Sackvillesque - CUT WITH THE KITCHEN KNIFE

I used to play the saxophone in middle school 🕴️

it's so weird to me that everyone on this website is a human person outside of their weird internet niche so rb this with a random bit of your lore

“You glow like a perfumed lamp In the gathering shadows.”

— Wu Tsao, from For the Courtesan Ch’ing Lin; Women Poets of China (tr. by Kenneth Rexroth)  

i love this maker😭

@bajaja-blast tag

Tag game: make yourself as a little guy

Tagged by: @thanatos-zagreus-shagreus

Tagging: @thiamsxbitch @rhyslahey @myinnerguineapig and whoever else is up for doing it 💙

john and yoko in Japan!!

this applies heavily to me, maybe some people can tell by the username 😔

I noticed if I’m gonna be obsessed with a straight historical figure then you bet im gonna be more interested in their girlfriend than their existence.

anyone who has “known for being the love interest of ___” in their Wikipedia page I’m sorry those Wikipedia contributors did you dirty like that.

btw op (I don’t care that this isn’t Reddit) has good taste in historical figures

just realized that my favorite historical figures are always the less well-known gay lover of a famous historical person

1994 flyer for UK record label Soul Static Sound.

Soul Static Sound was a weird little label. It started out showcasing bands aligned in some way with the riot grrl scene, such as Skinned Teen, Huggy Bear and Kicking Giant. But it also made room for other kinds of bands well-removed from mainstream pop sensibilities, as shown here in a catalog listing releases by New York experimental rock band God Is My Co-Pilot, ragged pop enthusiasts Comet Gain and a couple of Sebadoh offshoots (Unconvinced and Sparkalepsy).

Where it got really weird is when the label turned hard in the mid-to-late nineties away from guitar-based sounds towards post-rock and electronica. (That was somewhat of a trend back then. Even Mr. Indie Pop himself, Mike Schulman, turned his attention from Slumberland Records for a bit to spotlight this newer music via his offshoot label, Drop Beat Records.)

This flyer dates from what I’d consider the heyday of Soul Static Sound, also listing what looks like a few gigs near the bottom. I’d gladly travel back to May 29, 1994 for a chance to see Pram and Prolapse on the same bill.

Egg: fried

steak: medium rare

milk: milktea

alcohol: peanut butter whiskey /j

potato: smash potato

spice tolerance: asian

tags: anyone I don’t want to spam peoples notifications