Taeaura - TAE.Aura

So..I was listening to Ethel Cain {as always} specifically Strangers and may or may not have thought about this franchise again..whoops. Here's a complete list of Ethel Cain songs + lyrics that I feel reflect the franchise ++++ an analysis of each one ! 🫀 I'd also like to preface this by saying I understand the meanings behind each of these songs are not what is reflected in this analysis, this is simply just finding connections.

I might make this a series, who knows?

TW: SA / Rape, Strong Language, Self-Harm, Self-Mutilation, Gore, TCM-Canon-Typical Violence / Topics, Animal Abuse?, Hoyt being Hoyt {boo lame boo, I know}

Family Tree

"I'm just a child, but I'm not above violence My mama raised me better than that When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back"

So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

-

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

____

Right off the bat "I'm just a child but I'm not above violence" throws me right back to the introductory credits in TCM:TB 2006. Thomas' self-harm, killing and skinning animals, all the violence he was subjected to at a young age. He was young sure, but he was willing to be violent. Not necessarily to other people, but animals. Maybe he viewed himself an animal; Something to skin and use. Following that line "My mama raised me better than that." We know the relationship between Thomas and Hoyt, but we just barely scratch the surface of Thomas and Luda Mae's relationship. I'm sure Thomas was raised to fight back, especially considering Hoyt's background.

"When the preacher talks, that man demands his silence And daddy said, "Shoot first, then run and don't look back." This is just self-explanatory. Hoyt, in this case, is 'the preacher.' He's a man who provides and dictates his family {at least that's what he thinks.} He demands silence; The family listens to him without interruption. Now, this also applies to Luda Mae. She doesn't demand silence, but she is the one who 'preaches.' Whether it be religious ideals, scoldings, or general guidance to the family. The continuation of this line reminds me of what I previously discussed: Encouraging self-defense as well as dividing yourself socially from the opposing side. In this case, it's the 'city-slickers' Hoyt preaches about.

"So take me down to the river And bathe me clean Put me on the back of your white horse to ride All the way to the chapel, let you wash all over me"

"These crosses all over my body Remind me of who I used to be And Christ, forgive these bones I've been hiding Oh, and the bones I'm about to leave, yeah"

These lyrics are just so reminiscent of the first supper scene. That scene has always come across as the family killing off who they were. Consuming the final ounce of humanity within the town and fully transforming into the killers they portray in the 2003 film. I find this to be especially prominent during this segment:

"Thanks to the good sheriff here, we ain't gonna go hungry tonight. Matter of fact, we ain't never gonna starve again." Followed by "Charlie, say grace." It seems almost as if Luda Mae is encouraging Charlie / Hoyt to 'say grace' similarly to how Ethel writes "Christ forgive these bones I've been hiding - and the bones I'm about to leave." She's asking for forgiveness not only for herself and the remaining members of the family, but especially for Charlie. The 'bones' he's been hiding are the sadistic tendencies he gained over the war. The 'bones' he {and the family} are about to leave are the carcasses of the people they once were. The kind receptionist at the community center. The mechanic. The veteran farmer. The butcher.

____

Ptolemaea

"I followed you in and I was with you there I invited you in twice, I did You love blood too much But not like I do Not like I do

Heard you, saw you, felt you, gave you Need you, love you, love you, love you"

-

"You'd do well to say yes to me"

-

"Even the iron still fears the rot Hiding from something I cannot stop Walking on shadows, I can't lead him back, uh Buckled on the floor when night comes along Daddy's left and momma won't come home, oh, uh

You poor thing Sweet, mourning lamb There's nothing you can do It's already been done

What fear a man like you brings upon a woman like me (show me your face) Please, don't look at me I can see it in your eyes, he keeps looking at me Tell me, what have you done?

