Considering the vast majority of the fandom calls Ranni a spoilt, selfish little princess for not wanting to play nice with the god and order that destroyed her home and drove her mother insane, it really doesn’t surprise me in the slightest that many would also not see what’s wrong with how the other races in the lands between are treated.
It seems like anyone who tries to break the status quo in the lands between is often painted out to be a villain in the fandom's eyes, unless they do it in a purely pacifistic way. Including the tarnished themselves.
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Side note but this is also why I feel like any ending that reninstates the golden order as it was (including goldmasks ending) are some of the worst in the game. The persecution of many of the other races in the lands between aren’t going to stop if the golden order is put back in power. The golden order at its core was about trying to brute force control and "order" into the world by assimilating everyone else into it.
It kind of shocks me how people in the Souls fandom do not see Albinaurics as real people. Or even the Misbegotten rebelling in the Castle Morne as something they had to do.
“You need to spend dozens of hours reading item descriptions and watching lore videos to understand the story of fromsoft games” factoid actually just statistical error. Lore hunter Georg, who spends upwards of hundreds of hours analysing the story and lore of these games and cross referencing interpretations of the plot is an outlier and should not have been counted.
This is something I think about a lot. Hero’s are just not allowed to retire or rest in media.
Most of the time in these long running “fight against evil” stories, they either eradicate the threat all together or they die trying. They’re never allowed to go “ok, I’ve been doing this for a long time but I’ve got friends and family that need me now, maybe it’s time to pass the torch and focus on training up younger people to tackle these challenges.” which would be a very reasonable and dare I say smart thing to do. But no, they’re just expected to burn themselves out like a candle to keep their society warm.
I think it is really indicative of what our society considers virtuous that 'you have been fighting for so long, why don't you put down your sword and rest' is so often used in fiction by the villain as a temptation against the hero.
Why is "let yourself rest" considered to be the devil talking?
There’s some sort of comedic irony to how many people have latched onto Miquella as this sort of ‘holier than thou’ good guy of the elden ring story, especially considering how little we actually know of him.
I’m not saying that he isn’t this pure, uncorrupted pillar of righteousness that people present him as, there’s obviously no way for me to know that, but the absolute certainty that people talk with when discussing his character that he only had everyone's best intentions at heart is kind of funny when you realise that one of the only things we know about him for certain is that he learnt how to compel the affection of others.
Out of every unknown character in this game the community could unanimously decide is a great person it's just funny how it ended up being the character with the cannon ability to make people like him unconditionally.
is there anything specific you think you'd like to know? I love this game a lot and like to think I'm pretty deep into the story/lore side of things
I don’t think I ‘hate’ a single Elden Ring character. Each and every one is designed so compellingly, their stories are so varied, their interactions while sparse are the type to carry magnitudes of meaning.
Example:
For the longest time I did not realize that the scene we stroll into at Castle Morne is a slave rebellion. The misbegotten are treated as chattel. My first go around I assumed “ah yes, monster attack castle, understand”
It wasn’t until I watched a random lore video that only referenced it that I got it. I went back and read the descriptions of stuff and I’ll be damned.
There’s a lot of little tidbits hidden here and there that flip entire perspectives on their heads. Preaching to the choir on this point.
Even the characters that I generally dislike/disregard (dung-eater, (hot take) Varre, selvus) I still find fascinating. One of the cool parts about the game is you can just kill the character you don’t like. If you’re doing a run and you want to get a little roleplay in, sometimes murder freak be murdering.
Personally, I’m not on twitter, instagram (used to be), deviant art (do people still use that), or anywhere else ((I Do have a blue sky but I think I’m too dim to use it just yet)) . I’d love to be in a space where people talk more about lore or art things! I haven’t the foggiest clue where to go though. When I hear people say “everyone hates on xyz character” or “this fandom is so nuts” or whatever I am genuinely confused. I’m only seeing a portion of the stuff here, and so far it’s been more than pleasant! Big ups to the people on here, so far you’ve all been very kind 😊
So I guess, could I ask anybody to fill me in? Or where to go to get filled in?
