Heh
Nana Hiiragi
Of course the hate for her is well deserved.
First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.
Yes, she would be hated just as much if Nana was male (probably more so).
It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.
In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).
Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.
The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.
In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.
I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.
Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).
I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.
Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).
Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.
And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).
Hopefully she will pay some sort of price for her actions.
Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.
In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).
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A tense, nerve-wracking month crawled by, bleeding from the anxious heart of May into the oppressive, humid heat of mid-June in what would have been, in Arthur’s old life, the summer of 2028. Arthur Ainsworth, Nana Hiiragi, and the ever-enigmatic Jin Tachibana had found a precarious, fleeting anonymity in the sprawling, indifferent depths of Tokyo, moving frequently between a series of increasingly dilapidated, anonymous safe houses procured by Jin’s surprising and unnervingly effective network of unseen contacts. Their life on the run was a grim tapestry woven from constant fear, whispered conversations, shared, meagre rations, and the ever-present shadow of Tsuruoka’s inevitable pursuit.
The atmosphere in the country, meanwhile, had grown uglier, more poisonous by the day. Anti-Talent hysteria, deliberately fanned by sensationalist media outlets controlled by or sympathetic to the Committee, and further inflamed by a series of carefully orchestrated, highly publicized incidents attributed to rogue, "dangerous" Talents, had reached a terrifying, fever pitch. The government, citing an escalating threat to national security and public order, had passed sweeping new emergency legislation, granting sweeping, almost unchecked powers to newly formed special security units. The internment camps Jin had warned of were no longer a whispered rumour, a shadowy future threat, but a stark, brutal, and rapidly expanding reality. Posters appeared overnight on city walls: stern, ominous warnings about the "Talent Menace," urging citizens to report any suspicious individuals or unusual abilities to the authorities. Radio talk shows and television news programs were filled with inflammatory rhetoric, expert panels discussing the "inherent instability" of Talented individuals, and thinly veiled calls for their segregation and control "for the good of society."
Arthur and Nana had settled into an uneasy, almost claustrophobic cohabitation in their current hideout – the back rooms of a small, long-shuttered and forgotten noodle bar in a decaying industrial district, its windows boarded up, its air thick with the smell of dust, disuse, and their own shared anxiety. Their conversations were often strained, punctuated by long, uncomfortable silences filled with the ghosts of their past and the looming dread of their future. They were trying, hesitantly, awkwardly, to forge some kind of functional working relationship, sharing fragmented, painful memories from the island, attempting to understand the true extent of Tsuruoka’s monstrous manipulations. Arthur still found it incredibly, almost impossibly difficult to reconcile the subdued, haunted, and seemingly genuinely remorseful Nana Hiiragi before him – the young woman who now flinched at loud noises and wept silently in her sleep – with the cold, efficient, ruthless teenage assassin he had first encountered on that cursed island. Nana, in turn, visibly struggled with the sheer weight of Arthur’s quiet, unspoken knowledge of her past, his occasional, inadvertent English pronouncements a constant, unwelcome reminder of the depth of his insight, his very presence a mirror reflecting her own suffocating self-loathing.
They were in the middle of one such tense, circular discussion, Nana hesitantly recounting a half-remembered detail about Tsuruoka’s early indoctrination methods, Arthur listening with a grim, weary patience, when the boarded-up back door of the noodle bar suddenly splintered inwards with a deafening crash.
Before either of them could fully react, before Arthur could even scramble to his feet, the small, dark room was swarming with black-clad, heavily armed Committee agents, their faces hidden behind impersonal, menacing gas masks, their movements swift, brutal, and terrifyingly efficient. Arthur and Nana barely had time to register the assault before they were viciously subdued, their desperate, futile struggles silenced by harsh, barked commands, the painful pressure of stun batons, and the brutal, practiced efficiency of highly trained government operatives. There was no escape. The roundup, Jin’s dire prophecy, had begun in deadly earnest.
Arthur next found himself blinking dazedly against the harsh, unforgiving glare of fluorescent lights in a vast, echoing, and terrifyingly crowded processing centre, the air thick with the metallic tang of fear, unwashed bodies, and institutional disinfectant. He was fingerprinted with rough, indifferent hands, photographed like a common criminal, forcibly stripped of his ragged civilian clothes, and issued a drab, numbered, ill-fitting prison uniform. He caught a fleeting, horrifying glimpse of Nana, her face pale as death but her expression one of grim, almost stony resignation, being herded into a separate line by two armed guards. Then she was gone, swallowed by the chaotic, terrified throng.
