This Gotta Be One Of My Fav Scenes From Second Chances (Ik That Technicaly Mac's Fur Should Be Black

The girls are fighting

Click for better quality bc Tumblr ruined it

(Still haven't watched s5!! I'm losing it!!)

Good Omens + Parallels

Tiny parade!

An eye for an eye

Small fantasy worldbuilding elements you might want to think about:

A currency that isn’t gold-standard/having gold be as valuable as tin

A currency that runs entirely on a perishable resource, like cocoa beans

A clock that isn’t 24-hours

More or less than four seasons/seasons other than the ones we know

Fantastical weather patterns like irregular cloud formations, iridescent rain

Multiple moons/no moon

Planetary rings

A northern lights effect, but near the equator

Roads that aren’t brown or grey/black, like San Juan’s blue bricks

Jewelry beyond precious gems and metals

Marriage signifiers other than wedding bands

The husband taking the wife's name / newlyweds inventing a new surname upon marriage

No concept of virginity or bastardry

More than 2 genders/no concept of gender

Monotheism, but not creationism

Gods that don’t look like people

Domesticated pets that aren’t re-skinned dogs and cats

Some normalized supernatural element that has nothing to do with the plot

Magical communication that isn’t Fantasy Zoom

“Books” that aren’t bound or scrolls

A nonverbal means of communicating, like sign language

A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)

I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.

what is the like.... overarching plot of dns? is there an antagonist/conflict?

well this is fun. DNS does not have a real antagonist, so all the conflict is very character focused; it revolves around Przemek and Mikita trying to find their place in life as people who never truly felt like people. a very coming of age/slice of life kind of thing; its main theme is loneliness and all the things that come with it. The more detailed plot synopsis is under the read more as it turned out very, very long for a story that doesnt exist outside my head. It may just be the longest oc post i ever wrote here. 2 thousand words! thats a small fanfic. i dont know if i can call that a synopsis

The entire plot takes around one year (from one autumn to the next one) and is vaguely divided by the seasons; its not exactly on par with actual season dates, but its easier to categorise them that way for simplicity.

First fall, Przemek gets hired to be a junior gardener/garden help (which in this case oftentimes means doing whatever physical work in the palace needed) into a slowly collapsing, understaffed and isolated palace of a dying family line, the quite peculiar Kowalewicz family, with the owner, Eliza, rarely staying at that place. Durning work, he accidentialy gets lost in the building and catches a glimpse of a resident no one ever mentions, who just as quickly disappears. This "ghost" encounter is what makes him interact with Ryba more (who is one of the only people his age, his coworker and someone very focused on helping Przemek fit in in general; Przemek doesnt want to talk to people there, hes nervous and doesnt really feel safe away from his family; at this moment he lives from visit to visit, only really trusting his sister with things), and, with Ryba pushing him to see this ghost more, they try to explore the palace when they get a chance. Most notable moment is when they try to offer the ghost some food (bowl of groats and some eggs) in the evening durning the dziady-all souls day period, to help it "achieve peace in the afterlife", but Przemek is too scared to go all the way and they just... leave the food on the attic stairs he first saw his ghost at. When they try to get back to their rooms (outside of the main palace building), they hear a loud thud above them. Przemek really wants to leave at that point, but he gets dragged back by Ryba, only to see that their ghost has fallen down the stairs (presumably tripping on the food) and is now unconcious. They dont know what to do and think they killed him, before he regains consciousness. Thats how they meet. Luckily for them he is far to unwell and dizzy to recognize what made him trip