In the meantime I want you to know I’ve started working on a pair of drawings centered around Malenia and Miquella - ooooo be so tragic oooooo
Screw Marika's motivations. I want to know what the fuck is up with Melina and Ranni. Why do they seem like 2 halves of the same whole?
Why are they so similar design wise? Why are they both "burned and bodiless"? Why are they the only characters that know torrent on a first name basis? Why do they both share the same closed eye aesthetic? Why do their faces complete eachother if you overlap them? Why do these two, seemingly completely unrelated characters have so much in common? What the fuck is going on?!
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Semi side rant incoming but what if those eye markings that Melina and Ranni have are markings of an Empyrean? I mean, other than Ranni have we ever actually seen the full, undamaged face of an Empyrean before? By the time we see Malenia, Marika and even to a certain extent Ranni’s own face they’re all damaged to the point where any marking would be long gone (and we just straight up never see Miquella’s face) and we conveniently also never see a proper painting or depiction of any of the Empyreans faces ever throughout the game. Sure there’s a couple statues here and there but I’d believe that tattoo/mark details would be left out of that sort of stuff.
I believe that Radahn held the stars in place when Ranni began fearing her fate. She never wanted to become a puppet to the two fingers, and Radahn knowing this attempted to hold off her destiny for as long as possible. Though he likely knew that it would be an inevitability. The only other two living empyreans were cursed afterall.
There was no way that Miquella or Malenia would be able to take Marika’s place, the two fingers weren’t even the slightest bit interested in either of them. Malenia was already claimed by the God of Rot and Miquella was perpetually in a state of adolescence. Ranni seems to be the only one who was ever actively bothered by her fingers and I believe this is because they had an intense desire for her to be the next god, assuming Miquella and Malenia as lost causes due to their curse.
I think this is when Miquella came to Radahn with a proposition. He will be seeking godhood. Even if the two fingers had no interest in him, even if the world thought him too small and frail to ascend, he was going to find a way, no matter the consequences. He was determined to become the next God and lead the world into an era of abundance and peace. To fix the mistakes of the past.
He only had one simple request.
“Promise me, you’ll be my consort.”
If Miquella were to ascend then Ranni would be free of her duty. She’d be able to live in peace knowing that she’d never have to be controlled by another's will. She wouldn’t have to become a god, she wouldn’t have to succeed queen Marika. And to top it all off, Radahn would get to play the role of his hero Godfrey. Ushering in a new era alongside a new god.
It was perfect.
That was, until the night of the black knives. The night the world was thrown into chaos. The night that the first demigods fell. And the night that he lost his sister.
Radahn likely wouldn’t have known about Ranni’s plot and would have thought her dead alongside the other victims of the night. Ranni was gone, and with her, so too was Radahns need for Miquella’s age.
I believe Radahn, fueled by grief, rage and the mad taint of his greatrune, denounced Miquella and struck out on his own as a warrior of the shattering. He didn’t need peace, he didn’t need Miquella. All he wanted was to fight. All he wanted now was endless war.
Maybe that would be enough to dull the pain of his loss? Not only the loss of his sibling and father, but also the loss of his purpose.
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Now picture Miquella. Making the final preparations to begin his ascension. Only there’s one problem. His consort has abandoned him at the very last moment. As it turns out, it seems Radahn never really cared for Miquella or his visions for a new age, he was only really in it for his own gain.
Imagine how devastated Miquella would be. Knowing that yet another one of his plans had fallen apart at the finish line. That the person he trusted to rule alongside him didn’t even hesitate to abandon him when it was no longer convenient for him.
His ascension to godhood would never happen. He would never be able to heal his sister. He would never be able to bring forth an age of compassion. He would never be able to right the wrongs of the past.
He had failed again.
Now imagine how furious this would make his people. How angry his followers and his sister would be to see Miquella rejected at such a pivotal moment. To see him mourning a consortship and an age that would never come to pass.
