Ukrainian Folk Haircare Minute With Red: If You Wish Your Hair To Grow Long, As You Comb It, Whisper,

“You are reborn with the roses, in every spring.”

— Juan Ramón Jiménez, from The Selected Writings; “Love,” wr. c. 1911 

The Dark Hedges, Northern Ireland. Source

My friend sent me this today and I thought it was very important to share for all my fellow Viking/Norse mythology lovers. Daily reminder: fuck white supremacy.

if you blow out candle you BLOW AWAY the MAGIC and ur spell goes pllphfphphphhhhhhbbb into the wind and WON'T WORK

A Lesson for Young Witches

If you cannot find representations for a given element, remember…

You are supported by a rigid skeleton made of minerals. You are earth.

Your body is over 70% fluid. You are water.

Your lungs take in and expel breath. You are air.

Your blood is warm and your brain runs on electrical impulses. You are fire.

Your essence, however you describe it, resides within you. You are spirit.

You are composed of gifts from every element, and every element is given marvelous life in you.

Never feel that you are insufficiently magical for lack of icons or accoutrements or accessories.

You are ALWAYS magic. You are ALWAYS enough.

'Concerning The Powers and Virtues of Pine, Rustic Lord of the Lonely Places'

"The Pine stands as the ally of the Wayfarer upon the Path for its many uses, both practical and magical. The presence of Pines is an indication of life, as the Trees tend to grow in community and attract diverse beasts and worts to their domains. Dead wood provides excellent kindling for the fire, and live wood cut for timber is one of the most versatile and workable of woods. Nuts found within the cones provide a wholesome food to sustain the body; all species are edible. Its sap is both nutritive and medicinal, and, should additional sustenance be needed, the green needles may be brewed into a nourishing tea. Thus, though often found spreading its branches in the wild lands, the Pine-forest serves as a place of Sojourn and respite whilst walking the path in pilgrimage.

The Genius of the Pine, despite its preference for wilderness, is on the whole friendly toward man, hence its adaptation in many circumstances to domestic existence, and bestows the virtues of ingenuity and adaptation. In species it numbers almost one hundred, widely distributed throughout the world, and some kinds, such as the Bristlecone, may attain ages in advance of 4,500 years. Though numerous exotic conifers have come forth unto Albion in recent centuries, its principal Pine-warden is the magnanimous Pinus sylvestris or Scots Pine, which may be seen in its truly wild state now only in isolated places in the Highlands, however in certain hedges in East Anglia it curiously makes a home among the more usual hardwoods common there.

With most Pines, trunks of larger trees reveal sap-flows where the fragrant resin has hardened; this may be collected and used for varied purposes of Art, such as for fumigation or for making varnishes. However, not every Pine species produces resin of good and wholly aromatic quality, thus it is a matter of discernment which the simpler must arrive at by cunning and diligent investigation. Where a certain pine resin is left wanting with regard to its aromatic properties, it may still be used as an agent of binding.

Needles harvested and dried green will retain aromatic virtue and may be burnt, together with resin and cones, as a suffumigant strong in powers of earthing, and keeping haunting shades of the dead at bay. This power of removing ghost-infection is doubly potent in the resin.

The cones, after having expelled their seeds, serve as encharmed vessels for the work of thaumaturgy, each of the numerous hollows capable of being filled with a different enchantment. Likewise, the hollows of a cone may be packed with flammable unguents, aromatic resins and powders, and the whole set to roast slowly upon the hearth-fire of working as a splendid perfume. Such aromatic ingredients may be derived from the Pine direct, in the form of resin, ground bark and needles, and twigs, or from other worts and trees as dictated by Ingenium."

—

Viridarium Umbris:

The Pleasure Garden of Shadow

3: ‘The Book of Going Forth into the Field of Cain’

by Daniel A. Schulke

When you sing a hymn, a chant, a dua, a line from the bible, or if yu recite a Dharani, a Mantra, a scripture - know that it's not just you. There are all the leaves on the trees, all the stones, all the twigs. There are the insects on the floor, the worms, the caverns. There are the spirits of the air, the devas, the asuras, the spirits of the wandering dead. There are the organisms of your body, that reside on your skin and in your gut.

There are the spirits of trees, the spirits of the animals. Whenever you recite, know that you are praying in front of thousands upon thousands of powers and forces. They begin to sing, and they impact thousands of powers and forces. The seeds for awakening are placed in them.

Of Toads and Toxins

Warning: This post is super rambley and I’m sorry

(Shout out to Courir le loup-garou for being an amazing resource)

Three things have been on my mind a lot lately: ancestors, malefica, and the toad. So imagine my happiness and surprise when reading a blog post about Toads in French-Canadian folklore/folk magic being poisoners.

Since discovering French-Canadian sorcellerie via courir le loup-garou I have been trying to incorporate parts of it into my practice as a way of connecting with my Québécois roots. I’ve even recently found a language learning app that offers Canadian French/Québécois so I plan on learning the language as a way to further connect. Very very exciting!

I’ve also been slowly getting into using poisons more in my practice, specifically working with the plants spirits as allies and less working directly with them in herbal preparations. I’ve been particularly drawn to mandrake and foxglove. Foxglove specifically for its link to the fayerie folk so it makes sense to work with as someone who follows Fayerie Traditionalism.

~(I blame Coby of The Poisoner’s Apothecary for the poison path focus lol)~

In connection to the poison path is malefic magic. The idea of the witch as a poisoner, a blighter of crops, a caster of curses. Not that I’m someone who wants to just throw hexes around like they’re nothing but I’m more interested in studying them and researching how they operate magically.

The toad spirit has been one that has floated in and out of my craft for YEARS never fully leaving but not always being of high importance. I think that’s really because I’ve never figured out how to work with this spirit in a way that makes sense to my and my craft. Reading the blog on toads in French-Canadian folklore has given me some possible inspiration. I’m hoping to commune with the spirit of Toad to learn more of cursing and malefica and to employ my toad imp to carry out any curses or hexes that I may weave.

🌙French traditional witchcraft!

🌙Sorcellerie traditionnelle française!

🍄Reblog si tu es un.e sorcier.ère française ou intéressé.e par la sorcellerie française !

🍄Reblog if you are a french witch or if you are interested in French witchcraft!

Reblog In 5 seconds for good luck