Oh! So I May Have Overreacted In My Previous Post

btw I'm not hating on script writers at all - I apologize for my aggressive tone 😭 I love both those franchises either way

if a horror/slasher movie ends with the killer in the back seat {of the victim's escape car} when a victim "finally" escapes, it automatically pisses me off - Why is it acceptable as a writer to end a 'horror' movie with the lamest, easiest-to-write ending?? Cmon now, it's so boring and unrealistic.

"Oh, but Tae, slasher films are unrealistic in their nature!1!" no shit, dawg - but you cannot convince me that the "killer suddenly appears in the backseat and kills the protagonist to allow for another potential movie" isn't the worst ending you've ever seen.

How did they get in there? How did the victim not see their {usually} fat ass in the back seat? {I'm looking at you, Thomas Hewitt and Jacob Goodnight}. What the actual fuck. HOW DID THE KILLER NOT GET HURT AT ALL IN THE CAR CRASH? {if it crashes}

PLEASE stop using this as an acceptable ending. Put more thought and effort into your scripts, PLEASE

thank you for coming to my ted talk

watching TCM:TB 2006 without the video and all the scenes with Eric and Thomas sound like gay porn - I legit had to double-check what I was watching

mj lenderman sooo hot

thought this said slenderman for a second and i started to say girl i know it

Every time I listen to Inbred by Ethel Cain I think of TCM; Specially the 2003/2006 franchise but I guess the others work just as well. Especially:

"You get off on innocence, so you savor this Does your baby know her daddy's a rapist? He hates the way you look at me You're already dead, you're already dead

If he wakes up, he'll show you what I'm talking about

You can't win 'em all Who knows how much longer I'll lay on the floor? Touch me 'til I vomit I'm not scared of God, I'm scared he was gone all along (oh, oh)

Who will take the fall? Who of us is stronger? You'll just want it more If you could, you'd have fought it, but you know you're not From the start, they knew you were wrong, you were wrong"

____

IS THIS NOT TCM?? HELLO?? DOES THIS NOT AUTOMATICALLY REMIND YOU OF HOYT AND THOMAS??

The section mentioned above really really reminds me of Hoyt. The line "If he wakes up, he'll show you what I'm talking about" reminds me of the distinction of Hoyt versus Charlie. @demphen hints at this in their fic, Darkest Hour {which is phenomenal, it's a good read🫀,} Hoyt and Charlie are almost two "entities" living in one vessel. Charlie's vessel. I like to think Charlie was permanently altered after the war; As would anyone after experiencing such trauma. I think the town dying, Thomas losing his job, and killing the sheriff was what finally did it. What finally "killed" Charlie. Charlie was hanging by a thread; clawing at the shell which once was his, desperately trying to restore the lifeline only to be shut out and 'killed' once the sheriff was too. The one thing keeping the town inline; Keeping Charlie inline, was gone. Hoyt realized {and maybe always knew} that the "protectors" never cared about his family. Back to how this relates to the Inbred lyrics; It almost feels like Hoyt waking up within Charlie. Charlie is in there, we can see "him" when he talks to the family. But as soon as things go rogue, Hoyt 'awakens.' If he = Hoyt; Wakes up, he'll show you what I'm talking about = someone gets hurt. This is LITERALLY like the hitchhiker scene in the 2003 remake !! "He's a bad man, he's a really bad man -- you're all gonna die."

This song also reminds me of Thomas; Specifically:

"Older brother made a name for himself with the cops Scumbag fuck, but I swear that he's not He's so good to me and to nobody else So you should watch yourself

Mama's comatose, she can't leave the bed Something smells rotten and it starting to spread I'm bad, he's worse, we're already dead We're already dead"

____

"Older brother made a name for himself with the cops - Scumbag fuck but I swear that he's not" reminds me of Hoyt and Thomas' relationship. For one, Hoyt not only "became" part of law enforcement, he was a POW. Now, a POW is not someone who gets "involved with the cops" per se, but he did get involved in serious warfare which for some reason reminds me of this line. The following line "Scumbag fuck but I swear that he's not" reminds me of the intense family pride. I think Thomas knows Hoyt is a bad person. Hell, aren't they all? But at the same time he loves his family; They're all he has. Continuing with this narrative; "He's so good to me, and to nobody else - So you should watch yourself." We know Hoyt cares for Thomas, but he's definitely 'tough-love' and judgmental. So this line reminds me of them more because of the essence: He treats us {the family} well, no one else gets that privilege. Watch yourself :)

Now, the line "Mama's comatose, she can't leave the bed" reminds me of Monty, as opposed to Luda Mae. Monty really can't do anything anymore. He used to help tow the victim's cars and help with mechanic repair; But he obviously can't do that now. So it's more the essence of the line as opposed to the line itself. Following up with "Something smells rotten and it's starting to spread" has always reminded me of Thomas' skin condition. His condition caused his skin to rot to such an extreme that he amputated his nose. His condition obviously spread throughout his face, causing him to cover it fully. I guess the anxiety of "it's starting to spread" reminded me of Thomas in a way. How anxious he must've felt seeing his condition worsen over time; Taking more and more of him until it's all he was. His one defining feature.

"I'm bad, he's worse, we're already dead - We're already dead"

We're already dead.

"Anyway, staying around this town, there's no more jobs, no more money, no more food. It's down right suicidal."

We're already dead.

