Hey @pukicho I Saw Your Art And I Thought It Was Super Cool! You Improved So Quickly (really Impressive

hey @pukicho i saw your art and i thought it was super cool! you improved so quickly (really impressive btw), and i was wondering what resources used to study art? and what app/website you digitally draw on? and your brushes if your okay with sharing them? and literally ANY other information you had because i would love to learn how to draw?

i feel like a victorian street rat asking for more bread

I use an XP-Pen Pen Tablet and Clip Studio Paint as my program of choice, but any pencil and notebook will suffice for learning, and may even be better. As for learning, I use books, baby!!! BOOKS! I'll even be nice and tell u which ones, because I am a lover of shared knowledge:

How To Draw by Scott Robtertson - deceptively complex book on perspective. It tells you how to draw a box, I then suggest you draw a fuck-load of boxes in correct perspective before moving forward. Having a strong grasp on planes and perspective allows you to properly grasp the volumes and shape of almost anything. It's the baseline principle to visualizing what u wanna draw. Without simple forms understood in perspective, you merely lack the skills necessary to draw from imagination.

Carlson's guide to landscape Painting - A good book, even if u don't intend to draw landscapes. Tons of clever explanations on lighting and value. Tons of useful relational shortcuts to understand complex scenery in smarter ways. I like the way he explains things, it makes me go ohhhh.

TACO point character drawing 1 & 2 - Two NEAT anatomy reference books. It's mostly just a collection of simplified, anime-esque proportional figure drawings. They're a great reference, but I absolutely wouldn't use it as my only set of books on anatomy. It's still useful to use and learn, but in a more general way - and I can't currently apply everything the book tells me yet, because I haven't learned the forms in more detail first.

The Human Figure by Jon H Vanderpoel - this is a short, but VERY useful anatomy reference book. The Author is from the early 1900s - real oldschool, which is good. He has a very useful, matter-of-fact writing style. This is the better starter book to use in order to remember the proportional relationships of the human body (even then, it's still not enough)

The Practice of Oil Painting & Drawing by Solomon J. Solomon - I'll be honest, this one makes sense to me conceptually, but I cannot fucking execute some of his practices. This dude is from the victorian era, his paintings are in museums and they're too good. It only makes sense that his views and approach to art are headier than some of the other suggestions on this list. The book is still useful, and I presume will only grow in usefulness as I learn. It does still have some cool ideas in the first-half of the book that you can easily apply to your art studies! But the second half is a series of master-derived schools of learning that I have yet to dare touch.

(also check out loomis books. I hear they are good)

ENJOY

More Posts from Sumiresiel and Others

1 year ago

Yall how do I eat in another kfc while being aware about this knowledge

the story of kfc fucks me up man. the colonel founded this gas station that expanded to restaurant, the chicken at the restaurant gets popular, makes KFC, it gets big and he sells it to a corporation for a lot of money. realizes he got sorta scammed out of the true worth of kfc so tries to get more money and they refuse and the courts side against him. then he starts a new chicken restaurant claiming the corporate people were not making chicken to his standards and kfc sued him because kfc owned the colonel's likeness and the courts agreed. a corporation owned this man's name and appearance. he wasnt allowed to use either, thus legally erasing his reputation making it harder for him to get taken seriously in any food venture. the man, to the day he died, was going into kfc's and throwing fits because the food had fallen into such bad shape he hated it was associated with him. and it's like, whether he's a bad man or a good man or whatever, a corporation owned his identity, stopped him from using his reputation and identity in other businesses, and refused to acknowledge his outrage that they changed his recipes and still attributed it to him. this is literally the obnoxious plot of a jay and silent bob movie, but it was this dude's real life. what the fuck.


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1 year ago
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists
Neil Gaiman’s Advice To Aspiring Artists

Neil Gaiman’s Advice to Aspiring Artists

11 months ago

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

1 year ago

this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about


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11 months ago

Isn't this just being autistic, except people are more understanding cuz they're aliens and not human.

