https://twitter.com/archeometrie/status/1170031822614474752?s=12
intimidating
Ravens in Love by Wandering Sole Images
William Bradford - Arctic and maritime paintings of polar ice, icebergs and the North Pole. Alas… another fast vanishing world.
*crouches to go into stealth*
the cracking of my knees alerts the guards, I am immediately killed
SUMMER
💐💐💐💐
Robert Henri - Rough Seas Near Lobster Point (1903)
Top 5 John Singer Sargent sketches?
GOD YES.
‘A good tragedy is always both preventable and inevitable’ is one of my main hills to die on. It’s literally so important to me. I’m fucking correct
― Fyodor Dostoevsky, White Nights
I have a feeling that beneath the little halo on your noble head There lies a thought or two the devil might be interested to know You're like the finish of a novel that I'll finally have to take to bed You fascinate me so
You Fascinate Me So, Blossom Dearie
Good Omens + text posts
{ Words by Megan Fernandes, from "Fabric in Tribeca," in Good Boys / Silas Melvin, from "Twenty," Grit }
by roksolyana_hilevych
ghost choir 👻 🎵
How Big, How Blue, How Beautiful - Florence + the Machine / Explosions - Ellie Goulding / Michelle Pfeiffer - Ethel Cain, lil aaron / Heavy - The Marías / Sleeping Alone - Lykke Li
November 8, 2021 at 04:45PM
Macbeth (1948) dir. Orson Welles The Witches of Eastwick (1987) dir. George Miller Stardust (2007) dir. Matthew Vaughn The Chilling Adventures of Sabrina (2018 - 2020) The Pale Horse (2020) dir. Leonora Lonsdale Hercules (1997) dir. John Musker, Ron Clements Sleeping Beauty (1959) dir. Clyde Geronimi The Black Cauldron (1985) dir. Richard Rich, Ted Berman Sabrina the Teenage Witch (1996 - 2003) Halloweentown (1998) dir. Duwayne Dunham A Wrinkle in Time (2018) dir. Ava DuVernay The Craft (1996) dir. Andrew Fleming Charmed (1998 - 2006) Hocus Pocus (1993) dir. Kenny Ortega
something i really enjoy in horror movies is when the victim(s) start to hunt the killer in return in order to kill them first, both because it's an interesting parallel that (if done well) asks the audience to consider the question of when violence and killing are a justifiable means to an end in order to survive and at what point it crosses the line from acceptable to abhorrent and condemns the perpetrator, and also because it's a little bit funny. like i can do that too bitch you're not special.
we really devolved as a society when we stopped using fully painted pictures on romance novels and started using cheap photoshop instead
Glow in the dark - Baiona, Spain
pride and prejudice, by jane austen
how sad, how lovely - connie converse
Flying Fish, 1910 - oil on canvas. ― Herbert James Draper (English, 1863-1920)