So Fun Fact About My Practice:

Pine cone wish spell

Items needed:

Pine cone, cinnamon, small pieces of paper, candle

1.) write your wishes on the pieces of paper.

2.) roll them up and stick one end in the wax and insert it into the pine cone.

3.) pour the rest of the wax on the pine cone and sprinkle cinnamon on top. Let dry.

4.) on New Year’s Eve burn in your fire to release your wishes into the universe.

*the photo features glitter added to the pinecone. You can add glitter or anything else you’d like.

i’ve noticed a recent uptick in practitioners feeling like they have to choose a specific “path” when it comes to their practice and i just wanted to remind my mutuals or anyone that stumbles upon this post that YOU DO NOT HAVE TO HAVE A SPECIFIC PATH.

paths are helpful sometimes but they’re never straightforward. they wind and bend and sometimes they just abruptly end.

you don’t need to scramble to find the path that’s perfect for you, because there might not even be one. and that’s okay! you aren’t abnormal or anything like that for not finding a particular path that fits you perfectly. that’s why i just call myself an eclectic practitioner. trying to fit myself into a neat and tidy label didn’t feel right to me so it wasn’t!

you can just be you. your “path” can just be your own personal practice. at the end of the day, no one needs to understand it but you.

I like the word “witchery” because of its linguistic similarity to “fuckery.” Witchcraft is fuckery; fuckery is witchcraft. They are inextricably connected in my mind and it makes me happy.

The cemetery as a place of power in my practice

Magic is often centered around location, especially places of power. Finding them, or making them. We do it when we follow the directions in old grimoires to go to crypts or wild places. As well as when we construct circles and sacred spaces in our homes or ritual spaces. We are setting aside a hallowed area for our work, a place to build force. A place of power. Some people find this place out in the forest, on the beach, in a church, their own personal temple, or other various locations. I found my place in a cemetery.

A few years into college I began getting more into ceremonial style magic, and the construction of a ritual space became a prominent part of that. I tried out various styles of circle casting, from calling the corners to demonic conjurations for the directions. As I was learning to cast a circle I often found myself without enough space to operate in my dorm. At home in my bedroom I could do a make-shift set up, but here at school and after when I had roommates space was VERY tight. So I began working almost entirely outside. I'd go to wooded places, beaches, parks at night and various other spots near my school to practice. 

After college I moved in with an old partner and happened to have an unmonitored cemetery near by. So this became my go to spot for practicing my witchcraft and any ritual work I had planned. Unknowingly I had created a habit of casting my circle in the same spot in the same way over weeks for various magical needs that arose. This connection with the land built up to the point where I felt a call and response in my environment. The spirits of the cemetery started to take notice of me and the work I was doing in their space, and eventually took active interest. It was at this moment that the way I saw the cemetery changed, it had become a place of power for me. I felt safe there at night now and didn't even pay attention when that switch in my brain happened. 

My draw to this cemetery was purely circumstantial, and it being a good available working place for my craft. My practice has blossomed here, as most of my spirit court has come out of my work done on those grounds. As I reflect, you'd think based on my craft now that I had some kinda obsession with the dead, but that was never really the initial drive. I'd say that affinity has grown from this relationship with this location. Which I think in turn lends itself back to the cemetery becoming a focal point of me consistently.

I've done some much circle casting and ritual work in that space that I no longer feel it's necessary there when I'm working at night. The space is liminal and separate enough without the pomp and circumstance of ritual that I can just begin the work that needs doing and get on my way. Keeping me from having to be out longer than I have too, avoiding any unwanted eyes. 

Many things lend themself to doing magic in a cemetery. There's it's obvious connection with the underworld and the dead being a place we bury our deceased, but I also see my local cemetery as a place of living since many animals and plants call it home. It's large enough that I've seen coyotes, eagles, fireflys, and other little critters there, as well as variety of plant life. There are also the mourners and the workers in this graveyard who are characters of this space too. So I use this cemetery as an access point/nexus, through which i can connect with the land and it's spirits. I use the graveyard as as a point of communion, with the spirit of my city and other realms. 

Another facet that gives power to my work is the emotional energy that pools in graveyards. Grief is a powerful experience that brings forth many emotions, and this cemetery holds children, veterans, and founding members of my town. So the psychic weight in this place can be heavy, loaded, and complicated. Which is something a skilled practitioner can draw on. I've also found that spirits from this graveyard love to feed on grand displays of emotion, joyous or sorrowful. So often I'll capitalize on that and use this was an emotional outlet that nourishes my spirits. Plus no one thinks twice of someone having a good cry in a cemetery.