Stop, stop, stop, make it stop Stop, make it stop, make it stop I've had enough"

____

This song reminds me a lot of Hoyt {for obvious reasons which we will get into} but also Thomas. This specific set: "I followed you in and - I was with you there - I invited you in twice, I did - You love blood too much - But not like I do - Not like I do" reads to me as a subconscious urge of Thomas'. His urge to destroy and abuse. To tear into and become. It's almost as if the sadistic and animalistic side of him coaxes him. This could also apply to Hoyt; How hist trauma began to whisper urges into his ears. How the sadistic desire dripped into his mind, forming puddles until it flooded. The next segment: "Heard you, saw you, felt you, gave you Need you, love you, love you, love you" - "You'd do well to say yes to me" is SO reminiscent of Hoyt. It feels like him talking to a victim. ESPECIALLY when he was talking to Bailey. "Don't you think you're gonna go any place, huh? - I love you." And his moans just felt so..selfish. So primal and inhumane. It's so reflective of the constant 'I love you"s in Ptolemaea. Such a demonic and contradictory statement that festers within the background of the song. This song continues to reflect Hoyt within the lines: "Hiding from something I cannot stop - Walking on shadows, I can't lead him back, uh - Buckled on the floor when night comes along - Daddy's left and momma won't come home, oh, uh." Each victim may try to hide from the family, but their fate is inevitable. Hiding in the shadows whilst figuratively being in the shadow of the family. By this I mean, they will never be seen as human by the family. Never considering more than a meal and a puppet of pleasure by their captures. Their humanity consistently overshadowed by the family's primal hunger. "Buckled to the floor as night comes along - Daddy's left and momma won't come home" Essentially reads as being trapped in the rotten walls of the house. No one is there to help you, no one there to comfort you. It also describes the physical conditions: Being buckled to the table in the basement, hung on a meathook, tied to the chairs, wrapped to a bedpost, ect.

"You poor thing - Sweet, mourning lamb - There's nothing you can do - It's already been done." This segment just reminds me of Luda Mae, Kathy / The Tea Lady, and Henrietta. The three women of the household seem to be the only ones attempting to cover-up their malice with maternal reassurance and comfort. It's not like they care about the victims, at least not anymore. All they care about is the family. All they can trust is the family.

"What fear a man like you brings upon a woman like me (show me your face) - Please, don't look at me - I can see it in your eyes, he keeps looking at me - Tell me, what have you done?" You cannot TELL ME that listening to Ethel sing "Tell me, what have you done?" Doesn't slightly sound like "Tommy, what have you done?" It's at 3:32 in the song, please someone tell me they hear it too 😭. Anyway, this entire segment feels like an outside perspective of how terrified the victims {and people in general} are of Thomas. I'm sure even Luda Mae was terrified and just extremely worried when she found Thomas mutilating himself {which is where the "Tell me, what have you done?" and "Show me your face" comes in.}

"What fear a man like you brings upon a woman like me" Is also just, EXTREMELY reminiscent of Hoyt. Cmon now. As well as the repeated "Stop", "Make it stop", "I've had enough."

____

Gibson Girl

Speaking of Hoyt; Gibson Girl. That's it. That's the post. Nah I'm kidding but hear me out:

"Says he's in love with my body, that's why he's fucking it up And then he says to me

"Baby, if it feels good, then it can't be bad" Where I can be immoral in a stranger's lap And if you want it good, downright iconic Something they all want that only you can have

You wanna fuck me right now You wanna see me on my knees You wanna rip these clothes off And hurt me

And if you hate me Please don't tell me Just let the lights bleed All over me"

____

You COULD NOT convince me this song doesn't reflect Hoyt. ESPECIALLY "Says he's in love with my body, that's why he's fucking it up - Baby, if it feels good, then it can't be bad." Cmon now. He doesn't seem to want his female victims to be dead, but his behavior often results in extreme injury. Specifically gynecologic bleeding / tearing, bruising, cuts, ect. So he really is "fucking up" their bodies. {If you're experiencing sexual abuse of any kind, contact RAINN or the local authorities.}

____

Strangers

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)

I just wanted to be yours, can I be yours? Can I be yours? Just tell me I'm yours If I'm turning in your stomach and I'm making you feel sick (sick)"

____

Alright, let's just state the obvious: This is Thomas' subconscious. At least how I interpret it. He craves praise, he needs it. And I'm not taking about "you're so good to me; You did so good, ect." I mean reassuring him he's not just a destructive brute. Praising his strength, giving him patience and space when it's needed. Providing and acknowledging opportunities where he can do more than just butcher. Providing new ways to communicate whilst trying to understand his current communication skills. Reassuring him that he doesn't make you feel sick. Understanding that his hygiene is poor for a few reasons {I.E; Depression, exhaustion, fear of looking at himself, disgusts, ect.} and not shaming him but simply encouraging self-care. Praise his accomplishments, even small ones. Reassure him that he doesn't scare you; That his physical state isn't revolting. And especially that he's worthy of love, that he won't be abandoned; "Can I be yours - Just tell me I'm yours." This is the type of praise Thomas needs. Something that helps him grow as a person whilst fulfilling his needs. He needs specifics, and genuine interest in what he's doing. But remember, give him space :) We all need it. Getting into specifics within the lyrics:

"I tried to be good, am I no good? Am I no good? Am I no good? With my memory restricted to a Polaroid in evidence (oh, oh)"

This reminds me of when Thomas burnt and destroyed his childhood pictures. To his family, those are memories of him, his childhood, their time spent together. To Thomas, those are his childhood. The childhood that was full of ridicule, disgust, trauma. I doubt he wants to remember that; Hell, I don't remember some of the things that happened to me as a kid because they were traumatic and upsetting. The memories of pain aren't usually remembered by the perpetrator. The only recollection of Thomas' insulting memories are "restricted to a polaroid in evidence." The memories that made him doubt himself.

____

Inbred

I did my analysis on Inbred here :)

____

Onanist

Listen..I know this song is about masturbation; I just think some of the lyrics OUT OF CONTEXT could fit a narrative found in TCM. Hear me out PLEASE

"Witness to such agony but there, - before the grace of god go I - I want to know love - I want to know what it feels like"

"it feels good "

"it feels good"

"it feels good"

"it feels good"

____

Okay..this may seem way out in left field but this almost reads to me {In the context of TCM} like a semi-sexual experience for Thomas. LISTEN. Just hear me out. I know the masks are a way for Thomas to hide himself, to present as someone else; I just can't help but imagine how intense putting on his first human mask felt. I know it just looks like a normal day for him in the scene, but I just have this inkling that this felt so intense for Thomas. I've discussed Thomas' sexuality before in this post, just for extra details. Sometimes experiences that aren't inherently sexual feel sexual, y'know? Just this intense build-up that feels pleasurable once it climaxes. Thomas had finally found his craft. This feeling of intense accomplishment. Almost an 'a-hah' moment. It was the first time Thomas could fully take on the appearance of another person; Truly transform himself into an 'alternative mind' if you will. He's still him, obviously. I don't think he 'transitions' between persona's like Bubba Sawyer does, but I still think his masks are influenced by how he wants to navigate the moment. During such an intense moment of agony, Thomas found himself in the grotesque. His image stitched into the face of another. There was no longer an 'Eric', only Thomas. Eric was 'consumed' by Thomas, if you will. Both literally and figuratively {assuming the family ate Eric's body afterward.} Idk, I could be talking out my ass rn but for some reason I could imagine this being mentally stimulating in the same way sex is {for him.} Definitely a source of pleasure, maybe just a form of catharsis.

____

It feels good.

It feels good.

Does it not?🫀{GOD THE WAY HIS BICEPS LOOK IN THIS RAFGHFHAH}

watching TCM:TB 2006 without the video and all the scenes with Eric and Thomas sound like gay porn - I legit had to double-check what I was watching

AHH !!! I'm so glad you like it !! Thank you for sending it in 🫀

hello, I was wondering if you could do a Thomas Hewitt x reader that has two kids. Both being under 10. Like how feels about it and the whole family. You can do wild and do whatever you want for this. I love your writing so much! I hope you have a good day and make sure to take care of yourself. Thank you if you do this.

Father!Thomas Hewitt With Two Kids *Under Ten*

Hi!!! I'm so sorry this took a while to get to - I've been busy with life things 😭 Enjoy Tommy + the family with his two precious angels

Also ty ty!!!!

I feel like Hoyt call Tommy's kids his "little buddies"...no idea why lmao

_____

The day he saw his children was the day Thomas was 'reborn.' He had a purpose outside of killing, outside of his uncle. He had you. He had your children. His own little *or not so little* family - Two mini-me's, what could go wrong?

A lot.

Thomas can get a bit overwhelmed when his uncles are yelling at him, or you, to "shut those kids up" - It reminds him of his childhood...not fun times.

Thomas worries quite a bit. About what, you ask? Everything…

What if they’re ostracized? What if they’ll suffer just as he does? What if he isn’t a good father? A good husband? Are they going to be okay? Safe? Are you going to be okay?

If he could, he'd be praising his babies to hell and back - He loves them so so much. If they happen to have the same skin condition as he does, or the same cleft-lip, you'll find him crying just thinking about their future. He really doesn't want them to hurt like he did. Like he does. He'll pray to the Lord above to keep them safe.

