Sieveplayer - Sieve's

Hey…Can you hear me?

Sadly this is true, while gays are (slowly) being accepted by society, atheists are still demonized and shunned.

Take it easy today. You’ll need your energy for when the revolution comes.

I think a lot about manufacturing processes because they’re the most impressive things humanity has ever done and injection moulding wacks me out the most. I was looking at the toy keyboard I bought a while back and it got me thinking about how much of what we consider to be the look of The Modern Era is down to injection moulding.

I hold that injection moulding is one of the pillars of modern society and technology. Can you imagine a world where you couldn’t use injection moulding. It’d look completely foreign. Like looking into an alien world. When you consider it you have to conclude that injection moulding has shaped our culture as much as the development of the camera or the invention of the piano or the creation of glassblowing. If archaeologists had to name our culture in the style of the Corded Ware culture or the Funnel Beaker culture, we’d be the Injection Moulded Plastic culture.

Injection moulding is how we get, oh, almost every plastic thing you’ve ever seen. The keys on your keyboard are injection moulded. Your phone case is injection moulded. Unless you’ve got a fancy milled metal laptop like a macbook then your laptop’s chassis is mostly injection moulded plastic. Your lightswitches are injection moulded. Plastic water bottles are injection moulded. Injection moulding is how we can produce extremely similar objects at breakneck pace for almost no money.

Now it’s important to rememeber that injection moulding isn’t cheap, or, well, injection moulding is only cheap for mass production. Every single unique piece of plastic needs a mould, and each mould will cost somewhere around thousands to tens of thousands of dollars EACH, depending on how tight the tolerances are and how complex the geometry is. Look at how many unique plastic pieces there are on that keyboard. Each one represents an investment of like $7000 into making this toy that gets sold for about $20, so there’s no way this would get made unless the company had plans to sell literally hundreds of thousands of these things.

(This mould can spit out one chair every 30 seconds and it probably cost twenty thousand dollars to make)

Once you learn to see injection moulding you can’t unsee it. It’s like learning about kerning, or musical intervals, or disability compliant designs, or the pantone colours, or about how many insulator disks are needed on different voltage power lines. You start to see it everywhere, you realise that everything in your life relies upon our ability to jam plastic through a heated screw and into a mould reliably, hundreds of times per day, all day, every day.

Unless you’re wandering alone in the wilderness (and even then, maybe: check your clothing), look around and see if there’s something injection moulded near you. I can tell you the answer, there definitely is. It’s inescapable.

What would a world without injection moulded parts look like? It’d be weird. Everything we think of as cheap and easy to make is suddenly expensive. Complex curves and slopes like you’d find on a one dollar potato peeler now require hours of work to form. Every budget consumer item would be like those cheap sheet metal PC cases that have drawn blood from everyone who build a PC in them. Everything now has the aesthetics of a Sun 3/280 system:

Heck, even this sheet steel cube has a dozen injection moulded parts visible.

All the chunky plastic housing of the 90′s and 2000′s, all the sleek curves of the 2010′s, all the cheap plastic knick-knacks, the plastic toy horses, the snugly-fitting appliance chassis, the stacking plastic chairs. All these things now cost ten times as much and have to be formed from heavy steel, or milled out of chunks of cast plastic, or replaced with formed sheet metal.

Our culture, artistic sensibilities, and sense of value has been irrevocably shaped by our ability to squeeze liquid plastic into a metal die.

If you're writing a story and a voice in your head says 'maybe this is too much fucked up mad science, you should dial back the fucked up mad science', that is the devil talking.

OK SO PEARL’S NAME

ok so you probably know that pearl’s outfit in octo expansion is based on the notorious b.i.g. aka biggie smalls

what you probably dont know is that pearl’s full name in japanese is “houzuki hime”. houzuki comes from “daio houzuki ika”, which is the colossal squid. hime comes from “hime ika”, the northern pygmy squid. 

basically what im saying here is. pearl’s japanese name is “colossal pygmy” which is literally the squid version of “biggie smalls”

Concept: reverse exposition-bot NPC companion. They know fuck-all, and all of your dialogue options with them consist of the player character explaining stuff to them. The game's lore changes on the fly so that whatever you tell them retroactively becomes correct.

Tony Dog

SICK!