Toxic Masculinity Is Men Only Wanting To See Hugh Jackman In Violent Action Films While He Just Wants

Found some of my older essays in my google docs… you guys are very lucky. This may or may not be the last post until my winter break (depending on if i find more old essays)

love in slam dunk

Slam Dunk is best known for its intense basketball action and character-driven storytelling, but it also features some of the most pure and heartfelt depictions of love in shōnen manga. The relationships between Ryota Miyagi and Ayako, as well as Hanamichi Sakuragi and Haruko Akagi, provide a fresh perspective on romance, one that diverts from over-the-top romance tropes common in the Shonen genre, instead opting for moments of emotional authenticity among the series’s main two couples.

Ryota Miyagi’s feelings for Ayako are sometimes loud or obvious, but they are undeniably genuine. Ryota admires Ayako not just for her beauty but for her maturity, intelligence, and leadership as the team’s manager. One memorable example occurs when Ayako scolds Ryota for his brashness during practice, and instead of becoming defensive or aggressive, he listens attentively and takes her words to heart. He even scolds the others to listen to her words. This shows the respect Ryota holds for her, not as an idealized love interest but as someone who inspires him to be better.

What makes their dynamic so refreshing is Ayako’s independence and confidence. She acknowledges Ryota’s admiration without being dismissive or overly accommodating.

Throughout the series, Ayako’s support for Ryota goes beyond her role as the team manager. During games, she often singles him out with specific advice and encouragement, such as reminding him to stay calm under pressure or praising his quick decisions.

These moments may seem small, but they show Ayako’s awareness of Ryota’s struggles and it is her own way of reciprocating his feelings. Ayako doesn’t openly express romantic affection, but her actions—like cheering him on when he feels overwhelmed—speak volumes about her care for him.

Their dynamic, where love is expressed through small, caring acts rather than overt declarations/gestures, reflects a level of maturity rare in shonen manga. Their relationship thrives on mutual respect and understanding, and it shows that love doesn’t always need to be dramatic to be meaningful.

Hanamichi Sakuragi’s love for Haruko Akagi is one of the driving forces behind his decision to join the basketball team, but it is far from a typical romance. His feelings for Haruko are pure and earnest, fueled by admiration for her kindness and enthusiasm for the sport. What makes their dynamic unique is how Haruko inspires Hanamichi to grow—not by demanding it, but simply by believing in his potential.

Another thing sets their dynamic apart is how Hanamichi’s love is portrayed not as an obsessive or idealized fantasy, but as an innocent longing for connection. This innocence is most evident in Hanamichi’s fantasy of what it would mean to have a girlfriend. Unlike typical shonen protagonists, whose romantic aspirations might revolve around physical attraction or “weird” scenarios, Hanamichi’s dream is simply to walk a girl to and from school. This vision is strikingly pure and reflective of the awkward, genuine feelings of a teenager experiencing love for the first time. It is a big contrast to many shonen, which often sexualize their female characters or present romance in a way that feels transactional

Haruko, for her part, never mocks or diminishes Hanamichi’s feelings. While she is unaware of his crush, she consistently treats him with kindness and encourages his growth. A memorable example is when she praises Hanamichi for staying late to practice his shooting, showing that she values his effort and determination. Though Haruko’s heart belongs to Rukawa, her warmth and encouragement play a massive role in Hanamichi’s journey toward self discovery.

What makes Hanamichi and Haruko’s relationship so compelling is its emotional weight. Hanamichi’s crush is not rewarded with a confession or a dramatic romantic arc, but it serves as a catalyst for his personal growth. By channeling his love for Haruko into his newfound passion for basketball, Hanamichi discovers a sense of purpose and self-worth. Their relationship captures the awkwardness and uncertainty of teenage infatuation while showing how love, even unrequited, can push someone to be their best self.

In many shonen series, romantic subplots are rife with clichés. Female characters are often reduced to idealized figures or comic relief, while male protagonists are rewarded with their love interests after overcoming obstacles that have little to do with the relationship itself. In contrast, Slam Dunk grounds its romances in simple, yet authentic moments. Ryota’s admiration for Ayako and Hanamichi’s earnest crush on Haruko feel more like reflections of real human relationships than formulaic storylines.

For example, Ryota doesn’t win Ayako’s heart by performing some dramatic act; instead, his feelings are expressed through his consistent respect for her and the way he values her advice. Similarly, Hanamichi’s love for Haruko isn’t the reason he succeeds in basketball, but it serves as a gentle nudge toward discovering his own passion and discipline. These relationships are not about conquering or achieving love—they are about learning, growing, and connecting on a deeper level.

fill me up, fill me full up

Twenty Øne Piløts song: *drums kick in*

Me: THerE HE iS.

This Hit me hard

Tbh, I feel like Rave would be a really popular anime if it got rebooted

All of the characters are so well developed, and so are the relationships

There is a perfect amount of humor and angst, so many jokes and priceless facial expressions, but a big hint of sacrafices and losses among the way

With the animation used in the FT x Rave OVA, it will surely be an amazing animation if they stick to the amazing plot Mashima created in the manga

Rave Master has so much potential still I need this to happen

Of Monsters and Men Lockscreens Reblog or Like :)

you ever just go about your day but your brain is haunted by Margaret Atwood whispering, "Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur"