Reading This While Listening To Are You Satisfied By Marina And The Diamond LORD

reading this while listening to are you satisfied by marina and the diamond LORD

It's certainly interesting to think about the fact that Gi-Hun and Sang-Woo envied one another.

While it might be obvious to see why Gi-Hun would envy Sang-Woo given his credentials; Pride and joy of Ssangmun-dong, top of his class, SNU buisness graduate, valedictorian, etc. It might not be as obvious to think what Sang-Woo envy Gi-Hun for.

I think the answers relies on what society considers a "successful man"

This is usually measured by these factors: finances, career and family.

While certainly on a superficial level, Sang-Woo reach far greater than Gi-Hun in terms of career and finances, Gi-Hun had a title that Sang-Woo didn't.

Husband and father.

They shared the experience of both having success in their careers and having that taken away from them, and their finances were fucked over because of it.

But, unlike Sang-Woo, Gi-Hun was a "complete" man. Even though they both "failed," Gi-Hun had a daughter that would thrive regardless of the bad decisions he made. His legacy would live regardless if he had a career or not.

Sang-Woo only had himself and his achievements, and he lost everything.

Even though he seems quite disinterested with the idea of having a girlfriend (more than likely he is a closeted gay man) it's the fact that Gi-Hun build something everlasting, even if it didn't require any special titles. Just the will and the love.

If instead of reaching for something beyond his league as it is to become a multimillionaire, he focused on the "small and trivial" things, he might have built something of importance, something that wouldn't die along with him.

He envy the fact that Gi-Hun, with the contrasting careless attitude, could build that for himself. Could be materially more successful than he is.

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1 month ago
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1 month ago

Hey hey, as a librarian, can I just say don’t pace yourself at the library. I get a lot of customers saying “oh I shouldn’t get too many books out at once” but like you should!!!! Max out your card, take everything we have on a subject you’re interested in, make a book fort in your home. We love that shit! It doesn’t matter if you read them or not; just take them for an adventure and bring them back whenever they’re due!

For public libraries, one of the ways we secure funding year to year is lending. Governments don’t want to fund more books if they’re not being used and the way we measure use is by issues. Regardless of whether you read it or not, whether you have it for a day or a month, if you issue it to your library card, we get the stats! It makes the library look good!

Help your local library; get books out even if you know you can’t read them all!

1 month ago

sobbing AGAIN

This Is A Continuation Of The Cliff Scene In Which The Hwang Brothers Face Each Other On The Same Cliff

This is a continuation of the cliff scene in which the Hwang brothers face each other on the same cliff again - and Jun-ho "pew-pews" himself

@crazyhappycat requested this

(trigger warnings: guns, violence, suicide, blood)

❛ ━━━━━━・❪ ○△□ ❫ ・━━━━━━ ❜

In-ho lunged.

Heart in his throat. Legs burning. The world narrowed to the sight of Jun-ho’s finger beginning to tighten on the trigger –

“Jun-ho!”

And then –

The shot.

It cracked through the air, sharp and merciless, echoing off the cliffs like the final word in a conversation they never finished.

Too late.

The recoil snapped Jun-ho’s head back, his body jerking once before crumpling like a marionette with its strings cut.

“No!”

In-ho reached him just as he tipped backward, just as gravity began to drag him toward the cliff’s edge. His hand shot out, grabbing Jun-ho by the wrist, fingers wrapping around cold skin as the rest of his bory crumpled.

“No. No, no, no –”

The wind roared around them, cold and merciless, howling over the crashing waves below. But In-ho didn’t hear any of it – not really.

All he could hear was the ringing in his ears. The echo of the gunshot.

The silence that followed.

He gritted his teeth, muscles straining as he hauled Jun-ho’s body back, dragging him away from the ledge and into his arms. The sea roared below, indifferent.

He collapsed to his knees, cradling Jun-ho’s limp form against his chest. His hands were everywhere. Desperate. Wild.

One clutched at the blood blooming at Jun-ho’s temple. The other searched blindly – his throat tightening – fingers trembling as they pressed against his neck. His wrist. His chest. Desperate for a pulse. Any sign. Any hope.

“Come on. Come on, please –”

But there was nothing.

No pulse. No breath. No flicker of life behind Jun-ho’s eyelids.

Just stillness.

And blood.

So much blood.

In-ho let out a sound that didn’t belong to any language – broken, raw, and guttural. A noise ripped from the part of him he’d buried so deep he thought it would never surface again.

“No,” he gasped. “No, no, no –”

He pulled Jun-ho into his lap, cradling his head with shaking hands. One palm pressed uselessly against the wound, trying to stop blood that had already stopped flowing.

His other hand cupped Jun-ho’s face, thumb brushing gently over a cheek that was already growing cold.

“Don’t do this,” he whispered. “Please, don’t do this. Not like this.”

He rocked back and forth, holding him close, forehead pressed to Jun-ho’s.

“You’re okay. You’re gonna be okay,” he mumbled over and over again, like if he said it enough, it would make it true. “I’ve got you. I’m here. I’m right here.”

But Jun-ho didn’t move. Didn’t speak.

Didn’t breathe.

In-ho’s arms tightened around him, curling protectively as if shielding him from the wind, the cold, the finality of it all.

He’d done everything – everything – to keep this boy safe. Raised him. Carried him. Loved him harder than he ever allowed himself to love anything.

This was the boy who had clung to his pant leg at five years old. The boy who waited by the window when In-ho came home late from night shifts. The boy who used to fall asleep with his head in In-ho’s lap during movies.

And now…

Now he was gone.

“Come back,” In-ho begged, rocking him gently. “Please… please come back.”

But there was only the wind. The sea. And the weight of the body in his arms.

The weight of failure.

The weight of the one thing he couldn’t save.

