks

Rosy

Ashen

Ruddy

Freckled

Round

Gaunt

Pronounced (cheekbones)

Bronzed

Tanned

Dimpled

full

Chin

Sharp

Round

Cleft

Pointed

Jaw

Square

Round

Straight

Strong

Lips

Full

Plump

Thin

Pinched 

Body (build, frame)

Slight

Willowy

Scrawny

Tall

Bulky

Average

Large

Stout

Curvy

Shapely

Straight

Bony

I also claimed stuff like this will help with characterization. I’ll give an example. For a body frame, “scrawny” and “willowy” mean kinda the same thing—someone with a thin, slight built. If your character is describing the girl they’ve had a crush on forever, they’d probably use a word like “slender” or “willowy,” because they’re fond of her. A longtime rival or enemy might stick to words with a negative connotation, like “scrawny” or “bony.” For someone they’ve just met, the terms will probably be more neutral. Consider how your narrator thinks of the person they’re describing, and how that’ll affect the words they use!

I’ll include some examples…?

Ignoring his warning, I stepped back towards Liam and the barely-contained Suni. She was pretty, now that I got a good look at her standing up. She was half a foot shorter than my own 5’6”, with shapely curves hinted at even with her loose clothing. Maybe a bit chubby by today’s toothpick thin standards, but more with muscle than fat. Strong cheekbones and full lips accented her long mahogany face, but it was her eyes that dominated her features. Sharp aqua eyes that were fixed on Kent. If looks could kill.

Kent was back at my side as the knight-armored man turned to face us. Although still young, he had to be at least ten years older than me, with a broad face and warm green topaz eyes staring down a surprisingly dainty nose. Deep, carrot-red hair framed his face. When he smiled, it was kind and genuine, and it dimpled his sun-kissed cheeks.

“Hey, girl,” she said, grinning in a way that showed she was trying to be in with the teen slang. She was blonde like my dad, but shorter and with a little more weight around her neck and cheeks, since she didn’t have to appear on national television all the time. There was also a sparkle to her eyes and an air of carelessness in her frazzled, tied back hair and the dimpled smile of her cheeks—features I’d never see from Dad (frazzled and smiling, I mean), who was always the perfect News Anchor Ethan Cresswell.

Common Phrases Correctly

Words to replace said, except this actually helps

I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.

IN RESPONSE TO Acknowledged Answered Protested

INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified

GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed

FOR SOMEONE ELSE Advised Criticized Suggested

JUST CHECKING Affirmed Agreed Alleged Confirmed

LOUD Announced Chanted Crowed

LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned

ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore

SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized

ASSHOLE Bellowed Boasted Bragged

NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered

SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted

FIRST OFF Began

LASTLY Concluded Concurred

WEAK PUSY Begged Blurted Complained Cried Faltered Fretted

HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed

WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved

BRUH, CHILL Cautioned Warned

ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted

CHILL SAVAGE Commented Continued Observed Surmised

LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed

BRUH I NEED U AND U NEED ME Confided Offered Urged

FINE Consented Decided

TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered

JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched

WASN’T ME Denied Lied

EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened

BORED Droned Sighed

SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered

DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached

OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled

ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered

ANNOYING Nagged

I DON’T REALLY CARE BUT WHATEVER Guessed Ventured

I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled

I WONDER Pondered Voiced Wondered

OH, YEAH, WHOOPS Recalled Recited Remembered

SURPRISE BITCH Revealed

IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted

BITCHY Tattled Taunted Teased

So apparently last year the National Park Service in the US dropped an over 1200 page study of LGBTQ American History as part of their Who We Are program which includes studies on African-American history, Latino history, and Indigenous history. 

Like. This is awesome. But also it feels very surreal that maybe one of the most comprehensive examinations of LGBTQ history in America (it covers sports! art! race! historical sites! health! cities!) was just casually done by the parks service. 

Hey guys! As a writer myself, it’s hard to have a lot of resources for writing in one place. That’s why I decided to create this masterpost, and maybe make more if I find future resources. I hope you like it, and expect to see more masterposts like this in the future!

