Como Comecei O Ano E Como Devo Terminar...

Transformers: Rise of the Beasts - teaser trailer.

ROLÊ DA FACULDADE (PARTE 2)

Não demorou muito, eu estava ereto novamente.

Falei pra você ficar de quatro, você levou seu dedo indicador até a minha boca e me mandou ficar quieto.

Levantou, ficou de costas pra mim, segurou meu pau passando sua mão por entre as pernas e encaixou com jeitinho.

Sentava com força e levantava beeem devagar, me deixando louco.

Enrolei seu cabelo na minha mão, puxei e você gemeu forte.

Sua sentada é hipnotizante, sua bct melada deixando meu pau todo esbranquiçado e ao mesmo tempo vermelho, de tanto ser judiado por você.

Gosto de você por causa do jeito de putinha, se acabando em uma piroca grande e dizendo que vai gozar.

Você gozou soltando todo o peso do seu corpo no meu, estremecendo e tentando se segurar pra não gemer tão alto.

Você é insaciável, né?

Mandou eu levantar e sair de cima da mesa, assim fiz.

Ficasse de 4 na mesa, empinando bem a bunda, e deu uma reboladinha.

CARALHO, QUE VADIA FILHA DA PUTA.

Esfreguei meu pau pra cima e pra baixo na sua bctinha, bem rápido, sem enfiar. Já estava molhada, foi escorrendo e escorrendo até chegar na mesa. PQP, VOCÊ GOZOU MAIS UMA VEZ.

Você estava com a cara encostada ma mesa, mordendo a calcinha, pedindo pau. Sua raba estava tão empinada, o cuzinho piscando tanto que não resisti.

Coloquei a pica no seu cú, enquanto metia 2 dedos na sua bct.

Fiquei em pé na mesa e coloquei um pé em cima da sua cara, prensando contra a mesa, só pra te lembrar que você é a minha puta e deve ser tratada como tal.

Eu empurrava até o final depois tirava do seu cú só pra ver ele piscando pra mim, e aí empurrava de novo até o final. Gostosa do krl, tá me deixando sem forças.

Depois de algumas, botava na sua bcta pra fica bem escorregadio e botava de novo no seu cu.

Depois metia de novo no seu cú e colocava os dedos na bct

Gozei muito, como sempre. Não parava de sair porra de dentro de você.

você estava acabada, a sorte é que o rolê já terminou e todo mundo já tinha ido pra casa.

Carona pra casa, xêro?

全空の秩序を守るために卑しい種族に変装したアラサー女子のモニモニです（身長140cm） pic.twitter.com/KxlxQDEVT7

— 朝凪@新刊委託中 (@Victim_Girls) October 31, 2018

via [pr0nfilter]

(via decaffeinatedbasementinternet)

A Slam Dunk, also simply Dunk, is a type of basketball shot that is performed when a player jumps in the air, controls the ball above the horizontal plane of the rim, and scores by putting the ball directly through the basket with one or both hands above the rim. It is considered a type of field goal; if successful, it is worth two points. Such a shot was known as a “dunk shot" until the term “slam dunk” was coined by former Los Angeles Lakers announcer Chick Hearn.

The slam dunk is usually the highest percentage shot and a crowd-pleaser. Thus, the maneuver is often extracted from the basketball game and showcased in slam dunk contests such as the NBA Slam Dunk Contest held during the annual NBA All-Star Weekend. The first incarnation of the NBA Slam Dunk Contest was held during the half-time of the 1976 American Basketball Association All-Star Game.

Dunking was banned in the NCAA from 1967 to 1976. Many people have attributed this to the dominance of the then-college phenomenon Lew Alcindor (now known as Kareem Abdul-Jabbar); the no-dunking rule is sometimes referred to as the “Lew Alcindor rule.“ Many others have also attributed the ban as having racial motivations, as at the time most of the prominent dunkers in college basketball were African-American, and the ban took place less than a year after a Texas Western team with an all-black starting lineup beat an all-white Kentucky team to win the national championship. Under head coach Guy Lewis, Houston (with Elvin Hayes) made considerable use of the “stuff” shot on their way to the Final Four in 1967.

The phrase “slam dunk” has entered popular usage in American English outside of its basketball meaning, to refer to a “sure thing”: an action with a guaranteed outcome, or a similarly impressive achievement. This is related to the high probability of success for a slam dunk versus other types of shots. Additionally, to “be dunked on” or to get “posterized” is sometimes popularly used to indicate that a person has been easily embarrassed by another, in reference to the embarrassment associated with unsuccessfully trying to prevent an opponent from making a dunk. This ascension to popular usage is reminiscent of, for example, the way that the baseball-inspired phrases “step up to the plate” and “he hit it out of the park,” or American football-inspired phrases such as “victory formation” or “hail Mary” have entered popular North American vernacular. Joe Fortenberry, playing for the McPherson Globe Refiners, dunked the ball in 1936 in Madison Square Garden. The feat was immortalized by Arthur Daley, Pulitzer Prize winning sports writer for The New York Times in an article in March 1936. He wrote that Joe Fortenberry and his teammate, Willard Schmidt, instead of shooting up for a layup, leaped up and “pitch[ed] the ball downward into the hoop, much like a cafeteria customer dunking a roll in coffee”.

