I think it’s more of a blessing really. I have grown into a different person with new friends and new responsibilities that don’t allow me enough time to see 1000 friends everyday but I’m so glad I get to keep you right there in my pocket. I’m so glad I didn’t have to fully let go of you without knowing what you’ve become. We don’t talk anymore but every now and then I see your new pictures and remember the good times we had together…
certain kind of tragedy i think in still following your childhood best friends online. like once upon a time you knew me better than anyone. i thought we would be friends forever. now we are Adults and Different and even despite that I so badly wish we could still Talk like we were 13. i dont know who you are. I miss you.
my eye is twitching
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
op turned reblogs off but this post must live. it must live and spread malignantly .
I have a very important tumblr blog that contains my art portfolio for the art school that I ABSOLUTELY want to get into and each time I reblog a silly post, I am genuinely terrified by the idea that I might’ve accidentally posted it on my portfolio instead
Why is this bird’s face in parentheses
Bro you are important
Your face is not a to-the-side
i'm gonna be honest i don't get why they say everypony instead of everybody in mlp. it's not like the word everybody is human-specific. the ponies have bodies. the word everypony, however, is pony-specific in a world where ponies are not the only people in their society, which means it would be more accurate and inclusive to use everybody instead of everypony. it all makes no sense to me
Ahhh that sounds cool but considering exams and allat right now I dont think we have time to organise smth like this 😩
Guys I’m looking for a silly 18th birthday party theme but the only thing I can thrink of is bald cap theme (which I’ve seen before so I’m not gonna do it again lmao)
Guys I need help plsplsplsplspls does anybody have any ideas???
YESSS, THEY JUST ASSUME HE’S SOME LAZY BUM FOR NOT COMING BACK
AND THEY ONLY NOTICED THAT HE WAS AWESOME WHEN THEY CHANGED HIS VOICE
[DUCKATLES 2017 SPOILERS]
Brooo Donald Duck basically raised his sister’s triplets after he thought she died for TEN YEARS like a single middle class mom with NO help (not even his rich uncle) and they never give him enough credit 😩
All while living on a boat lmao