Through my time in this space I've built in a intimate connection with it as an access point for Spirit. Making it more than just a place of power for simply being a cemetery, it is truly a holy place set aside from others in my practice.

Get a reading from @planetbabysitter if you want her cards to gently grab your soul by the scruff of the neck like a kitten and reveal your innermost thoughts and feelings that you've been ignoring

I trust @shuffling-cards on reading mine otherwise i get scared.

🌌🔮✨

Get your reading with her.

How to Do the Major Arcana Grand Tableau

This spread uses all the Major Arcana to give you an overview of your whole year ahead. It is best performed on your birthday or on New Year’s Eve.

STEP 1: Lay out the Major Arcana in order.

Line 1: The Fool to The Lovers Line 2: The Chariot to The Hanged Man Line 3: Death to The Star Line 4: The Moon to The World

STEP 2: Shuffle the Minor Arcana.

As you do this, ask your higher power to show you a glimpse of your destiny for the upcoming year.

STEP 3: Draw a Minor for each Major.

One by one, take 21 cards from the top of the deck and place them over the Major Arcana, starting with The Fool. Then take the card at the bottom of the deck, and place it over The World.

STEP 4: Read the Minor against the Major.

The Major Arcana represent the important aspects of your life. The Minor Arcana reveal what will take place within these aspects.

The Fool – What will begin in your life?

The Magician – What dream will manifest?

The High Priestess – What secret will be uncovered?

The Empress – What will you harvest?

The Emperor – What will you have control over?

The Hierophant – What will remain unchanged?

The Lovers – How will your love life be?

The Chariot – What will make you victorious?

Strength – Where will you find strength?

The Hermit – What will you need to reflect on?

Wheel of Fortune – Where will you find luck?

Justice – Who will avenge you?

The Hanged Man – What will you have to sacrifice?

Death – What will be reborn?

Temperance – What will bring balance into your life?

The Devil – What will you be most passionate about?

The Tower – What will trigger a profound change?

The Star – Where will you find hope?

The Moon – What will stay clouded?

The Sun – What will bring you joy?

Judgement – Which of your oppressors will be punished?

The World – What will give you a sense of accomplishment?

Sample Interpretation:

The Four of Pentacles on The Lovers – “Your romantic partner will be very protective of you, maybe even to the point of being possessive.”

The Ace of Wands on The Hanged Man – “You will need to sacrifice a part of your career or pause a project you are passionate about.”

The Ten of Cups on The Devil – “You will be focusing all your attention and energy on starting or expanding your family.”

If we tie it all together, we arrive at: “You will get pregnant this year, prompting you to leave your stressful though fulfilling job, so you could focus instead on ensuring you have optimal health to carry the baby to term. During your pregnancy, your spouse will be taking care of you even more than before.”

STEP 5: Identify the court cards.

The Kings, Queens and Knights are the people who will play a vital role in your life, positively or otherwise.

King of Wands – Leo (Fixed Fire)

Queen of Wands – Aries (Cardinal Fire)

Knight of Wands – Sagittarius (Mutable Fire)

King of Cups – Scorpio (Fixed Water)

Queen of Cups – Cancer (Cardinal Water)

Knight of Cups – Pisces (Mutable Water)

King of Swords – Aquarius (Fixed Air)

Queen of Swords – Libra (Cardinal Air)

Knight of Swords – Gemini (Mutable Air)

King of Pentacles – Taurus (Fixed Earth)

Queen of Pentacles – Capricorn (Cardinal Earth)

Knight of Pentacles – Virgo (Mutable Earth)

Sample Interpretation:

There are two couples here — the King and Queen of Wands and the King and Queen of Pentacles: “You and your other half will be highly supportive of each other. You could be a Taurus and they could be an Aries, or vice versa. Either way, you will strongly feel the love and passion in your relationship.”

STEP 6: Notice the dominant suit.

Wands – Passion will overflow.

Cups – Emotions run the show.

Swords – The battle is in your mind.

Pentacles – Finances will be bright.

Sample Interpretation:

There are nine Wands and nine Pentacles each: “Your year will definitely not be lacking in passion and stability — materially and emotionally.”

STEP 7: Note the numbers that appear at least thrice.

Aces – A year of beginnings

Twos – A year of dilemmas

Threes – A year of affairs

Fours – A year of stability

Fives – A year of changes

Sixes – A year of harmony

Sevens – A year of challenges

Eights – A year of labor

Nines – A year of completion

Tens – A year of harvest

Sample Interpretation:

No number appeared more than twice. There is no discernible theme, numerology-wise.

