I Did This To Help Illustrate A Point I'm Making In A Different Post, But I Feel It's Relevant Above

A badly, BADLY drawn bell curve with "source material quality" on the x-axis and "desire to write fanfic about it" on the y-axis. The tallest part of the curve is labeled "THE HUMP OF COMPELLING MEDIOCRITY," implying that the medium-good source materials are the ones most likely to make you write fanfic about them, while the very good and very bad evoke equally no fanfic-writing response.

I did this to help illustrate a point I'm making in a different post, but I feel it's relevant above and beyond that specific context.

More Posts from Sieaxs-blog and Others

10 months ago

THIS IS THE BEST THING I HAVE EVER SEEN


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1 year ago

Reblog to open a rail line from your blog to the person you reblogged this from

Reblog To Open A Rail Line From Your Blog To The Person You Reblogged This From
1 year ago

how’s everyone doin tonight i just broke tumblr


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10 months ago
https://t.co/perkcrTtZZ pic.twitter.com/nL4VGr40K0

— Devil May Cry (@DevilMayCry) August 12, 2024

THE OFFICIAL DEVIL MAY CRY TWITTER!?!!?!

5 months ago

genuinely is my brain erasing itself or is google/tumblr censoring that post about notre dame and old growth forests.

4 months ago

How to Write Women, a quick guide by me

Hello! I was recently inspired to write a series of educational posts so I thought maybe it would be useful for someone.

I want to preface this that there is no criticism intended. I understand that female characters in general have been neglected in media, and I don't blame fandom for not understanding how to write a woman if there hasn't been a good reference in their lives.

My objective is that you, the reader, finish this post with a basic structure and few questions to ask yourself when writing a female character; and with the terms and curiosity to research more if you'd like to expand.

I'm no professional writer, but I've been writing for more than 20 years at this point, and I specialize in writing female protagonists and writing organic romantic storylines.

Here we go.

I want to write a woman, where do I start?

Writing women, at the end of the day, is no different than writing a man. Really, that's the trick.

Disappointed I'm not giving some kind of hot takes about this?

Good.

Because it should be that simple, but to get to that point we should unravel some baseline thought process that can and will get in the way even if you try to write a good female character.

A few questions to ask yourself are:

Why am I writing this character?

Does she have agency in her own story?

Does she have her own goals and aspirations?

Let's break them down:

Why am I writing this character?

What do I like about her? Is she annoying? Is she a hero? A villain? An antagonist? What thing do I like about her canon characteristics (for fanfic writers)? What would I change?

As mentioned at the beginning, female characters usually are not very well written. They are usually fridged or used only as a reminder that MC (usually a man) has emotions and vulnerabilities.

Take a moment to think about it. Think about the feelings her character gives you, and what are the things you do know about her. Think about wasted potential, or unanswered questions about her actions and plot lines that left you wanting more.

If you find her annoying, wonder why — usually, a female character being "annoying" or "not interesting" is tied to her not being developed enough, and pushed into a one-dimensional role. Pay attention at how many speaking lines she has, that usually gives you a clue of how much her character is developed.

Once you have decided who you want to write, this is where it gets interesting.

What kind of story do you want to tell? What role does she play in it?

When making the structure of the story and developing the plot, wonder about how exactly the female character(s) add to the table. Again, female characters can fulfill any role in a story, but watch out!

Bitchy mean girl lesbian

Motherly mommy mom/sister/friend that takes care of everyone

The "healer" of the team

These 3 roles have been used as boxes to fit female characters for ages. Be careful if you think you are pushing her into one of these.

But how can you avoid the tropes?

Does she have agency in her own story?

Or: if you remove her from the story, nothing changes?

Go into your mind palace, and remove the interactions and scenes the female character is in. Does the story still work? Could her lines be easily delivered by someone else?

If the answer is yes, then she doesn't have any agency.

It doesn't matter if she is a main character or a supporting character — she should have a say on the events or some kind of influence in the development of the plot.

Maybe she has a skill that is needed multiple times during the story, or maybe she has past experiences that are a mystery and unraveling her secrets reveals a plot twist, or maybe turns out she was the traitor all along. Make her MATTER.

Does she have her own goals and aspirations?

Or: Is she existing for someone else's sake?

This one is useful for the "mommy" character or the "healer" character.

Go into your mind palace again and think if you remove the female character's loved ones from the equation, does she have something to do?

If the answer is no, then she doesn't exist for herself.

She could still love and take care of others, but she has to exist for something else than that. Make her dream and yearn, and make mistakes, and sacrifice thing for selfish reasons.

Romance is usually a goal given for female characters (and that's a whole other topic I hope to write another post about), and it's a good one! Just be careful with falling for the trap of swapping the people (usually men) she exists for.

Give her hidden agendas, convoluted selfish secret reasons, make her want to destroy the world! Make her want to pursue the truth, chase someone for revenge, be a thrill seeker. Make her HUMAN.

In Conclusion

A quick trick I use when I write female characters is: If I swap her gender, nothing changes?

Of course there's nuance, but that keeps me grounded when even the questions I went over in this post are not enough for me.

Again, writing female characters should not be that different from writing men. If it feels different, ask yourself why and try to understand where the thought comes from.

NOTE: If the point of the story is to discuss the problem of codependency, or portray a toxic relationship, by all means skip checking about agency or her having goals. Rules are there to break them, but first you have to understand them.

I hope this helps someone and I will add and edit this post as needed, maybe to add useful links.

Happy writing!

1 year ago
Long Time No Dp/ppg Crossover
Long Time No Dp/ppg Crossover

long time no dp/ppg crossover

5 months ago
Watterson Pulled No Punches

Watterson pulled no punches

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