Chapter 36: An Idea Forged In Unreality

Another pointless poster

Chapter 23: Hunted and Haunted

The months that followed the chaotic "evacuation" at the end of the Second School Year had transformed the island into a place of profound, echoing silence for Michiru Inukai. After slipping away from the frenzied embarkation, she had retreated into the island's deep, overgrown interior, finding a precarious solitude in hidden coves and forgotten, crumbling outbuildings of the sprawling academy. She had survived, barely, on her knowledge of the few edible plants Kyouya had taught them to identify, on rainwater collected in broad leaves, and on a fierce, quiet resilience she hadn’t known she possessed. The island, stripped of its teeming, terrified student population and its menacing faculty, had become a different entity – still haunted by memories, but also imbued with a wild, untamed, almost melancholic beauty. She missed Arthur’s quiet, if awkward, companionship, Nana’s newfound, fierce protectiveness, and even Kyouya’s stoic, reassuring presence more than she could say. She often wondered where they had been taken, if they were safe.

Then, one cool, late summer morning, the unnatural silence that had become her constant companion was shattered. Faint at first, then growing steadily louder, came the unmistakable, deeply unsettling thrum of powerful marine engines, followed by the distant, mournful blare of a ship’s horn. Ferries. More than one. Michiru’s heart, which had settled into a rhythm dictated by the tides and the rustling leaves, now hammered against her ribs with a mixture of terror and a wild, desperate hope. New arrivals. The Committee was repopulating its monstrous school.

Clutching the sharpened stick that had become her primary tool and occasional weapon, Michiru Inukai, on hearing the undeniable sounds of pupils arriving once more, decided to forgo her hard-won isolation. Her loneliness, a constant ache, warred with her ingrained caution. She had to know. Were they among the returnees? Or was this a fresh batch of unsuspecting victims, doomed to endure the island’s horrors anew? With a surge of trepidation, she began to make her way, slowly and stealthily, through the dense undergrowth towards the distant, now reactivated docks, her senses on high alert.

For Arthur Ainsworth, the return to the island was a descent into a familiar, deeply dreaded circle of hell. Strapped into a hard plastic seat on the transport vessel, surrounded by silent, grim-faced Committee agents and a new cohort of bewildered, frightened teenage Talents, he felt a suffocating sense of despair. His brief, brutal interlude on the mainland – the back-breaking labor, the constant fear, his abduction, and the chilling pronouncements of Tsuruoka’s subordinate – had stripped him of any lingering illusions. He was a prisoner, a marked man, returned to this cursed place with a death sentence hanging over his head. Nana Hiiragi, he knew with a chilling certainty, would also be here, Tsuruoka’s orders to eliminate him no doubt ringing in her ears. This strange, unending, almost timeless progression of his life, from one bleak May in Crawley to this even bleaker, surreal late summer, felt like a cruel, cosmic joke.

As the ferry docked with a familiar, jarring thud against the weathered pier, Arthur was herded off with the other students, his gaze sweeping the familiar, yet now even more menacing, landscape. He saw Kyouya Onodera further down the pier, his expression as impassive and unreadable as ever, though Arthur thought he detected a new, harder glint in his pale eyes. Nana, too, was visible, a flash of incongruous pink hair amidst the drab uniforms, her face pale and drawn, her usual ebullience entirely absent. She avoided his gaze.

The new students, wide-eyed and apprehensive, were being marshalled by a fresh contingent of stern-faced teachers Arthur didn’t recognize. He felt a familiar wave of helpless anger towards these oblivious newcomers, lambs to the slaughter. His priority, he knew with a grim clarity, was survival. He had to evade Nana, to anticipate her moves, to find a way to neutralize her as a threat without becoming a killer himself. The thought was almost laughable in its impossibility.

Then, a small movement at the edge of the bustling, chaotic pier caught his eye. A figure, small and hesitant, emerged from the shadows of a stack of weathered cargo crates. Her white, fluffy hair, though matted and unkempt, was unmistakable.

Arthur’s breath caught in his throat. His heart seemed to stop. It couldn’t be.

“Michiru?” he whispered, the name a fragile, disbelieving prayer, his Japanese clumsy but heartfelt.

