We Each Pray That The Other Will Wake To Better Days, And Then, Without Looking Back, We Go Our Separate

A truly strong person does not need the approval of others any more than a lion needs the approval of sheep.

Vernon Howard (via my-lifestyle-of-meow)

I’m looking forward to the day where I can be that cliche girl that studies and gets shit done in a coffee shop or library, with my head always in a book and daydreams filling my head. Just imagine. A cup of coffee to the left, books stacked high beside you, knowing you’ve accomplished so many things, and that feeling that you’re finally getting somewhere. And you’re okay for once in your life. You’re okay.

…well, that escalated quickly. I posted it way back at the end of 2014, it got reblogged by several BNFs in quick succession yesterday, and then it proceeded to rack up like 2,000 notes in one day, so apparently it still needs to be said:

Yes, you are allowed.

You are allowed to write the fic you want, rather than the fic you feel obligated to write. You’re allowed to write crack, crazy realism-defying stunts, self-indulgent trope fic, fucked-up fic about problematic people doing unhealthy things. Fic that doesn’t go through the pre-flight safety check for every swordfight and every BDSM scene, fic that glosses over the ugly real-life fallout of psychological trauma and/or jumping out of a quinjet without a parachute. Or, hey, if that’s your thing, fic that dwells on psychological trauma in loving, messy detail and has at least three punchlines about characters not being able to defy the laws of physics. Any of those things! All those things! We contain multitudes!

Any fic you write is probably going to be a net positive for fandom. The people who were looking for something in your niche get it, the people who didn’t know they wanted something in your niche discover a new thing they like, the people who don’t like it click the back button, the people who really really hate that entire genre of fic get to stroke their hateboners and get high off their own self-righteousness.

If it upsets people? The back button is a failsafe and instantaneous safeword. If it’s not as ~quality~ as other people’s fic? Don’t make me break out that “holy shit! TWO cakes!” comic. If someone takes away a disturbing, unhealthy, or otherwise less-than-wholesome message from your fic? You are not responsible for their failures of critical thinking or reading comprehension, to say nothing of those reading with outright malice looking for something to pounce on after interpreting it as uncharitably as humanly possible. Jesus fucking christ, it’s fanfiction, if people legit want sex ed they should be on Scarleteen. It’s not your job to educate them, certainly not with your fic. It’s not. It’s not. Fic serves so many other purposes. You are allowed to write what you want.

do you ever think about how fucking wild the premise of hetalia even is though like there are these (alarmingly) consistently attractive immortal beings that represent the soul and state of a country and they’re gifted with weird abilities like magic or hella strength and then they just spend their days having petty playground arguments with each other

フラワー

Writing Prompts to Get to Know Your Characters Better

I’ve created a list of 48 different scene prompts to get more familiar with your characters and their relationships, that are more fun (in my opinion) than lists of deep questions to ask yourself about them. Feel free to do as many (or as few) if you want. If you answer any, please tag me!

Individual Characters

Write a description of them from the point of view of their best friend or a person who has a crush on them.

Write a description of them from the point of view of a person who absolutely hates them.

Write their earliest or favorite memory.

Design what their Instagram page would look like. (Yes, even if they’re from a time when they don’t have Instagram.)

Write their death scene, even if you’re not planning on killing them within the piece.

Alternatively, write them a eulogy or obituary.

Your character is in high school, and has become valedictorian and has to give a speech at graduation. Write it.

Write a letter of recommendation for this character. For what? I don’t care. Write it.

Your character has a YouTube channel. Write the script for their most watched video.

Write the notes written on the doctor or therapist’s clipboard after a meeting with the character.

Your character has been arrested. Write the news posting.

What song did your character make an embarrassing dancing video to as a child?

Your character has become a celebrity and is on a talk show, telling the story of a traumatic childhood memory…

One-On-One Friendships

First meeting scene has been done so many times. Write the first fight instead.

Write a series of text conversations between the two.

How would they behave at an elementary school sleepover?

One friend has been detained–arrested, grounded, detention, you choose–and the other is trying to convince the detainer to let them out.

The two decide to enter the school talent show, solely for the $50 Cheesecake Factory gift card prize.

For whatever reason, they must pretend to be siblings. Bonus points if they are different races or just look nothing alike.

One friend got evicted, and has to live with the other for a week.

They’ve been working on a joint bucket list since they became close. Write the list.

One is extremely drunk and the other must stop them, as they have decided that now is the time when they just have to…

Your characters reunite in a nursing home in their 90s after not having seen each other for at least a decade.

A creep hits on one of them, and as friends do, they pretend they’re dating to ward off said creep. Only problem? Said creep keeps showing up.

The maid of honor/best man speech.

