Sealanehill - Diamicton

Happy Halloween and Día de Muertos, 2019.

@istiyorum gökyüzünü simsiyaha boyamak: Thank you. Danke. Merci beaucoup. Gracias. Gracie!!

Parvati

I see her from afar, Sitting alone in the early day, Tracing gossamer thoughts And hearing the whispers Of her heart. Her muse is the One Who is not there, The One who is Inaccessible, Yet whose presence Is so real that He stirs the deepest passion Of her womanly soul. Thoughts shape images, Murmurs, words And she sings Of smoke and fire, Incandescent and all-consuming, Of drink so concentrated One sip intoxicates. I listen, taken by her music Toward her heart’s Center, Hoping for invisibility, That my presence not Disturb her muse, Hoping to be unseen By her consort, Shiva, Should he return While she is in her Bliss. ©sealanehill, 2017 For @soulreserve

Bristol Cove, Highland Lake, Winstead, CT, 11/26/2020

Equation of Time II: Noctilucent Clouds at the Dark of the Moon Handmade collage. Cut Anthropologie lookbook 10/2015, p. 16, Marie-Agnès Gillot, prima ballerina of the Paris Opera Ballet and choreographer; and laser print of online image: "Pamela Anderson Vamps It Up in Saint Tropez" W magazine online, 8/2/2017, photo by Luke Gilford (https://www.wmagazine.com/story/pamela-anderson-activism-feminism-interview/amp). Tissue paper, marker paper, rubber stamp image, color marker, ink pen, and gold paint pen on a white sketchbook page, with artist and studio seals. ~7.5x10 inches (~19x25 cm), 10/8/2017.

Red sky at morning. @mykukula

Digital Play #1: Sunrise, High-Rise. 11/25/2017

First and last images in this group* — « Líber », Coderch & Malavia, 74 cm., 2020.

Some notes on this piece (because it intrigued me):

Joan Coderch (1959- ) and Javier Malavia (1970- ) are Valencia-based sculptors who have been working together in a collaborative partnership known as Coderch & Malavia since 2015 (1, 2). Their Instagram account identifies this sculpture as a 2020 work in white and brown patinated bronze called « Líber » (3), probably signifying “free” in Valencian Catalan. The sculpture stands 78 centimeters (30.75 inches) tall and was produced as “Li[í?]ber (White)” in an edition of eight (4). In addition to the 8-piece edition in white and brown patina, the sculptors also apparently produced an edition of eight, “Li[í?]ber (Black),” in bronze with black patina (5, 6).

* When I first encountered this reblogged post, only the very first image showed. The other sculptures are (from top to bottom): « El tejido del tiempo (Tissue of Time) », “Clio’s Dream,” “The Flight of the Swan,” “Haiku,” and “Moonlight Shadow.”

1. https://www.coderchmalavia.com/en/about-us/

2. https://mymodernmet.com/coderch-malavia-figurative-sculptures/

3. https://www.instagram.com/p/CDLj52Jnm27/?igshid=fsbjzoc42ean

4. https://www.galeriemokum.com/artists/31-coderch-%26-malavia/works/1111-coderch-malavia-liber-white-2020/

5. https://test.artcld.com/art/liber-black-patina-by-coderch-malavia

6. https://www.sothebys.com/en/buy/interiors/art/_liber-4f8b

Frozen in Time.Spanish Sculptors, Coderch & Malavia.

Mais, oui! 我同意!

Il existe deux moyens de refuge contre la misère de la vie: la musique et les chats. 

Albert Schweitzer

 artist rudolf schlichter