Generators

Character

Appearance Generator

Archetypes Generator

Character Generator

Character Traits Generator

Family Generator

Job/Occupation Generator, (II)

Love Interest Generator

Motive Generator

Name Generator

Personality Generator, (II)

Quick Character Generator

Super Powers Generator

Names

Brand Name Generator

Medicine Title Generator

Name Generator

Quick Name Generator

Vehicle Generator

Town Name Generator

Plot

First Encounter Generator

First Line Generator, (II)

Plot Generator, (II), (III)

Plot Device Generator

Plot Twist Generator

Quick Plot Generator

Setting/World-Building

City Generator

Fantasy Race Generator

Laws Generator

Pet Generator

Setting Generator

Species Generator

Terrain Generator

Prompts

Subject Generator

”Take Three Nouns” Generator

Word Prompt Generator

Misc

Color Generator

Decision Generator

Dialogue Generator

Journey Generator

Title Generator, (II), (III)

Some Tips

Just a few I found from the writing tips tag!

Writing action / @berrybird

How to create a strong voice in your writing / @collegerefs

How to plot a complex novel in one day! / @lizard-is-writing

8 ways to get past writer’s block / @kiramartinauthor

psa for writers / @dasakuryo

”Write Using Your 5 Senses” / @ambientwriting

How People Watching Improves Your Writing / @wherethetransthingsare

Writing Science Fiction: Tips for Beginners / @fictionwritingtips

Creating Likeable Characters / @authors-haven

Vocabulary

Descriptive words / @somekindofstudent

Words to replace “Said” / @msocasey

Obscure color words / @mintsteelpeachlilac

Words to spice up your stories / @busyibee

Words to describe someone’s voice

Words to Use Instead of Very / @gaybybirth

Touchy Feely Words / @gaybybirth

Some Advice

Stephen King’s Top 20 Rules for Writers

”But my plot isn’t UNIQUE or BIG enough!” / @youreallwrite

8 Things Every Creative Should Know / @adamjk

(How To) Get Over Comparing Yourself to Other Creatives / @adamjk

How to Get Over Common Creative Fears (Maybe) / @adamjk

14 Tips From Stephen King On Writing / @i-can-give-you-prompts

Playlists

Electronic Thoughts / @eruditekid

“Mix About Writing” An Instrumental Mix / @shadowofemirates

Shut Up, I’m Writing! / @ninadropdead

Chill / @endlessreveries

Breathtaking Film Scores / @tweedskirts

Music to Write to Vol. 1: Starlight / @crestadeen

Music for Written Words / @ghoulpatch

Dead Men Tell No Tales / @scamandersnewt

Fatale / @dolcegf

All These Things that I’ve Done / @referenceforwriters

Feeling Soaking into Your Bones / @verylondon

I Can Feel Your Pulse in the Pages / @rphelper

Morally Ambiguous / @scamandersnewt

Wonderwall / @wheelerwrites

Pythia / @mazikeene

Ballet: To Dance / @tanaquil

Websites and Apps

For Writing

ZenPen: A minimalist writing website to keep you free of distractions and in the flow.

The Most Dangerous Writing App: A website where you have to keep typing or all of your writing will be lost. It helps you keep writing…kind of. You can choose between a time or word count limit!

Evernote: An online website where you can take notes and save the product to your laptop and/or smartphone!

Writer, the Internet Typewriter: It’s just you and your writing, and you can save your product on the website if you create an account.

Wordcounter: A website to help check your word and character count, and shows words you’re using frequently.

Monospace: An Android app for writing on the go when you feel the inspiration, but you don’t have your laptop on you!

For Productivity

Tide: An app that combines a pomodoro-esque timer with nature sounds and other noises! (Google Play / Apple Store)

ClearFocus: An Android app with a pomodoro-type time counter to let you concentrate easier and stay productive.

Forest: An app with a time counter to keep you focused and off your phone, and when you complete the time limit, a tree grows in your garden! (Google Play / Apple Store)

SelfControl: A Mac downloadable app that blocks you from distracting mail servers, websites, and other things!

Prompt Blogs

@writeworld

@dialouge-prompts

@oopsprompts

@prompts-for-the-otp

@creativepromptsforwriting

@the-modern-typewriter

@theprofessionalpromptmaker

@writers-are-writers

@otp-imagines-cult

@witterprompts

@havetobememes

@auideas

@putthepromptsonpaper

@promptsonpaper

@fyotpprompts

@otpisms

@soprompt

@otpprompts

@ablockforwritersblock

@awritersnook

Writing Tips Blogs

@writeworld

@anomalously-written

@awritersnook

@clevergirlhelps

@referenceforwriters

@whataboutwriting

@thewritershelpers

@nimblesnotebook

@slitheringink