"You can't have a creature like that around normal folk, that's what I'm saying."

I'm bad, he's worse, we're already dead.

"People may not remember what we say here tonight, but they sure as shit gonna remember what we do. Thanks to the good sheriff here...We ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again."

Yap yap yap yap blah blah blah blah more Thomas Hewitt emotional stuff

My favorite GIF of him oml so handsome

_____

Just saw a post talking about how Thomas probably never had any friends {hit very close to home}, which got me thinking about just how intensely that affected him. Humans require connections, it's essential to our survival and overall wellbeing. Thomas' main influence is his family; And let's be honest, his family isn't all that great at fostering a healthy environment. I don't blame them, I doubt they were raised any better.

Thomas already seems like a closed-off, reserved, and anxious person. His anxiety seems to manifest in small fidgets, excessive staring, zoning out{?}, aggression, and isolation. This paired with his skin condition, facial deformity, and difficulty speaking would make socializing extremely difficult for him. I doubt many people attempted to socialize with Thomas. He was probably that one kid in class who sat by themselves and never spoke up. {I used to be that kid, totally not projecting or anything..} It's fair to assume this stunted some social growth for him, and I doubt being seen as an outcast is any good for your confidence. Confidence isn't just necessary for presenting yourself comfortably, it's also essential for expressing your thoughts, emotions, and boundaries. Putting yourself out there, achieving goals and milestones.

This would most definitely bleed into his relationships {of any kind really, romantic, sexual, platonic, family.} He would not express his emotions to you. Not easily anyway. Want a man who communicates properly despite language / ability barriers? Not gonna happen. Thomas would most likely shut you out. Shut anyone out just to protect himself from further emotional pain. I doubt the Hewitt family puts any emphasis on healthy communication anyway. And Thomas doesn't have experience to model a healthy partner. I'm sure he's an affectionate person, just not by default. ESPECIALLY not during the 2003 timeline. His confidence has grown, sure, but his family has gotten even more socially isolated, making social cues less likely to be processed properly. Another thing, {which connects to the previous statement,} Thomas doesn't fully understand social cues. Not much anyway. {I've discussed this so much, I apologize for the repetition.} He's an observant, quick learner, but that doesn't mean his brain computes certain things {am I projecting? Maybe}. I don't think he'd understand that staring at someone whilst they eat isn't appropriate {to most people}; He'd probably stare into people's car windows from afar, watch people from other rooms/windows/doorways, ect. Now, that doesn't mean Thomas is a nosey guy; Because I don't think he is. He knows not to eavesdrop, and he knows when to mind his business. I think it's more of "I'm zoned out / I'm confused and trying to figure you out" type of staring.

I'm sure Thomas understands boundaries.....the family’s boundaries that is. Hoyt disrespects boundaries all the time; But Luda Mae puts him in his place when {she feels} need be. Monty just flat-out refuses to acknowledge boundaries. That guy is arguably worse than Hoyt; He'd be offending like Hoyt does if he still had legs, I'm sure of it. He's just not as vocally aggressive as Hoyt, but I'm getting off-track here. It seems like Thomas has to respect the family's boundaries, but they don't have to respect his. Nor do I think he understands how to set up boundaries. It's kind of an unspoken rule in the Hewitt household that the basement is Thomas' space. No one goes down there without reason. That's probably the only boundary they respect. {I'm sure Luda Mae gives him space and patience though.} Combining his lack of knowledge / experience with boundaries, his excruciatingly-low confidence, and his social alienation, Thomas would be very, very hesitant towards intimacy. Having to not only be physically exposed {which is such a sore subject for him,} but emotionally?? Mentally?? That's not something he's used to nor ever been encouraged to embrace. I doubt Thomas even understands sex on an emotional level. {What seems to be} His only experience with sex is through his uncles; And maybe Luda Mae's "no intimacy before marriage" lectures. And you KNOW how Monty and Hoyt view sex. There's no intimacy there; It's just the primal, selfish urges. Now, I'm sure deep down those two want genuine intimacy and emotional connection; They've just buried it so deep down to resist being seen as 'weak'. Thomas most likely picked up on this, at least some of it, which has influenced his views on intimacy. He'd really have to trust someone on EVERY level; He also might cry after, idk. OR feel very uncomfortable. Probably have a moment of existentialism and some serious rethinking to do. Not necessarily about the act itself, but how he views it and what he's been taught. To add onto his hesitance: I see a lot of fan fiction involving him and the reader getting married within 1-5 months, which just..doesn't seem too realistic to me. Thomas most definitely has a lot of self-doubt, and the family wouldn't adjust to someone that quickly. I'd say AT LEAST a year before they {the family} consider it. Anyway..this is long enough but I'm fully willing to do pt. 2 on anything I've covered before :)

TLDR: Thomas would definitely need some guidance, the whole Atlantic Ocean's worth of reassurance, and some lessons on boundaries.

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Anyway, yada-yada, Thomas needs some guidance and emotional regulation tools, what's new - 🫀

Roman Holiday (1953) dir. William Wyler

bro pissed me off so bad I had to hop on the blox

listening to Kpop whilst I draw this nerd

help

CHARLIE (R LEE ERMEY) IS SO HOT I CANT HIDE IT ANYMORE🤰🤰

I mean..at times

The King's Halo - January 29th, 2025

first time actually drawing in 2 years..yay