My favorite part of the end of May is being able to pick the peonies from the bush outside my bedroom window đ
Did you know that not only are they beautiful, but they also have wonderful magical correspondences?
-The flowers and petals are used for positive qualities, however the seed is called 'Jumby Bean' and is known for promoting dissension and strife. Wonderful dor baneful workings
-You can burn as an incense to protect those who travel on water from storms
- Plant around your home to protect it from storms and evil
- Use in luck spell workings
- Hang in the home or car for protection and
- When worn around the neck by a child peony protects against the mischief of fairies and imps & when worn by an adult it protects the soul, body and spirit
I read a bunch of people for unnecessarily cleansing their decks but didnât actually provide any alternatives! So I wanted to describe some of the ways I troubleshoot my tarot decks. Please, please, please feel free to add on.
Sleep on it. Literally. My favorite way of working through some wonky readings is to sleep with my deck under my pillow. I like to do it for 3 nights but you can really go as long as you want. You may have some pretty crazy dreams, but I like to think that means itâs working.
Change things up. If youâre dealing with repetitive answers, change how you approach it. Whether that means changing your spread, your question, your shuffling technique or a secret fourth thing.
Put the bitch down. I have found that doing readings too often can muddle them together (well, Iâve had trouble with reading for myself too frequently. Multiple people in a day is fine, but draining). Taking a break of even just a couple days can make all the difference.
Make an offering. Your tarot deck has a spirit too! Appreciate what it does for you and give it a gift. It could be a symbolic offering, like food, alcohol or some incense, or a new case to live in.
Give it a recharge. It might be acting funky because itâs tapped out. Use whichever is your preferred charging method. I like moonlight and sunlight (ironically, they are also cleansing methods, but itâs all about intention at that point).
Ask it whatâs up. If you ask your deck why itâs acting out, it may just tell you whatâs going on. Maybe it wants one of the other solutions, maybe it wants something else.
If none of those things work, then Iâll cleanse my deck. Sometimes itâs as simple as a smoke cleansing, sometimes it is reorder the deck and let it sit in salt for a week, it just depends on the situation.
hello!! if you donât mind me asking, how do you undo a spell?
Bring the spell remnant back into Magical Space (whatever space, mindset, or rituals you require in order for your mundane actions to become magical).
Perform Undoing actions on the spell remnants. Cut or untie a knot, melt or pulverize wax, mix ashes with magically nullifying substances such as salt and iron, etc.
While performing Undoing actions, also give clear linguistic Instructions on what you expect to happen. These instructions may be spoken, thought, signed, written, read, or be imposed upon your Magical Space in any way you prefer.
Tie your instructions to your physical actions, such as:
This spell is undone as this cord is cut, the magic binds no longer
This spell is melted and reduced as I melt and reduce this wax; the magic dwindles into nothing
Ashes to ashes, dust to dust; my spell is consumed by this iron rust - the magic no longer functions
I highly recommend using clear and direct sentences to the effect of "I am undoing this spell and I don't want the magic to work any more" (for those who only use present-tense intents: "this spell is undone, the magic has stopped working."
Dispose of the remnants in a permanent way.
Consecrate a new object (new thread to be knotted, new candle, new piece of paper) to represent the old spell. Ideally, this object will be chosen or modified to resemble the vibes of the old spell as closely as possible.
Any consecration ritual will do. The goal is to give a new physical body to your old spell; you are making an "poppet" of the spell.
Once the new physical object has become synonymous with the old spell, perform the Undoing and Instruction method that was described above.
(New candles should probably be snapped in half or burned upside down; burning them normally is more likely to empower the old spell).
The "poppet" method above will tend to work if you know what you're doing with things. However, one of these might be more reliable:
Method One: Bless a thread with binding, limiting energies (Saturn is ideal) and trap the unwanted spell by tying it in a knot. Then burn the thread, ideally while Instructing what is supposed to happen.
Method Two: Carve the end of a taper candle so that the wick is visible on the bottom. Treat this bottom as your new "active" end, and draw correspondences from the new active end, downwards.
Coat the candle with a pepper-infused oil, score the surface lengthwise with iron nails, or otherwise mark the candle with destructive and banishing correspondences.
While doing this, Instruct the candle that its job is to banish, burn away, and destroy the unwanted spell. Light the candle. (A temporary holder may be obtained for the awkward shape by filling a deep dish with sand, soil, or salt).
