Marienburg Castle, Hanover, Germany.
REBLOG THIS TO GIVE THE PERSON YOU REBLOGGED THIS FROM A GOLD STAR BECAUSE THEY’VE BEEN STELLAR TODAY AND THEY DESERVE IT ⭐️
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my blog if you want to!)
Now first, I have to say, that the plot you’re able to come up with in one day is not going to be without its flaws, but coming up with it all at once, the entire story unfolds right in front of you and makes you want to keep going with it. So, where to begin?
What is your premise and basic plot? Pick your plot. I recommend just pulling one from this list. No plots are “original” so making yours interesting and complicated will easily distract from that fact, that and interesting characters. Characters will be something for you to work on another day, because this is plotting day. You’ll want the main plot to be fairly straight forward, because a confusing main plot will doom you if you want subplots.
Decide who the characters will be. They don’t have to have names at this point. You don’t even need to know who they are other than why they have to be in the story. The more characters there are the more complicated the plot will be. If you intend to have more than one subplot, then you’ll want more characters. Multiple interconnected subplots will give the illusion that the story is very complicated and will give the reader a lot of different things to look at at all times. It also gives you the chance to develop many side characters. The plot I worked out yesterday had 13 characters, all were necessary. Decide their “roles” don’t bother with much else. This seems shallow, but this is plot. Plot is shallow.
Now, decide what drives each character. Why specifically are they in this story? You can make this up. You don’t even know these characters yet. Just so long as everyone has their own motivations, you’re in the clear.
What aren’t these characters giving away right off the bat? Give them a secret! It doesn’t have to be something that they are actively lying about or trying to hide, just find something that perhaps ties them into the plot or subplot. This is a moment to dig into subplot. This does not need to be at all connected to their drive to be present in the story. Decide who is in love with who, what did this person do in the 70’s that’s coming back to bite them today, and what continues to haunt what-his-face to this very day. This is where you start to see the characters take shape. Don’t worry much about who they are or what they look like, just focus on what they’re doing to the story.
What is going to change these characters? Now this will take some thinking. Everyone wants at least a few of the characters to come out changed by the end of the story, so think, how will they be different as a result of the plot/subplot? It might not be plot that changes them, but if you have a lot of characters, a few changes that are worked into the bones of the plot might help you.
Now list out the major events of the novel with subplot in chronological order. This will be your timeline. Especially list the historical things that you want to exist in backstory. List everything you can think of. Think about where the story is going. At this point, you likely haven’t focused too much on the main plot, yeah, it’s there, but now really focus on the rising actions, how this main plot builds its conflict, then the climactic moment. Make sure you get all of that in there. This might take a few hours.
Decide where to start writing. This part will take a LOT of thinking. It’s hard! But now that you’ve got the timeline, pick an interesting point to begin at. Something with action. Something relevant. Preferably not at the beginning of your timeline - you want to have huge reveals later on where these important things that happened prior are exposed. This is the point where you think about what information should come out when. This will be a revision of your last list, except instead of being chronological, it exists to build tension.
Once you’ve gotten the second list done, you’ve got a plot. Does it need work? Probably. But with that said, at this point you probably have no idea who half your characters are. Save that for tomorrow, that too will be a lot of work.
After you’ve plotted the loose structure of your novel from this, see my next post to work on character!
The title of this post is clickbait. I, unfortunately, have not read every book ever. Not all of these books are particularly “dark” either. However, these are my recommendations for your dark academia fix. The quality of each of these books varies. I have limited this list to books that are directly linked to the world of academia and/or which have a vaguely academic setting.
Dark Academia staples:
The Secret History by Donna Tartt
If We Were Villains by M.L. Rio
Dead Poets Society by Nancy H. Kleinbaum
Vita Nostra by Maryna Dyachenko
Dark academia litfic or contemporary:
Bunny by Mona Awad
The Idiot by Elif Batuman
These Violent Delights by Micah Nemerever
White Ivy by Susie Yang
The Cloisters by Katy Hays
Never Let Me Go by Kazuo Ishiguro
The Lake of Dead Languages by Carol Goodman
A Separate Peace by John Knowles
Black Chalk by Christopher J. Yates
Attribution by Linda Moore
Dark academia thrillers or horror:
In My Dreams I Hold a Knife by Ashley Winstead
The Maidens by Alex Michaelides
Ghosts of Harvard by Francesca Serritella
Catherine House by Elisabeth Thomas
Plain Bad Heroines by Emily M. Danforth
They Never Learn by Layne Fargo
The It Girl by Ruth Ware
Never Saw Me Coming by Vera Kurian
Dark academia fantasy/sci-fi:
Babel: An Arcane History by R.F. Kuang
The Atlas Six by Olivie Blake
Ninth House by Leigh Bardugo
A Lesson in Vengeance by Victoria Lee
The Starless Sea by Erin Morgenstern
Vicious by V.E. Schwab
A Discovery of Witches by Deborah Harkness
The Betrayals by Bridget Collins
Dark academia romance:
Gothikana by RuNyx
Alone With You in the Ether by Olivie Blake
Dark academia YA or MG:
Truly Devious by Maureen Johnson
A Deadly Education by Naomi Novik
Ace of Spades by Faridah Àbíké-Íyímídé
The Raven Boys by Maggie Stiefvater
Legendborn by Tracy Deonn
Crave by Tracy Wolff
Wilder Girls by Rory Power
The Harry Potter series by J.K. Rowling
Dark academia miscellaneous:
My Dark Vanessa by Kate Elizabeth Russell
Disorientation by Elaine Hsieh Chou
Alphabet of Thorn by Patricia A. McKillip
why do you charge money for your art
big fan of eating
Why is this heat so hot 😩
1. Is immortal. 2. Used to date the big bad. 3. Is cursed to die at the hands of a member of their own family. 4. Is actually a pair of identical twins who switch off being this person. 5. Has been offered a reward to betray the party, but has not decided whether to take it. 6. Is pretty sure they remember one of the PCs from somewhere but can’t remember where. 7. Is a wanted criminal, introduced themself with a fake name. 8. Is a shapeshifter (and is also one or more other NPCs the party has already met). 9. Is a member of the royalty/nobility/ruling class in disguise. 10. Has been possessed by a demon or other entity and is constantly wrestling it for control. 11. Can’t read. 12. Is having an affair with one of the other NPCs the party has already met.
me and my friends during a séance to try to bring brazil back to the world cup
tanger 🥹
writeblr written by silver (+21 | pt-br / eng | they/she ela/elu), focused on dark aesthetic and characters with questionable morals. same user on twitch and discord.
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