The internment camp itself, when he finally arrived after a long, jolting journey in an overcrowded, windowless transport vehicle, was a monument to despair. It was a desolate, sprawling, hastily constructed complex of prefabricated barracks and grim concrete bunkers, surrounded by multiple layers of high, electrified fences, stark, skeletal watchtowers manned by heavily armed guards, and an almost palpable aura of hopelessness. It was a place built to crush spirits, to extinguish hope, to reduce human beings to mere numbers.
Within days of his arrival, amidst the hushed, fearful whispers and the constant, grinding misery of camp life, Arthur heard the news he had both dreaded and somehow expected. Kyouya Onodera was here, captured in a separate, equally brutal raid in another city. More astonishingly, and a small, sharp, painful joy for Arthur, he learned that Michiru Inukai had also been swept up in the Committee’s merciless nationwide purge, her quiet, unassuming life on the mainland, where she had been living with distant relatives, violently, inexplicably interrupted. They were all here, it seemed, the key surviving pieces of the island’s cursed, tragic legacy, brought together once more by Tsuruoka’s machinations, confined in this new, even more horrifying circle of hell.
The camp was under the iron-fisted command of a man named Ide – Commandant Ide, as he insisted on being addressed. Ide was a tall, imposing figure with cold, fanatical eyes, a neatly trimmed grey moustache, and an unshakeable, almost religious belief in the inherent danger and genetic inferiority of Talented individuals. He would often address the new arrivals during their initial processing, his voice amplified by loudspeakers, spewing forth a venomous stream of anti-Talent rhetoric, justifying their imprisonment as a necessary measure to protect the "purity and safety of normal society."
Commandant Ide, Arthur soon learned through the camp’s terrified grapevine, took a particular, sadistic, and almost scientific interest in Kyouya Onodera. Reports of Kyouya’s extraordinary immortality had, it seemed, reached him, and Ide appeared determined to personally test its limits, to find a way to break the unbreakable boy, perhaps even to discover the secret of his regenerative abilities for the Committee’s nefarious purposes. Kyouya was dragged from the already harsh conditions of the general prison population and subjected to weeks of relentless, systematic, and increasingly brutal torture in a special, isolated detention block known only as “Ward Seven.” The methods employed there were whispered to be horrific, designed to inflict maximum, unendurable pain and complete psychological disintegration. Yet, Kyouya endured, his body, though repeatedly broken, always regenerating, his spirit, though undoubtedly battered and traumatized, somehow remaining defiantly, stubbornly, unyieldingly intact.
News of Kyouya’s unimaginable ordeal, though heavily suppressed by the camp authorities, inevitably filtered through the camp’s hushed, fearful rumour mill, adding another deep layer of visceral terror and utter despair to the prisoners’ already wretched existence. Arthur felt a particular, agonizing helplessness; Kyouya, for all his aloofness, his cold detachment, had become a stoic, if distant, and surprisingly reliable ally.
Then, one dark, moonless night, during a period of unusually intense camp-wide lockdown, a small, heavily guarded unit within the infamous Ward Seven was unexpectedly, almost silently, breached. Not by an external force, not by a prisoner uprising, but seemingly from within the camp’s own impenetrable administrative structure. Jin Tachibana, who had, with his usual uncanny, almost supernatural skill, somehow managed to either evade capture during the initial roundups or had deliberately allowed himself to be interned, quickly infiltrating the camp’s complex bureaucracy using his high-level, if now presumably compromised, Committee contacts, orchestrated a daring, almost suicidal rescue. He, with the help of a few carefully chosen, strategically placed individuals within the camp staff whom he had either bribed, blackmailed, or perhaps even genuinely persuaded to his cause, neutralized the guards around Kyouya’s solitary confinement cell, his movements precise, silent, and lethally efficient. He managed to extract Kyouya from the bloodstained, nightmarish torture block.
Kyouya Onodera, emaciated, his body a canvas of fresh, horrific wounds that were already, almost visibly, beginning to heal, his white hair matted with sweat and dried blood, but his eyes still burning with an unquenchable, defiant light, was brought under the cover of darkness to the crowded, squalid barracks section of the camp where Arthur, Nana, and Michiru were housed. His sudden, almost miraculous arrival was a profound shock, but also a tiny, desperately needed spark of something akin to hope in the suffocating darkness. Jin Tachibana had proven his extraordinary capabilities, his enigmatic reach, once more, his influence extending even into the black, beating heart of the Committee’s most brutal prison system.