It is generally wise to construct all spells with "kill codes" in case you need to undo them. This is essentially a special sort of intent that you build into the spell which undoes the spell on your command.
To avoid intrusive thought anxiety, it is almost always best to have this "code" require a specific set of physical actions, such as writing "Spell Cast on [date], be undone and begone" seven times over on a piece of paper.
Undoing a spell does not teleport you back in time to before it was ever cast. Imagine a valley with a river. A spell is cast that dams up the river. The entire ecosystem of the valley changes because the river was stopped.
Later on we can dismantle the dam and let the water flow again. But the valley will not "magically" go back to what it used to be. The spell may be undone but there will also still be significant changes already affected on this valley.
Record keeping is one of your best allies in knowing how to undo your own spells. The more you know about your spell (or anyone else's), the easier it is for you to undo or counter.
Once a spell is undone, you may still have more work to do. Suppose someone hexes me. Even if I undo the hex, my house may still be filled with nasty energy and I can still have anxiety. I will have to do a good self-cleansing and home-clearing before the effects are fully erased. Undoing a spell is not the same thing as cleaning up after it.
In sticky situations, you may also want to cast additional spells to protect against the effects of the unwanted spell.
Simple things you can do to bring more love and positivity into the world:
enchant the bus or train youâre on, so that everybody has a pleasant day or a safe travel home
paint protective sigils in the misty windows of buses or shops when it rains, and leave words of encouragement and praise on public bathroomsâ mirrors
bless passing ambulances and firefighter trucks with speed and safety for their patients/destination
wear an enchanted lipstick/gloss for your smile to brighten the day of everybody you meet
enchant your spare change so that it gives luck to the beggars you donate it to; they need it, donât they?
actually, just enchant your money, so that retail and low-wage workers can have a better day when they serve you
leave blessed acorns and harmless trinkets in various places like buses or waiting rooms; give other people something to wonder about and make their day, and kids an item to roll in their hands mindlessly
bless food and leave it for stray animals; let birds be messangers of hope and miraclous event for everybody that sees them
whisper encouragement to trees and grass you pass by; let them know someone cares, someone sees their beauty, and awaits their bloom
smile at children and pets; provide them with the positive energy that the world is trying to kill in them
leave motivational notes, praise and silly drawings charged with love and hope on post-it notes as you go; they can brighten the day of those that find them
I wanna be the village witch. Living in a cozy hut in the woods, talking to animals and forest spirits, brewing potions, helping the nearby villagers with their problems. They think I'm the oddest thing they've ever seen but their houses are always warm and their plates full so they are kind to me
devotional jewelry is my favorite thing ever!!
just throw some charms that make you think of your deities onto a necklace cord and youâre good to go!!
my charms/pendants from left to right are:
dragon for my dragon guide, sword for ares, uruz rune for myself/kind of cernunnos ((iâve had it and worn it for a long time)), ring is from my partner, the cage of crystals is for all of my deities, lego is matching with my partner that makes a heart when theyâre put together, key for janus, moon and star for nyx, and ship wheel for fortuna!!
If there is something interesting that is nearly not used on mostly of the witch community, is Alchemy, and is something from which we could take some few useful stuffs.
As always, disclaimer first, Iâm not an expert on the subject and I barely if I read a couple of books about the topic (from another 10 untouched ones lol), so as always in life, take what I say with tweezers. This is meant to be a light superficial view to open a door of possibilities in a mix of Witchcraft and Alchemy, is not a thesis. Saying that, to the core of the question.
Alchemy use elements. A lot of them.
The three primes or Tria Prima (the basic 3 materials): Sulfur (Related to the Soul and the principle of combustibility, so it has volatility, can burn, explode, combust), Mercury (Related to the Spirit, the principle of fusibility so the material can be fused together and volatility so a substance vaporizes), and Salt (Relate to the Body, the principle of non-combustibility and non-volatility).
Our beloved Four basic Elements: Air, Earth, Fire, Water.
The Seven Metals associated with the seven classical planets: Lead, corresponding with Saturn. Tin, corresponding with Jupiter. Iron, corresponding with Mars. Gold, corresponding with the Sun. Copper, corresponding with Venus. Mercury, corresponding with Mercury. Silver, corresponding with the Moon.