Consider: Aliens land on Earth, they are vaguely humanoid in shape and size, but there is no real way to communicate with them. They're social, curious and friendly, though, and try to get to know humans and interact with us the same way as cats do. By mirroring.

They follow humans around - not necessarily any specific ones, but just wandering wherever people go - and do human things with them. Or at least do their best to try. In gravely serious, intensely focused, but deeply confused silence, they join human activities with this air of "I don't understand what we're doing, or what this achieves, but we're doing it together now."

When there are people waiting at bus stops, one or two of the creatures will join the group, standing in wait. When the bus comes, they'll join the queue lining up inside, and once inside, turn their open palm into a light source and show it to the bus driver in the exact same way as the people showing their bus passes from their phones (the aliens' ability to shapeshift this way has raised theories that they may not be naturally as humanoid as they seem, they've just adopted the human shape to better interact with us), and then go find seats wherever, just like humans do.

They're not going anywhere in particular, nor are they capable of actually paying for their ride, but since there doesn't seem to be any force to stop them from this, people just have to accept their presence. If the bus is crowded, they'll stand just like people do - and sometimes when seated aliens see a human offer their seat to someone who is pregnant, disabled or elderly, they will unpromptedly get up and offer their own to the nearest standing human.

They go to churches, temples, grocery stores, libraries, wherever people go, and clearly try their best to do whatever people are doing. In temples and holy places, they will sometimes join hymns in their eerie, wordless howls, which follow no melody but stop when humans stop singing. They sit and stand where the people do, and copy the positions in which humans pray, and many places of worship don't just tolerate, but downright welcome them - no matter what these creatures are, do they not have the right to pray?

In the libraries they are silent, eerily wandering the hallways, picking up books at random and staring at the pages, turning the page this way or that every few minutes. They don't bother anyone much, once the librarians figured out how to make them put the books they pick up into the returns cart, instead of some random place in the shelves. Some of them seem to enjoy simply grabbing random books, and carrying the whole piles to the returns cart.

They don't understand why we do what we do. We don't understand why they do what they do. But we're now doing it together.


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1 year ago

Okay I need someone that's good with fountain pens, cars, motorcycles, cats, growing sunflowers (or plants in general), and maybe someone who's read a ton of books.

Gimme your knowledge and I'll figure out what to give in return.

there should be a hotline for me to call autistic people with specific hyperfixations every time i have a question


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3 months ago

one of my worst writing sins is abusing my power to create compound words. i cannot write the sentence "The sun shone as bright as honey that afternoon." no. that's boring. "The sun was honey-bright that afternoon" however? yes. that sentence is dope as fuck. i do not care if "honey-bright" is a word in the english dictionary. i do not care if the sentence is grammatically correct. i will not change. i will not correct my erred ways. the laws of the english language are mine.

5 months ago

As great as Ego's speech is at the end of Ratatouille, he's wrong. That whole thing about, "Now I know that when Gusteau said, 'Anyone can cook', he didn't mean anyone can be a great artist, but that a great artist can come from anywhere."

Like, that's true, but it's not really the point he's making. Gusteau's not saying anyone can be a great artist. But he is saying, "Anyone can cook." It says nothing about greatness. It's encouragement to beginners, saying that you don't need to be anyone special or have any special level of talent. You--yes, you--can follow these instructions and in the end, you will have cooked something, and that's a good thing to do.

It's still a great metaphor for the creativity, and cooking is a particularly fitting illustration. Not everyone will be a great chef, but everyone needs food, and you deserve to know how to cook at least something for yourself. In the same lines, not everyone will be a great artist, but everyone can draw some kind of picture. Not everyone is a great musician, but everyone should sing. The fact that you're not the next Shakespeare shouldn't bar you from the joy of writing poetry. You're not going to win any literary awards, but you should still write stories. The act of creation is something that anyone can do, and it's something everyone should do, because it feeds you. Greatness doesn't need to enter into it at all.

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sumiresiel - Violet Sky
Violet Sky

Promise me an endless eternity She/Her/They/Them Lives in the shadow of nihility Cat and Dog Person Writer and Artist I guess Commission me for anything I need money

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