The figure turned, her wide, gentle eyes finding his. A slow, hesitant, almost incandescent smile spread across her dirt-smudged, gaunt face. “Tanaka-kun?” she breathed, her voice weak but clear.

Forgetting the guards, forgetting Nana, forgetting the new students, forgetting everything but the impossible, miraculous sight before him, Arthur stumbled forward. Nana, too, had seen her, her own face a mask of utter, stunned disbelief, her hand flying to her mouth. Kyouya Onodera, his usual stoicism momentarily fractured, actually stopped in his tracks, his eyes widening almost imperceptibly.

Michiru Inukai, who had chosen solitude over evacuation, who had somehow survived alone on this cursed island for months, had come to see who had returned. And in doing so, she had just irrevocably altered the deadly game that was about to begin anew.

The fragile, almost forgotten sense of hope Arthur had so carefully, so secretly, nurtured during his vigil over her seemingly lifeless, yet persistently warm, body now surged through him, potent and overwhelming. She was alive. Truly alive. And she was here.

The reunion was brief, cut short by the harsh commands of the guards ordering the students to move towards the school buildings. But as they were forced to separate, Michiru flashing him a quick, reassuring, if still weak, smile, Arthur felt a subtle shift within himself. He was still a target, still hunted. But he was no longer entirely alone in his knowledge, or in his desperate hope. Michiru’s presence, her impossible survival, was a testament to something beyond the Committee’s cruel calculations, beyond Tsuruoka’s monstrous designs. It was a spark. And perhaps, just perhaps, that spark could ignite something more.

Later that day, as the grim routine of the Third School Year began to settle over them, Arthur knew his primary task remained unchanged: survive Nana Hiiragi. He saw her watching him during the opening assembly, her expression unreadable, the conflict within her a palpable, dangerous force. He would use his knowledge of the island, his understanding of Nana’s methods, his sheer, stubborn will to live, to evade her. He would be a ghost, a shadow, always one step ahead. The cat-and-mouse game had resumed, but now, there was a new, unexpected piece on the board, a fluffy-haired girl whose very existence defied death itself, and whose presence might just change everything. The new students, chattering nervously amongst themselves, remained entirely oblivious to the complex, deadly currents swirling around their upperclassmen, unaware that their island academy was, once again, a hunting ground.

‘Full-blown meltdown’ at Pentagon after Hegseth’s second Signal chat revealed

Existence of group chat including Hegseth, his wife and others prompt calls for defense secretary to step down

the Guardian

‘Full-blown meltdown’ at Pentagon after Hegseth’s second Signal chat revealed

Existence of group chat including Hegseth, his wife and others prompt calls for defense secretary to step downUS politics live – latest upda

Hej

Chapter 28: Justice, Parole, and a Ghost from the Past

Nana Hiiragi’s fragile, newfound resolve to confront Commander Tsuruoka, precariously bolstered by Jin Tachibana’s enigmatic counsel and Arthur Ainsworth’s devastating revelations, was tragically, almost laughably, short-lived. She had woefully underestimated the speed, the reach, and the utter ruthlessness of her former handler. Just a few desperate days after her clandestine, rain-swept meeting with Jin, as she was cautiously, almost timidly, trying to gather meager resources and formulate even the most rudimentary plan of action from the squalid sanctuary of her tiny, anonymous apartment, Tsuruoka made his decisive, inevitable move. He contacted Detective Maeda, the outwardly respectable police officer to whom the earnest, unsuspecting Akari Hozumi had so trustingly entrusted her meticulously compiled dossier of damning evidence against Nana.

“Maeda,” Tsuruoka’s voice was cold, devoid of inflection, and utterly decisive over the secure, encrypted line, “it is time to officially activate the Hiiragi case file. I want a full-scale, highly publicized manhunt. And I want her found. Quickly. Public interest in this matter is… considerable.”

