Hey, Yall Remember When I Stand I Hate School Dances?

AND SWEET CAROLINE IS LIKE. A WHOLE THING. PLAYED AT EVERY. SINGLE. DANCE. AND EVERY. SINGLE. PEP RALLY

high school dances are weird yall

“you can write non-con and dark fics as long as you’re not romanticizing it”

“you can write non-con and dark fics as long as it’s your way of coping with your trauma”

“you can write non-con and dark fics as long as —”

actually, anybody — including you — can write non-con and dark fics, and any other fucked up things, however they want, for whatever reasons.

wanna romanticize the fuck out of your non-con / dead dove do not eat fic? go ahead. don’t let anybody stop you from creating the art you want to create.

wanna write non-con fic even if you were never a victim? go ahead. you don’t have to meet any specific criteria in order to create the art you want to create.

just tag your works properly so that you don’t accidentally expose those who might not want to be exposed to such topics to the topics, and you’re all good.

art does not have to be for everybody.

art has never been strictly about rainbow and sunshine. art can also be about the horror and the macabre.

art can be outright disgusting and messed up, and being disgusting and messed up can be just what makes the art a masterpiece.

write whatever you want to write and say fuck you to censorship.

DUDE I HAD THE BIGGEST URGE ONE DANCE TO ASK FOR REBEL GIRL BY BIKINI KILL BUT I CHICKENED OUT. (It is pretty cool that he got excited that u requested that).

high school dances are weird yall

yeah the blood isn’t actually blood. it’s ketchup.

hes innocent tbh

The Underland Review

☍ Normal Scheduling Has Been Interrupted Mowgli was going to scribe a poem or a dramatic monologue. Or something equally (in)coherent. But instead… the glitch won. The Underland Review: Issue One – This Zine Is a Lie is now live. 43 pages of soft monsters, glitch-lit poetry, haunted prose, cursed diagrams, and art that shouldn’t exist but does anyway. A digital archive stitched together with pocket lint, rage, and love. ☍ READ THE ZINE Free to read, cursed to absorb. Share it with your coven, your nemesis, your local librarian. ☍ DOWNLOAD THE ZINE (Pay What You Want) Keep a high-res PDF in your glitch archive. Every donation helps us print more, distribute wider, and one day pay the beautiful liars who make this possible. ☍ ORDER A PRINT COPY ($5.55 + your soul) Hold the lie in your hands. Smell the ink. Feel the contradiction. ☍ Submissions for Issue Two Are Open Deadline: August 10th, 2025 We're seeking: poetry, prose, essays, visual art, sound pieces, spoken word, and other beautiful misfits. If it glitches, bleeds, howls, or doesn’t fit in polite company — we want it. We accept text, image, and audio formats. MP3s, JPGs, PDFs, .docx, strange attachments — bring us your fragments. Collaborative works are welcome. Email us at: riverandceliainunderland@gmail.com Subject line: THIS IS A LIE – [Your Name] Thank you for reading. Thank you for believing in beautiful contradictions. We were never here. — River & Celia Curators of Lies, Underland Division

The Underland Review We are seeking: → Poetry that twitches → Microfiction that self-destructs → Essays with fangs → Visual art that shouldn’t exist → Redacted files, haunted code, cursed diagrams, scanned receipts from imaginary revolutions We do not care about your CV. We do not require polished bios. Previously published works? Sure. We do not pay (yet — sorry, capitalism). But we do offer love, weirdness, and a spotlight. ✴ Featured contributors will receive: A digital copy of the zine Features on our site and socials An invite to our glitch-lit open mic (date tba) The deep satisfaction of being canon in a lie Deadline: August 10th, 2025 for Edition 2 Format: PDF or Word for text. JPG/PNG for art. Max 1 piece per person. Email: riverandceliainunderland@gmail.com Subject line: This submission is a lie – [Your Name] We don’t tolerate bigotry, AI slush, or boring work.

Underland Updates ✒️ 🎤 👑 📜 🐔 🏰 😼 🤖

Source: The Underland Review

Also. Kendrick opened with an unapologetically loud performance focused on Black America with a ton of political messaging. And the women sang “someone better squabble” in almost a mocking tone?? Because so many white Americans only know Kendrick from the Drake beef, and they’re there to see two black men fight, not a celebration of Black Culture.

The american flag literally dissolved into depictions of violence and shooting. And then, once the performers were united in sync again, the audience flashed “WARNING, WRONG WAY”

That has so many meanings, both in the context of the performance being about politics and the path America as a whole is going down—the wrong way.

But also in that specific moment, when black men were working together as a whole, America would rather see them fighting. After that section is over, Uncle Sam mocks Kendrick.

Once the performance turns into a pop song and , Uncle Sam says, “yeah, that’s what I’m talking about! That’s what America wants—nice and calm! You’re almost there. Don’t mess this-“ and he is cut off by Not Like Us starting. White America is content to watch Black artists as long as the art is palatable to them, but Kendrick disrupted that with the Drake beef, and white America watched because it glorifies violence between black men.

But Kendrick emphasizes that this is not what this performance is about. When asked if he’s really about to do this, he says “It’s a cultural divide, Imma get it on the floor.” And “40 acres and a mule, this is bigger than the music.” He is doing this for Black America. Not Like Us has brought folks together when America has tried its hardest to divide and conquer. Hell, Kendrick had Crips and Bloods dancing on stage together at a concert. He’s managed to work through centuries of oppression and trauma to bring Black America together in this moment. This is bigger than the music.

And he brings it back to politics with “yeah, they tried to rig the game, but you can’t fake influence.” There’s a reason he said that with the president in the audience. Kendrick had the biggest stage in the world and he used it to say “They Not Like Us” with the president, a known child predator, in the audience. And the rest of the crowd was screaming the lyrics along with Kendrick.

Kendrick Lamar the man you are

Funeral by Neoni but be warned i keep getting this TX2 song stuck in my head and i am NOT enjoying it

no pressure tags:

@antlered-angel @sc1ssorhandz @izzydragon111

ATTENTION

If you see this you are OBLIGATED to reblog w/ the song currently stuck in your head :)

WAIT THIS CAME OUT TODAY?!

SINCE WHEN?????

RIGHHHHHTT???? UGH

high school dances are weird yall

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