He rocked him gently, like it would do any good. Like it would pull the life back into him. Like he was five years old again and just needed to be held.

But Jun-ho didn’t stir.

In-ho sat there, knees scraped from the rocky ground, arms wrapped tightly around Jun-ho’s lifeless body. The blood had soaked through his sleeves, staining his chest, his hands, his skin.

It would never come out.

Nothing would.

He didn’t know how long he stayed like that. Minutes. Hours. It didn’t matter. Time didn’t exist in this place anymore – not when the person who made it mean something was gone.

4 months ago

Understanding the 3 Types of Sigils

Sigils are one of the most versatile tools in witchcraft, acting as symbols infused with your intention and energy. What makes sigils so effective is their adaptability, you can choose how to work with them based on your goals and needs. When deciding how to use a sigil, it’s helpful to understand the three main types: destructible, temporary, and permanent. Each type serves a unique purpose and adds a layer of magickal flexibility to your practice. 

Destructible Sigils 🕯 

Definition: These sigils are created with the intention of being destroyed, often as part of the activation process. 

Purpose: Used for immediate, transformative, or highly specific goals. The act of destruction releases the energy. 

Examples of Use:  

⟡ Burn a sigil for quick manifestation. 

⟡ Bury a sigil to symbolize letting go of something. 

How-To: Draw the sigil on paper, charge it with your intent, and destroy it by burning, tearing, or submerging it in water. 

Tip: This method is great for goals where you want to release energy into the universe quickly. 

Temporary Sigils ✿ 

Definition: These sigils exist for a short time and are erased, washed away, or allowed to fade naturally. 

Purpose: Ideal for ongoing but temporary needs, like a daily boost of confidence or protection during a specific event. 

Examples of Use:  

⟡ Draw a sigil on your skin with makeup or henna. 

⟡ Sketch a sigil in sand or dirt before a ritual. 

⟡ Write a sigil in chalk on your door for short-term protection. 

How-To: Use materials that naturally wear off (chalk, marker, or skin-safe paint). Focus on charging the sigil when you draw it. 

Tip: These sigils are perfect for quick and discreet magick, as they’re easy to create and remove. 

Permanent Sigils 𓃠 

Definition: These sigils are created with the intention of lasting indefinitely. They are charged to continuously radiate energy over time. 

Purpose: Used for long-term goals or intentions, such as protection, abundance, or anchoring a space with positive energy. 

Examples of Use:  

⟡ Draw a sigil onto a piece of jewelry or altar tool. 

⟡ Paint or carve a sigil on a doorframe for home protection. 

How-To: Choose a durable medium (wood, stone, metal) Ensure the sigil is charged and activated with care. 

Tip: Permanent sigils require deep thought and a strong intention, as their energy is meant to be constant and enduring. 

 ⛥ No matter which type of sigil you choose, remember that their power comes from the energy and intention you infuse into them. Whether you’re releasing energy through destruction, working with short-term goals, or embedding your magick into something permanent, sigils can adapt to your needs and bring your intentions to life. ⛥ 

If you’re looking for more in-depth content check out my Patreon 🌙🖤 

https://www.patreon.com/posts/easy-way-to-salt-116545319?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link

Have you worked with sigils before? I’d love to hear about your experiences or any questions you might have. Feel free to share your thoughts or favorite sigil practices in the comments! ฅᨐฅ

1 month ago

Chat, what did we think was going on in Gihun’s head in s2e1 when he got back to his hotel and found the recruiter/the salesman waiting for him?

As soon as he comes in and sees him looking at the calendar, his expression is tense and scared. A second later it relaxes and he goes about his business, toweling himself off from the rain like he isn’t at all concerned about the gun in the other’s mind.

Did he expect the Frontman to have stepped out of his nightmares? Does he see the recruiter/the salesman drinking his lil yogurt with a straw and decide he isn’t a threat?

I think something else is happening; something I think about a lot with Gihun. I think he thinks the recruiter/the salesman cannot kill him.

I think one of the manifestations of his trauma, one of the adaptive delusions he’s embraced to keep himself afloat through all the grief and guilt and misery, is that the games can’t kill him. Not until he’s done with them.

I think he thinks he’s destined to end the games and ignores any fear or common sense of his own mortality.

Because if he cannot end the games, it means the hundreds of deaths, including those of Saebyeok and Sangwoo, are meaningless.

I think he physically cannot accept that nor his own powerlessness, and that he’s been driven to a point where fear of death cannot reach him past his dedication to his mission.

I think we see this delusion really calcify in the scene where he plays roulette with the recruiter/the salesman, and I love that that’s how the season presents Gihun’s current mindset.

1 month ago

reposting bc novocaine was amazing !!!! omg can’t wait to watch it again fr

after i watch any movie, i feel like a whole new person


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3 weeks ago

i love tina and artie 😭😭😭

On This Day In 2010:
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On this day in 2010:

the cast of Glee attended the season 1 spring premiere party.

The event was held at the Chateau Marmont in West Hollywood, California, and was attended by Jenna Ushkowitz, Kevin McHale, Chris Colfer, Amber Riley, Cory Monteith, Lea Michele, Jonathan Groff, Naya Rivera, Dianna Agron, Heather Morris, Harry Shum Jr., Dijon Talton, Matthew Morrison, Jane Lynch, Jessalyn Gilsig, Iqbal Theba, Mike O’Malley, Romy Rosemont, Idina Menzel, Patrick Gallagher, Stephen Tobolowsky, and Josh Sussman.

1 month ago

i love this tweet so much i’m crying

Not Sure What Compelled Me To Make This

Not sure what compelled me to make this

2 weeks ago
Final Three
Final Three

final three

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i’m angry all the time wahh / 18 / they/she

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