Half-formed Ramble About Magical Identity

Trump for Prison Tuesday, March 21, 2023

Like to charge reblog to cast

‘Mercury’ ‘Saturnia’ ‘I am Adonai’ ‘Spirit Forest III’ art by C. M. Kosemen

Goldfish breeds and other aquarium fishes, their care and propagation, 1908

Kevin Lenaghan, “Stairway”, “Glass Palace”, and “Crystal Stairway” (2021)

Lady Day

mystical rose (pray for us) tower of david (pray for us) tower of ivory (pray for us) house of gold (pray for us) ark of the covenant (pray for us) gate of heaven (pray for us) morning star (pray for us) – litany of loreto

Some of my favorite Marian items out for Lady Day [Annunciation].

see also: #annunciation, #mary

Localizing Your Practice

So much witchcraft emphasizes how important it is to honor and work with the Earth, but then teaches us spells with ingredients we basically have to import using locations we don’t have access to. It’s rare to find an existing grimoire or guide book that actually works with where we live. We can still use them, but it doesn’t enhance our connection to our local land, which to many can feel important. Here are some tips for localizing your practice and working with the land you actually live on.

See what nature exists around you. Explore your own backyard with a critical eye. What plants can you actually go and pick yourself? What are those plants associated with? Do you have access to a creek or river? What does your local land actually have on it? If magic correspondences for your local plants haven’t been written about, you may have to do your own research. Example: I grow several plants on my back porch which I can potentially use for magic.There are magnolia trees and rhodedendrons on the grounds of my apartment complex. My parent’s neighbors have chickens in the backyard, so I have access to some feathers when they shed. 

Check out local folklore, legends, etc. This is one of my favorite parts, but can also be the hardest. What are the stories of your area, both on a local and cultural scale. Example: A West Virginian may incorporate legends of the Mothman. Everyone says that one building on my old college campus is haunted (and they’re right.) People talk about that liminal-space feeling when you drive down that one road at night.

Find the magic spots. Sometimes the urban legends will tip you off to these (usually in a bad way) but other times you can find them on your own. A place where the energy is just right for some reason. A place you can go to be closer to nature, or a place you could host a ritual if needed. Sometimes it’s just a place where you can feel your mind open a little bit. Example: The shady corner of a public park. The tunnel downtown. That weirdly-perfect circle of trees in the woods behind Wal-Mart.

Meet your land wights. Spirits of the local land. This could be the fair folk, but also house spirits, the spirits of the trees near you, the nature spirits of wherever you are. They’re there. Be good to them and they’ll be good to you! Note: Some spirits and wights will not be interested in working with you, and that’s okay. I generally think it’s good to at least leave a polite offering to just be on general decent terms even if you never work with them more directly beyond that. 

Check in with your Seasons. Harvest holidays generally don’t have actual lifestyle importance to most people reading this. The seasonal shifts other people write about may be from a very different climate than yours! Figure out a calendar that works for you. It doesn’t have to be detailed, but something that ties you to the seasons as you actually experience them. I also love working in any fun annual festivals nearby, if any.

Traditional Ways to become a Sorcerer

Having the Gift

The Second Sight, Varm Hander (warm hands, healing hands), or diviner. Usually inherited from a family member or a past ancestor. 

Acquiring the Gift

Given to the practitioner by the spirits, by hugging a tree in which a cuckoo sings, touching or eating a white snake, touching the death shroud of a child, or sleeping under a coffin in which a dead person is displayed. 

Utesittning (sitting outside)

This may be sitting out in a cemetery, sitting at a crossroads, walking around a church three times and then sitting on the steps, going out in the forest and waiting for the forest spirits to teach you. 

Learning from a Teacher

This relates to the passing on of power. In Scotland, Faery Seers would pass on the power by placing one hand atop the initiate’s head, and another below their feet while the initiate stepped on the Seer’s left foot and looked over their right shoulder. It is said that the a teacher should not teach anyone older than themselves, and that if they teach a charm or rune, they will lose their power over that incantation forever. Also joining a secret society, like the Horseman’s Word. 

Standing outside of Society and the Church

This involves renouncing one’s baptism, staying away from society, becoming “violent” or wild. In one ritual, a seeker of magic would take scrapings from a church bell to a deep lake. There, they would cast the scrapings into the lake saying: “As far as these scrapings are from the bell, so too shall I be far from God.” And walk away without looking back. 

Having and learning from a Blackbook. 

Owning and learning from a Blackbook, or Svartebok, was another way to gain mastery over magic. This book may be given by the Devil or some other spirit at a crossroads or in a graveyard. It may be given by a teacher. Or it may be dictated by the spirits in spirit trance. 

The Toad Bone Rite

Crucifying a toad upon a tree, then collecting its bones from an anthill. One of the bones would float upon throwing them into the river. The seeker would then fight with the Devil over possession of the bone. Should the seeker succeed, then they would have power over man and beast.

Our Wish for the End, Me, Digital Collage, 2020

Sean Mundy

Cycles, 2020

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When someone blogs about a spell, consecration, ritual or any personal magical or witchcraft work, they usually leave something out intentionally or unintentionally, said or unsaid. My first witchcraft teacher taught me to always add something to my spell work and especially if a spell had an even number of components to make it odd by addition. As a witch you need to make a spell your own, something that you and your spirits add to the mix. While most anybody can use a well made spell without edit to reasonable success, a witch tends to seal theirs with some personal flair. I have not heard this specific advice repeated by any of my subsequent craft teachers; however, it rings so true and perhaps sensible that I have always held it. Of course my subsequent teachers have emphasized making your own spells. So the emphasis on personalized witchcraft holds.