This Is A Summary Of College Only Using Two Pictures; Expensive As Hell.

This Is A Summary Of College Only Using Two Pictures; Expensive As Hell.
This Is A Summary Of College Only Using Two Pictures; Expensive As Hell.

This is a summary of college only using two pictures; expensive as hell.

That’s my Sociology “book”. In fact what it is is a piece of paper with codes written on it to allow me to access an electronic version of a book. I was told by my professor that I could not buy any other paperback version, or use another code, so I was left with no option other than buying a piece of paper for over $200. Best part about all this is my professor wrote the books; there’s something hilariously sadistic about that. So I pretty much doled out $200 for a current edition of an online textbook that is no different than an older, paperback edition of the same book for $5; yeah, I checked. My mistake for listening to my professor.

This is why we download. 

 Alternatives to buying overpriced textbooks

Textbooknova 

Reddit

Bookboon 

Textbookrevolution 

GaTech Math Textbooks

Ebookee 

Freebookspot 

Free-ebooks

Getfreeebooks 

BookFinder

Oerconsortium 

Project Gutenberg

More Posts from Sanyairana and Others

10 years ago
Notice Something In Common In These Photos?
Notice Something In Common In These Photos?
Notice Something In Common In These Photos?

Notice something in common in these photos?

It’s not what you think

I gave it away in the third pic

That’s right! None of these cops are wearing badges or name tags! I wonder why… seems like it’d be important to wear those, since it’s even illegal not to in other states…

10 years ago

at what point do american children realise it’s weird for them to pledge allegiance to their flag and country every day at school and that not all countries do that and how long after that discovery do they realise how creepy it is

why is this something no one talks about because it concerns me on a very deep level

9 years ago

Here’s my life. My husband and I get up each morning at 7 o’clock and he showers while I make coffee. By the time he’s dressed I’m already sitting at my desk writing. He kisses me goodbye then leaves for the job where he makes good money, draws excellent benefits and gets many perks, such as travel, catered lunches and full reimbursement for the gym where I attend yoga midday. His career has allowed me to work only sporadically, as a consultant, in a field I enjoy. All that disclosure is crass, I know. I’m sorry. Because in this world where women will sit around discussing the various topiary shapes of their bikini waxes, the conversation about money (or privilege) is the one we never have. Why? I think it’s the Marie Antoinette syndrome: Those with privilege and luck don’t want the riffraff knowing the details. After all, if “those people” understood the differences in our lives, they might revolt. Or, God forbid, not see us as somehow more special, talented and/or deserving than them. There’s a special version of this masquerade that we writers put on. Two examples: I attended a packed reading (I’m talking 300+ people) about a year and a half ago. The author was very well-known, a magnificent nonfictionist who has, deservedly, won several big awards. He also happens to be the heir to a mammoth fortune. Mega-millions. In other words he’s a man who has never had to work one job, much less two. He has several children; I know, because they were at the reading with him, all lined up. I heard someone say they were all traveling with him, plus two nannies, on his worldwide tour. None of this takes away from his brilliance. Yet, when an audience member — young, wide-eyed, clearly not clued in — rose to ask him how he’d managed to spend 10 years writing his current masterpiece — What had he done to sustain himself and his family during that time? — he told her in a serious tone that it had been tough but he’d written a number of magazine articles to get by. I heard a titter pass through the half of the audience that knew the truth. But the author, impassive, moved on and left this woman thinking he’d supported his Manhattan life for a decade with a handful of pieces in the Nation and Salon. Example two. A reading in a different city, featuring a 30-ish woman whose debut novel had just appeared on the front page of the New York Times Book Review. I didn’t love the book (a coming-of-age story set among wealthy teenagers) but many people I respect thought it was great, so I defer. The author had herself attended one of the big, East Coast prep schools, while her parents were busy growing their careers on the New York literary scene. These were people — her parents — who traded Christmas cards with William Maxwell and had the Styrons over for dinner. She, the author, was their only beloved child. After prep school, she’d earned two creative writing degrees (Iowa plus an Ivy). Her first book was being heralded by editors and reviewers all over the country, many of whom had watched her grow up. It was a phenomenon even before it hit bookshelves. She was an immediate star. When (again) an audience member, clearly an undergrad, rose to ask this glamorous writer to what she attributed her success, the woman paused, then said that she had worked very, very hard and she’d had some good training, but she thought in looking back it was her decision never to have children that had allowed her to become a true artist. If you have kids, she explained to the group of desperate nubile writers, you have to choose between them and your writing. Keep it pure. Don’t let yourself be distracted by a baby’s cry. I was dumbfounded. I wanted to leap to my feet and shout. “Hello? Alice Munro! Doris Lessing! Joan Didion!” Of course, there are thousands of other extraordinary writers who managed to produce art despite motherhood. But the essential point was that, the quality of her book notwithstanding, this author’s chief advantage had nothing to do with her reproductive decisions. It was about connections. Straight up. She’d had them since birth. In my opinion, we do an enormous “let them eat cake” disservice to our community when we obfuscate the circumstances that help us write, publish and in some way succeed. I can’t claim the wealth of the first author (not even close); nor do I have the connections of the second. I don’t have their fame either. But I do have a huge advantage over the writer who is living paycheck to paycheck, or lonely and isolated, or dealing with a medical condition, or working a full-time job. How can I be so sure? Because I used to be poor, overworked and overwhelmed. And I produced zero books during that time. Throughout my 20s, I was married to an addict who tried valiantly (but failed, over and over) to stay straight. We had three children, one with autism, and lived in poverty for a long, wretched time. In my 30s I divorced the man because it was the only way out of constant crisis. For the next 10 years, I worked two jobs and raised my three kids alone, without child support or the involvement of their dad. I published my first novel at 39, but only after a teaching stint where I met some influential writers and three months living with my parents while I completed the first draft. After turning in that manuscript, I landed a pretty cushy magazine editor’s job. A year later, I met my second husband. For the first time I had a true partner, someone I could rely on who was there in every way for me and our kids. Life got easier. I produced a nonfiction book, a second novel and about 30 essays within a relatively short time. Today, I am essentially “sponsored” by this very loving man who shows up at the end of the day, asks me how the writing went, pours me a glass of wine, then takes me out to eat. He accompanies me when I travel 500 miles to do a 75-minute reading, manages my finances, and never complains that my dark, heady little books have resulted in low advances and rather modest sales. I completed my third novel in eight months flat. I started the book while on a lovely vacation. Then I wrote happily and relatively quickly because I had the time and the funding, as well as help from my husband, my agent and a very talented editor friend. Without all those advantages, I might be on page 52. OK, there’s mine. Now show me yours.

