Fwoom (intimidatingly)
Sith lovers need to just accept that balance occurs when all the Sith are killed.
In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.
When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'
And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'
forgot to say that, without Howl chasing girls and Sophie resenting him for it, the film completely erases part of the point of Sophie being old. Wynne Jones is using an idea that Beauvoir talked about - that being an old woman is both tragic (as we lose male attention/attractiveness) and freeing (as we are freed from the male gaze). the idea is that with being old comes liberation, and the true meaning of what it is to be a woman, as society no longer forces gender norms on us.
Sophie is free from Howl’s attentions and therefore safe from harm (a big part of the book is the fact that Sophie believes he eats women’s hearts, and him chasing girls proves this to her). she takes solace in the fact that she’s old, and finds it freeing. when she learns more about Howl (notably: that he doesn’t eat hearts and that he’s not evil), she starts to curse her age and resent him chasing girls. BUT she remains old OF HER OWN VOLITION - Howl notes that she’s perpetuating the spell by wishing to remain “in disguise”. there are SO many layers to this, and lots to do with gender politics - if she’s still old Sophie can’t get hurt, she likes the freedom, etc. but of course on a personal level being old is her denying her feelings for Howl, and also a representation of her low self esteem - being old is a defence mechanism and protection, both on a gender level and a personal one.
and the film kinda… loses this? the only thing that remains is being old = low self esteem. which really sucks. because there’s SO MUCH MORE to Sophie being old in the book (perspective I already mentioned), and a HUGE amount of this is gender politics. that the film just erases.
HAPPY BIRTHDAY DEE BRADLEY BAKER!!!
"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”
Wrong!
Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.
And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.
And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.
He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.
Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time
Rex: If this plan goes down the drain, where should we regroup? Anakin: The afterlife, I guess.
yeah you thought that this was the end?
Star Wars was and has always been meant to be hopepunk and good vs evil at its base, not grimdark and 'morally grey' and 'subversive', and this is a hill i will die on
bingewatching will never come close to bingereading. there is nothing like blocking out the entire Earth for ten hours to read a book in one sitting no food no water no shower no bra and emerging at the end with no idea what time it is or where you are, a dried-up prune that's sensitive to light and loud noises because you've been in your room in the dark reading by the glow of a single LED. it's like coming back after a three-month vacation in another dimension and now you have to go downstairs and make dinner. absolutely transcendental