A Real Person Just Followed My Blog

only reblog today

Sylvie's best skill

“What, do you just… You just go into their minds and project some sort of illusion?”

@mcuchallenge November prompt: CONTROL.

So, I feel like I’m losing my mind. I keep seeing metas about how Aziraphale wants Crowley to return to Heaven and be an angel again because he wants them to be on the same side/be good/change/etc., etc., etc. but I don’t see that at all. I actually see it as the very opposite.

Aziraphale loves Crowley just as he is. But there’s something more. Something huge.

Aziraphale loves Crowley and because he is an angel who is stuck in seeing things as black and white, he constantly praises Crowley for being nice. For being good. For being kind.

Aziraphale has watched Crowley on and off for 6,000 years. He watched him thwart the plans of Heaven and Hell because it was unjust. He spared the lives of innocents. He did small things that made Aziraphale happy just because (like making Hamlet successful and saving valuable books). And because Aziraphale sees things in black and white, he sees all the things Crowley has done as nice, as good, as kind.

Crowley vehemently attests he’s not nice or good or kind.

He’s not exactly wrong nor is he lying when he says this. When Crowley spares goats during a cruel bet over a righteous man and swallowing laudanum to prevent a suicide, when he prevents Armageddon by working with Aziraphale and stopping the Anti-Christ from being the Anti-Christ, he’s not doing the nice/good/kind thing.

He’s doing the right thing.

Crowley chooses to do the right thing without hesitation. He is better than all of Heaven and Hell who have callous and dispassionate view of all existence because he questions, because he makes choices. Crowley sees the world for all its messiness and he sees himself. He sees a place where he fits in. He sees the blurred edges.

And Aziraphale sees that, even if seeing the blurred edges is hard for him.

But here’s the thing that Aziraphale can’t voice.

It’s the reason why he told Crowley about being allowed to return to Heaven and become an angel again. He doesn’t want Crowley to change. He doesn’t think Crowley is flawed. Or not enough.

It’s something that is so monumental that it cannot be put into words. Because to put it into words would be more than blasphemy. It’s down right unthinkable for anyone in Heaven, Hell, or Earth to say what Aziraphale knows deep in his soul.

God was wrong to cast out Crowley.

Aziraphale believes Crowley can/should return to Heaven because he knows that Crowley should never have fallen in the first place. He wants him to be forgiven because when Crowley fell it was unjust. Aziraphale is trying to correct a mistake. He’s trying to do the right thing.

Yes, Crowley would never accept returning to Heaven. And Aziraphale was wrong to even suggest it (although that conversation is another can of worms to unpack).

Aziraphale loves Crowley. He loves him exactly as he is. He doesn’t want him to change. Aziraphale knows that Crowley the best of all of them. He wants to change Heaven because of it. Because God was wrong and Aziraphale knows it.

Aziraphale may have difficulty seeing beyond black and white, but when it comes to Crowley he sees everything crystal clear and in vivid color.

Lower Right

new alignment chart just dropped

Giving Your Plot Depth

So far on my blog, I’ve covered the first two steps of writing a novel: developing realistic characters and coming up with a plot. Congratulations! You now have an A plot. 

An A plot is the surface level plot. It’s what your character is doing and what’s happening to them. This plot deals with questions like:

What is wrong with my character’s life at the beginning of the novel?

What do they think will fix their lives when—spoiler alert—it won’t?

Why haven’t they achieved this goal yet?

What catalyst (or inciting incident) will cause them to get off their butts and start chasing this goal for real? 

Now it’s time to move on to the B plot. The B plot is about your character’s development and changing who they are as a person. This is about working out not what your character wants but what they need.

Remember all those flaws we gave our characters? This is where we need to ask the questions:

How does this flaw affect the rest of my hero’s life?

Do my characters flaws get in the way of them achieving their goal? 

How is the plot going to help them realise this flaw and overcome it by the end of the novel after their breaking point?

How is overcoming this flaw really going to make their lives better?

This character development is what gives novels their sparkle. The A plot is what makes your plot interesting, but the B plot is what makes your characters interesting. 

[Please Credit @isabellestonebooks if reposting to instagram] 

forever in awe of people who pay attention. people who wait for you while you tie your shoes while the others have walked away. when they continue listening intently while the rest of the group stopped listening. noticing your moments of silence when everyone else hasn’t. “this made me think of you” noticing things you never even noticed about yourself. people who say “text me when you get home safe.” people who make you laugh until you cry. childhood friends who keep in touch. people with genuine intentions. people who are soft when the world has given them every opportunity to turn hard. the “let’s get ice cream” at 3am friend. the turn up the music in the car and sing friend. people whose actions match their words. people who make the world feel less chaotic. kindred spirits. the trustworthy and honest. hard workers. good listeners. clear communicators. people who love you for who you are. people who don’t ask you to be anything other than yourself. people who choose you. people who stay.

wait a fucking second.

did they seriously change the title of a 14 year old video????

oh my fuckin God.

Sith Obi Wan with long hair | by suespai