Kabru In The Throne Room Trying To Sound Proper Cuz The Elves Are Visiting: Where In Tarnations Is The

Kabru in the throne room trying to sound proper cuz the elves are visiting: Where in Tarnations is the Female King of Melini and Lady Nakamoto

Laishuro:

(Female King to cement this is in fact Yuri, Laishuro T4T yuri)

Tags

dungeon meshi delicious in dungeon laios touden dunmeshi dunmeshi spoilers laishuro toshiro nakamoto shuro dungeon meshi trans shuro nakamoto toshiro laios x shuro

More Posts from Sittiytaart and Others

sittiytaart

6 months ago

first slide, titled "how to draw some burn scars" with "some" being underlined. The text under reads "3rd/4th degree mostly, because most people on this website apparently never seen a burn survivor." below that is a red box with text reading "(all caps) all scars are different! (end caps) there is no one correct way to draw a scar. this is more of an overview than a step-by-step tutorial".
the right side of the slide has three drawings, each showing a person's forearm. The text above them reads "there's many types of scars, actually". The first one shows a hypertrophic scar, with the text "draw a darker patch of skin and shade underneath to show depth. notes: it sticks out a bit, it can be slightly discolored (darker), it's not really this bright red color that people draw burns with, it interacts with the rest of the skin - you can see it pull skin inward".
The second one shows a keloid scar, with the text "it sticks out a lot, much more discolored, it can be red, pink, purple, it doesn't with the rest of the skin as much - it has sharper, more defined edges". The third and last arm shows a severe contracture with the top of the hand resting on the forearm, with the text "burns make skin contract; scars affect range of motion (ROM) and can lock or limit movement, they afect all areas of the body vbut are most visible on the neck, joints, and hands". There's a fourth additional drawing showing a man's torso; he has a lighter burn scar on the far side of his ribcage, with his arm seemingly fused to it above the elbow. He has visible body hair but is lacking it on the scar itself. The several notes around it read "healed scars can also turn lighter; a burn scar has a tendency to pull surrounding structures* inward, here it makes a contracture. *-not only skin. scars affect cartilage (like in ears), nipples, etc. also notice the lack of hair on the scar".

second slide, titled "how do burns look like (for people who draw them but don't seem to know)". there's an arrow labeled "not like this (heart)" leading to a drawing of an anime girl with half of her skin being plain red and no other changes. text box below her reads "'don't worry man I watched ATLA when I was 14' type OC", with the following noted; "the Red, has fingernails despite 3rd degree burns, has eyebrows despite 3rd degree burns, has hair despite 3rd degree burns, eye is totally fine it's only fire LOL, nose and ears also fine, why is it red, more flexible than your average abled person, why is it red". below is a disclaimer reading "(one or two is fine, but why is it always all of it? burns do things, especially one as seveer as implied here)". the right side of the image shows pictures of body parts with burn scars on them, the first being a hand with a severe contraction in the fingers. the burn and contracted joints are labeled on the image. next to it is a drawn comparison between a non-burned hand with stretched out fingers, and a burnt hand with curled fingers. photo under that is of a pair of feet being held by a hand. the link below goes to "SurvivorNotVictim.com/Scar-Photos". my added text reads "not red! the scars mostly show through texture and tissue damage" and "no toenails". next to that is art of a scarred leg from the mid-calf down, it has visible skin pulling, no nails, and discolored patches of skin. text reads "some pinkness/redness can show, but it's A) not going to be a consistent color, B) other aspects of the scar still show up. Remember the body is 3D and skin pulls accordingly (more or less); scars form toward the ankle because it sticks out". at the bottom of the image is a portrait photo of Marzieh Ebrahimi, an Iranian woman with a chemical burn on one side of her face, smiling. Text next to her reads "a scar can be more defined in one place and less in another (forehead/chin); the skin is darker and less saturated, not red; Marzieh's scar is more visible because of her eye and nose than the discoloration". Next to that is a simplistic portrait drawing of her recreating the picture. Note reads "just some darkening of the skin, lighter and darker lines to imply skin pulling, and attention to some basic effects of burns (e.g., scar on eyebrow ridge = no eyebrow) looks more like an actual burn than the red paint thing".