Winter (late autumn-early winter) is the beginning of Przemek and Mikas relationship and the hostility that came with it. Przemek feels stupid for assuming Mika was a ghost, and Mika is just being generally unpleasant to him (and to lesser extent, Ryba, who tries to befriend him at any cost), because hes generally awful like that and wants to be left alone. He starts leaving the attic less the more Ryba pushes, but hes still willing to accept Ryba (because Ryba reminds him of a friend he had; Mikita is defined by his past and will clutch onto it because he doesnt want to live in the present and cant even imagine a future. and because Ryba is stubborn and doesnt want to leave Mika alone after thinking they killed him on those stairs; Ryba brings him food and they eat together). While his reationship with Ryba is... alright enough, he and Przemek cant get along no matter what Ryba does to ease things out. The tension between them is slowly building up for months, before in early january they get into a big fight. It ends up getting physical (Przemek finally gets to punch Mikita, who actually fights back and threatens him with a letter opener), and in the aftermath Mikita decides he cant stay in the attic (where the fight took place) and goes into the gardens, where he gets lost once it gets dark (Mikita is able to navigate the palace and gardens while in daylight, but in the darkness he is practically completly blind. While the first part of the gardens is relatively well maintained, the further it gets from the palace the more neglected it becomes, until it blends into the local forests). Unable to find his way back home in the cold, dark winter evening, he realizes hes probably going to freeze to death, and is afraid of dying for the first time; something he thought he was ready for and thought about a lot (to no ones surprise he is suicidal). Its a very important moment for Mikitas character overall. Tired out after what feels like eternity of limbo, he gets found on accident by Mikołaj and Tamara, the church ground/cemetery children, and passes out. This entire woods scene is the moment in the story that starts Mikas journey to become a person again; its his rebirth, esentially. Przemek in the meantime is left with the fact that he cant really help but somewhat identify with the way Mikita treated Ryba (quite badly, even if he was nicer to him than to Przemek), and that he should be a better friend overall; something he never really thought about before, not because hes awful, but because he never really had friends outside of his family, about which he doesnt really want to think about - Przemek gains something new in life to care for and that is his friendship with Ryba, which is both very simple and very difficult for him, but he chooses to focus on it in an attempt to save himself. In some way, those feelings culminated durning the fight, when he punched Mika, but only after he started unpacking what it all entails. In general Przemek starts to question himself more; hes been slowly opening up to other people at the palace for the past few months, and the fight is the trigger he needed to start recognizing that things are changing for him too. The snow starts getting so heavy they cant even leave the oficyna (the building with their rooms, servants kitchen, laundry room and all those things) and are unaware Mika disappeared; Przemek is more worried about the possibility of getting fired in the middle of winter for punching Mika, but Ryba does worry about him. Mikita gets sick and is being cared for by Mikołaj and Tamaras dad; they get along pretty well (especially since Mikita is unwell and had a life altering near death experience) and after two weeks Mikołaj gets Mika back home. No one noticed he was gone

Spring (which is actually late winter/middle of spring). The main three reconcile somewhat after the events of winter; Przemek and Mikita dont like each other, but they start to accept each others presence, mostly for Rybas sake, who doesnt want to be pushy after the winter events and recognizes Mikitas isolationist nature. Mikita starts going out more; not really outside, but starts hanging out in other places in the palace, and even visits the church grounds when he has the chance. This season comes with new characters; Eliza comes back home, and with her comes her brother and his family, who normally live in Britain. Among them is the youngest family member - Dominik, a young boy, who never really saw his dads family home, or ever been to Congress Poland, considering Artur was the first one to get away from that place. Dominik is out of his depth there and doesnt really enjoy that much at first; Ryba spends his time on trying to learn more about the kid, trying to make him feel more welcome. Przmek doesnt really care for the residents and wants to keep his distance, but he also feels like he cant leave Ryba alone, and so he runs errands with Ryba while he tries to help. While he manages to get along with the boy (who is drawn to anything cool his older peers do; and Ryba is plenty cool), he starts to recognize that the issue lies in him missing his home and the other side of his family, something neither of them can really fix. Its something that resonates with Przemek and forces him to finally think about his own family life; something he has been somewhat avoiding since his first arrival. Every month, Przemek gets to come back home for two days, and with each visit it has been getting harder, mostly due to his sister, Lena. Przemek starts the story very... depressed, mostly being dragged around by others, but now hes different. Hes still relatively meek, but being able to focus on new relationships and experience the weird but unconditional support at the palace made him a calmer, bit more content person, who can make choices for himself. In Lenas eyes however, her brother is leaving them behind, not as much physically as mentally, and she starts holding a grudge against him, causing tension Przemek doesnt understand or know how to fix it. The siblings relationship is something id like to go more in depth in another post if anyone would be interested in it, as its one of my favourite relationships in the story, and a very important one