The well-oiled machinery of the law, its gears greased and subtly guided by Tsuruoka’s pervasive, unseen influence, ground into motion with terrifying, unstoppable efficiency. Within hours, Nana Hiiragi’s face – a younger, more innocent-looking photograph taken from her old school records – was plastered across national news broadcasts, online forums, and police bulletins. She was branded “The Island Schoolgirl Killer,” a teenage monster who had preyed on her unsuspecting classmates. Her carefully constructed anonymity evaporated like morning mist under a harsh sun. The city, once a sprawling, indifferent refuge, transformed overnight into a vast, tightening net. Within days, her desperate attempts to change her appearance, to melt into the urban sprawl, proved futile. She was cornered in a crowded, brightly lit suburban shopping mall by an alert off-duty police officer who recognized her from a wanted poster. Her frantic, desperate attempt to flee, to lose herself in the throng of shoppers, was short-lived and brutally curtailed. Nana Hiiragi, the Committee’s former star assassin, the girl Tsuruoka had molded into a perfect weapon, was apprehended, her brief, flickering hope of confronting her tormentor on her own terms extinguished.

Her trial was a media sensation, a lurid, captivating spectacle that fed the public’s morbid fascination with youthful depravity. The damning evidence Akari Hozumi had so meticulously gathered was laid bare for all to see: chilling witness testimonies from former island students (their own traumas carefully managed and selectively presented by the prosecution), Akari’s own unnervingly precise forensic reconstructions of multiple murder scenes, and Nana’s own fragmented, tearful, partial confession made by the lake on the island. The prosecution, led by a sharp, ambitious young lawyer, painted Nana as a cold, calculating, remorseless serial killer, a monstrous aberration who had systematically preyed on her innocent, unsuspecting fellow students. The public outcry was immense, a wave of revulsion and fear. The death penalty seemed not just a possibility, but an almost foregone conclusion.

But Nana’s court-appointed lawyer, a tenacious, fiercely idealistic, and surprisingly skilled older woman named Haruka Ito, fought tirelessly, passionately, against the overwhelming tide. Ito, with a quiet dignity that often wrong-footed the more aggressive prosecution, argued for diminished responsibility. She meticulously detailed Nana’s brutal, isolated upbringing, her systematic indoctrination from a young, impressionable age, and the extreme, undeniable psychological manipulation she had endured at the hands of a shadowy, unaccountable government organization. She portrayed Nana not as an inherent monster, but as a tragic, deeply damaged victim, a child soldier psychologically tortured and molded into a weapon in a covert war she hadn’t understood, couldn’t possibly have comprehended. Nana herself, during the long, agonizing trial, remained mostly silent, a pale, hollow-eyed ghost in the defendant’s box, her demeanor one of profound numbness, punctuated by occasional, barely perceptible flickers of remorse and a deep, soul-crushing weariness. Haruka Ito’s defense was compelling, deeply unsettling to the public narrative. While it could not exonerate Nana of the terrible acts she had committed, it cast enough doubt on her sole, unmitigated culpability. The death sentence was, to the shock and outrage of many, commuted. Nana Hiiragi was instead sentenced to a lengthy, indeterminate prison term for multiple counts of culpable homicide. She disappeared into the unforgiving, anonymous depths of the penal system, her name forever synonymous with betrayal, youthful monstrosity, and the dark, hidden secrets of the nation’s clandestine operations.

Three years later, in the mild, cherry-blossom-scented spring of late 2028, Arthur Ainsworth was expertly wiping down a small, Formica-topped table in “The Corner Nook,” the bustling, unpretentious restaurant in a quiet, residential Tokyo suburb where he now worked as a waiter. He was surprisingly, almost guiltily, content. The mundane, predictable rhythm of the work – taking orders, delivering food, clearing tables, the easy, unforced banter with the regular patrons – was a soothing balm to his once-tormented soul. His Japanese, honed by years of daily immersion and supplemented by diligent attendance at informal language exchange meetups, was now reasonably fluent, his English accent a minor, charming novelty that amused the customers and his co-workers alike. He had even, cautiously, begun to make a few tentative friendships.

The island, Tsuruoka, Nana Hiiragi – they were ghosts that still haunted the periphery of his thoughts, their sharp edges softened by the healing balm of time and distance, but their presence, their impact, was undeniable. Annually, on the grim anniversary of his inexplicable, violent arrival on that cursed shore, he would make a quiet pilgrimage to a large, peaceful, and entirely anonymous public cemetery on the outskirts of the city. He didn’t know where Nana’s victims were truly buried, or if their families had even been allowed the dignity of a grave. So, he would choose a weathered, unnamed, forgotten headstone at random, lay a single, pure white chrysanthemum at its base, and talk to them, to Michiru, to Nanao, to Hoshino, to Tachibana, to Habu, even to the foolish, cruel bullies, Etsuko and Marika. He would speak to them in quiet English, recounting their small, stolen lives as he remembered them, acknowledging their needless deaths. It was his private penance, his way of remembering, of shouldering the small share of responsibility he felt for their fates.