Is there really any wonder that they chose to march towards Caelid and deliver the promised consort by force?
Something curious I noticed recently while exploring Farum Azula is that some of the curtains draped around the area share a passing resemblance to the fabrics seen in Marika's bed chamber, and of the ones seen in the depiction of Marika from the opening cutscene.
I'm sure this isn't a particularly new discovery, and the designs aren't exactly the same, but they're just similar enough that it got me thinking.
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Funnily enough Maliketh also shares a very similar veil to Marika's (the thing connected to his elbows and looping around his back.) His even seems to have the same golden edges as the ones from Farum azula.
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To me it seems like black fabric with golden plant detailing's are a bit of a motif with Marika. Which is nice to know, considering how little we actually know about her. (It's also pretty sweet that she has matching outfits with Maliketh)
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But if this design is a running theme with Marika specifically and not just a mistake I'm making then it begs the question. Why does this ancient, timeless, crumbling city in the sky that's presumably much older than every other area in the game have Marika's favourite design decorating its walls?
Is Marika from the time of Farum Azula? The time of Placidusax? Is Marika his missing god who he's been waiting for? That should be impossible, and maybe it still is, but she seems to have some sort of connection to this place. If not for her design adorning its walls then certainly for her godly appointed body guard living here.
Her body guard who, by the way, uses a weapon that has cultural significance to the society of Farum Azula.
You know, the society that was blasted off the map by a meteor long before the age of the erdtree even began.
This was just supposed to be a nice little post about a small detail I noticed, and now it's turned into this. I don't even know if any of this actually makes sense but I've tried my best to put it together in an understandable way.
There's still so much to go into regarding this theory (why did Marika wage war against the dragons if they have a history like this? could the meteor that destroyed Farum be one of the ones the GW sent down to bury the eternal cities? If so then could that event possibly be one of the first things that shook Marika's resolve in the GW?)
But for now I think I need to just post this and let it simmer for a while. If you got this far then thank you for coming down this rabbit hole with me. I'd love to hear your thoughts because I am thoroughly lost in just what this could mean.
It’s all good, I’m happy to answer them!
Marika very much does seem to be incredibly distant with her family (even her golden child Godwyn) which is rather interesting. I wouldn’t be surprised if she was hardly present, which would also explain why no one caught on to her and Radagon being the same person.
Radagon seems to be more connected with his children (at least in the past) but the only other connection I remember being explicitly mentioned other than Miquella is Radahn, who despite heavily looking up to Godfrey, still wore the red hair he inherited from his father with great pride.
Rykard and Ranni however seem to be mama’s boys/girls respectively so Radagon breaking Renalla’s heart and leaving abruptly very likely struck a wedge in their relationship with him, which is probably why he’s hardly mentioned in their history’s.
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As far as I’m aware the wandering mausoleums house some of the demigods slain in the night of the black knives. The beings inside are described as “soulless” in a few places, which makes me think they were other victims targeted during the assassination, but due to not dying at the same time as Ranni, were lucky enough to just fully die.
They also seem to be somewhat possessed by a great deal of spirits, as they have glowing face shaped rocks littering their bodies, which makes me believe they’ve been animated through restless souls residing in them. Bells in elden ring are also pretty synonymous with raising the dead (spirit tuning bells specifically) so I wouldn’t be surprised if they had something to do with it too.
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The Nox are incredibly interesting. They seem to be one of the first civilisations that caught on to the finger’s corruption and forged the finger slayer blade in order to rebel, but unfortunately they were found out and literally buried beneath the lands between as punishment before they could ever use it (which would have been extra awful for them as much like the modern day Carians, they too used to worship and chart the night sky). The only remnants of their society left on the surface are a handful of ruins and the town of Selia in caelid. Which funnily enough Radahn is very closely tied too.
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As for your final question, unfortunately it’s anyone’s guess. I can’t say for certain how Marika and the Nox connect. However I do think it’s likely that the Nox and Carians have some sort of inherent link due to their similar cultures regarding the night sky and moons, how Radahn was so protective of Selia and how Ranni uses the Nox’s finger slayer blade to slay her fingers and bring forth the “age of night” that the Nox are said to be waiting for.