The 13 Mundane Elements and Later Metals: Antimony, Arsenic, Bismuth, Cobalt, Magnesium, Manganese, Nickel, Oxygen, Phlogiston, Phosphorus, Platinum, Sulfur, Zinc (All of them with a lot of interesting properties and functions, in and out the alchemy world).
The 10 Alchemical Compounds: Acid, Sal ammoniac, Aqua fortis, Aqua regia, Aqua vitae, Amalgam, Cinnabar, Vinegar, Vitriol, Brimstone (All of them also with amazing properties).
And what interesting me the most (at least to my way to do witchcraft), The 12 Alchemical Processes:
Calcination (Aries): The thermal treatment of a solid to removing impurities or volatile substances.
Congelation (Taurus): Term used in medieval and early modern alchemy for the process known today as crystallization. Process by which a solid form into a structure known as a crystal, by precipitating from a solution or freezing.
Fixation (Gemini): Process by which a previously volatile substance is "transformed" into a form (often solid) that is not affected by fire.
Solution (Cancer): Homogeneous mixture composed of two or more substances. In such a mixture, a solute is a substance dissolved in another substance, known as a solvent.
Digestion (Leo): A process in which gentle heat is applied to a substance over a period of several weeks.
Distillation (Virgo): Separating the components or substances from a liquid mixture by using selective boiling and condensation.
Sublimation (Libra): The transition of a substance directly from the solid to the gas state, without passing through the liquid state.
Separation (Scorpio): Converts a mixture or solution of chemical substances into two or more distinct product mixtures. Process of distinguishing to two or more substance in order to obtain purity.
Ceration (Sagittarius): Chemical process, by continuously adding a liquid by imbibition to a hard, dry substance while it is heated. Typically, this treatment makes the substance softer.
Fermentation/ Putrefaction (Capricorn): A metabolic process that produces chemical changes in organic substrates through the action of enzymes/ Decomposition of organic matter by bacterial or fungal digestion.
Multiplication (Aquarius): Process to increase the potency of the elixir or projection powder, in order to increase the gains in the subsequent projection.
Projection (Pisces): Process to transmute a lesser substance into a higher form; often lead into gold.
Damn, alchemy even have symbols to Units: Month, Day, Hour, Dram (Unit of mass between 1 and 3 grams), Half Dram, Ounce (Unit of mass, weight or volume of 28 grams, Half Ounce, Scruple (1 grams), Pound (500 grams).
So just with this simple 2 pages of basic Wikipedia info, we have a ton of new things to use. Everything here has specific properties, some more physical and chemical oriented, but others (like the 3 Tria Prima and The 12 Alchemical Processes) have a lot of correspondences with the witch life itself.
The 12 Alchemical Processes could be absolutely used to represent an desired outcome.
Calcination uses thermal treatment, so it can boost the Fire element of a spell. It also âremoving impurities or volatile substancesâ, so can be applied to generate a mild fever to get rid off the flu, or to boost the organs that clean the body (kidneys and liver mostly)
Congelation turns a solid by freezing, can boost the Water element, so all the âfreezer spellsâ can be boosted with this.
Fixation? A volatile substance is transformed into a solid form? Sound pretty much to grounding, or to help to focus an ADHD head as mine, or to put down to earth someone who is VOLATILE AND VIOLENT. Also, Earth element.
Solution? Homogeneous mixture of two or more substances? It sounds like an aid to make two people on conflict to get into an agreement, or to boost a new business by mixing the opportunities with the action. Air element.
Digestion. A process in which gentle heat is applied to a substance over a period of several weeks? It sounds like something that can help any process that need digestion (bad news must be âdigestedâ, hard choices must be âconsulted with the pillowâ), and the âgentle heatâ sounds comforting. Someone is grieving? Maybe Digestion can help them to overcome the awful times.
Distillation. Separating the components or substances. Anything that need to be separated can be helped with this. Relationships that must end, breakups, cut the ties with older things or habits.
Sublimation. The transition of a substance. I heard trans rights? Can this maybe help with your hormones? Or even to transition from what you previously left behind with the distillation, to focus in a new better future.
Separation. Process of distinguishing to two or more substance in order to obtain purity. How to choose from two or more choices? How to pick the better one? The one with purity? Separation maid aid.
Ceration. A hard, dry is heated to make it softer. Make that person less frigid, make the boss less bitchy, make your chronic pain less hurtful, make your bills less heavy, all that you can think in make softer.