The world outside the comforting, predictable routine of his quiet restaurant, however, was growing increasingly, palpably uneasy. News reports, both mainstream and from more fringe online sources, spoke with alarming frequency of rising anti-Talent sentiment across Japan, often fueled by isolated, sensationalized incidents of Talents losing control of their abilities or, more disturbingly, using their unique powers for overtly criminal, even terroristic, acts. Whispers, then more overt discussions, of government-run “Protective Custody and Assessment Centers” – internment camps, Arthur knew them to be, his blood running cold at the familiar, chilling euphemism – for individuals with “problematic” or “unstable” Talents were becoming more frequent, more insistent, presented as a necessary measure for public safety. The seeds of fear and division Tsuruoka and the Committee had so carefully, so cynically, sown over the years were now bearing bitter, poisonous fruit.

It was on a cool, clear spring evening, as Arthur was meticulously cashing up for the night, the familiar scent of soy sauce and grilled fish still lingering in the air, that Nana Hiiragi walked, not back into his life, but back into the turbulent, unforgiving life of the world at large. She had been paroled, her release from prison quiet, unpublicized, almost surreptitious – likely another of Tsuruoka’s intricate, inscrutable machinations, Arthur suspected. Her first act as a conditionally free woman, her gaunt face hardened by three years in the brutal, dehumanizing environment of prison, her eyes still burning with a desperate, unquenched need for truth and retribution, was not to seek anonymity or a fragile peace, but to confront her primary tormentor, the architect of her ruined life.

She found Commander Tsuruoka, as she somehow knew she would, in his heavily fortified, opulently appointed private office deep within the Committee’s impenetrable headquarters. He received her with a chillingly calm, almost paternally amused demeanor, as if her unexpected appearance was an entirely predictable, mildly entertaining diversion from his important work. Nana, older now, her youthful softness almost entirely erased, her voice raspy from disuse but her resolve like tempered steel, demanded answers – about her parents, about the Committee’s lies, about the true nature of the “Enemies of Humanity,” about everything.

Tsuruoka deflected her every accusation, her every anguished question, with infuriating, condescending ease, his words a masterclass in psychological manipulation, twisting reality, subtly shifting blame, painting Nana herself as the architect of her own misfortunes, a flawed, inherently unstable instrument who had inevitably, disappointingly, broken under pressure. He smirked, a slight, dismissive, utterly contemptuous expression that finally, irrevocably, shattered Nana’s fragile, prison-honed composure.

Consumed by years of suppressed, impotent rage, by the fresh, agonizing grief of her remembered, manipulated past, Nana lunged, not for Tsuruoka himself, but for the heavy, ornate, antique silver letter opener lying innocuously on his vast, polished mahogany desk – a poor, desperate substitute for a real weapon, but the only thing immediately at hand. She tried to stab him, to silence his maddening, condescending voice, to inflict even a fraction of the pain he had caused her. At the last possible second, Tsuruoka’s ever-present, stoic, and utterly loyal adjutant, a career military man who had served him faithfully for over two decades, threw himself in front of his boss with a shout of warning. The sharp, pointed steel of the letter opener plunged deep into the adjutant’s chest. He collapsed with a surprised, gurgling grunt, a dark, rapidly spreading stain blooming on the crisp white front of his uniform.

Tsuruoka looked down dispassionately at his dying, devoted aide, then back at Nana, who stood frozen, horrified, the bloody letter opener dropping with a clatter from her trembling, suddenly nerveless hand. A slow, cold, almost predatory smile spread across Tsuruoka’s face. “Is that all you’ve got, Hiiragi?” he taunted, his voice soft, laced with a chilling amusement. “Still so… predictably emotional. So very… disappointing.” Panic, raw and absolute, seized Nana. She had just killed again, this time an innocent man, a man who had tried to protect his monstrous boss, right in front of her nemesis, the man who held all the power. She turned and fled, stumbling from the opulent office, Tsuruoka’s derisive, mocking laughter echoing in her ears, a soundtrack to her renewed, now doubly damned, fugitive status.