Third slide, titled "skin grafts". On the right is a photo of a white woman posing with her scars visible to the camera, the source is linked as SurvivorNotVictim.com/Scar-Photo. Text reads "one of the most common visible kinds of skin grafts is the mesh one", with an arrow pointing to the woman's arm, where her skin has a mesh pattern. There is a drawn comparison of non-burnt skin and skin with the mesh graft for comparison. Text box reads "it leaves a specific kind of texture in the skin. Grafts sometimes have stronger highlights than other parts of the skin (you can see it on both photos)". Under that is a photo of Kenny Matthews (@IKenDawg), a Black man with burn scars. There is a text box on the right that reads "skin grafts will usually be thicker than the rest of the skin and thus can stick out; they can be discolored (both darker or lighter, more yellow or red, more/less saturation, etc.) and have a visible start and end. It applies to all skin colors BTW". Below that are two portrait drawings, one of a Black man with a large, darker skin graft on his cheek, and a white woman with yellowish grafts on her jaw and nose.

Fourth slide, titled "nose and eyes". The left side features various nose drawings, while right and bottom show different kinds of eyes. The text in the nose section reads "Usually if nose was visibly burned, it will be seen on the nostrils and septum". The first nose drawing shows someone with pale skin and nostrils pulling strongly downwards. Second one shows a person with darker skin and fourth degree burns; his eyes are covered by skin and the external parts of the nose are largely gone, leaving the red internal part visible. Text attached reads "With very severe burns, the external part of the nose can be removed. In this case the nose will be red because the insides of the nose are red". Third drawing shows a white man with burns below his eyes; his septum is completely gone, and the nostrils pull to the sides. Attached text reads "Nostrils can also pull to the sides, making the nose wider. Sometimes the septum will be absent if burns were severe enough. That generally causes some degree of asymmetry". Last nose drawing shows someone with a lot of keloid and hypertrophic scars on his face, with one of them formed around their nose. Text attached reads "Nose can also pull to one side. The constricted nostril can then be very flat". There's a simple sketch underneath that shows a nose with symmetric and asymmetric nostrils from below. Eye section. The first text box reads "Eyes are not affected as often as you'd probably assume (mostly because blinking and all) but eye damage is frequent in chemical burns (as opposed to thermal)". First drawing features a darkskin person with burns on their forehead and around their left eye. The skin pulls their eyelids upward and to the side at a 45-degree angle, resulting in the red of the eye showing on the sides. Attached text reads "Eye pulls out and up, so the red parts show accordingly. The eyelids themselves are stretched, eye is fine". Second drawing is of an Arab man with a chemical burn on the left side of his face. He's missing his eyebrow and eyelashes on that side. He has ptosis and his actual iris is blurrier while the white part is redder. Text reads "Here eyelids pull down so the eye looks like it's drifting up". Third drawing shows a person with tan skin and severe burns. They have no hair of any kind, and their nose bridge is significantly pushed to the side. Their right eye is wide open with a red shiny eyelid at the bottom, their iris pointing extremely outward, and blood vessels showing. Their left eye looks very small with swollen eyelids and partially opaque iris. Text reads "The redness you can sometimes see is a result of chronic conjunctivitis, it's not an open wound situation. Here the right lower eyelid is missing so it looks like it's red and shiny. The left lower one is turned outward and it causes corneal scarring, which results in parts of the eye looking white(r) and the eyelids to swell". The bottom section features four eye adjacent conditions and their characteristics. The first one shows a person with one of their eyes missing and an empty pale-red socket visible. It's titled "Enucleation". Text underneath reads "If the eye is as badly damaged as in 90% of OCs with burns then they will get it removed. Despite popular perception there is quite literally nothing 'gore' about an eye socket. The redness/whiteness is the same thing as on your eyelid when you pull it. The empty socket has a much smaller opening and is very flat in comparison to a full socket. If the character has a protruding brow ridge, the shadow will fall on the whole area". Second one features a dark-skinned person's eye, which is brown with a white spot on the lens. Text reads "Cataracts is a condition of the lens, so it affects the lens by making it to appear clouded. Causes blindness". Third one shows an eye of a pale person; it's slightly red with blood vessels visible and the irid is blurry with a large opaque spot in the middle. Text reads "Corneal scarring causes pain, red sclera, and the opaqueness that can happen over the whole eye, not just lens. Also causes blindness".