Ann Bauer, ““Sponsored” by my husband: Why it’s a problem that writers never talk about where their money comes from”, http://www.salon.com/2015/01/25/sponsored_by_my_husband_why_its_a_problem_that_writers_never_talk_about_where_their_money_comes_from/ (via angrygirlcomics)

This is so important, especially for people like me, who are always hearing the radio station that plays “but you’re 26 and you are ~*~gifted~*~ and you can write, WHERE IS YOUR NOVEL” on constant loop.

It’s so important because I see younger people who can write going “oh yes, I can write, therefore I will be an English major, and write my book and live on that yes?? then I don’t have to do other jobs yes??” and you’re like “oh, no, honey, at least try to add another string to your bow, please believe that it will not happen quite like that” 

It’s so important not to be overly impressed by Walden because Thoreau’s mother continued to cook him food and wash his laundry while he was doing his self-sufficient wilderness-experiment “sit in a cabin and write” thing.

It’s so important because when you’re impressed by Lord of the Rings, remember that Tolkien had servants, a wife, university scouts and various underlings to do his admin, cook his meals, chase after him, and generally set up his life so that the only thing he had to do was wander around being vague and clever. In fact, the man could barely stand to show up at his own day job.

It’s important when you look at published fiction to remember that it is a non-random sample, and that it’s usually produced by the leisure class, so that most of what you study and consume is essentially wolves in captivity - not wolves in the wild - and does not reflect the experiences of all wolves.

Yeah. Important. Like that.

(via elodieunderglass)

10 years ago
On A Mission by Mark Bridger
On A Mission by Mark Bridger

On a mission by Mark Bridger

Short-eared Owl


Tags
9 years ago

The year Hogwarts reopens

The Great Hall is quiet when the first years come in. They are watched by everyone else, but even the young ones can see gaps in the tables, and they knew it was from the students who would never come back.

The hat does not just sing about the houses this year. It tells a tale of the Hufflepuffs who lay down their lives, smart Ravenclaws who used every trick they knew, cunning Slytherins who protected the young from a war and brave Gryffindors who fought alongside them all.

One by one the first years were sorted, and they slowly filled the gaps in the table.

The headteacher stands, and before they eat, she reminds them all that houses only show your traits, not who you will turn out to be. And then she tells them that rules are changing. Houses are allowed - and should- mix during meals.

Nothing happens at first. But then a few stand up, mostly siblings, and they change tables. At first there is a strange silence but slowly the room relaxes and new friendships start to grow.

By the end of the first week, most people sit at different tables every meal.

By the end of the first term, the four tables are no longer separate. They are now pushed together into a giant square, so students can sit all together.

The teachers watch on, shocked it worked so well, but also pleased, because no child will ever be alone or feel out of place, and the friendships between houses finally looks the way the four founders always wanted it to be.

11 years ago
This Girl At My School Wrote An Article And I Think You Should Read It

this girl at my school wrote an article and i think you should read it

10 years ago
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction
Chemical Reaction

chemical reaction

10 years ago

http://xtransbabyx.tumblr.com/post/99948470637/starlingsongs-when-trans-women-are-mocked-and

When trans women are mocked and made into jokes in the media, I get very upset, and I am often told “Kay, you can’t go through life getting offended every time someone makes a joke.” And I sputter and object but they don’t hear me. So I want to be clear for once, about why...

9 years ago
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl
You Are A Hurricane Of A Girl

you are a hurricane of a girl

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sanyairana - Sanya i Rana
Sanya i Rana

Alyssa | 27 | Trans (she/her)

253 posts

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