“Commandant Ide is a fool,” Jin commented quietly to Arthur later, after ensuring Kyouya was safely hidden amongst a small, fiercely loyal group of prisoners who had sworn to protect him. “He believes that pain is the ultimate master, the only true language of control. He doesn’t understand resilience. He doesn’t understand that some spirits, like some bodies, simply refuse to break.”
The unexpected reunion of their core group – Arthur, Nana, Michiru, and now Kyouya – was deeply, profoundly bittersweet, overshadowed by the grim, unyielding reality of their indefinite imprisonment. Nana, her face a mask of complex, conflicting emotions, tended to Kyouya’s initial, horrific wounds with a quiet, almost reverent efficiency, her movements surprisingly gentle. Michiru, her eyes wide with sympathy and a quiet, horrified understanding, offered what little comfort she could, her gentle presence a small solace in the overwhelming brutality of their situation. Arthur watched them, these familiar, battered faces a stark, painful reminder of all they had lost, all they had endured, and all they still stood to lose. The internment camp was Tsuruoka’s new, even more unforgiving crucible, designed to break them, to categorize them, to ultimately, inevitably, eliminate them. But with Kyouya’s miraculous rescue, a fragile, almost invisible seed of defiance, of resistance, had been unexpectedly, improbably, planted. The only question that remained was whether it could possibly survive, let alone hope to flourish, in such barren, toxic, and relentlessly hostile soil.
The swift, brutal efficiency of Ryouta Habu’s demise, following so closely on the heels of Arthur’s successful, if temporary, safeguarding of Nanao Nakajima, sent a chillingly clear message: Nana Hiiragi would not be easily deterred or gracefully outmanoeuvred. If one target became too difficult or inconvenient, she would simply pivot to another, or ruthlessly eliminate any immediate threats to her mission or her cover. Arthur knew, with a sickening certainty, that simply playing defence, reacting to her moves, was a losing strategy. He had to find a way to be proactive, to disrupt Nana’s rhythm, to sow confusion, perhaps even to expose one of the other potent Talents on the island before Nana could get to them. If he could muddy the waters, create other suspects, other focal points of fear and suspicion, it might just buy him, and others, more time.
His attention, with a grim sense of reluctant necessity, turned to Yūka Somezaki.
Arthur remembered her vividly from the anime – a quiet, almost morose girl with wide, haunted eyes and an unhealthy, possessive fixation on her supposedly deceased boyfriend, Shinji. Her Talent, necromancy, was one of the island’s more disturbing secrets. She was, he knew, reanimating Shinji’s corpse nightly, engaging in a macabre, delusional charade of continued romance. The circumstances of Shinji’s actual death – a house fire that had occurred shortly before this cohort of students arrived on the island – were deeply suspicious, almost certainly a case of arson committed by a jealous, enraged Yūka herself, though she had likely long since convinced herself, and perhaps others, that it was a tragic accident.
He began to observe Yūka more closely, his scrutiny carefully veiled. Her tendency to isolate herself from the other students, the way her gaze would occasionally, furtively, drift towards the northern, less frequented and more overgrown part of the island. The almost feverish, defensive intensity with which she spoke of "Shinji" if his name ever, however rarely, came up in conversation, as if he were still alive, merely temporarily absent. It all fit the disturbing profile he remembered.
His plan was audacious, morally dubious, and frankly, gruesome. It carried a significant risk of exposure for himself, and of further traumatizing an already unstable individual. But if it worked, it might unsettle Yūka profoundly, perhaps enough to make her stop her nightly rituals, or at the very least, expose her dangerous Talent in a way that didn’t directly involve Nana identifying and eliminating her. It was a desperate gamble, an attempt to preempt Nana by creating a different kind of chaos.
One quiet afternoon, during a sparsely attended optional study period in the school library, Arthur approached Yūka Somezaki’s secluded table. She was hunched over a thick textbook, though he noted her eyes weren’t actually moving across the page. She looked up as he approached, her eyes widening with a startled, almost hunted expression.