Continuation from the previous slide. Last one shows an eye with the upper eyelid fallen down. Text reads "Ptosis is caused by nerve damage more than anything else. It makes the eyelid fall down, but does not affect the eye itself. Can technically make someone unable to see if the eyelid doesn't open". Fifth slide description starts from here. It shows a three-step process of drawing the skin texture. First step shows a patch of light skin, titled "get a base". Second step puts various brown lines of different sizes on the skin, largely going from the upper left to bottom right, spreading out on the right. Text reads "Draw slightly darker lines of various lengths to imply contractures". There’s a second, smaller drawing, first with the lines going in similar direction and the other with the lines all pointing different ways and going over each other. Text above them is "try to keep them going in a direction that makes sense" and "not just random strokes" respectively. Third step adds some shadows and highlights on the scars. Text reads "add subtle shading to show texture changes, can also add highlights". Below that is a small drawing of a patch of skin with a red line going through it; one side is shaded and one isn't for comparison. The upper right has a drawing of a man shown from the back; he has burn scars on his left shoulder. That shoulder is less muscular than the right one, and he has keloids and grafts visible. Text underneath reads "You really don't have to draw 10000 lines to show the contractures. A few smaller and some bigger ones do it just fine. Remember that you can ad keloids, hypetrophic scars, and graft discoloration!".

sixth slide, titled "other things to think about". it features a few different burn survivor characters and the text "no two burn survivors are the same". first one is a Black woman with a burn just on her face and neck, empty eye socket, and no ear, wearing a very wide-brimmed sun hat. note next to her reads "sun protection". below her is a white man with scarring on the side of his head, including two large keloid scars. he's missing a lot of hair on his scalp. underneath him is a drawing of a Latino man with short black hair and contracture scars on his forearm, fusing it around the elbow; he's wearing a large compression glove on his hand. in the center of the image are two women; a South Asian young woman wearing a pastel hijab using crutches with a visible prosthetic leg, and a Black woman with short pink hair and all four limbs amputated using a powerchair. The first woman has no actual burns visible while the second one has her stumps covered in distinct discolored scars, but they're both smiling at each other. text between them reads "burns can result in amputation, either because of the initial damage or infection. sometimes burns are visible, sometimes not so much". under them is a portrait of a white woman scratching her neck with her remaining fingers. she's completely bald with scars on her head, face, and hand. her eye is slightly red with a discolored white part in the middle of the iris. text next to her reads "research actual symptoms of burn scars (like scratching) (like sun protection), etc."

Overview of some topics when it comes to drawing characters who are burn survivors.

DISCLAIMER. Please keep in mind that this is an introductory overview for drawing some burn scars and has a lot of generalizations in it, so not every “X is Z” statement will be true for Actual People. I'm calling this introductory because I hope to get people to actually do their own research before drawing disabled & visibly different characters rather than just making stuff up. Think of it as a starting point and take it with a grain of salt (especially if you have a very different art style from mine).

Talking about research and learning... don't make your burn survivor characters evil. Burn survivors are normal people and don't deserve to be constantly portrayed in such a way.

Screenshot that reads, "In a 2022 survey of the burn community, Phoenix Society for Burn Survivors found 59% ranked 'burn survivors & the media: changing the portrayal of the survivor' as a top need for support."

edit: apparently tum "queerest place on the internet" blr hates disabled people so much that this post got automatically filtered. cool!

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sittiytaart

8 months ago

Go Read ROLESWAP!RIN please

her vermillion black eyes - tangeringe - ダンジョン飯 | Dungeon Meshi | Delicious in Dungeon [Archive of Our Own]

An Archive of Our Own, a project of the Organization for Transformative Works

fabled rin roleswap fanfic chat

Chapters: 1/1 Fandom: ダンジョン飯 | Dungeon Meshi | Delicious in Dungeon Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings, No Archive Warnings Apply Relationships: Rinsha Fana & Kabru, Rinsha Fana/Kabru (One-sided), yall will never guess whos the one w the one sided crush in this au Characters: Rinsha Fana, Kabru (Dungeon Meshi) Additional Tags: Roleswap, People Pleaser Rin AU, POV First Person, Unreliable Narrator, take everything kabru says w a grain of salt, Character Study, Complicated Relationships, Angst and Feels, (vaguely) - Freeform, kabru suffers more than jesus Series: Part 1 of her vermillion black eyes Summary:

“ because rins eyes are black, actually. not red. ”

Tags

dungeon meshi delicious in dungeon rin people pleaser rin au rinsha fana Kabrin Kabrurin

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sittiytaart

3 years ago

I'm just imagining an Encanto AU where everything is still the same but Julieta is the one who can see the future and Bruno heals with food.