Summer (late spring-late summer) is the last "proper" season. Over a month after Artur and his family come back home, another guests arrive - Beatrycze and her father, who is a close friend of Eliza, who will be staying there for a while. At that point Mikita has made a lot of progress since he first fell down the stairs and is taking part in the palaces... social life, if you can call it that, to an extent. Trycz is a peculiar guest, as she avoids talking to anyone, usually haunting the hallways and forgotten rooms of the palace, or walking by herself in the gardens. When caught, shes polite, but runs away from conversations at the first possible moment. Its Mikita who gets to actually talk to her first - and he does not like her, but this encounter makes Trycz open up a little. As a trans girl shes not very open to meeting strangers, but Mikita is... peculiar enough himself, with the rest of the palace (he doesnt go outside so he wears whatever, and he looks... queer enough to clock immidiately, i suppose. Trycz mistakes him for a girl herself at first) to make it better. While for Trycz it was a relatively nice encounter and a stepping stone in making friends at the manor, Mikita starts to get stuck in his own head. Once Ryba and Trycz become friends, and hes forced to listen about her from both the only peer hes willing to talk to, as well as the adults at the palace, he realizes just how completly envious he is of her. Convestations with Trycz and her family open up a box he has made his life goal to not think about - that he is, ultimately, still a failure, and his life will be forever defined by his childhood. In his head, Trycz is a literal better version of him, something he cant be anymore, and hes left to deal with that. He has to accept that he will never truly leave the attic - while someone like Trycz or Ryba or even Przemek can find their people, Mikitas ability to love died with his mother, and now he has nothing, he cant truly connect with anyone and he always will be a bit lonely. Summer for him is both a setback and a start; he will never be able to regain the relationship he used to have with his mother, but shes not here anymore, and he is. While his former attempts at getting better were rooted in wanting to be a bit like before, he recognizes he cant really do that. Przemek on the other hand gets to experience a... Ryba withdrawal, of sorts, as their relationship gets on the harder to understand side, and Przemek needs space to think about everything going on. He doesnt want to hang around the guests, and he still feels lost in regards of his family. Out of lack of options, he tries to talk to Mikita when they meet on accident - something they dont really do since they dont have to anymore. They actually manage to hold a conversation and share advice. Mikita tells him off for being so helpless and makes him go talk to someone more competent about his issues, but he does envy him for being able to care so much. The time of the next visit is getting near, and Przemek knows he has to do something about it, as he decided to not visit last month and feels incredibly guilty about it, ultimately finding his way back to Ryba. In the process of making sense of his family situation, he realizes he may be in love with Ryba, who pretty much knew already. He comes back home for a visit and apologizes to Lena for leaving her alone

Next autumn is an epilogue of sorts; a then vs now kind of thing. Przemek and Ryba help Mika move out of the attic into a different room in the palace

I dont think im capable of talking about my ocs in just a few words. I cut out some things (Rybas whole deal, the relationship between Lena and Przemek, Mikita durning spring) but i think thats the main meat. Its not much but its something i cherish

They're rotting my brain so ofc I'm drawing them

The best character from each longform

(in my biased opinion)

This is (obviously) a long one, so if you do want to read it, more below.

(Also I left out the Patreon plays. I might do a separate post for them later; we’ll see.)

Jimmy (Tom, Toby’s Secret Pocket)

Look, Jimmy is the best. He’s adorable. He’s the representation we as the autistic community needed. He has happy flappy stimmy hands. He can’t walk through doors. We love him. (STOPINTHENAMEOFTHELAW!!!!!)

André Beetroot (AJ, Burglary and Bobsledding)

André Beetroot (André Beetroot) was iconic the first time around, but his return as the first recurring SFTH character obviously had to be memorialised.

The boy witch (Sam, Moist and Magical)

I was tempted by the witchfinder general, but the boy witch won out with “Henry Cavill with a wasting disease” and his thick accent. Also the cheeky little look he gives his grandma (Luke) when he flips her off wins him a lot of points.

Hugh’s mum (Tom, Marigolds Bluebells and Hugh)

She’s, like, a fair bit unhinged, but she has good intentions. She’s got amazing quotes, too; “why couldn’t you have just stayed in my womb forever” and “if you love something, lock it up” are both deeply concerning, but I love them.

The wife (Tom, Murders in Space)

This one is kind of an obvious choice. I mean, her quotes are glorious, and honestly “have you ever heard of feminism, James?” gets her top spot automatically.

Mario the sheep (Sam, the Lighthouse)

Was this even a question? I love Mario intending to be a one-scene character and then being forced to star in the whole play. I love the human bits. I love “🐑fuck you🐑”. I love the sheep (aka Sam) having a fucking breakdown at the end. 10/10 all around.

