The First Time Ava Brings It Up, It’s Too Soon. Yes, They Have, By Some Miracle, Not Been Excommunicated

🚨 SUPERCORP ENDGAME ALERT 🚨

Their hugs then:

one arm over the other's shoulder, other arm over the ribs/waist

upper body a bit angled and shifted to the side, therefore the hug a little unbalanced and not so tight

best fiends' hug

Their hugs now:

Kara's arms around Lena's neck, Lena's arms around Kara's chest

bodies in perfect symmetry, naturally snuggle into each other tightly

girlfriends' hug

Thank you for coming to my TedTalk! 😊

I probably enjoyed this "quick sketch" a little too much.

I’d just like to talk about filmmaking and the CW for a hot minute.

Katie is very much correct about 1 thing: It’s not up to the creator to decide, how the audience will interpret their work.

You (the CW) can be a producer with tons of a experience, and make a show that you’ve worked on extensively, and you might still not get your message across to the audience. Or they might see things you didn’t intend to put out there. It happens, art is up for interpretation and there’s nothing to be done about it.

So suddenly, you find yourself with 2 actors with great chemistry. Lucky you, most people work hard to get that familiarity going and you just had it dumped in your lap. Here’s the deal though, perhaps that extra second of keeping the camera on their faces as they look at each other is enough for the audience to think there’s some tension between them. Don’t freak out, that’s OK. Again, it’s the audience’s job to pick up stuff here and there from your work that you didn’t intend to put out there. 

The question is, what do you do with this information, if it’s something you can work on?

If your show is solid, as in, you’ve created compelling characters who have arcs that are constantly evolving and plot lines that are leading somewhere and don’t get dumped and forgotten for the sake of new ones, people will keep watching the show regardless of what you do with the romances (unless the romances are the main theme of your story). You can keep an unplanned pairing platonic, in that sweet will they/won’t they spot, for quite a while if you’re a good writer.

But here’s the thing. If the only reason viewers tune in, is the pairing, you’re in some deep shit. Because if you keep the interactions platonic just to keep your show alive, you’re teasing the audience. You’re baiting them into tuning in to a bad show for the sake of unresolved tension. Basically, you’re not doing a good job. 

So, regardless of accusations of queerbaiting, which, in this case are accurate, you’re just not doing a good job. And the least you can do in the last season, after your show has been canceled, is have the balls to at least deliver what you’ve teased the audience into keeping your work alive and your paycheck running for - which is for the relationship to become canon. It’s really not that complicated.

All of these summaries of what the hell goes through their brains gives me life 😂😂

WHAT A YEAR THIS GAME WAS

okay, it’s minute 76 of utah royals vs portland thorns and in what is probably the most chaotic three minutes in all of 2019 soccer, this happens:

emily sonnett, in an accidental attempt to kick things into overdrive, proceeds to tap amy rodriguez like one of those rodents you whack at the carnival sending her headlong into the turf and lindsey michelle horan HAS. HAD. IT. i know what you’re thinking: isn’t sonny the star or this capital C chaos? no, it’s lindsey.

first of all, i’m in love with her. second, the great horan has spent this entire game pushing and screaming and shoving, so that fucks! but let’s get back to a-rod, who in the midst of falling face first onto the field, hears: RECORD SCRATCH-FREEZE FRAME-YEP, THAT’S ME and instead of clutching an ankle and wondering how she got into this situation until a foul is called, she springs from the grass like a cat on it’s 8th life and proceeds to yell, not regular, but BLOODY murder to the entirety of rio tinto stadium:

she is PISSED. she wants a foul, a red card, and probably the keys to a mansion in beverly hills at the rate the ref has pranced over to her defense— like okay law and order, we get it, you literally hold the cards afaksksk. if that weren’t nuts and granola crazy enough, a-rod decides soccer isn’t any fun without a chaotic outburst and i’d be out of a job (lol i wish someone would pay me to do this) and realizes: why accept this utterly plebeian form of justice when you can… start a brawl in the middle of the pitch!

she marches over to sonnett like she’s invading a small country or kicking off a protest in the street, sending her ponytail sashaying with the sort of supermodel swagger tyra banks would be proud of. if this were a made-for-tv musical, someone’s honor would be defended by a dance-off. but this isn’t hollywood and no one is pirouette-battling to a synth-pop beat. instead this is a friday night in sandy, utah and apparently that’s all it takes for 22 people to go from earnestly playing sports to completely fucking losing it. because let’s be realistic, this is a chaotic choice. screaming and pointing at a confused frat daddy junior is chaotic. defending your ten sheets to the wind teammate while also stopping her from starting a revolution is pure, that’s right, chaos. dagný brynjarsdóttir, appearing utterly unfazed by this whole thing but still managing to scream ‘HEY’ really loudly from two feet away is one thousand percent chaotic. and still more chaos ensues when lindsey and tobin arrive:

lindsey could maybe buy a little zen garden and rake some sand around but instead she settles for one tiny tap of aggression and low-key look at this restraint, she’ll be saving that energy for later. tobin however literally shoves two people, and maybe the earth’s center of gravity, into next week the way you would shove someone into on-coming traffic in the middle of rush hour. never mind the fact that her girlfriend (wife?) is wearing the same jersey as the enemy. never mind SPORTS BEING PLAYED. tobin, who historically cannot be bothered to spare one simple fuck for shenanigans, has stolen the flag of chaos and is now waving it wildly across the field. honorable mention goes to christine ‘get off my lawn’ sinclair for the arm swinging/head nod combo that seems to say, “yeah, and don’t come back to utah, either!” but take a look at one emily sonnett crossing the middle of the screen as she…

