Saintedsorcery - The Road Beneath The Hill

Art Of Maquenda, Dukkha Lustre

Heresy As Healing

When I first got into paganism and witchcraft, I did what I think a lot of people do and took a very hard turn in to “fuck Christianity!” The literature and discourse of the early and mid 2000′s didn't help this mindset either. There was a lot of talk about how Wicca (I was an eclectic wiccan at the time) was the survival of an ancient pre-Christian religion and that Christianity stole its practices, holidays, and pretty much everything else, from paganism.

Needless to say my religious baggage went unpacked for YEARS?

That was until i left my more Wicca-inspired practice and found “traditional witchcraft”. In these spaces i found something that i had been lead to believe was impossible: Witchcraft and Christianity coexisting. Not only coexisting, but a style of witchcraft created by almost biblical teachings on their heads and pulling out the magic. Lucifer and Azaezel being sources of witch-power, Cain being the first Sorcerer, the witch’s horned one as the Devil! Seeing the witch-trials as not simply a tragedy, but pulling wisdom and magic from the confessions. All of this was new and exciting!

Beginning my research into this amazing new avenue was the first step in healing my heart and soul from the hitherto ignored scars left by my time in the Church. The more I walked this strange and crooked path, the more I found value in heresy. Calling to the Man in Black at a crossroads, flying from my body to the Witch’s Sabbath, reciting the Lord’s Prayer backwards. All of these were powerful in ways I never thought they could be. I laughed at myself. If you had told me at 18 that in 5 years id be dancing with the Devil, I would have raged about there being no Devil in the Craft. While I understand now why the 90s-2000s were so “anti-devil” and “love and light” I’m glad that we can now look at witchcraft and its history with a more nuanced lens.

Now in some ways I've come full circle. I am not a Christian, and I don't think i ever will be, but I pray to saints, I have a growing interest in Mary, I use psalms and bible verses in my spell work, i craft rosaries as a devotional act to the spirits I serve and honour. My patron goddess has even started to come to me with Marian imagery and titles.

In Fayerie Traditionalism/Fayerism we’re encouraged (sometimes outright told) to avoid and expunge all Abrahamism from our lives and certainly from our Sorcery. We’re told that there is no magic or value in Abrahamic traditions. This has been my biggest hurdle with this path. For me, i find so much power in using folk magic that would be deemed “witchcraft” by the Church, regardless of how much scripture is in it. I think to continue this idea of “there's no place for Christianity in witchcraft” does such a disservice to the history of witchcraft in Europe and the US. So many practices would not exist if our ancestors had not learned to synchronize and hide in plain site. I’m not calling on God when I use a psalm to heal, I'm speaking words of power that have been spoken for centuries by other healers and workers. When I pray the rosary, I do it to honor my ancestors who found comfort in it. 

For me, the catholic folk magic and heretical aesthetics do not deter me from path of Fayerie Traditionalism, it is simply another avenue to the same goal. The spirits of this tradition have not shown any ill-will to how I work. Gwynn still comes when I call him “Devil” or “Master” and Gwynnevar herself told me to call her “Our Lady Down Below” or “Our Lady of the Mound/Hill” Taking back my power from Christianity and seeing the Wisdom in its heresy has made me a better person and a stronger sorcerer. I have not lost my faith in the Fayerie People but have come closer to them. 

All this is to say:

Be free

Be powerful

Be a Heretic

Nema

[ Bells ] /French Folk Traditions.

1. “Living Entities”____

Since the Middle Ages, the ringing of church bells punctuated daily life and alerted folks in case of danger.

They are also considered as almost living entities : they have a voice and are baptized like children.

At Easter, when they are silent, “they’ve gone on a trip to Rome.”

In the 16th century, J. Wier tells us that the common people are convinced that the devil knocks down the bells that have not been baptized, while those that have been baptized drive out demons and storms.

Father Thiers will explain that they are not baptized but simply blessed, even if they are given, as is the custom, a godfather and a godmother.(…)

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2. Omens_____

In one of her letters (April 1680) a nun from the convent of Loudun recounts that a bell wheel broke while the bell was ringing for the burial of the “Mother of the Cross”. This was immediately taken to be “an omen of some affliction which was to befall the community” à sand indeed, a fortnight later, the mother prioress died [while] in good health.

In the Côtes-d'Armor, the more or less harmonious sound of the bells reveals to a young mother who has just given birth whether her first child will live or die ; for the omen to be favorable, she must succeed in placing the words of a song on the melody that she seems to hear in the ringing of the bells. (this one is for you @hillsarehollow 🧡)

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3. Storm Chasers / Hex Chasers_____

“During the storms, one runs immediately to the bells and one makes them ring with all force and with all their might, as if they were a sovereign remedy…” (Wier, 1569)

In Vosges, they say that you have to act as soon as the first rumbles of thunder strike, because if you ring them too late, they tear up the clouds and cause hail to fall.

The bells are also rung at certain times of the year to protect the territory of the parish from the evil spells of the devil and sorcerers.

Father Thiers relates that a bell must be rung for 24 hours on the eve of Saint John at dawn. (Haute-Marne, Moselle, Vosges, Rhône.)

The bells are also rung on the night of Saint Agatha (February 5) to scare away the witches running around that night.

It should be noted that the protective virtue of bells extends to cowbells and other bells that are suspended from the neck of cattle, against disease, lightning and evil spells.

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[ Miscellaneous outputs from Sébillot, Van Gennep, and M. Delmas]

(& a solstice gift @toverijennspokerij, @graveyarddirt, @poemsandmyths) 🧡

The Sabbat was held as the Mirror rode high and full. The stang was lit, the spirit amassed, and the Dragon awoken from within the deep heart of the flames. The mighty serpentine force rose higher and higher as the mill was trod, the whole of the compass becoming bathed in the pale light of the vibrant stars bespekling the great black mare and the eldrich spirits attending the holy rite.

The sacred paint was enchanted and made manifest with blood, wort, and oil in the mysterious rites of the black cauldron. Then used to inscribe the first sigilum upon the brow of the beast, the witch’s hand guided by the dark whispers of the unknown ones.

The bestial, raw, and primal Scarlet King was beckoned forth, drawn toward the ensourceled goat skull at the base of the Great Tree. The hissing flames announced his arrival, the eyes opened and gazed upon us, and thus did He begin to speak…

Soon, I feel, shall the next sigilum be enscribed upon his ivory skull. Thus shall we continuing to therein enflesh the luminious bestial form and bring forth the great King to the Witches’ Sabbat.

'Concerning The Powers and Virtues of Pine, Rustic Lord of the Lonely Places'

"The Pine stands as the ally of the Wayfarer upon the Path for its many uses, both practical and magical. The presence of Pines is an indication of life, as the Trees tend to grow in community and attract diverse beasts and worts to their domains. Dead wood provides excellent kindling for the fire, and live wood cut for timber is one of the most versatile and workable of woods. Nuts found within the cones provide a wholesome food to sustain the body; all species are edible. Its sap is both nutritive and medicinal, and, should additional sustenance be needed, the green needles may be brewed into a nourishing tea. Thus, though often found spreading its branches in the wild lands, the Pine-forest serves as a place of Sojourn and respite whilst walking the path in pilgrimage.

The Genius of the Pine, despite its preference for wilderness, is on the whole friendly toward man, hence its adaptation in many circumstances to domestic existence, and bestows the virtues of ingenuity and adaptation. In species it numbers almost one hundred, widely distributed throughout the world, and some kinds, such as the Bristlecone, may attain ages in advance of 4,500 years. Though numerous exotic conifers have come forth unto Albion in recent centuries, its principal Pine-warden is the magnanimous Pinus sylvestris or Scots Pine, which may be seen in its truly wild state now only in isolated places in the Highlands, however in certain hedges in East Anglia it curiously makes a home among the more usual hardwoods common there.

With most Pines, trunks of larger trees reveal sap-flows where the fragrant resin has hardened; this may be collected and used for varied purposes of Art, such as for fumigation or for making varnishes. However, not every Pine species produces resin of good and wholly aromatic quality, thus it is a matter of discernment which the simpler must arrive at by cunning and diligent investigation. Where a certain pine resin is left wanting with regard to its aromatic properties, it may still be used as an agent of binding.