Okay...now back to the happy headcanons!

Tommy has chubby babies - Doesn't matter what size his partner is, the babies are FAT !! Tall kids, too. Chunky mini-me's with curly dark hair and freckles - Maybe a cleft lip??

He loves his babies very much - a very VERY protective and slightly overbearing dad {he just wants what’s best} 

He’d probably wrestle with them if he was in the mood. He'll go easy on them, don't worry :)

Would NEVER let them in the basement. Ever. Do you know how dangerous it is down there? Not to mention how traumatizing it could be…

Always always ALWAYS willing to help. He knows you're tired, and he's willing to do anything to help relieve some stress for both you and the family. He's surprisingly good with bedtimes, too. Although he can't read to his kids, he gives really good hugs before bed.

Totally would sew clothing and toys for his babies - They're a bit patchy and disheveled, but that's the aesthetic of this family, let's be real.

—

Luda Mae loves her grandkids, don’t get me wrong, but lord, does that woman need a break. Two kids under the age of 10 PLUS Jedidiah? Uh-uh. Nada. No. 

"Go outside and play with the dogs, you're messing up the kitchen!" Type shit

trust me when I say she will happily discipline them if you or Thomas don’t feel like it lmao

Definitely the type to baby-talk them even when they get older, yet at the same time increase their responsibilities lol

She's always there to support them - Showering her grand babies with compliments {except Jedidiah...poor guy}

—

Jedidiah will “babysit” sometimes. AKA, play dates! hooray…

He’ll ask to hold them {he’s kinda hesitant though}, draw with them, draw portraits of them {though poorly…he’s trying}, teach them about baseball {because I think he’s into that canonically? I don’t remember}

He loves his…cousins? Siblings? Depends on who you ask, I guess....?

—

Monty does not care. At all. 

“Will someone shut that baby up?” *he mutters under his breath 

“Will you cut out that racket?!” 

Would probably keep his dog away from the kids..for good reason {That thing bites}

Pouty faces and eye rolls all the time lol. Don’t be surprised if the kids end up with his attitude at times 

“Ugly little things…”

He has love for them….somewhere. Deep down…..very deep down.

—

Hoyt, as we saw in TCM 2003, doesn’t mind kids - let alone babies. At least not when he’s “working.”

He'll coo at them - "You look just like your daddy, don'tcha? Huh?" - He's the type of uncle who's always asking/assuring that "he's the favorite"....okay buddy

Would make minor jokes about Thomas "finally getting laid" and "getting a family of his own." In all actuality Hoyt Charlie is proud of him. Jealous to bits, but proud - and happy.

_____

Yay okay! We've reached the end. Sorry if it's a bit short, my brain is still trying to get back into Tumblr-writing lol

Henrietta ain't safe from me no more

All of the town + Mr. Hewitt {whoever the hell is with Luda Mae when she brings Thomas home}:

Serious question, because this might have changed the storyline of the tcm remakes. If Thomas ever had at least one friend, that ONE friend he managed to get from his upbringing. Possibly back from his childhood, too, let's just say that.

Would Thomas be possessive or a meek individual who would be desperate to keep them close. Like I'm talking about an extreme level of possessiveness that it would be considered sick. I think there's a word for that, I just don't know what it's called.

Because I can see Thomas becoming a stalker at one point and possibly following somebody close to him around if he needs to. Like a "threat" is close to his dear friend, and he's afraid that this person might take them away from him.

|Proprietorial|

GN!Reader x Thomas Hewitt 🫀

SUMMARY: You and Thomas have known each other since grade school. As the town of Fuller dies, so does your desire to stay. Feeling guilty, you decide to visit the Hewitts one last time..but Thomas gets possessive following your attempted departure..

_____

Thomas is and always has been desperate for connection. Genuine understanding - Not just acknowledgement. It's rare to be accepted when you're different - And it sure as hell doesn't get easier in a small, conservative town like Fuller. Luckily enough, he had found someone. Someone who didn't recoil in disgust - Someone who didn't laugh when he tried to speak. Someone his momma approved of.

That was back in grade school - Back when things in Fuller were "good." Though, were they ever really good?

When his momma told you about the slaughterhouse shutting down, you were nothing but empathetic. You even offered to help the family out with what little time and money you had. Luda Mae, being the prideful woman she was, declined your offer.