Chapter 19: Scarcity and Control

Arthur awoke slowly, his head throbbing with a dull, persistent ache, to find himself not on the cold, windswept cliff edge where he had collapsed, but tucked into the surprisingly comfortable confines of his own narrow dormitory bed. For a disorienting, heart-stopping moment, he thought the previous day’s extraordinary, impossible events – Michiru’s miraculous return from apparent death, Nana’s shattering emotional breakdown – had been nothing more than a vivid, desperate hallucination, a final, merciful product of his unravelling, exhausted mind. Then, a soft, hesitant voice, fragile as new spring leaves but blessedly, undeniably real, spoke his island name.

“Tanaka-kun? Are you… are you awake now?”

He turned his head, his stiff muscles protesting with every small movement. Michiru Inukai sat in a rickety wooden chair that had been pulled up beside his bed, a chipped teacup containing water held carefully in her small, still frail hands. She was terribly pale and gaunt, an ethereal, almost translucent waif-like figure, but her gentle, unmistakable eyes, though shadowed with a profound fatigue, were clear, lucid, and undeniably, wonderfully alive. A shy, almost hesitant, yet incredibly precious smile touched her lips when she saw him looking at her. The sight of her, truly, tangibly alive and present in the mundane, familiar reality of his small dorm room, sent a jolt of profound, overwhelming relief through him, so potent it brought an unexpected, embarrassing sting to his eyes.

“Michiru…” he rasped, his own voice hoarse, cracked, and unfamiliar even to his own ears. He tried to push himself up into a sitting position.

“Easy now, Tanaka-kun,” she said, her voice still weak but infused with a gentle, soothing warmth as she helped him prop himself awkwardly against the thin, lumpy pillows. “You were… very, very exhausted. Nana-chan and I… we managed to bring you back here after you fainted. Nana-chan was very worried about you, you know.”

Nana. The memory of her raw, uncharacteristic breakdown at the cliff, her tearful, fragmented, almost incoherent confession, her utter, soul-deep devastation at seeing Michiru alive, returned to him with a fresh jolt. He looked past Michiru’s concerned, gentle face and saw Nana Hiiragi herself standing awkwardly, uncertainly, in the doorway of his room. Her usually vibrant pink hair was slightly dishevelled, her bright school uniform rumpled and bearing faint traces of mud from the cliff path. Her usual effervescent, almost manic cheerfulness was entirely, strikingly absent, replaced by a hesitant, almost timid, and deeply uncertain expression. Her violet eyes, usually sparkling with mischief or cold, hard calculation, were red-rimmed, swollen, and shadowed with a new, unfamiliar vulnerability. The dynamic between the three of them, Arthur realized with a growing sense of profound unease and weary, almost resigned acceptance, was now irrevocably, seismically altered, suspended in a strange, fragile, and deeply, profoundly uncomfortable new reality.

The official explanation for Michiru Inukai’s miraculous return from the “dead” was, when it came, as predictably flimsy and insultingly inadequate as Arthur had expected. A few days after the incident at the cliff, once Michiru was deemed strong enough to leave the infirmary (where she had been kept under observation, much to Nana’s now fiercely protective, almost possessive anxiety), a visibly flustered and deeply uncomfortable Mr. Saito made a brief, stammering announcement during morning homeroom. He explained, his voice cracking several times, that there had been a “most regrettable and unfortunate series of diagnostic errors” by a “very junior, inexperienced mainland doctor” who had initially, and incorrectly, pronounced Michiru-san deceased following her sudden, severe illness at the end of the previous term. Further, more thorough examinations by the island’s own “more experienced medical staff,” he’d continued, his gaze skittering nervously around the room, had revealed that Michiru-san had merely been in a “profoundly deep, coma-like state” from which, through the miracle of modern medical science and her own youthful resilience, she had now, thankfully, fully recovered. “A simple, yet almost tragic, misdiagnosis, class,” was the best, most pathetic explanation the homeroom teacher could apparently come up with, his face slick with nervous sweat.