I don’t think I ‘hate’ a single Elden Ring character. Each and every one is designed so compellingly, their stories are so varied, their interactions while sparse are the type to carry magnitudes of meaning.
Example:
For the longest time I did not realize that the scene we stroll into at Castle Morne is a slave rebellion. The misbegotten are treated as chattel. My first go around I assumed “ah yes, monster attack castle, understand”
It wasn’t until I watched a random lore video that only referenced it that I got it. I went back and read the descriptions of stuff and I’ll be damned.
There’s a lot of little tidbits hidden here and there that flip entire perspectives on their heads. Preaching to the choir on this point.
Even the characters that I generally dislike/disregard (dung-eater, (hot take) Varre, selvus) I still find fascinating. One of the cool parts about the game is you can just kill the character you don’t like. If you’re doing a run and you want to get a little roleplay in, sometimes murder freak be murdering.
Personally, I’m not on twitter, instagram (used to be), deviant art (do people still use that), or anywhere else ((I Do have a blue sky but I think I’m too dim to use it just yet)) . I’d love to be in a space where people talk more about lore or art things! I haven’t the foggiest clue where to go though. When I hear people say “everyone hates on xyz character” or “this fandom is so nuts” or whatever I am genuinely confused. I’m only seeing a portion of the stuff here, and so far it’s been more than pleasant! Big ups to the people on here, so far you’ve all been very kind 😊
So I guess, could I ask anybody to fill me in? Or where to go to get filled in?
In the meantime I want you to know I’ve started working on a pair of drawings centered around Malenia and Miquella - ooooo be so tragic oooooo
I think people who see the tarnished in elden ring as just murder hobo assholes who kill everything in their path for no other reason than wanting to are kind of missing the point of them.
First off, they’re not just some random asshole that strolled into the lands between looking for a fight. Our character was resurrected, torn from their home and thrown into this unrelenting hellscape against their will. They are just as much victims of circumstance as everyone else in this game.
Also there’s the whole aspect that we’re supposed to project a personality onto the tarnished ourselves. They’re not literally mute, determined, personalityless killers. If someone comes out of elden ring thinking the tarnished is just mindlessly killing everything in their path for no reason then I think that’s more of a problem with the player themselves.
That being said, if someone doesn’t care to do that sort of character building or likes the idea of that being their tarnished’s personality then that’s perfectly fine, I’m not here to judge how you play the game. I’m just not a fan of people who call the tarnished in general a horrible person for doing what they do.
I know this is basically a pointless argument but the fact that people generalise the tarnished as one character instead of what they actually are (a blank slate that can be any type of character) kinda annoys me. Your tarnished and mine are not going to be the same type of person.
TLDR
“The tarnished in elden ring is an asshole” no, no, no, your tarnished is an asshole, mine is fine actually.
Recently I’ve been thinking about Radahn and how, despite his pretty major importance to the overall story of elden ring, we really don’t know that much about him. And judging from texts from the game, neither do most of the characters.
He’s the only demigod we meet who never speaks a word, item descriptions regarding him are rather vague with the exception of a few, his relations to his family are largely a mystery and it seems that even his own followers have very conflicting ideas of what he would have wanted.
We never get to hear what the terms to his vow with Miquella was like, we don’t even get to hear whether he agreed to it or not. All we have is Miquella’s account of the events.
Despite having grown up with him, Blaidd talks about Radahn like he’s some stranger he hardly knows of.
Jerren saw him as an honourable warrior.
Freyja saw him as someone who valued war over all else, no matter what side he fought on.
And Miquella saw him as a kind and compassionate figure and the most fitting choice as his king consort for the age of compassion.
This all makes me feel like he must have been an incredibly reserved person. That beneath all of that power, pride and lust for battle was someone who primarily liked to keep to himself. With the exception of the animals that he kept in his care.