SLINKS QUIETLY AWAY??? WTEF. sonnett took one look at this family-dividing mess of a murder and said, ‘NO MA’AM, NO HOW.’ she is in and out of this crime scene like a thief in the night. she just, and i cannot stress this enough, strikes the match for this dumpster fire then floats over that river of chaos like a baby in a basket. AND LITERALLY NO ONE NOTICES because they’re too busy grasping at the last desperate straws of sanity. PHEW. even becky sauerbrunn is like ‘linds, chill’ and lindsey gives her a look like, ‘team usa, MY ASS.’

so for the first time in her freshman frat boy life, emily ‘well what happened was’ sonnett decides to act like the only adult on the field and casually goes to check in with the ref. with the mass hysteria going on, it’s clear red refy has completely forgotten sonnett’s previous offenses and the gentle, some may even call it soft, elbow touch alerts him to the fact that her playing time is over but not forgotten. sonnett takes one long walk back to the bench and just when we think things have taken a turn for the mundane, lindsey love of my life horan decides, IT’S TIME TO RUN THIS MF TRAIN AGROUND:

lindsey takes one look at a-rod standing over the ball and charges over like some little christmas elf about to pilfer frosted cookies, yeets her a foot off the ground, and then casually scampers away because LINDSEY SAID NO ONE TREATS FRAT DADDY JUNIOR THAT WAY. LINDSEY SAID GAY RIGHTS. LINDSEY SAID WORLD PEACE AND DIVINE UNIVERSAL ORDER. she just launches her with the velocity of a ten-ton truck, backwards, WITH A FLIP. (another special s/o to dagný brynjarsdóttir because wtef do they pipe into the water in iceland that no amount of first-hand murder witnessing will ever phase her?? SHE LITERALLY LOOKS UP THEN LOOKS AWAY HOLY FUCK)

idk what lindsey is saying here but she’s screaming. and if you listen closely, you can hear laura harvey screaming. everyone is screaming. in fact, everyone is losing it. FFS WHERE ARE THE LOCUSTS?? but also, if ever you were going to order more soup for say, twenty-five people at an italian fast-casual restaurant and then encourage the waiter to throw in free breadsticks, it might look something like this?? maybe a teammate of club and country can help calm things down…

with an ass pat??? ad franch, my guy, it is too late for ass pats of tranquility. you tried. but that card the ref is hunched over is yellow and it has lindsey’s name on it. does she care? no. but for the rest of the game, lindsey will roam from box to box, leaving no square of grass un-crunched, daring any utah player, even the injured ones somewhere hundreds of miles away on a stationary bike slowly pedaling through rehab training, to challenge her. she is both lonesome cowboy and trusty hunting dog, tracking signs of royals blood through the vast plains of utah and that distant sound you hear? lindsey. howling in the name of emily ann sonnett at the crescent moon.

Twitter thread by Melissa Caruso about a labyrinthine magical bookstore in Syracuse, NY. Link to the first tweet in the thread; most pictures have image descriptions! Now here are the screenshots of that thread:

And then a hero of the labyrinthine magical bookstores of the world put all the bookstores that people listed in the replies on a map! (Google Maps link)

Language matters. Try 'active genocide' and 'deliberate starvation'.

Why do you not like the Korrasami/Supercorp comparisons?

There's a handful of reasons, but the biggest would be the difference in culture/race and also the circumstances of the creation process of the two series.

I personally have had too many debates with people about Asami and other ATLA/TLOK characters being POC. Honestly it still baffles me that people believe that most of the characters are white and continue to believe this. This is also present in a handful of Asami/Lena comparisons and Korrasami/Supercorp comparisons. Obviously not all posts are like this, but a good amount are either explicitly or implicitly implying that Asami is a white woman. So often media will whitewash characters and the public will be vocal about a black person being whitewashed. But when an Asian character is whitewashed or racebent, there isn't as much vocal outcry. This can be seen in a handful of movie and series adaptations of Asian source material. So when people specifically compare the two characters and say that Katie McGrath would be the perfect Asami, I personally find it extremely problematic.

Another issue overall between the Korrasami = Supercorp idea is that people are often taking two women of color and plopping them down into an, honestly, stereotypical white world where there is a lack of POC and culture (I haven't watched past season 3 so this could have changed in some way). Korra and Asami break so many molds when it comes to POC stereotypes, that it's really difficult personally to see them compared to characters that come from the Supergirl Universe.

Finally the idea of "will supergirl writers have the guts to do this..." is so stomach turning. The Legend of Korra came out in 2012 and aired its last episode in 2014. In 2014 same sex marriage was not legal across the USA. It wasn't until midway through 2015 that it became legal. This means that the writing for Korrasami needed to be done in very specific ways to even be broadcasted through Nickelodeon. When it comes to Supergirl, there are no limitations like that, only the producers/executives and even the cast. So to even think that the Supergirl writers needed to "pull a Korrasami", the queerbaiting, and the problematic comments that some of the Supergirl cast have made in the past is honestly really disappointing and furthers my dislike of the two series, characters, and couple being compared.

Yes we can look at similarities of the characters' circumstances and personalities, but this is surface level. If we get down to the nitty gritty and really delve into the nuances of Korrasami = Supercorp, there are a lot of underlying issues.

CP’s first cap // CP’s 100th cap celebration

What’s the saying again?

History never repeats itself…

but it often rhymes <3

My piece for the Supercorp Zine vol 4 @supercorpzine

this was an incredible experience, thank you to all the wonderful mods and this loving fandom for all your support❤️💙