Titch (Luke, the Unrelenting Aubergine)

Listen, I was very tempted by Old Lady Margery (and by Derek), but in the end, canon queer guy with commitment issues and insane amounts of blindness around his own feelings won out. What can I say, I have a type in fictional characters.

Troll Son (Luke, Wine Under the Bridge)

Everything about this character is perfect. Screaming as hello? Colourful troll as a metaphor for being queer? Correcting a geography fact? It’s got it all. It’s perfect. I love Troll Son and his wine bar in Ipswich.

Juliet (AJ, Caesar and Juliet)

Is anyone surprised? She’s a murderous girlboss. “[My mother] said you have to be careful about men; they can be corrupted with power. But what she didn’t know is that so can woman.” They can, and I’m here for it. She’s bathing in blood and her skin is glowing. I love insane women.

Watson (Sam, the Mystery of the Midnight Circus)

Watson, driven mad with grief over his divorce and his one-sided love for Sherlock, becomes a murderous clown. Am I supposed to not love this? Is there even another choice in this play? And his breakdown at the end was gorgeous.

Priscilla (AJ, Pricilla’s Final Petal)

I was very tempted by both of her mums, and also a bit by the groundsman, but ultimately, Priscilla won out. She’s the title character. She’s confused, but she’s got the spirit, and she’s working through her trauma with a buttercup and a piano lesson. Good for her.

Marty (Sam, the Evil Make-a-Wish Kid)

I considered the seven-year-old detective, but in the end, Marty won. He’s evil. He’s a make-a-wish kid. What more can I say? He’s got an iconic smirk. He burns down all the petting zoos on the entire planet (and his mum). He dies at the end. He’s brilliant.

Derek (Tom, Susan’s Holiday)

There were a lot of great options in this one, but “I like looking at the back of another man’s head” was too good to pass up. Also, I adore the whole monologue he has while he’s waiting to be buzzed in.

The gasoline salesman (Luke, Beetroots and Murder)

Okay, I know he’s only in, like, a quarter of a scene. I know that. And I can’t tell you why I love him so much but I do. He’s just. I just love him. I can’t explain it. There are so many great characters in this play, but the way he says “could be, could be” has captivated me. If you understand the way my brain works, please contact me, because I don’t.

Peter Steven (Tom, the Milkman)

I love so many characters in this play. I love Gareth, and I love the Texan bartender, and I love David the milkman. But Peter Steven is the sweetest, most traumatised little boy and I want to protect him. I will adopt him and I will never make him walk on his knees again. I will throw away the PS5 and I will let him dig up the back garden as many times as he wants.

Johnny and Janae (Luke and Tom, the Neighbour’s Under the Bed)

I know they’re two separate characters, okay, but they’re a set. I want to keep them together. And I just can’t choose, okay? They’re two autistic children whose neurodivergence presents in opposite ways, and their parents don’t know what to do with them, and oh look, I’m back to wanting to adopt traumatised children.

Captain Egbert (Luke, the Leftenmost Window)

Shoutout to the mum, but Egbert won this one. He’s, like, kind of an idiot. I’m here for it, though. He’s got the iconic “diluileayilybilyeilysilym” speech. He wants to go to the ~astral plane~ but he’s waiting for his birthday. He lets his wife dip him into a kiss even though it’s 1940. I love him.

The king (Sam, the Prime Minister’s First Day)

Listen, I love several characters from this one, but I’m going with this one. He’s unapologetically a dick. He wears impenetrable armour made from diamonds stolen from Indian subculture. He’s impossible to beat. He’s brilliant. (Also did anyone else kind of find Sam hot as the king or is that just me?)

Franz Haberburg (Sam, the Excited Chinchilla)

Obviously fuck Nazis (god I hope that’s obvious). That being said, some of SFTH’s best characters are Nazis, and this is one of them. He’s glorious. I have never seen such a brilliant rendition of a Nazi chinchilla.

The Italian detective (Tom, the Ingredients)

He can’t pronounce paella. Do I need another reason?

Chip (Sam/AJ, the Cardboard Stegosaurus)

Oh look, another traumatised child! I want it. (No, but seriously, I love Chip and his English/French seizures.) Also he’s one of the few characters who switches actors mid-play, and I love that.

Persephone (Tom, Wild Wet and Worrisome)

She’s amazing. “HEY!” is a gorgeous siren call and don’t let anyone tell you otherwise. She deserved a happy ending and I’m still sad we didn’t get one. I like to think she swam to the shore and found Geoff again, and they lived happily ever after on a boat at sea, singing and not having to kill anyone.

