That One Video Of The Two Girlfriends Proposing Each Other Had VERY Strong Aziraphale X Crowley Vibes…

Good Omens Q&A, 28th May 2020 - Transcribed, Archived

hello friends! i have both archived and hand-transcribed the Good Omens Q&A that aired on Amazon Live this afternoon, with JD Roberto, Neil Gaiman and David Tennant!

SEE A RECORDING HERE: Google Drive (720p)

(the first 00:27 seconds of audio are cut out, this was an issue on Amazon’s end)

READ THE TRANSCRIPTION HERE: Google Docs / Tumblr / Tumblr (Plain Text)

(Google Docs version is organized for convenience)

hope this helps anyone who needs it! this interview was really sweet and was a joy to watch. have fun!!!

{ Words by Megan Fernandes, from "Fabric in Tribeca," in Good Boys / Silas Melvin, from "Twenty," Grit }

After centuries I still look at you like the first day

someone recommend me some good fantasy books that aren’t centred on a war, please, my crops are dying

Mozu: 名古屋展 (2021)

The Scene That Nearly Got Cut

The Good Omens crew had, for the first time in history, received permission to film at Shakespeare’s Globe Theatre. The scene was originally supposed to be the successful first week of Hamlet, with over 500 extras in costume, but the Good Omens team were only given 5 hours to film. They realised it was impossible to shoot, and so Douglas Mackinnon Neil Gaiman rewrote the entire scene and both agree it’s one of the best scenes in the series.

suddenly remembered this poem as i was making breakfast this morning & frantically googled “poem remembered to buy eggs?????????” & somehow managed to find it & it utterly knocked the wind out of me just as much as when i first read it

Seattle-based artist Carol Milne knits with glass, or rather, she creates wonderful glass sculptures that make it seem as though she’s either a superhuman glass knitter or in possession of enchanted knitting needles and very specialized gloves. The reality is actually much more complicated, but no less awesome. Milne invented her glass knitting technique back in 2006. It’s a process that involves knitting with wax instead of glass, followed by lost-wax casting, mold-making and kiln-casting.

First, a model of the sculpture is made from wax which is then encased by a refractory mold material that can withstand extremely high temperatures. Next, hot steam is used to melt the wax, leaving behind an empty cavity in the shape of the artwork. Pieces of room temperature glass are then placed inside the mold which is then heated to 1,400-1,600 degrees Fahrenheit depending on the type of glass. Afterward, the piece is slowly cooled over a period of several weeks, followed by a careful excavation process, where Milne delicately chips away like an archaeologist to reveal the final piece.

To check out more of Carol Milne’s extraordinary artwork visit the Glass Art Society, Milne’s Facebook page or her online gallery.

[via Colossal]

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