Needles harvested and dried green will retain aromatic virtue and may be burnt, together with resin and cones, as a suffumigant strong in powers of earthing, and keeping haunting shades of the dead at bay. This power of removing ghost-infection is doubly potent in the resin.

The cones, after having expelled their seeds, serve as encharmed vessels for the work of thaumaturgy, each of the numerous hollows capable of being filled with a different enchantment. Likewise, the hollows of a cone may be packed with flammable unguents, aromatic resins and powders, and the whole set to roast slowly upon the hearth-fire of working as a splendid perfume. Such aromatic ingredients may be derived from the Pine direct, in the form of resin, ground bark and needles, and twigs, or from other worts and trees as dictated by Ingenium."

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Viridarium Umbris:

The Pleasure Garden of Shadow

3: ‘The Book of Going Forth into the Field of Cain’

by Daniel A. Schulke

Oh mirror of the otherworld to what depth do you call.

Far beyond the threshold yet not that far at all.

Oh mirror of the otherworld to what visions do you see.

Stars that shine like diamonds in the blackness of the sea.

Sean Mundy

Cycles, 2020

Instagram //  Prints // Twitter

Little things I've picked up

When blowing out candles, if I have trouble blowing them out, it usually means I'm not finished yet

Offering homemade goods is a surefire ancestor pleaser

Let nature help you create. Ask kindly for supplies, and you will receive

It's okay to take breaks. Recharging your metaphorical batteries allows your brain to processes the knowledge it's learned and integrates it into your system

While getting caught up in aesthetics can make your craft vapid, they play a role. Making yourself look fearsome to ward off "evil" spirits is an incredibly old tradition that spans many cultures. Aesthetics matter. But don't get lost in them

Like becomes like. The more I find myself gathering from the pine forests and leaving offerings for the land wights, the more I find myself becoming like the land. If you do the same, you'll find the same. And embracing this will embolden the power you hold over your craft

Whistle. Whistle to everything. To the birds, to the trees, to the bugs and the leaves. Whistle. And if you can't whistle, hum. Just make sure you take caution if you hear a whistle back.

Taking control can be hard. But you need to assert yourself. Stomp on your ground. Breathe deeply. Affirm your presence. You are a metaphysical lightbulb, and deciding how brightly you shine depends on where you plug yourself into. Be bright when needed. And dim when necessary

The most common trees in your area will be your best friends. Learn of them. Commune with them. Hug them

Bones. That's it. Bones

And always remember to use critical thinking skills and discernment. Be open, but be critical. Make sure you're not deluding yourself

Join me on my journey to finally unbalance my hormones, toxify my body, boost my inflammation, maximize my cortisol and absolutely destroy my gut health.

Of Toads and Toxins

Warning: This post is super rambley and I’m sorry

(Shout out to Courir le loup-garou for being an amazing resource)

Three things have been on my mind a lot lately: ancestors, malefica, and the toad. So imagine my happiness and surprise when reading a blog post about Toads in French-Canadian folklore/folk magic being poisoners.

Since discovering French-Canadian sorcellerie via courir le loup-garou I have been trying to incorporate parts of it into my practice as a way of connecting with my Québécois roots. I’ve even recently found a language learning app that offers Canadian French/Québécois so I plan on learning the language as a way to further connect. Very very exciting!

I’ve also been slowly getting into using poisons more in my practice, specifically working with the plants spirits as allies and less working directly with them in herbal preparations. I’ve been particularly drawn to mandrake and foxglove. Foxglove specifically for its link to the fayerie folk so it makes sense to work with as someone who follows Fayerie Traditionalism.

~(I blame Coby of The Poisoner’s Apothecary for the poison path focus lol)~

In connection to the poison path is malefic magic. The idea of the witch as a poisoner, a blighter of crops, a caster of curses. Not that I’m someone who wants to just throw hexes around like they’re nothing but I’m more interested in studying them and researching how they operate magically.

The toad spirit has been one that has floated in and out of my craft for YEARS never fully leaving but not always being of high importance. I think that’s really because I’ve never figured out how to work with this spirit in a way that makes sense to my and my craft. Reading the blog on toads in French-Canadian folklore has given me some possible inspiration. I’m hoping to commune with the spirit of Toad to learn more of cursing and malefica and to employ my toad imp to carry out any curses or hexes that I may weave.