yeah that’ll do it
This blog is like my nest of treasures and I have no clue how I still have any of them
never love an anchor - the crane wives
closeups under the cut
Best friends
Jim Henson trying out the Big Bossmen Muppet oustide of his Home.
I love him <3
MY HUSBAND‼️‼️ he's perfect and eepy
i may be aro/ace spec, but i love harvey sm that i had to marry him on my first stardew farm. next farm is gonna be krobus hehe
also wanted to do something a lil different with my shading this time :] i usually do flat colours, so this is a nice change every once in a while
please watch my favorite game changer clip ever
While I was looking for a screenshot of Howl’s Moving Castle, I stumbled across the same question spread over the internet: “Why is Sophie’s hair still silver at the end?”
I was surprised that the answer most readily given was, “because she still has the curse.”
This prompted me to write a mini blog about my own belief regarding Sophie’s silver hair at the end of Howl’s Moving Castle.
So here it be.
The curse is never fully explained in the movie version of Howl’s Moving Castle (classic Miyazaki storytelling) but throughout the film, Sophie temporarily changes back to her normal age in moments of confidence, advocacy, and when she feels loved/loves others, like Howl.
There’s A LOT going on in terms of how “old” Sophie looks and feels in different parts of the film. She has a much harder time walking, for instance, at the beginning of Howl’s than she does when she goes to the palace.
In the palace scene, Sophie reverts to her normal appearance with her brown hair when she is advocating for Howl. As soon as Madam Sullivan points out that she’s in love with Howl, Sophie immediately changes back into an old woman.
For Sophie, the old woman persona is both a comforting mask and a confidence booster. She continually makes comments throughout the film which cast being old in a positive light . For Sophie, she doesn’t have to worry about being “pretty” when she’s old, so it frees her to be her true, sassy, confident self.
Sometimes, as humans, we put on other identities so we can find out who we really are.
I fully believe that when Sophie changes back to her younger self for the last time with her silver hair, it’s because she wants to look that way, not because she’s cursed. She has the confidence of her old woman persona but she is the age she’s supposed to be.
This is important: Sophie learned to love both herself and Howl when she was an old woman.
When Calcifer asks Sophie for something of hers he can consume to move the castle, Sophie gives him her hair. The cutting of hair is often symbolic of coming of age in Japanese media. It’s a final representation that Sophie is never going back to the person she was, and that she’s moving forward.
At the end of the film Howl says, “Wow! Sophie! Your hair looks like starlight, it’s beautiful.”
And Sophie says, “you think so? So do I!”
Sophie loves her silver hair. What she learned as an old woman is never going away.
It’s not a curse.
It’s a metaphor, and a beautiful one at that.
Hehe blazin’ balls
A few drawings of Magnus archives quotes in a children’s book format because it wasn’t scary enough the first time
I know he’s kind of a polarizing character, but I have to say, Elias Bouchard truly is Iconic. When you hear the twist of “the boring middle manager was actually secretly an evil eldritch monster the whole time!” you sort of assume that the boring middle manager persona was just a facade, but no, he really does seem to just enjoy dull administrative work. He’s both exactly as boring as he seems on the surface and profoundly fucked up in ways you couldn’t imagine. He’s practically omniscient and playing 4-D chess with everyone, but he responds to even slight hiccups in his elaborate scheme with acts of extreme violence. He beats an old man to death with a metal pipe and when someone brings it up later he goes, “Yeah I may have overreacted there.” His employees are constantly trying to murder him. He broke out of prison just so he could give a dramatic monologue. He had a weird gay thing going on with seemingly every man he met in the past 200 years. He loves scheduling.
~ Aspirer of many things ~ ~ Lover of another many things ~
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