@lulous-p @insekiwii @weenieizkewl @kaysdenofchaos @burgersaucee @rufwooff

@lulous-p @insekiwii @weenieizkewl @kaysdenofchaos @burgersaucee @rufwooff

@lulous-p @insekiwii @weenieizkewl @kaysdenofchaos @burgersaucee @rufwooff

Amogus

i also wana start a picrew chain so just tag as manny ppl as you can and make a little guy of yourself

little guy maker|Picrew

mine

I Also Wana Start A Picrew Chain So Just Tag As Manny Ppl As You Can And Make A Little Guy Of Yourself

@sad-trash-pigeon @hyperbolic-havoc @literally-maria @willprobablychangethis @willows-woes @heartstopperstuff @sproldenlover @pessimistonsteriods @person4924 @katelyn-heartstopper @artsimmys @acuteobsession @apersononearth011 @faulty-radio

More Posts from Stardynamite and Others

1 year ago

Its so true, its a weird reality but to do well in life you’ll probably have to know how to bluff at the right moments…

Ok Now Do NYT Columnists

Ok now do NYT columnists


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1 year ago

Edit: I would like to add that this is EXACTLY what “country song” by Bo Burnham is about

The kids on TikTok think that just because he was a classic country singer, Johnny Cash was conservative??? My babies he covered a Nine Inch Nails song in his seventies.

Classic country singers (the majority of which came from poor roots) were always talking about how much The Man sucked because they were taking money from poor rural folk. You’re gonna tell me that’s conservative?? Get outta here.


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1 year ago

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

Tweet by Envil that reads: No matter what happens in GO3, we NEED to remember who Neil Gaiman is finishing the story for. It's not about what we want. It's about a journey that two friends started years ago, one so precious that we get to be apart of to see it completed. It's for them.

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)


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1 year ago

.║\ ║▒\ put this on your blog ║▒▒\ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ to show others ║░▒║ ║░▒║ ║░▒║ ║░▒║ ║░▒║ ▓▓▓▓▓ [█▓] [█▓] you are gay [█▓]


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6 months ago

Re read ur rottmnt hair comic n i fear ur still the funniest person I’ve ever seen on this app 🙏🏻🙏🏻🙏🏻

LMAO THANK YOU GSKSGSKSJ💖💖💖


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2 months ago

Guess who’s got two thumbs and’s boutta blow up the sun

what if your url somehow had something to do with your future

1 year ago
Jessie, James and Meowth all sit on the Ketchum's living room couch. Jessie confidently strikes a dramatic pose. James sits opposite of her, lounging. Meowth is in between them, irritated because Jessie's leg is in his face
James: Glad you and Delia finally got together.
Meowth: Yeah, it was lookin' bad for a bit there.
Jessie: Ha! There was no way I was gonna let her be the one that got away. She coulant resist me. I'm brimming with charisma and sex appeal.
Delia walks in next to Jessie handing her a musubi. Jessie's eyes are wide and sparkly as she cutely looks up at Delia.
Delia: I made you a musubi!
Jessie: Yay! Thank you!
Delia: It's scary how long you can go without eating. Take care of yourself babygirl.
Jessie: Heehee, okay!
Delia looks at the boys from the foreground. James waves and Meowth gives her a thumbs up, both of them smile at her kindly.
Delia: You two want anything?
Meowth: Oh we're A-okay!
James: Thank you!
Delia walks off with Jessie, James and Meowth smiling at her silently. Jessie holds the musubi she'd taken a bit out of, with a blush and sparkles in her eyes
...........................
Meowth and James both shoot Jessie a look once Delia leaves. Jessie looks at the furiously, blushing and sweating
James and Meowth: "Babygirl–?" 
Jessie: I'LL END BOTH OF YOU

Babygirl

[All comics in order here]


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stardynamite - JUST F-ART-ED
JUST F-ART-ED

Wadduuuup 18 ~ failing to be a rottmnt art blog lmao

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