Michiru being alive again, having been officially declared dead and her passing mourned (however briefly and superficially by most), certainly surprised a few of the more observant pupils in the class. There were some whispered exclamations, a few wide-eyed, incredulous stares directed at the pale but smiling Michiru. Arthur watched their reactions with a kind of detached, weary cynicism. Back in England, back in his old life, such an event – a person returning from the dead after weeks, months even! – would have been a nine-day wonder, a media sensation, a cause for profound existential debate. Here, on this island where the bizarre was rapidly becoming the mundane, where death was a casual acquaintance and survival a daily struggle… well. Not that the surprise, the mild titillation, lasted very long. Within half an hour, Arthur noted with a grimace, talk among the students had soon moved on to more immediately “interesting” and pressing topics, like who had managed to hoard an extra bread roll from breakfast, or the latest outrageous rumour about Commandant Ide’s new, even more draconian camp rules back on the mainland (as news of the internment camps had, by now, become common, if terrifying, knowledge). This strange, unending, almost timeless May, which had now bled into a sweltering, oppressive early summer on the island, felt so utterly disconnected from any concept of season, or normalcy, or rational human behavior he had ever known; it was just an endless, surreal expanse of dread, punctuated by moments of sheer, stark insanity.

Over the next few days, as Arthur slowly regained his own physical strength and Michiru continued her own gradual, delicate, yet steady recovery – a process that seemed to draw on some deep, internal, almost inexhaustible wellspring of her miraculous healing Talent – an unsettling new tension, a different, more insidious kind of menace, began to grip the island. The already dwindling food supplies in the school canteen started to diminish with an alarming, noticeable rapidity, just as Arthur had grimly “predicted” to Kyouya Onodera weeks before. At first, it was subtle, almost deniable: the portions became slightly, almost imperceptibly smaller, the more popular, palatable dishes ran out much quicker, the once-generous fruit bowls looked suspiciously less bountiful. Then, the choices became starkly, undeniably more limited, the quality of what little was available noticeably, appallingly poorer. The usual comforting, if unexciting, variety of snacks and drinks in the small, usually well-stocked school store vanished almost overnight, replaced by sparsely, almost grudgingly stocked shelves displaying dusty, unappetizing, and often near-expired items.

The teachers, led by a visibly stressed, increasingly harassed, and clearly out-of-his-depth Mr. Saito, offered a series of vague, unconvincing, and often wildly contradictory explanations: unforeseen, severe logistical problems with the regular mainland supply ships; unexpected, unseasonable, and particularly violent storms delaying crucial deliveries; sudden, inexplicable, and entirely unforeseeable issues with their long-standing mainland procurement contracts. Their excuses sounded hollow, almost insultingly flimsy, even to the most naive or least suspicious students. A low, anxious hum of discontent, of fear, began to spread like a contagion through the dormitories. Whispers of hunger, of being forgotten and abandoned by the outside world, of the island’s carefully maintained, picturesque isolation becoming a terrifying, inescapable, and potentially lethal trap, grew louder, more insistent, more desperate with each passing, increasingly meagre, unsatisfying mealtime.

Arthur watched it all with a grim, weary sense of vindication, the bitter taste of unwelcome prescience like ash in his mouth. He saw Kyouya Onodera observing the rapidly deteriorating situation with a keen, coldly analytical, almost predatory gaze, their earlier, urgent conversation in the dusty library clearly at the forefront of his sharp, calculating mind. Kyouya began to spend more of his free time away from the main school buildings, his movements quiet, purposeful, almost furtive, as if he were methodically scouting for alternative, hidden resources or making discreet, necessary preparations for a coming siege that Arthur wasn’t yet privy to. He would occasionally catch Kyouya’s eye across the increasingly tense, half-empty canteen, a silent, almost imperceptible nod passing between them – a grim, unspoken acknowledgment of Arthur’s unwelcome, terrifying prescience.

Nana Hiiragi, too, seemed to view the unfolding, manufactured crisis through new, deeply troubled, and profoundly disillusioned eyes. Her emotional implosion at the cliff edge, her raw, unfiltered confrontation with her own buried guilt and manipulated past, had irrevocably cracked her carefully constructed facade of cheerful, unquestioning obedience. While she hadn’t confessed the full, horrifying extent of her past actions as Tsuruoka’s assassin to either Arthur or Michiru, her interactions with Michiru, in particular, were now tinged with a fierce, almost desperate, suffocating protectiveness and a profound, soul-deep, sorrowful guilt. When the teachers stammered their increasingly unconvincing, almost pathetic excuses for the rapidly dwindling food supplies, Arthur saw Nana listening with a deep, thoughtful frown, a dangerous flicker of bitter doubt and dawning, angry understanding in her expressive violet eyes. Perhaps, he thought with a sliver of grim hope, she was finally, truly beginning to see the callous, manipulative, bloodstained strings of the Committee she had served so blindly, so devotedly, for so tragically long. Perhaps she was beginning to question the supposed benevolence, the absolute authority, of the monstrous Commander Tsuruoka.

“This is precisely what I told you would happen, Onodera,” Arthur said quietly to Kyouya one evening, his limited Japanese surprisingly steady, his voice low and urgent, as they stood observing a near-riot that had broken out with shocking suddenness in the canteen over the last few pathetic, fought-over servings of stale, mould-flecked bread. Several desperate, starving students were shouting, pushing, their faces pinched and pale with hunger and a growing, frightening, animalistic desperation. “The Committee. They’re tightening the screws, deliberately, methodically, applying unbearable pressure.”

Kyouya Onodera nodded, his chiselled expression grim, his pale eyes as hard and cold as flint. “Your foresight, Tanaka,” he said, his voice a low, dangerous rumble, “continues to be distressingly, if predictably, and I must admit, increasingly useful, accurate. They create desperation, they foster internal division, then they will undoubtedly offer just enough insufficient relief to maintain a semblance of control, all while callously, dispassionately observing how we react – who breaks under the pressure, who fights for scraps, who leads, who crumbles. It is a classic, if particularly cruel and inhumane, method of psychological assessment and brutal social control.”

And indeed, just as Kyouya had so cynically predicted, just as tensions in the camp reached a fever pitch, when open, violent fights were beginning to break out with alarming regularity over hoarded scraps of often inedible food and genuine, gnawing, debilitating fear had taken firm, unshakeable root in the hearts of even the most optimistic or naive students, a supply ship was finally, dramatically, sighted on the distant horizon. A wave of ragged, desperate, almost hysterical cheers went up from the starving students. But it was, as Kyouya had so accurately predicted Arthur would have foreseen, far, far too little, and far, far too late to fully alleviate the worsening, deliberately manufactured problem. The shipment that was eventually, grudgingly unloaded onto the pier was significantly smaller than usual, the quality of the provisions noticeably, insultingly poorer – mostly low-grade dried goods, suspiciously discoloured preserved vegetables, and very little in the way of fresh produce, protein, or medical supplies. It was just enough to prevent outright, widespread starvation, just enough to quell the immediate, simmering panic and prevent a full-scale, violent breakdown of order. But it was not nearly enough to restore any sense of security, or to dispel the growing, chilling, terrifying realization among the more astute students that their very survival was fragile, tenuous, entirely dependent on the cruel, capricious whims of unseen, uncaring, and utterly malevolent forces who could withdraw their meager lifeline at will.

The Committee’s manipulative, bloodstained hand was subtle, almost invisible to the untrained eye, but to Arthur, and now to Kyouya and perhaps even Nana, it was undeniably, chillingly apparent. They were master puppeteers, coolly, dispassionately orchestrating events from afar, content to let hunger, fear, and profound desperation do their brutal, dehumanizing work, systematically weeding out the weak, identifying potential threats or future assets, all under the carefully constructed, plausible guise of unfortunate, unavoidable, and entirely unforeseen logistical circumstances.

Michiru Inukai, though still physically weak from her own miraculous, near-fatal ordeal, instinctively, selflessly shared her meagre, often insufficient portions with those students she felt were more in need, particularly the younger, more frightened ones, her innate, unwavering kindness a small, flickering, precious candle of compassion in the rapidly encroaching darkness of their desperate, deteriorating situation. Nana Hiiragi, her own internal, unspoken torment a constant, silent, brooding companion, often, almost furtively, supplemented Michiru’s share with her own, a quiet, almost unconscious act of profound, desperate atonement, her gaze when she looked at Michiru a complex, almost painful mixture of overwhelming guilt, profound awe, and a fierce, new-found, almost suffocating protectiveness.