He placed his phone on the worn wooden table between them, the now-familiar ritual initiating his stilted communication. “Somezaki-san,” his translated voice said, pitched low and serious, designed to command attention. He paused, affecting the distant, unfocused look he used when invoking his “Chrono-Empathic Glimpse.” “My visions… they have been particularly troubled these past few days. I sense… a significant unrest. A dark activity, concentrated on the north side of the island.”
Yūka’s eyes widened almost imperceptibly, her knuckles whitening as she gripped her textbook. The north side. That was where the burnt-out, abandoned shell of Shinji’s former dwelling stood, a place she likely considered her private, desecrated shrine.
“I believe,” Arthur continued, his translated voice dropping to a conspiratorial whisper that nonetheless seemed to echo in the quiet library alcove, “that the so-called ‘Enemies of Humanity’ may be planning something there. Something… unholy. Perhaps even tonight, under the cover of darkness.” He leaned forward slightly. “I intend to investigate. It could be extremely dangerous, of course. Would you… consider assisting me, Somezaki-san? Your unique perspective, your sensitivity, might prove invaluable in uncovering their plot.”
He watched her carefully, observing the subtle play of fear and suspicion across her pale features. He was banking on her profound fear of exposure, her desperate desire to protect her terrible secret, outweighing any faint curiosity or misplaced sense of civic duty. The specific mention of the north side, and the insinuation of unholy activities, was the carefully baited hook.
Yūka paled visibly, a sheen of sweat appearing on her upper lip. Her hands clenched convulsively in her lap. “I… I can’t, Tanaka-kun,” she stammered, her voice barely audible, a thin, reedy whisper that the phone dutifully translated. “I… I haven’t been feeling at all well recently. All this… terrible upset about Habu-kun’s death… I think I just need to rest this evening. Perhaps another time?” She wouldn’t meet his eyes, her gaze fixed on a point somewhere past his shoulder.
“A great pity, Somezaki-san,” Arthur’s phone intoned, his own expression carefully neutral. “But entirely understandable, given the circumstances. Rest well.” He picked up his phone and walked away, leaving her to her rapidly escalating agitation. He’d achieved his first objective: she would be terrified, deeply unnerved by his seemingly specific “hunch,” and almost certainly wouldn’t venture anywhere near the north side of the island that night.
That evening, under the oppressive cloak of a moonless, heavily overcast sky, Arthur slipped out of the hushed dormitory. He had discreetly “borrowed” a sturdy canvas art satchel from a mostly unused supply closet and a heavy-duty utility knife that had, for some inexplicable and fortunate reason, been left amongst a jumble of tools in the common room’s lost-and-found box. The island was eerily quiet, the usual nocturnal chorus of cicadas and the distant, rhythmic sigh of the ocean seeming only to amplify the profound silence and his own thudding heartbeat.
He navigated by the hazy memory of the island map he’d once glimpsed and the faint, almost invisible glow of his phone screen, its brightness turned down to the absolute minimum. The path to the northern, more remote part of the island was poorly maintained, overgrown and treacherous in the pitch darkness. After nearly an hour of stumbling through dense, clinging undergrowth, his shins scraped and his nerves screaming, he finally found it: the charred, skeletal remains of a small, isolated shack, its blackened timbers stark against the dark sky, just as he remembered it from a brief, unsettling panning shot in the anime. The air here was heavy, still thick with the faint, acrid, ghostly smell of old smoke and damp decay.
He found a concealed spot within a dense thicket of bushes, downwind from the ruin, and settled in to wait. His heart pounded a nervous, unsteady rhythm against his ribs. This was, he told himself for the hundredth time, certifiably insane. He, Arthur Ainsworth, a fifty-one-year-old former paper-pusher from Crawley, a man whose greatest prior adventure involved misplacing his spectacles during a rather staid Thomas Cook package holiday to the Costa del Sol, was now lurking in the haunted wilderness of a deadly island, preparing to confront a reanimated corpse. The sheer, terrifying absurdity of it all threatened to overwhelm him.
Hours crawled by with agonizing slowness. The cold night air, damp and clinging, seeped into his bones, making him shiver uncontrollably. Doubt, a insidious, gnawing worm, began to eat at his resolve. What if he was wrong? What if Yūka, spooked by his earlier veiled threats, didn’t summon Shinji tonight? What if some other creature, one of the real Enemies of Humanity, if such things truly existed beyond the manipulative government propaganda and Tsuruoka’s monstrous fabrications, found him first? He clutched the utility knife, its cold, unforgiving metal a poor and insufficient comfort against the rising tide of his fear.