Full Set O’Hands and his love/bother (Luke and Tom, No! I Always Loved that Caravan)

I know, I know, another set of characters, but you really can’t separate these two. They’re insane. I adore them. They’re just… Honestly, these two are comedy gold. Good for them because they are fucking timeless.

Andrew (Luke, All Eyes on Nigel)

Listen, Andrew is a naive little thing, and he must be protected at all costs. He goes through so much shit in this one, and I just want to wrap him up in a blanket and send him to rehab.

Magnus O. Puss (Tom, BUS)

Okay, this was a VERY close one between them and Arthur B. D., but Magnus is a genderqueer icon and we love them for it. Also, I feel like this is some of the most unhinged Tom content we have and I live for that.

Jeremiah (Luke, Inside the Mysterious Cube)

I was so torn because I love Bubba, too, but I’m trying to avoid putting sets of characters where possible, and Jeremiah just edged past Bubba because his death scene was gorgeous. (That is a mildly concerning reason to have a favourite, I will admit.)

Lord Lafayette (Tom, the Midnight Mystery)

You may be noticing a pattern; I adore Tom’s insane characters. We just don’t get to see that often enough. I love his very sexual flirting with Lady Lafayette (Sam). I love him making fun of the detective’s (Luke’s) shirt. I love “what does any self-respecting rich man do when he has a little boy in tights” followed by “captured—and only captured” as a save. I love him.

Dangerfield (AJ/Tom/AJ again, Once Upon a Time I Killed Mum)

I love the confusion when Tom briefly takes over as Dangerfield; it’s not often we get to see AJ understanding something that Sam doesn’t (I say this with all the love in the world). Dangerfield is so fascinating to me. He’s a “cleaner” for a crime lord, but he has mixed feelings about the things he does. I want to know how he got into it in the first place. How did he come into this life? I want to know.

Barry’s wife (AJ, the Hare who Wore a Sweater)

I don’t remember her having a name, but I could be wrong about that. She’s so sweet; she just wants to knit sweaters for the hares in peace. And then Jimmy the hare gets shot, and she and her husband go on a revenge plot. I’m here for it. I love her.

The king/tank commander (AJ, the Oopsie Daisy Bulge)

He’s obsessed with tanks. He used to have gay sex with his fellow tank commanders, but only as a joke. He sailed all the way around, through the other landlocked counties, into the east of France, and they never saw it coming. He drove tanks into the ocean. He’s so stupid he’s almost smart. I love him.

The landowner/farmer (Luke, Too Big to Be a Jockey)

He farms peasants (Luke, you genius). He’s such a dick, with his classist remarks about Johnny Jones, but somehow I love him anyway. His interview process is looking at a photo of someone and then hiring them, and he’s honestly wonderful. I love him.

Larry (Tom, Long Johns—Strike!)

Literally the only thing he does on screen is die. That’s it. That’s his whole purpose. And he does it beautifully.

Wizard Asceroth (Sam, the Dark Moons of Slough)

ASCEROOOOTTTHHHH!!! (I don’t have another reason. I don’t need another reason.)

The French waiter (Luke, Lost in Your Eyes)

I don’t know. I really don’t. But something about this character has stuck with me since the first time I watched it. Gorgeous accent. He kisses Amanda (Sam) for no reason at all. He gets stabbed by a gun. I love him.

The Lady of a Thousand Don Juans (Luke, the Meringue Haberdashery)

She tricked her husband for years. She murdered her own child. She has been a curse on all the Don Juans in this town. She’s one of the only villains who win at the end of a longform, and that’s very impressive. I love her.

Xavier (Tom, Oh my God is This a Joke?)

(Please refer to my previous statement about Nazi characters.) Okay, look. He’s a horrible person. But we as a fandom choose to disregard that because Tom looks amazing in a leather jacket and scarf. I am not above this. I am, in fact, a part of this. Tom looks amazing in a leather jacket and scarf. “I will die as I have lived…. Shirtless!” has to be one of the most iconic lines of all time. There was never any competition.

Hey, just wanted to let you know that the account that posted about fundraising for insulin is a scammer. You can find details about scammers pretending to be Palestinian on kyra45's blog (she has several posts on the topic).

Thank you so much for the info