STEP 8: Observe the ruling colors.

Black – Loneliness, regret, obstacles, purging

Red, Yellow, Orange – Passion, love, happiness, power

Blue, White, Green – Spirituality, logic, innocence, intuition

Sample Interpretation:

Red, yellow and orange are the ruling colors: “Your year will be filled with a passionate love that will bring you joy and a strong sense of control over your life.”

STEP 9: Record your grand tableau.

Take a photograph of your spread, and write down your interpretations of it.

STEP 10: Review your grand tableau.

At the end of each quarter, note which predictions have come true. By the end of the year, compare your interpretations to how the spread manifested. Doing so allows you to reflect on your past year, and improves your divination skills.

Using Witches Cords to Store Energy

Let us assume that you have excess energy lying around from a ritual and you need a space to keep it. Or you're doing a lunar invocation ans you just want to keep some of that lunar energy around for a bit. This is where the Witches cord comes into play.

We know the presence of Witches Ladders, used as the stepping rungs up into the spiritual worlds or into Haides, or even for our manifestation to climb down from its abstract form into the mundane, so why not use it to store energy in the knots.

The thread itself should be consecrated, though the number of threads would vary. A simple one can be made of one single thread, suitable for temporary storage as the thread will fray over time. A more long-term knot can be made from three cords plaited together, even so far as using waxed thread or paracord. To that degree, the act is then channeling the energy that surrounds the magician into the cord.

This cord can then be worn during ritual to tap into it, or it can be unknotted whenever a small burst of energy is required.

hi chicken, i think the idea of setting an indicator of the spell working is cool. do you maybe have anymore thoughts on that or how to actually do it? i like the idea im just not sure how to actually like.. set that intention and make sure it actually indicates

We're in reference to this I'm sure, the hematite ring bit I believe.

Easy as pie. You want something that has a chance to spontaneously change its physical state, but not a guarantee; a thread tied around your wrist that could snag and snap, or fall off; a brittle hematite ring that can shatter; in the past I've used something precariously stood up (a medical creme tube stood upright on its small cap) and set it in a sheltered place, the indication being whether or not it fell over on its own. (It did, in the middle of the night, and spooked me)

Place it with the other parts of the spell. Bake it into the same pie, as it were.

Candle be thou a candle likened to Money Marge herself, cash me out, stuff my hair with dollar dollar bills; And you, green thread, you are the oracle that sees; you are the chain that falls when the link is broken; you are the canary in the coal mine that falls away to sound the alert. You, my far-seeing helper, keep your eyes affixed upon Money Marge: and when [the last traces of power fade away/ when my spell has found its target/ if the spell fails before it can manifest] then you will show me it has happened by breaking, or snapping, or unraveling, or in any manner whatsoever falling away from my wrist.

Ensure you have thoughtfully chosen an indicator that could happen randomly, yet is not guaranteed or likely to happen (an indicator with a 50/50 chance of 'going off' anyways is not useful)

Through ritual action, words, or by any means, link and involve the indicating object to the spell; consecrate them together, energize them together, soak them in the same bath of energies

Clearly define what role the indicating object is playing. Poetry serves well, in my opinion. Also see if you can't get the poetry to match the action and theme (falling away thread = chain that snaps, canary that falls -- indicator for a ward being breached, "you are the war horn that sounds the alarm")

Clearly define the conditions under which the object will perform that indicated action ("when Money Marge has grabbed money for me and is rushing back to my side.")

From that point onwards such indicator objects may be considered to be a taglock of the spell, and a useful connection to be able to 'check in'. Very handy little things for practicing psychism and energy reading.

It's reasonable to assume that you are functionally enchanting an entire second object, and therefore this might be significantly more draining than one might expect at first glance. My recommendation is to ensure the primary function of the spell gets all it needs first, and any indicator object comes second; also, there's perhaps no need to go ham on the indicator at all.

Witchy tip ~ The “me” candle

If you get tired easily when doing your workings, consecrate a candle to yourself and light it every time you are doing something witchy/pagany. The goal here is to use the candle as a power bank, raising its energy so your own doesn’t run low. 

Differently than working candles, commonly used to improve your magick’s potency, the “me” candle is programmed to improve *your* energy while you are working on your magick. It can become a precious piece for practitioners that, as me, have more often than not low spoons days. 

Extra tip: dress your candle with essential oils that boost your energy. Bergamot and lemongrass are my favorite ones for this use!

Putting the craft in witchcraft by making a hole in a coin to make a charm but the coin is refusing to let me make any progress other than a little dent, bending three nails in defiance