Do you guys remember this?
If not, it’s done now
Finally, the meme meme meme…
"Hey, hey, it's okay"
"Shh, you're safe, you're safe, it's alright "
"Look at me. Hey, look at me"
"Stay with me. Come on, just stay with me"
"It's over. It's over now."
"I'm sorry, I'm so sorry"
"I'm here. I'm right here"
As if it wasn't enough to be a part spider superhero, Peter was also part fish. Well, merman. It was definitely a challenge to stay dry and keep the secret, especially when he was the leader of a team of young superheroes in a secret spy agency. Or, five times the team almost found out that Peter is a merman and once they did.
Rating: Teen And Up Audiences
Archive Warning: No Archive Warnings Apply
Category: Gen
Fandom: Ultimate Spider-Man (Cartoon 2012)
Relationships: Samuel Alexander & Ava Ayala & Luke Cage & Peter Parker & Danny Rand, Nick Fury & Peter Parker
Characters: Peter Parker, Sam Alexander, Ava Ayala, Danny Rand, Luke Cage, Nick Fury
Additional Tags: 5+1 Things, Inspired by H2O: Just Add Water. Peter Parker is a Mess, Trans Peter Parker. Merperson Peter Parker, Team as Family, Father-Son Relationship, I think the team's relationship can be interpreted as poly or platonic. shoulder angel and devil, no beta we die like ben, Secrets, Peter Parker is a Little Shit, Crack Treated Seriously, Other Additional Tags to Be Added, language: English, Translation Available
Bruh did I just get clocked wtf
Grits my teeth. Why do people always assume I want to fuck a character when I post about them enthusiastically
Bruce Wayne's favourite children:
The nostaligia-fueled version of Robin Dick that exists in his head
Jason Todd's corpse
Cass
This scene got me and my Silbling cracking, we were the only people besides one lady in cinema that laughed at it. Because it's true, British did steal all of their stuff.
Are you making any of these common dialogue mistakes? Read the post to find out what they are and how you can quickly fix them.
Does dialogue feel like a struggle? Here are the most common mistakes I see writers make that have their dialogue falling flat.
Less is more, and this is very true for dialogue. The quicker you can get your point across, the punchier the dialogue will read.
A lot of the time if you feel your dialogue dragging, you may be repeating points that you’ve already said.
A big web to untangle, but ask yourself this: If I left out dialogue and action tags entirely, would my readers still be able to tell who’s speaking?
If yes, that’s when you know you have a strong and unique character voice.
The worst thing you can do is make all your characters sound the same, or just like you.
Using dialogue as a means to lay down exposition or explanation can come off very cringy to readers.
Would these characters realistically say that to each other, if you didn’t need the reader to know?
When in doubt, trust that your readers can take hints and fill in gaps. Always write from the head of your character first.
Adding in too many pauses, elipses, ums, uhhs, and errs can get tiring very quickly, especially if every single character does this.
Yes, most people speak like that, but fictional dialogue is stronger the punchier and tighter you keep it.
Sometimes writers get so involved in the dialogue and scene that they forget to lay out the setting or tell the readers what’s happening around your characters.
This leaves no image in your readers’ heads, and makes your writing feel non-immersive.
Use the setting, background people, and props to enhance the scene.
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he/they | 🇸🇻 | I write fics and make translation in ao3
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