Just picture it with me.

Julieta's gift of healing with food kind of made her into the ultimate powerhouse maternal figure. Especially in most latino/hispanic cultures (from what I have observed) it is considered a "woman's role" to take care of others with things like cooking and repairing what has been broken.

Now imagine a Julieta, who is still a maternal powerhouse but instead of healing she tries to use her visions as cautionary tales or teaching lessons.

The village is still scared of her, still believes she is a source of bad luck.

But Julieta still has Augustin, who didn't believe she made the future happen. He was accident prone before meeting her. Just now she uses quick glimps to warn Augustin of his potential injuries and advise her brother how much extra food he'll need to make for her accident prone husband. They both chase Agustin around with the magic food She still gives birth to her three daughters who she loves more than anything. She is still the triplet that speaks against her mother to defend her family.

Bruno who is now the golden child of the triplets, and the most useful, is still socially awkward, and superstitious. His sister's can tell when the food choice is something on the saltier side. While his gift is useful he's only really approached for healing food and he's been doing that since he was five. He's overworked and is constantly in the kitchen. Making food in case of emergencies. He's still the rat man with rat children.

Mirabel's failed gift ceremony happens and Alma begs Julieta to look into the future. After comforting her daughter to sleep Julieta walks down into her vision cave where she sits on the end of a peninsula of an underground lake.

In her hands sits a blue tablet showing her youngest daughter. One side has casita whole, the other full of cracks.

Julieta is terrified for her daughter, Alma will demand to see the vision. Julieta knows from experince that once Alma knows it will end horribly for her daughter.

Julieta will do anything for her daughters.

Augustin goes to find his wife but only finds an empty cave and a smashed vision.

For 10 years no one talks about Julieta. Her door has stopped glowing. Augustin took the spare bed in Bruno's room, the two growing closer as Bruno helps with raising the girls. It's Bruno's involvement with helping raise his nieces that Augustin has not followed through on his threat to take his daughters and leave Casa Madrigal.

Augustin is more quick tempered with Alma, more ready to defend his daughters.

Isabela resents Mirabel even more, blaming her for their mother's disappearance.

Luisa doesn't blame Mirabel, if anything she's probably more protective of her than in canon. She does hold a secret resentment towards the town though. She believes they pushed her mother over the edge. Especially when she hears what people whisper from Dolores and by her own ears.

Well one of those girls had to be bad luck like their mother.

Julieta should've stopped after one. She got lucky to have a perfect daughter like Isabela.

Yeah she should've counted her graces that only one is a fuck up like her.

Mirabel wished someone talked about Julieta Madrigal. Actually talked about her, what she was like, how she looked, how she spunded. Did she prefer sweet or spicy foods? What was her favorite shade of blue? Did she love her youngest daughter? Mirabel has no memories, or very vauge ones. She has no idea who her mother truly is. The only comfort Mirable can bring herself is that sometimes it feels like Casita is trying to minic what she thinks is Julieta's voice. Giving Mirabel words of encouragement, praise, and love. Despite this attempt Mirabel might hate herself a little bit more, after all she was such an embarrassment that she drove her mother away.

Julieta does a better job at hidding in the walls than Bruno. She sneaks out a back door from her place in the walls before anyone wakes up and returns when she knows Dolores goes to sleep. She adds to her brother's herbs that she has spent all day collecting. Then wonders upstairs. Checking on each of her daughters, leaving them gifts before going back into the walls.

Julieta patches the walls for years. Taking notice of the pattern of when Mirabel is stressed or in pain the cracks show more. Casita has more than once woken Julieta up to one of her daughters having a nightmare. No matter how old they are she holds them close singing them back to a peaceful sleep.

Her brother's rats keep her entertained, always performing Bruno's latest telenovela for her. They help her sometimes by bringing things when she mistimed her coming back and can't make much noise in the walls.