Fermentation/ Putrefaction. I personally love this one. Produces changes in organic substrates and decomposition of organic matter by bacterial or fungal digestion. Prime element to curses. All what you want to rid off in the most disgusting way. May their flesh get rotten under a car in a hot summer.
Multiplication. Process to increase the potency of the elixir in order to increase the gains in the subsequent projection. MONEY MONEY MAKE MORE MONEY, all what need to be increased and all what you want to multiply, go go go!
Projection. Transmute a lesser substance into a higher form âlead into goldâ. Perfect to get better as a person, to learn to adapt, accept, to grow compassion, love, etc.
At this you can add the Units, the metals and mundane elements, the 4 elements, the tria prima, your crystals and herbs and sigils and all. And your spells will be filled with components and correspondences.
Whatâs better, a lot of the physical elements are not too hard to get (some yes, they are, but you are not here to make lead into gold with a full set of chemistry), but alchemy use a lot of symbology, so even if you donât have the physical element, you can use their properties with the symbol, just as any other sigil.
Salt is easy. Tin in a food can. Antimony in mostly all the rocks. Arsenic in apple seeds (technically no but still). Cobalt and Manganese basically everywhere. Magnesium in your own body. Nickel in coins. Oxygen in the air., Phosphorus, Zinc and Sulfur in food. Acid in anything acid lol. Aqua vitae in alcohol (especially Whisky). Vinegar in vinegars.
Long story short, if you feel that maybe you are lacking something, check some books about alchemy would maybe help. Donât pick super chemical specific pro books and donât be discouraged by the terms, pick what can be useful to you, and I hope this open some doors and bring more curiosity about this amazing topic.
Occultists, witches and spiritualists really need to stop peddling the lie that spirituality, witchcraft, paganism, etc. isnât a psychological phenomenon as well as a mystical one. Your psychology will in fact, fundamentally inform your experiences with spirituality.
And we also need to stop pretending that spirituality and witchcraft are somehow contrary to mental illness. Or that having a mental illness means you canât do witchcraft.
Iâll be completely honest with you guys and say that certain people with certain afflictions are more predisposed to different âmysticalâ experiences than others. I donât think itâs a great coincidence that I am so great at visualization given that I was raised in a severely neglectful household. It doesnât surprise me that many pagans are lonely people. This doesnât mean to say that spirituality is âfillingâ a hole within anyone (although if it is, thatâs great for you) but more so that, well, this path is unpopular for a reason. Alternative subcultures are alternative for a reason, and outcasts and rejects usually find a home there for a reason.
This also doesnât mean to say that people who engage in witchcraft and spiritualism are inherently mentally ill. There is still a difference between hallucinations and spiritual encounters. And there was never any rule that said that both of these things cannot happen to a single person. For the safety of yourself and others we should be aware of the warning signs of dissociation and hallucination, but that doesnât make anyone âwrongâ for experiencing those things. And experiencing those things doesnât mean you cannot explore spirituality or do witchcraft.
I hate it when âspiritualistsâ who are actually just anti-vax conservatives push the narrative that people with mental health issues cannot participate in spirituality. I also despise the notion that mental health issues are inherently a sign of an energetic imbalance. Weâre all walking around with a special concoction of brain soup in our heads, it doesnât surprise me that Ares devotees tend to have BPD, that many Aphrodite devotees struggle with self harm, that many people who work with angels have paranoia or generalized anxiety.
There was never any rule that said that you cannot use your deities or magic to help you cope with your mental health. I know some people will say âthe Gods arenât here to be your friend or hold your hand through lifeâ but Iâve seen no evidence to suggest thatâs true. I see no reason why a God like Ares couldnât help his devotee with BPD come down after a bout of rage, I see no reason why Dionysus couldnât help his devotee with their alcoholism or substance abuse, I see no reason why Aphrodite couldnât help a devotee with relapse or negative self talk.
Witchcraft and paganism were historically used as a tool for survival, to bring people ease, to help people feel safe and secure, blessed and protected. That applied to all people, including those with mental health issues.
Magic is often centered around location, especially places of power. Finding them, or making them. We do it when we follow the directions in old grimoires to go to crypts or wild places. As well as when we construct circles and sacred spaces in our homes or ritual spaces. We are setting aside a hallowed area for our work, a place to build force. A place of power. Some people find this place out in the forest, on the beach, in a church, their own personal temple, or other various locations. I found my place in a cemetery.