During the 1940s and 1950s, 7-foot center and Olympic gold medalist Bob Kurland was dunking regularly during games. Yet defenders viewed the execution of a slam dunk as a personal affront that deserved retribution; thus defenders often intimidated offensive players and thwarted the move. Satch Sanders, a career Boston Celtic from 1960 to 1973, said:

“…in the old days, [defenders] would run under you when you were in the air… …trying to take people out of games so they couldn’t play. It was an unwritten rule…”

Still, by the late 1950s and early 1960s players such as Bill Russell and Wilt Chamberlain had incorporated the move into their offensive arsenal. At this time, dunking was a practice most commonly used by the tallest and biggest men (usually standing close to the hoop) to show their reach and strength. Then through the 1970s, players like David Thompson, Julius Erving and Darryl Dawkins popularized the move with more athletically executed dunks (with high-flying jumps and turns). This transformed dunking into the standard fare it is today…..

Dope!

Judy, a purebred pointer, was the mascot of several ships in the Pacific, and was captured by the Japanese in 1942 and taken to a prison camp. There she met Aircraftsman Frank Williams, who shared his small portion of rice with her. Judy raised morale in the POW camp, and also barked when poisonous snakes, crocodiles or even tigers approached the prisoners. When the prisoners were shipped back to Singapore, she was smuggled out in a rice sack, never whimpering or betraying her presence to the guards. The next day, that ship was torpedoed. Williams pushed Judy out of a porthole in an attempt to save her life, even though there was a 15-foot drop to the sea. He made his own escape from the ship, but was then recaptured and sent to a new POW camp. He didn’t know if Judy had survived, but soon he began hearing stories about a dog helping drowning men reach pieces of debris after the shipwreck. And when Williams arrived at the new camp, he said: “I couldn’t believe my eyes! As I walked through the gate, a scraggly dog hit me square between the shoulders and knocked me over. I’d never been so glad to see the old girl!” They spent a year together at that camp in Sumatra. “Judy saved my life in so many ways,” said Williams. “But the greatest of all was giving me a reason to live. All I had to do was look into those weary, bloodshot eyes and ask myself: ‘What would happen to her if I died?’ I had to keep going.” Once hostilities ceased, Judy was then smuggled aboard a troopship heading back to Liverpool. In England, she was awarded the Dickin Medal (the “Victoria Cross” for animals) in May 1946. Her citation reads: “For magnificent courage and endurance in Japanese prison camps, which helped to maintain morale among her fellow prisoners, and also for saving many lives through her intelligence and watchfulness”. At the same time, Frank Williams was awarded the PDSA’s White Cross of St. Giles for his devotion to Judy. Frank and Judy spent a year after the war visiting the relatives of English POWs who had not survived, and Frank said that Judy “always provided a comforting presence to the families.” When Judy finally died at the age of 13, Frank spent two months building a granite and marble memorial in her memory, which included a plaque describing her life story.

Purloined in it’s entirety from GH85Carrera

Top 25 perguntas eróticas pra mandar na ask!

1. Quais são suas fantasias sexuais prediletas?

2. O que te dá mais prazer?

3. O que você faria comigo? (Adicionem fotos, se quiser)

4.  Qual sua cor de lingerie favorita?

5. Qual sua opinião sobre sexo virtual?

6. Toparia sadomasoquismo? Quais limites?

7.  Qual foi a maior loucura que você já fez?

8.  Já teve fantasias com uma pessoa famosa? Com quem e como foi?

9. Com quantos anos você começou a se masturbar?

10. Quando e como foi a sua primeira vez?

11. Qual é a primeira coisa que você observa em uma mulher e/ou em um homem?

12. Prefere fazer ou receber sexo oral?

13. Você transaria com seu(sua) vizinho(a)?

14. Qual é o tempo máximo que aguenta sem sexo? Qual o tempo máximo que aguenta fazer sexo?

15. Você já fez sexo em um lugar público, ou pensou nisso?

16. Você transaria com alguém que acabou de conhecer?

17. Você já teve sonhos eróticos? Conta um!

18. Você já transou com alguém do mesmo sexo? Tem vontade?

19. Na hora H prefere doçura no ouvido ou baixarias picantes?

20. Qual o seu segredo para excitar uma mulher ou homem?

21. Qual parte do seu corpo devo tocar para te excitar?

22. Uma massagem te deixa excitado(a)?

23. O que você gosta de vestir para dormir?

24. Qual sua posição preferida?

25. Luzes acesas, meia luz ou black night?

A good cook needs kissing.