THERE MUST BE A PARAGRAPH BREAK EVERY TIME A NEW CHARACTER SPEAKS

Author Recommendations #1

Genre: Fantasy (No Tolkien, J.K. Rowling, or C.S. Lewis but they are good and should be checked out.) -David Eddings Books: The Belgariad and the Mallorean series. -Tamora Pierce Books: The Immortals and The Song of the Lioness series. -Rachel Hartman Book: Seraphina -Dawn Cook Books: First Truth, Hidden Truth, Forgotten Truth, Lost Truth -Holly Black Books: Tithe, Valiant, White Cat -Amelia Atwater-Rhodes Books: Hawksong, Snakecharm - Martine Leavitt Book: Keturah and Lord Death -Tanith Lee Books: The Claidi Journals -Colleen Houck Books: The Tiger Saga -Peter S. Beagle Book: The Last Unicorn, Two Hearts (story) If you'd like more then let me know.

Sharing this on both blogs since it's so amazing and I'm awed by it.

Ryiah Lavellan, commission for sinedra 

idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.

so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)

so i created a cheat sheet to help connect all three components together.

1) the world creates the characters.

this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.

2) the characters are limited by the world.

also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.

3) the characters carry the plot.

we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.

4) the plot pushes the characters.

if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.

5) the plot depends on the world.

you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.

6) the world is changed by the plot.

even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.

final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!

tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.

dragontameroutofcharacter, saw this today and immediately thought of you. Though much cuter in person.

I have almost 50 followers?! When the heck did that happen? Well thanks guys, I'm honored. I usually spend time on my side blog but I'll continue to post writing related things I find helpful.

“our teeth and ambitions are bared” is a zeugma

and it’s a zeugma where one of the words is literal and one is metaphorical which is the BEST KIND

For any of you who are writing ‘across the pond’-here is a little guide I put together of some common differences between British and American English!

Erotica vs. Porn.

Warning: this is not my area of expertise and more of an observation. Dime store romance novels get a bad rep, being called “porn for woman”. I disagree but that doesn’t mean I like it. It usually feature the damsel in distress being rescued by the perfectly built hero (who usually is a vigilante or a mysterious stranger). I wouldn’t call them porn, most only have short sex scenes that last for a page or two and are done. Mostly, they’re the same plot with cardboard cut-out characters. Notice the key word? Plot.

Erotica has a plot, a story. No matter how overdone and unoriginal it is story driven. Sex does not fill it cover-to-cover. This doesn’t excuse shoddy writing but it is it’s one saving grace (granted there are some good ones).

Again, don’t be mistaken, erotica is it’s own genre. If you find a book in the fantasy section and it has sex in it, it’s still fantasy. Erotic specifically aims to incorporate sex and sexual tension; it’s the promise of at least one intimate, explicitly detailed (but for the most part tastefully worded), romantic moment between the two main characters. Another key word: romantic.

Porn is not tasteful. Porn is beginning to end sex with hardly any plot, or a horrible plot. There does not need to be any romance. The writing, more often than not, make dime store novels look like a “New York Times Best Seller”.

If you enjoy porn, it’s your life and your choice. I’m not trying to criticize a person’s life, but I bring this up for a few simple reasons: 1) Porn does not need to be video or images, stories can also be porn. 2) Woman in Erotica at least are (for the ones I’ve read) truly loved and are in love. Some are even very independent characters and CAN be likeable. Woman in porn are not like this. They are weak and submissive, bribed or coerced into their relationships. 3) Again, erotica is story driven with a fairly solid (no matter how dull) of a plot. They go through editors and a publishing house to end up on shelves. Porn is written strictly for the sex with little to no imagination put into it. The writing not up to par with erotica. 4) Fifty Shades of Gray is porn and, I admit, the reason for my post.

Sorry if this is overdone, but Fifty Shades of Gray is NOT erotica. It may be published, but it’s all about the sex with no plot. The romance is more of a hoax as Anastasia IS brided back into a relationship with Gray and emotionally blackmailed. And really guys, what other proof do you need than it was a Twilight fanfiction that was even less story and all sex.

I agree with the above. My writing professors always said 'there are rules, break them as long as you understand how and why'. The rules are important, but you're allowed to play with them. Bend them. Writing is an art form, we push the boundaries and limits set to us and that's what makes it interesting to read. Makes each author sound unique. Just be sure it's all moving the plot in some way or revealing character. It has to have a purpose.

Otherwise, write what you want to write. J. K. Rowling was denied again and again till someone saw the magic - pun fully intended - in her work. Stephen King was told his stories were too depressing, that no one would want to buy science fiction with negative utopias. That his novels would never sell. In the end they got picked up by agencies. Keep your heads up, there is hope.

To all the Writers Suffering from Depression

It’s okay. Your desire to write will return. Your desire to do other things you love will come back, too. You’re not weak. You’re just having a hard time right now. Try not to add self-judgment on top of everything else. Depression is hard enough without blaming yourself for it.

We (in the US specifically) live in a productivity-obsessed, emotion-phobic culture which blames individuals for “failing” when they are anything but hyper-productive and relentlessly optimistic. This cultural narrative so pervasive that it’s difficult to see the high standards we set for ourselves for what they really are: Complete and total bullshit.

Despite the rampant cultural garbage that teaches us to interpret emotional ups and downs as an aberration, MANY writers and artists (and people in general!) struggle with depression and other mood “disorders.” It is not uncommon for us, among other things, to go through periods of hyperactivity followed by depressive episodes in which we get very little accomplished. I am not saying you shouldn’t try to alleviate your depression or work to find ways to minimize your suffering in the short or long term. I’m just saying there’s nothing wrong with you, and you aren’t alone.

I’m going to say that again:

If you’re having a hard time writing or enjoying writing right now because you’re depressed, you aren’t alone.

I wish I had some kind of magical answer. I don’t. But I do know that accepting your depression and loving yourself anyway beats the hell out of berating yourself for feeling like this. So, with that in mind, this might be all I have to offer:

I think you’re doing a great job. I’m sorry you feel like shit. I’m on your side whether you’re writing or not; whether you feel good or not; whether you’re being “productive” or not; whether you wanted to get out of bed this morning or not. You’re still a writer to me, even if you’re not writing right now. You don’t have to prove yourself to me or anyone else. I love you, and I hope you feel better soon.