She never expected one of her visions to be something they would bring her. Or that she would be reunited with her youngest daughter five minutes later after ten long years.

Bruno's rats led Julieta to one of the holes in the floor.

Julieta let out a gasp when she saw who was dangling by one of the floorboards. "Mija!"

Mirabel stared at a face simliar to her own as she gets pulled up. "Mama?"

Julieta checks her daughter over for injuries before pulling her into a tight hug. "Mi amor what are you doing back here?"

"What am I? What are you?" Mirabel spluttered, just examining her missing mother who was apparently never actually left! Mirabel glances over, loosing steam as she takes in all the repaired cracks. "Have you been patching these?"

Julieta sadly traces over the cracks, they match so well with her vision. "No matter how much I love our family, I won't let even them hurt my daughters. When Mama wanted that vision of you ten years ago I knew I could never let her see it. Even if there was a possibility of it turning out well she would only believe the worst outcome. Just like she and the village believe of me."

Realization dawns on Mirabel. "You left because of me?" Her voice shook, tears falling because they were right, Oh dios they were right she was the reason-!

"Mi vida." Julieta pulled her daughter back into a hug. "I left to protect you. I may regret having to leave but do not doubt I wouldn't do it again to make sure you were safe."

Mirabel gets the idea for another vision, but with Julieta's cave wrecked they needed a new place with open space. Julieta led her daughter to a river.

"I've spent a lot of time here over the past decade. Your Abuela would never come here."

Mirabel looked around, remembering the story. "This is where it all started. Where Abuelo Pedro..."

Julieta nodded. "It's probably the most magically charged place in Encanto outside of Casita."

They do the vision, water forms around them. It's the same as before,no closer to a straight path. Mirabel spots something Julieta couldn't see. They follow it until a new picture forms.

"Antonio the door, the door!"

The rats grabed Antonio's attention. The dead door of the tia he never met, whose room was off limits, was glowing bright and strong. He looked over the railing where his tios were.

"Tio!"

Augustin and Bruno ran rowards their nephew, Pepa and Felix not far behind. All four adults freeze at the glowing door.

Julieta holds a blue tablet. She smiles at the picture. Her oldest and youngest hugging.

"Isabela!" Mirabel rages.

"Mira," Julieta's voice takes on a warning tone.

"Mama you don't understand!"

Julieta raises an eyebrow. "May I remind you darling daughter that I was the black sheep between mi hermanos. And my brother was the golden child."

Mirabel blushed.

Julieta gently set the tablet down and hugged her daughter again, kissing her forehead. "I believe my visions are lessons we have to learn. You and Isabela have been fighting for a long time. Maybe it's time the both of you learned to communicate and move forward. Now go hug your sister and save the miracle. Then after...," Julieta pauses . "After can you tell your papa and hermanas I love them? And tell mi hermanos I miss them."

Mirabel hugged her mother tighter. "After I save the miracle you can tell them yourself when I bring you home."

"I love you mija."

Julieta sat back down in the river, cradling her tablet. "Papa, please protect mi familia."

"The cracks started with you! Julieta left because of you!" Alma yelled.

Mirabel snapped. "Mama left because you always believed the worst in her!"

"Julieta didn't care about this family!"

Mirabel noticed her older sisters flinch, tears forming in Luisa's eyes as they always do when someone brings up Julieta leaving.

No matter how much I love our family, I won't let even them hurt my daughters.

I left to protect you.

Can you tell your papa and hermanas I love them?

I love you mija

Mirabel stepped closer, her temper flaring. "Mama loves me! She loves this family! I love this family! We all love this family! It's you who doesn't care! You're the reason Mama left! You're the reason for the the cracks! You are the reason the miracle is dying!"

Julieta felt the ground shake. Watched as the mountain that hid the Encanto for years split in two. She screamed as Casita fell in the distance.

Her daughters, she needs to see her daughters.

Mirabel ran. She failed. The miracle was gone. Casita fell . She wanted her mama, and her mama was by the river.

"Mama! Mama!"

Julieta stopped. Mirabel needed her. She turned back towards the river. When she got there Alma was with Mirabel. Mirabel was crying, Julieta saw red.

"Mama! Don't touch my daughter! She's not the reason the miracle died!" Julieta yelled, putting herself between her mother and daughter.