A few years into college I began getting more into ceremonial style magic, and the construction of a ritual space became a prominent part of that. I tried out various styles of circle casting, from calling the corners to demonic conjurations for the directions. As I was learning to cast a circle I often found myself without enough space to operate in my dorm. At home in my bedroom I could do a make-shift set up, but here at school and after when I had roommates space was VERY tight. So I began working almost entirely outside. I'd go to wooded places, beaches, parks at night and various other spots near my school to practice.Â
After college I moved in with an old partner and happened to have an unmonitored cemetery near by. So this became my go to spot for practicing my witchcraft and any ritual work I had planned. Unknowingly I had created a habit of casting my circle in the same spot in the same way over weeks for various magical needs that arose. This connection with the land built up to the point where I felt a call and response in my environment. The spirits of the cemetery started to take notice of me and the work I was doing in their space, and eventually took active interest. It was at this moment that the way I saw the cemetery changed, it had become a place of power for me. I felt safe there at night now and didn't even pay attention when that switch in my brain happened.Â
My draw to this cemetery was purely circumstantial, and it being a good available working place for my craft. My practice has blossomed here, as most of my spirit court has come out of my work done on those grounds. As I reflect, you'd think based on my craft now that I had some kinda obsession with the dead, but that was never really the initial drive. I'd say that affinity has grown from this relationship with this location. Which I think in turn lends itself back to the cemetery becoming a focal point of me consistently.
I've done some much circle casting and ritual work in that space that I no longer feel it's necessary there when I'm working at night. The space is liminal and separate enough without the pomp and circumstance of ritual that I can just begin the work that needs doing and get on my way. Keeping me from having to be out longer than I have too, avoiding any unwanted eyes.Â
Many things lend themself to doing magic in a cemetery. There's it's obvious connection with the underworld and the dead being a place we bury our deceased, but I also see my local cemetery as a place of living since many animals and plants call it home. It's large enough that I've seen coyotes, eagles, fireflys, and other little critters there, as well as variety of plant life. There are also the mourners and the workers in this graveyard who are characters of this space too. So I use this cemetery as an access point/nexus, through which i can connect with the land and it's spirits. I use the graveyard as as a point of communion, with the spirit of my city and other realms.Â
Another facet that gives power to my work is the emotional energy that pools in graveyards. Grief is a powerful experience that brings forth many emotions, and this cemetery holds children, veterans, and founding members of my town. So the psychic weight in this place can be heavy, loaded, and complicated. Which is something a skilled practitioner can draw on. I've also found that spirits from this graveyard love to feed on grand displays of emotion, joyous or sorrowful. So often I'll capitalize on that and use this was an emotional outlet that nourishes my spirits. Plus no one thinks twice of someone having a good cry in a cemetery.
Through my time in this space I've built in a intimate connection with it as an access point for Spirit. Making it more than just a place of power for simply being a cemetery, it is truly a holy place set aside from others in my practice.
This is the easiest but mostly overlooked element of Magic101: if something seems off with your magic that normally works very well, go and check on your spell.
Maybe something is...off. Maybe your cat knocked over your altar or something in your jar molded. Maybe that last wind storm knocked a tree branch down which scratched out a part of the sigil at the edge of your property.
This could have happened for mundane or magical reasons. Discovering that is up to you.
But check first.
It could be something as simple as your partner changing the sheets on the bed and forgetting to put your dream pouch back into the inner pillowcase (as happened to me last week).
Using Witches Cords to Store Energy
Let us assume that you have excess energy lying around from a ritual and you need a space to keep it. Or you're doing a lunar invocation ans you just want to keep some of that lunar energy around for a bit. This is where the Witches cord comes into play.
We know the presence of Witches Ladders, used as the stepping rungs up into the spiritual worlds or into Haides, or even for our manifestation to climb down from its abstract form into the mundane, so why not use it to store energy in the knots.
The thread itself should be consecrated, though the number of threads would vary. A simple one can be made of one single thread, suitable for temporary storage as the thread will fray over time. A more long-term knot can be made from three cords plaited together, even so far as using waxed thread or paracord. To that degree, the act is then channeling the energy that surrounds the magician into the cord.
This cord can then be worn during ritual to tap into it, or it can be unknotted whenever a small burst of energy is required.
// Nemo // 24 // a traveler of worlds, yearning for the stars //
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