Arthur Ainsworth, watching them both, felt a strange, almost imperceptible, yet undeniable shift in the island’s oppressive, death-haunted atmosphere. Nana’s murderous, Committee-ordained crusade, for the moment at least, seemed to be on hold, overshadowed, perhaps even temporarily derailed, by this new, more widespread, and insidious threat of starvation, and by the profound, ongoing emotional upheaval of Michiru Inukai’s impossible, miraculous return. But he knew, with a weary, bone-deep certainty, that the Committee’s cruel, inhuman game was far from over. This was merely a new, more subtle, perhaps even more sadistic phase, a different kind of insidious pressure designed to test them all, to break them down, to see what, if anything, of value emerged from the unforgiving, brutal crucible of manufactured desperation. And Arthur suspected, with a cold, sickening dread that settled deep in the marrow of his bones, that the tests, the trials, the suffering, were only just beginning, and were destined to get harder, more brutal, and far more unforgiving.

Nana is an evil little bitch

Nana Hiiragi

Of course the hate for her is well deserved.

First off, blaming "brainwashing" lets her off the hook far too easily. Patty Hearst tried the same trick in the 1970's and it didn't exactly work out well for her. Ironically, Patty spent more time in prisoner for her bank robberies than Nana does for her 10+ murders, which in itself is unfair - Nana gets away with far too much because she's a girl, instead of in spite of it.

Yes, she would be hated just as much if Nana was male (probably more so).

It should be noted that all Nana's murders were premeditated, on her own cognisance and with malice. Just because she was told to do so, doesn't mean she had to.

In addition to that, just because she may not have wanted to do kill anyone, she was certainly happy to do so (smiling when thinking about killing Mirichu as well as the "won't be shy in killing you" part). Nana is a person who would rather murder someone than think of any sort of alternative (as is the case later on).

Futher more, stating that she's a "child soldier" carries no weight - she's killing civilians, which if she was a soldier makes her actions even more odious.

The fact that people try to exonerate Nana because she was "mind controlled" doesn't hold much water considering she was fully aware of what she was doing; didn't need to; didn't bother querying anything and was fully cognisant during her pre-meditated murders; and she quite happily carried another one out, with no doubt more to come.

In addition, there is no reason why she couldn't have asked questions or even did her own reason about Talents and so forth.

I wasn't surprised that the anime didn't get a second season (if it wasn't just for boosting manga sales) because Nana is so unrelatable, unrelatable and pretty much evil personified. Even later on, she's totally dislikable, obnoxious character.

Considering she's supposed to be intelligent, you would have thought, at the very least, queries the morality, if not the legality and ethics of killing schoolchildren (let alone those she killed before she arrived at the island). She's fully aware of what she's doing, so it's all on her own head. She certainly deserves to be punished far longer than three years (that ends up around 3 months for every kid).

I wouldn't be surprised if Nana Hiiragi does enjoy killing people - she is always smiling happily when thinking about killing her victims.

Whilst she may say that she doesn't want to kill any more, later on - it certainly doesn't stop her (no doubt it would be the first thing she thinks of to solve problems, instead of anything else).

Hopefully, she won't have a happy ending (preferably meet a nasty end - with her own poison needs would be nicely ironic). Whilst she may have "changed" for dubious reasons she will have to end up killing people again at some point. Even though she's changed, she's still an insufferable, nasty little bitch. I've got very little sympathy for her, especially as she was sadistic killing everyone.

And yes, killing Nano led to more people suffering - all because of Nana (no idea why Nano should forgive her - obviously he forgot how Nana taunted him before he fell, although I do hear he did beat the crap out of her as well).

Hopefully she will pay some sort of price for her actions.

Whist Nanao killed more people than Nana, it should be noted that Nana was the cause. It was nice of him really to leave Nana alone, considering she had no compulsion about killing Nanao - he certainly would have had a good reason to seek revenge on her.

In addition, for those who subscribe to those who view Nana as a child soldier (which is dubious to say the least), there is still precedent for requesting reparations and the same for prosecuting child soldiers too (DOMINIC ONGWEN).

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