"Julieta," Alma breathed. Pulling her daughter into their own hug, kissing her face. "Mija, I'm so sorry."

Julieta glanced down at Mirabel who joined the hug. "It's ok Mama."

They make it back to the ruins of Casita. Agustin and Bruno checking over Mirabel as Alma apologizes to the whole family.

"And I'm so sorry I held on too tight," Alma said before she guided Julieta into the family's line of sight. "Just so scared I lose you too."

"Mama!" Isabela and Luisa rush forward into their mother's arms. Pepa and Bruno hugging their sister from the sides while Augustin hugs her from behind.

"So we gotta talk about Julieta?" Camilo says awkwardly on the side lines. Making a face when Dolores elbows him

"That's Tia Julieta?" Antonio asked confused. She doesn't look like what the rats described to him.

Augustin wraps an arm around Julieta as they watch Mirabel bring the magic back with a twist of a doorknob.

"She takes after you," Augustin whispers in his wife's ear.

Julieta smiles, thinking about the vision she had right after Mirabel was born. "She finally sees what was there all along."

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sittiytaart

9 months ago

OMORI MANGA PANEL REDRAW IN MY STYLE:

Tags

omori basil omori fanart omori omori aubrey omori sunny omori kel omori manga spoilers omori manga omori manga redraw

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sittiytaart

3 years ago

THEYRE LOSERS!! they're such losers, how does he even ask her a day late!! he cant!! and then he forgets to when she does it again!! who even asks who out!!! the imps watch this unfold everyday, and they each have a different disney song playing in their heads

its an honest pain to watch them

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sittiytaart

11 months ago

this document has link of gofundmes of palestinians who need donations right now! pls donate if you can or spread this document around! https://t.co/29hkjdyt0w

— f (@groomitsblanket) May 6, 2024

docs.google.com

Palestine GoFundMe’s

docs.google.com

Operation Olive Branch - Google Drive

If you're feeling helpless, boost/share these links. Donate if you can

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sittiytaart

8 months ago

Transhuro is Beloved in this house, I sometimes forget she's not a girl

A thought inspired by this post on Toshiro getting something out of his chestplate her bra

There's this one video where Katya Zamolodchikova (drag queen) is talking about how after a function she went to shower and instead of taking off her wig she just clipped it, realised afterwards that taking it off would've been easier, but didn't because she felt ✨like a girl✨

And I'm just thinking. wow, Toshiro's final egg cracker being Falin but really there were fractures put there by aaaaall of the girls in her life lol.

(gonna use he/him below since I think it transmits the concept I'm going for better)

Imagine Toshiro, age 15, sees Hien take something out of her chest bandages for the first time. Goes, woah, that's smart actually. Copies her.

Then pauses.

Marvels briefly at the "✨like a girl✨" feeling,

But they're in the middle of work so the moment passes and they go back to work.

Takes another 11 years and probably a couple other -isms adopted from Maizuru, Beni, and maybe even Namari before the realization hits.

Tags

shuro transshuro

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sittiytaart

1 year ago

Homophobes like Laios x Marcille, That's my ship get away from them you won't even want their actual dynamic. Please we are NOT the fucking same get out of my fandom

Laimar shippers can never win, People already dislike us and we are the immediate go-to for straight dungeon meshi porn that are misogynistic.

Tags

delicious in dungeon laimar laicille marios dugeon meshi Larcille

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sittiytaart

8 months ago

MIKU BEAM

Tags

hatsune miku vocaloid miku Hatsune miku hatsune

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sittiytaart

1 month ago

T4T Doomed Het ShinRuka where they were both Trans but in the Closet and Shinjuro is left alone in this world with no one to understand her condition once her wife (husband) Ruka dies.

Nothing changes but Shinjuro is a closeted transwoman and Ruka is implied to be a transman, Perhaps Shinjuro transitions but the focus is the angst of Shinjuro kind of giving up on herself and giving into a kind of masculine despair

I just really like them, okay.

Tags

kny rengoku shinjuro Shinjuro Rengoku kny shinjuro demon slayer shinjuro ShinRuka “Aw I bet He misses His Wife” Worse she misses her husband and the only person who seemingly understands what she is going through The alchoholic man is actually a depressed and hurt girl on the inside Doesn't really excuse his treatment of her sons but it just adds to the situation

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