Friend Groups

They’ve been in a car together for 6 hours on a road trip, and someone tries the dreaded “Are we there yet?”.

A group picture goes horribly wrong. Write the scene– or draw the picture if you’re a visual artist.

It’s middle school. There’s a snow day. Everyone goes sledding. And then…

Compile the memes that are most commonly sent in the group chat.

They discover one of them has never seen Star Wars. Write the following discourse and movie marathon.

Look up “Most likely to” challenges on YouTube, write down the best questions, and use them with the group. Even better, write a scene where the group is using them with each other.

Write your characters as overly passionate PTA members planning the next school fundraiser.

One of them goes out of town, and the group has to watch their house/plants/pet/kid while they’re gone.

A member of the group was minorly wronged. Everyone decides to enact petty revenge.

The wedding was going so well, until the rest of the friends decided to make the reception a little more interesting.

One friend works at a restaurant. The rest decide to eat there while the friend is working. Describe how the group gets the friend fired in one night.

For whatever reason, nobody can go home for Thanksgiving. They decide to have Thanksgiving together instead.

Romantic Relationships

Write a breakup scene. Doesn’t matter if they’re not going to break up in your piece.

Write the moments when they each knew.

One’s meeting the other’s parents for the first time, and accidentally lets slip that…

The siblings/friends scheming together about how to get the two to date without being creepy.

Write the stupidest argument they’ve ever had.

What text message conversation is framed in their apartment/house?

Somehow kill one of them, and let the other react.

It’s Valentine’s Day. The couple goes out to eat, when both of their exes walk in… with each other.

The Mario Kart match neither of them is allowed to talk about.

They’re not speaking. Write the development of the fight only through conversations with the buffer friend.

Write a proposal scene, even if you’re not planning on them getting married in your piece.

They return to the place where they first met/kissed/dated. Somehow, the place has been changed, and not for the better.

on fanfic & emotional continuity

Writing and reading fanfic is a masterclass in characterisation. 

Consider: in order to successfully write two different “versions” of the same character - let alone ten, or fifty, or a hundred - you have to make an informed judgement about their core personality traits, distinguishing between the results of nature and nurture, and decide how best to replicate those conditions in a new narrative context. The character you produce has to be recognisably congruent with the canonical version, yet distinct enough to fit within a different - perhaps wildly so - story. And you physically can’t accomplish this if the character in question is poorly understood, or viewed as a stereotype, or one-dimensional. Yes, you can still produce the fic, but chances are, if your interest in or knowledge of the character(s) is that shallow, you’re not going to bother in the first place. 

Because ficwriters care about nuance, and they especially care about continuity - not just literal continuity, in the sense of corroborating established facts, but the far more important (and yet more frequently neglected) emotional continuity. Too often in film and TV canons in particular, emotional continuity is mistakenly viewed as a synonym for static characterisation, and therefore held anathema: if the character(s) don’t change, then where’s the story? But emotional continuity isn’t anti-change; it’s pro-context. It means showing how the character gets from Point A to Point B as an actual journey, not just dumping them in a new location and yelling Because Reasons! while moving on to the next development. Emotional continuity requires a close reading, not just of the letter of the canon, but its spirit - the beats between the dialogue; the implications never overtly stated, but which must logically occur off-screen. As such, emotional continuity is often the first casualty of canonical forward momentum: when each new TV season demands the creation of a new challenge for the protagonists, regardless of where and how we left them last, then dealing with the consequences of what’s already happened is automatically put on the backburner.

Fanfic does not do this. 

Fanfic embraces the gaps in the narrative, the gracenotes in characterisation that the original story glosses, forgets or simply doesn’t find time for. That’s not all it does, of course, but in the context of learning how to write characters, it’s vital, because it teaches ficwriters - and fic readers - the difference between rich and cardboard characters. A rich character is one whose original incarnation is detailed enough that, in order to put them in fanfic, the writer has to consider which elements of their personality are integral to their existence, which clash irreparably with the new setting, and which can be modified to fit, to say nothing of how this adapted version works with other similarly adapted characters. A cardboard character, by contrast, boasts so few original or distinct attributes that the ficwriter has to invent them almost out of whole cloth. Note, please, that attributes are not necessarily synonymous with details in this context: we might know a character’s favourite song and their number of siblings, but if this information gives us no actual insight into them as a person, then it’s only window-dressing. By the same token, we might know very few concrete facts about a character, but still have an incredibly well-developed sense of their personhood on the basis of their actions. 

The fact that ficwriters en masse - or even the same ficwriter in different AUs - can produce multiple contradictory yet still fundamentally believable incarnations of the same person is a testament to their understanding of characterisation, emotional continuity and narrative. 

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is it you who changed or is it me