"Keep some for yourself, hun. Gotta do what it takes to survive out here...we'll figure out a way."

Everything got worse when you decided you couldn't stay.

--

One day, you stopped visiting Luda at the community center. No longer stopped by at the slaughterhouse to see Thomas. It was like you were never there.

You had to tell them you were leaving - It wouldn't be right to abandon them all on their own..especially not Thomas. So, you packed up a small basket and headed over to the Hewitt residence. That evening, when you'd knocked on the door, Monty answered.

"Whadd'ya want?"

"I'm here for Ms. Mae..Luda Mae; And Thomas - Are they home?"

He squinted his eyes and weakly scoffed before opening the door further, letting you walk through. He then directed you to the kitchen where Luda Mae was; She'd been preparing dinner just as you walked in.

Monty swiftly knocked on the doorframe, grabbing her attention. As she turned, she scoffed "Monty, for the last damn time, I-" She stopped. Her expression neutralized as she saw you.

"Oh, ____, there you are! Gosh, I haven't seen you in so long; Where've you been?" - "Tommy's been worried sick about you.."

There it was. You'd made Thomas worry..which is exactly why you dreaded coming over; You didn't want to be reminded of the guilty feeling festering inside your stomach.

"Is he alright?" You asked, and Luda nodded.

"Oh, he's just fine, dear. Why don't you go say hi? He's in that damn basement again.."

You agreed, but quickly remembered the basket you brought.

"What's that?" Asked Charlie, he had been watching from the opposing doorway..unbeknownst to you.

"Oh..gifts..for you."

"Me?"

"Well, the family, yes."

"That's so kind of you, dear. What for?" Asked Luda Mae, grabbing the basket from you and placing it on the kitchen table.

"Just..felt like bringing some joy to this dying town."

"That's very kind of ya - Now go see what Tommy's up to, he's missed you like crazy" Charlie said, unimpressed. He sniffled before taking a swig of his beer.

--

You'd known the Hewitt house's layout well; It's not like Thomas would invite you over after school some days...The basement was across from the front door, it'd be hard to miss unless the archway was blocked. As you approached the ominous door, you took back your hand from the handle. What if Thomas didn't want to see you? What if he'd grown resentful of you? You sighed, closed your eyes and went to open the door. To your surprise, a loud screeching sound interrupted you as the door opened seemingly by itself -Except, doors don't open by themselves.

Behind the doorway, a tall, familiarly built man stood before you. His half-mask..muzzle of sorts was tightly wrapped around his head, strangling his neck and chin. He must've heard you - or his family, talking.

"Hi Tommy; I'm so sorry, I know I've been absent - It's not you, I've just been so stressed and confused and-"

You were rambling. He never seemed to mind, especially when you called him "Tommy." He never liked when just anyone used that nickname, it was special. You were special - To him, at least.

"I need to talk to you about something." The way you said that caused him to tense a little. Talk about what? Was it his job? Did he disappoint you?

"Listen, Thomas" Oh no, you were being serious, weren't you? "I love you and your family so so much, and I'm so grateful to have known you for this long..but..I can't stay here."

..What?

"I can't afford to stay here any longer, Tommy. I don't know how you folks are staying - I..there's no jobs, no resources out here, no nothing. It's all gone! I can't live a life like that, how do you survive out here? I'd..I'd love to stay but it's not sustainable for me. I'm so sorry, Thomas."

You're leaving me. After all we've been through together, you're leaving. Just as uncle Charlie said you would..

"It's not anything you've done. I swear."

You can't leave. I won't let you leave - I have nothing. I'll prove to you how good I am - How good I can be, I swear. You can live with us on this farm, just like momma always dreamed of. You're not leaving me; Not after you've met momma, not after the countless times you've saved me from callous assholes out here. No - I couldn't..

"Thomas?"

He had been so lost in thought that he forgot to respond. His expression had dropped immensely - He had been so excited to see you again but now all that excitement was gone.

He'd lost Charlie once. Came close to losing everything, everyone. He would never let that happen again. Especially not when it came to losing you.

"Thomas.."

He had to keep you. Keep you here; In the basement; In the barn; Maybe in a spare bedroom - His bedroom. It didn't matter. You could would not leave.

As he stared you down, you felt an emptiness surround you - A dark, restless entity caging you in. Just as you thought he'd lose it, a voice pierced through from the archway:

"Thomas? Thomas, what on God's green Earth are you doing?"