Just as the first, almost imperceptible hint of bruised grey began to lighten the eastern sky, dimming the stars, he heard it – a distinct, unnatural shuffling sound, the sharp snap of a dry twig under a clumsy footfall. He peered cautiously through the dense leaves, his breath catching in his throat. A figure was lurching out of the pre-dawn darkness, moving with an unsettling, jerky, puppet-like gait. It was vaguely human-shaped, its clothes tattered and mud-stained, its skin a mottled, unhealthy, almost phosphorescent hue in the gloom. Shinji. Or rather, what Yūka Somezaki’s dark Talent had made of him.
Arthur’s breath hitched. This was it. No turning back. He gripped the utility knife, its handle slick in his sweaty palm. He’d never considered himself a brave man, not by any stretch of the imagination. He wasn’t entirely sure he was one now. But a desperate, cold, almost inhuman resolve had settled over him, born of fear and a grim, overriding necessity.
He waited, every muscle tensed, until the shambling, reanimated corpse lurched past his hiding place, then he lunged.
The struggle was a nightmarish, clumsy, terrifying wrestle in the damp earth and decaying leaves. The creature, despite its decayed state, was surprisingly strong, its dead limbs animated by an unnatural, jerky power. It clawed at him with surprising force, its decaying flesh exuding a fetid, sweetish odour of grave dirt and rot that made Arthur gag and his stomach heave. It moaned, a low, guttural, inhuman sound that seemed to vibrate in his very bones. He dropped the utility knife in the initial, frantic scuffle but managed to bring the heavy canvas bag down hard on its head, stunning it for a precious, disorienting moment. Scrambling desperately in the dirt, his fingers closed around a hefty, sharp-edged rock.
He didn’t allow himself to think, to hesitate. He just acted, driven by a primal survival instinct and the grim, horrifying necessity of his insane plan. It was a brutal, sickening, desperate business. When it was finally, blessedly over, he was shaking uncontrollably, his clothes torn, his body covered in dirt and something he desperately hoped wasn’t zombie effluvia. Shinji’s reanimated form lay still, a grotesque parody of life extinguished.
With trembling, bloodied hands, he retrieved the utility knife. The next part, he knew, would be even worse. He had to force himself, fighting back waves of nausea and a rising tide of self-loathing, to complete the terrible task he had set himself. Finally, his heart pounding a mad tattoo against his ribs, his stomach churning with revulsion, he managed to secure the zombie’s severed head in the canvas satchel. The weight of it was obscene.
As the sun began its slow, indifferent ascent, casting a sickly yellow light over the gruesome, desecrated scene, Arthur Ainsworth, or rather, the boy known as Kenji Tanaka, stumbled back towards the distant, still-sleeping school. He was physically and emotionally wrecked, a hollow shell of a man. The thought of what he had to do next, of presenting this horrifying, violating trophy to a classroom of unsuspecting teenagers, filled him with a fresh, overwhelming wave of revulsion and despair. But it was necessary. He had to try and break Yūka Somezaki’s cycle of delusion and necromancy, and perhaps, just perhaps, save her from Nana Hiiragi in the process – even if it meant becoming a figure of profound terror and moral ambiguity himself. He was walking a very dark path, and he wasn't sure he'd ever find his way back.
Arthur’s mind raced, his breath coming in ragged gasps as he pounded the worn pathway leading away from the deceptively cheerful gymnasium. The distant, tinny music of the leaving party faded behind him, replaced by the frantic thudding of his own heart and the lonely sigh of the wind whistling through the island’s sparse, salt-stunted trees. He had to calculate where Rentaro would take Michiru, where Nana, in her desperate pursuit, would inevitably follow. The boat docks – isolated, exposed, offering few escape routes and an abundance of shadowy hiding places – loomed large and ominous in his mind as the most logical, and therefore most horrifying, stage for the unfolding confrontation.
He sprinted towards the harbour, his unfamiliar teenage legs burning with the unaccustomed exertion, his phone clutched tightly in his hand, though he had no time for the laborious process of translation now. The air grew colder, tasting of salt and damp, decaying wood as he neared the coast.
