Me

not even JRR Tolkien, who famously developed the concept of the Secondary World and firmly believed that no trace of the Real World should be evoked in the fictional world, was able to remove potatoes from his literature. this is a man who developed whole languages and mythologies for his literary world, who justified its existence in English as a translation* simply because he was so miffed he couldn't get away with making the story fully alien to the real world. and not even he, in extremis, was so cruel as to deny his characters the heavenly potato. could not even conceive a universe devoid of the potato. such is its impact. everyone please take a moment to say thank you to South Americans for developing and cultivating one of earth's finest vegetables. the potato IS all that. literally world-changing food. bless.

rawr

plane spotting with the doctor <3

posting in gif format because tumblr hates videos for some reason :( so sorry for low quality

Holy shit these are so cool!!!!!

You are. My friend

Today you found out that I can write poetry AND that I study English. A little Macbeth-themed thingy inspired by @two-bees-poetry

Fan fact: because English is not my native language I had to write both columns in the same time, otherwise I won't be able to stick my grammar together.

archivist be upon ye

Sunflowers, c. 1982. Andrew Wyeth. Watercolor and pencil on paper

“Oh, Archivist.”

It’s finished! Nikola Orsinov kidnapping Jon sent me spiraling so I had to paint it. The horrors he endures😵‍💫🥺 poor Jon. I don’t think the creators meant to have the wax figures melting but that’s how it is in my head

Detail below:

the archivist and the admiral bc I miss them :(

'Morning Sea at Shiribeshi'. Hasui Kawase.

this may just be me going into overanalysis mode but i feel like the choreography of spellcasting can tell you so much about a magic user. a snap of the fingers, for example, implies confidence, even arrogance, while hands thrust out and straining to the fingertips suggests desperation, throwing one's whole body into the spell as though hoping the physical effort will make a difference. rapid, jerky body language tells you that a spellcaster is passionate and reckless, while graceful, fluid movements demonstrate calm and concentration. some magic users may choose to stomp their feet or clap their hands when casting, channeling power through percussive motion, whilst others may see magic as a tool separate from the self, and focus it through objects like a wand or staff. a new spellcaster just coming into their power may be tentative and slow, but a practiced study of magic will be able to rely on muscle memory to guide them.