It was Luda Mae. You didn't know if she'd heard your "conversation" but you were glad enough that she'd come through.

"Now, Tommy, I know you're upset, but let's just..leave ____ to breathe a minute. Okay?"

You mumbled a meek "Thank you" before wiping an unknown tear from your cheek. You'd never seen him like that - Most definitely not with you.

As your anxiety curtailed, you made your way to the living room to sit, holding your head in your hands. You hadn't noticed Monty sitting in the armchair beside the couch; Hell, you hadn't noticed the TV playing either. It was playing some..random news station - One of the few you could get out here.

"So you're leaving us, huh?" He spoke in a rough, gravelly voice.

"You heard that?" You sniffled.

"With the way you were talking, the whole damn house heard." Shit..had you been loud? It didn't seem like it in the moment..

"Don't worry about Thomas, he's an emotional crybaby, ain't he?"

You refused to answer. Seeing Thomas so distressed, so..frightened by the idea of you leaving, it fed your already aggravated guilt. So many hours in his room, so many repetitive school days spent together, drawing in the back of the class. The days when you two used to spend hours at the creek, collecting all sorts of treasures. He even picked a wildflower-bouquet for you - Granted, it was all dirty and withered, but it was enough to signify how much he cared about you. How grateful he was to have you here.

You were stripped of your thoughts as you heard Monty groan and yawn, falling asleep in his chair. The TV had become background noise for the both of you. On the table, two glasses filled with murky water and a note; Folded and slightly dirty. You wiped your eyes again and picked up the note, unfolding it.

Don't leave.

Please.

_____

Guys this is ass should I log off

Anyway, if I didn't cover everything you wanted, please let me know and I'll update it!

my shaylaaa 😭 ouugghh my shaylaaa

little tommy!!! before he cut his face open ("the accident"). my shaylaaa

it's in a more sketchy style because i got lazy. ok

What would the Hewitt family think about a s/o or a victim who dresses modestly. Like they don't ever wear anything revealing because it's either they feel insecure, they have been taught to wear them, or they just like and feel comfortable wearing them. Like a woman will wear a abaya dress, and the men will.... I have no idea what the men modesty chlothes are, but you get the point.

Hi ! This is a wonderful ask - I'll try my best to answer it 🫀

The Hewitt's Reaction to a Modest Reader

°❀⋆.ೃ࿔*:･.

First of all, Luda Mae is so relived. "Finally, a child of God!" Her and the family {excluding Thomas} are so tired of "current culture" and how "non-traditional" it is. Even if you aren't wearing modest clothing because of religious reasons, they'll treat it like you are.

Thomas doesn't mind one bit - he's used to modesty in the Hewitt household, this isn't any different {for the majority}. He loves you for your personality, not your clothes :)

{If you're fem-presenting}: Monty would be a bit..disappointed, that is, if he found you attractive. He will however, find ways to sexualize you despite this:

Using his cane to lift up your clothing

Purposely tripping you

Coercing you into helping him with certain {unnecessary} tasks

He's just being him, honestly {not excusatory}

Hoyt on the other hand, has more self-control {surprisingly}. Your modesty doesn't interest him; He might let his mind wander {if he's attracted to you}, but ultimately, his type involves more..'open' women

"I don't have much of an imagination, so I need to get a distinct image."

If you're wearing modest clothing because of insecurity:

Thomas will 100% understand. He wears his masks because of his insecurities, he will never pressure you to change your clothing.

Hoyt however...will try to coerce you out of said clothing and into more..revealing attire. {That is, if he's into you}

"Cmon, honey, I'm sure you look real nice under those clothes."

{This Sentence} Coming from Thomas {in the form of writing or something similar} or Luda Mae, is a compliment. They're trying to help build your confidence. If it comes from Hoyt however...He's 100% trying to coerce you. He doesn't mean this in an uplifting, pure way. Oh no, no, no, no.

_____

Anyway - Luda Mae is grateful to have a "child of God" under her roof, Monty and Hoyt are indifferent {depending on the person}, and Thomas is supportive of whatever you do 🫀

btw I'm not hating on script writers at all - I apologize for my aggressive tone 😭 I love both those franchises either way

if a horror/slasher movie ends with the killer in the back seat {of the victim's escape car} when a victim "finally" escapes, it automatically pisses me off - Why is it acceptable as a writer to end a 'horror' movie with the lamest, easiest-to-write ending?? Cmon now, it's so boring and unrealistic.