He arrived, breathless and his chest aching, just as the scene at the end of the longest, most dilapidated pier reached its horrifying crescendo. Silhouetted against the dull, bruised pewter of the overcast evening sky, Rentaro Tsurumigawa’s spectral form – a shimmering, translucent duplicate of his arrogant human self – had Michiru Inukai cornered against the rotting railings. Razor-sharp, crystalline projectiles, like shards of malevolent ice, hovered menacingly in the air around him, glinting faintly in the dim light. Michiru was crying, her small body trembling, her face a mask of pure terror, but even so, she seemed to be trying to shield herself, a tiny, defiant figure against a monstrous, ethereal threat.
Nana Hiiragi stood between them, a fierce, protective tigress in a party dress. Her usual neat pink pigtails were askew, her clothes torn in several places, and a dark bruise was blooming on her cheekbone, but her violet eyes blazed with a desperate, almost feral fury Arthur had never witnessed in her before – not the cold, calculating fury of an assassin about to make a kill, but something raw, deeply personal, and utterly protective. She was intercepting Rentaro’s psychic attacks, her own movements preternaturally quick and agile, dodging and weaving, but she was clearly outmatched, her physical efforts largely ineffective against the intangible, relentlessly attacking projection that could still, somehow, inflict real harm upon her.
“You won’t touch her, Tsurumigawa!” Nana snarled, her voice hoarse and strained as she narrowly dodged a volley of shimmering blades that sliced through the air where she’d been a split second before. One of the shards grazed her arm, drawing a thin line of blood.
“She ruined everything!” Rentaro’s projected voice was a distorted, inhuman screech, filled with venom and thwarted rage. “She deserves to die for her meddling! And you too, Class Rep, for getting in my way!”
Just as Rentaro’s astral form lunged forward with a particularly vicious-looking ethereal spear, its crystalline point aimed directly at Michiru’s heart, Nana, with a desperate cry, shoved Michiru violently aside. The smaller girl stumbled, falling hard onto the rough wooden planks of the pier. The spectral weapon, impossibly, plunged deep into Nana’s side. Nana gasped, a choked, pain-filled, liquid sound, her eyes flying wide with shock and disbelief. She stumbled, her hand instinctively going to the phantom wound in her side, though no spectral blood flowed from the astral injury, the devastating impact on her life force, her very essence, was terrifyingly apparent. Her face began to pale with an alarming rapidity.
At that exact, critical moment, Rentaro Tsurumigawa’s shimmering projection flickered violently, like a faulty hologram. It let out a final, agonized, drawn-out shriek that seemed to tear through the very air, then dissolved into nothingness, vanishing as if it had never been. Kyouya. Kyouya Onodera had found him. He had found Rentaro’s hidden, vulnerable physical body and neutralized the threat. Arthur let out a shaky, almost sob-like breath of relief for that small, vital mercy, but his gaze was fixed, horrified, on Nana, who was collapsing slowly to her knees, her face now a ghastly, waxy white.
Michiru scrambled to Nana’s side, her face streaked with tears and grime, her voice a desperate, broken wail. “Nana-chan! Nana-chan, no! Please, no!”
Arthur finally reached them, his chest heaving, his own terror a cold, hard knot in his stomach. He saw the life visibly draining from Nana’s eyes, the way her body was becoming limp. He saw the way Michiru was looking at her – a dawning, terrible understanding mixed with a desperate, almost fanatical resolve. He knew, with a sudden, sickening certainty, what Michiru was going to do. Her healing Talent… he remembered the whispers, the theories about its ultimate, desperate application. It could, some said, even bring back the recently departed, but only at the ultimate cost: the user’s own life force.
“Michiru, no!” Arthur yelled, the words tearing from him in raw, desperate, unthinking English, forgetting the phone, forgetting the language barrier, forgetting everything but the impending, pointless tragedy unfolding before his eyes. He lunged forward, his hands outstretched, trying to pull her away from Nana’s rapidly cooling body. “Don’t do it! You’ll die! It’s not worth it!”
But Michiru was lost in her grief, her loyalty, her terrible, loving determination. She barely seemed to register his presence, his frantic, foreign words. Shaking her head, her cloud of fluffy white hair matted with tears and sea spray, she gently, almost absently, pushed his restraining hands away. “She saved me, Tanaka-kun,” she whispered, her voice trembling but resolute, her gaze fixed on Nana’s still face. “She saved my life. I have to… I have to save her. It’s the only way.”