"Oh, but Tae, slasher films are unrealistic in their nature!1!" no shit, dawg - but you cannot convince me that the "killer suddenly appears in the backseat and kills the protagonist to allow for another potential movie" isn't the worst ending you've ever seen.

How did they get in there? How did the victim not see their {usually} fat ass in the back seat? {I'm looking at you, Thomas Hewitt and Jacob Goodnight}. What the actual fuck. HOW DID THE KILLER NOT GET HURT AT ALL IN THE CAR CRASH? {if it crashes}

PLEASE stop using this as an acceptable ending. Put more thought and effort into your scripts, PLEASE

thank you for coming to my ted talk

Do you think if say you self insert yourself into tcm 2006 maybye reader actually looking after Tommy he woud not loose his nose etc like if reader was there to look after Tommy tcm 2003 would go diffrent and her readers role would most likely be in most films, as she got captured before Chrissies group idk if this is too similar to what y wrote b4

Hi !! I hope I understood this right - If I didn't, please let me know🫀

Thomas Hewitt x Caring Reader - How Thomas' Outcome Would Differ From the 2006/2003 Remakes

TW: Self-harm, mental breakdowns, cannibalism, murder, TCM-Canon-Related Topics This isn't spell/grammar checked lol

°❀⋆.ೃ࿔*:･.

First of all, I think Thomas would have a different outcome with his nose. Hear me out - If he had someone who not only encouraged, but actively took place in caring for his health, he'd have wayyy less of a chance to develop a deadly infection, or necrosis.

Continuing on that note; He'd take way better care of himself!! With positive feedback, productive routines, and someone to bond with, his mental health would begin to regenerate. He'd actually look forward to coming home from the slaughterhouse instead of dreading it.

..Pack him a lunch, please {and add a note :)}

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Following the closing of the slaughterhouse, you'll need to be very, very patient with Thomas. He just lost his job, his purpose, and the main source of income for the family. PLUS the family just incorporated cannibalism/murder - which is no easy task.

Give him his space whilst providing opportunities to vent out his frustrations and anxieties. This really is the part where you either make or break your relationship {by 'you' I mean the reader as well as Thomas.} You two will need to care for each other more than ever in this time of need, and continuing this as the years progress.

--

If we follow the events of the 2003 remake's timeline, Thomas gets more manic and less restricted with his movements and overall presentation. Could this have been prevented? I'm not sure. Stalled, maybe, but this definitely seems like the result of multiple stressful events eating away at a man with little support or emotional regulation skills.

It would take a lot for someone to prevent this, but even then, one of you is gonna lose it. Taking care of someone with as much detail that would be needed in this situation would result in you going mad. You lose yourself, which is exactly what happened to Thomas.

That being said, he hasn't lost himself completely. When it's just the family, he's okay - When it's just the two of you, he's even better. Much calmer, relaxed, and open.

I envision Thomas having mental breakdowns every few months, maybe even more. During these breakdowns, it gets bad.

He's destructive, hysterical, and unpredictable. Tons more vocal, by that I mean lots more grunts, yelling, crying out. It's a lot of pent up anger and repressed emotions that not even he knew he had. Once he comes down, he'll be even worse {to himself}. Thomas feels terrible afterward; Guilty and extremely overstimulated which leads to lots of overflowing, hysterical crying and tendencies of self-harm {probably lots of hitting his head with his fist, though not punching}.

Essentially lots of this:

Sorry, I know this section sounds a lot like Bubba {Sawyer}...oops

When he's experiencing breakdowns like this, he needs space whilst also being 'supervised.' By supervised I mean making sure he's not being extremely destructive of other people OR himself {especially}. Don't worry about the items, worry about him. Thomas is never violent to the family {including you} during these episodes, but he most definitely is to the victims.

He just needs something simple, nothing too demanding or overstimulating - Even if it's just you sitting with him and assuring him no one's upset, that's enough for him to start coming down. He might need some rest after this :(

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Other potential changes {in his outcome}:

He'd wear masks less {around family}

His creativity would flourish earlier-on

Thomas would have an easier time adjusting to the cannibalistic lifestyle {if you were there to suffer through it beside him}

His confidence would grow :)

His emotional regulation skills would strengthen

_____

Im never gonna leave you, baby - Even if you lose what's left of your mind

average Hewitt family convo - Charlie's Jealous