Ignoring Arthur’s renewed, frantic pleas, Michiru pressed her small, trembling hands against Nana’s still form, over the place where the spectral spear had struck. A soft, ethereal white light began to glow around her, emanating from her palms, then engulfing both her and Nana. The light intensified, pulsing with a gentle, almost heartbreaking rhythm, bathing the grim, windswept scene in its otherworldly luminescence. Michiru’s small body began to tremble violently, her face contorting in an agony Arthur could only imagine, but her hands remained firmly fixed on Nana, a conduit for the impossible. The light flared, becoming blindingly bright for a single, eternal moment, then, with a soft, final sigh that seemed to carry all the sorrow of the world, it receded, vanishing as quickly as it had appeared.
Michiru Inukai crumpled to the rough wooden planks of the pier, a small, still heap, her vibrant life force utterly extinguished.
A heartbeat later, Nana Hiiragi gasped, a ragged, shuddering intake of breath, her eyes flying open. She sat up slowly, looking around in dazed, profound confusion, her hand going to her side, where only moments before a fatal wound had been. Then, her gaze fell upon Michiru’s still, lifeless form beside her. Understanding, followed by a wave of raw, uncomprehending anguish, crashed over her. A sob, harsh, broken, and utterly devoid of artifice, tore from Nana’s throat – a sound so full of genuine, unadulterated pain, so unlike anything Arthur had ever heard from her, that it momentarily stunned him into silence. This wasn't the calculated grief she’d so expertly feigned for her previous victims; this was real, shattering, soul-deep sorrow.
Arthur stepped forward, his own face a grim mask, his earlier panic replaced by a cold, weary, and profound anger. He raised his phone, his fingers deliberately, almost violently, typing out his words.
“Well, Hiiragi,” his translated voice stated, flat and devoid of any inflection, cutting through Nana’s ragged, heartbroken sobs. She looked up at him, her face streaked with tears, her violet eyes wide with a mixture of confusion, grief, and dawning horror. “It seems you finally got what you wanted. Another Talent eliminated from this island.” Nana stared at him, her mouth opening and closing, but no words came out. “You should be rejoicing, shouldn’t you?” Arthur pressed, his voice, even through the phone, laced with a cruel, cutting sarcasm. “Or,” he paused, letting the words sink in, twisting the knife, “are some Talents worth more than others, after all?”
Nana flinched as if he had physically struck her. She looked from Arthur’s cold, accusing face back to Michiru’s peaceful, lifeless body, and a look of dawning, unutterable horror began to mix with her grief.
“I’m taking her,” Arthur’s phone continued, his voice now unwavering, filled with a cold, hard resolve. “Tsuruoka and his damned Committee won’t get their hands on her for experimentation.” He saw Nana’s eyes widen almost imperceptibly at the casual, knowing mention of Tsuruoka’s name. Yes, she knew now that he knew. The game had changed. “She deserves to be treated with dignity in death, Hiiragi, not carved up like some lab specimen for your masters to study.”
He knelt beside Michiru, his own heart aching with a profound, unexpected sorrow for this gentle, brave girl he had barely known, yet had come to care for. “You killing Tachibana… the time traveler… that was your worst, most senseless act. You couldn’t even let a dying boy like Hoshino live out what little time he had left in peace.” He looked directly at Nana, who had stopped crying now, her expression a frozen mask of shock, confusion, and a dawning, terrible guilt. “There were times, Hiiragi, so many times, I was sorely tempted to stop you permanently. To end your murderous spree myself. For Michiru’s sake, for Nanao’s, for my own damn principles, I refrained.”
He paused, then added, his voice, even through the phone’s impersonal synthesizer, laced with a profound, weary sorrow, “She deserved so much better than you. Better than any of us on this cursed island.”
Without another word, Arthur gently, carefully, scooped Michiru Inukai’s small, impossibly light, lifeless body into his arms. He stood, turned his back on the stunned, grieving, and utterly shattered Nana Hiiragi, and began the slow, heavy walk back towards the distant, uncaring lights of the school buildings. He left Nana alone on the windswept pier with the accusing ghost of her actions, the devastating weight of Michiru’s sacrifice, and the first, agonizing, unwelcome taste of genuine, heartbreaking loss. He didn’t look back. He couldn’t.
Do hope Nana Hiiragi gets her comeuppance
This is based on Talentless Nana, and considering the story is AI generated the thriller aspect does kick in very well.
Nana is an evil little bitch
Would be even better if Nana is killed by someone she trusted. Would be nicely ironic