An interview with James from The Telegraph. And photos from his home! I do love a guy with a splendid bookshelf (I just love books and bookshelves, it does tell you a lot,). Photos by Victoria Brinkshaw.
James Norton, 30, is an actor best known for his roles in ITV’s Grantchester and the BBC’s Happy Valley, for which he was nominated for a Bafta. Norton was raised in North Yorkshire and read theology at Fitzwilliam College, Cambridge, before pursuing acting at Rada. He will play the artist Duncan Grant in Life In Squares, a new drama about the Bloomsbury Group, starting on BBC Two on July 27. Norton lives in Peckham, south London.
Routine I get up around nine o’clock on a regular day and five or six if I am shooting. I cannot function without a good breakfast: porridge in the winter and muesli in the summer. I grew up in the countryside so I feel guilty if I am inside too much. As a result, every day I have to go out and do something, like riding my bike. Someone once told me I am always trying to overtake London, and they’re probably right. I can get quite manic.
Religion I have always been drawn to Eastern religions. I don’t practise anything, but as an outsider I find their way of thinking fascinating. Before university I travelled around India and Nepal learning about Hinduism and Buddhism, which I went on to structure my theology degree around. On a later return trip, an ex-girlfriend bought me this mandala [above left]. It’s a Buddhist meditation tool; the idea is to use the repetitious pattern to focus your mind.
Tailoring I’ve always liked vintage clothing. A friend of mine runs a pop-up shop nearby that I help stock the menswear section for; it means I can buy what I want and sell it if it doesn’t fit. I make sure to find a flea market wherever I am shooting. I found this herringbone coat in Doncaster. They would be amazed how sought after things like that are in London.
Bookshelf One of the great privileges of being an actor is that you get to engage with little snapshots of humanity for a while, like Duncan Grant and the Bloomsbury Group. Often this involves reading a few novels and studies as research, so my bookshelf has become a record of my career.
Stage debut The first character I ever played was Gwen Stefani in a school miming competition in 1998. I was utterly terrified at first, and just stood there demurely tapping my foot, but then everyone began cheering. All of a sudden I started enjoying it, strutting up and down the stage and lapping up the applause. I completely forgot about it, but a few years ago my old French teacher sent me the DVD. It captures the moment I realised I wanted to act in front of people.
Tuck box I went to boarding school from the age of 11 and loved it. When you’re a boarder your tuck box is the most important thing you own. Tuck was currency, so a well-stocked and well-locked supply was essential. I still have my original box, which now contains 25 years of jumbled-up postcards, letters and theatre tickets. It has become a store for anything that is important to me.
Rambling Maybe it’s something to do with turning 30, but I recently became a member of both the National Trust and the Ramblers. I love it. Last year I climbed the Brecon Beacons, Lake District and South Downs. I like the idea of being able to get out of London and climb a hill.
Diving in Acting is quite a neurotic profession: you spend a lot of time in your own head and have to be fully concentrating – otherwise you’re wasting everybody’s time. It lacks the meditative repetition of a regular job, so I like to get away as much as possible. Since I was a kid I have loved wild swimming. There’s something about jumping into a big body of water that I find very calming and refreshing. I’ve got books on it, and take road trips to find the best spots.
Twang I spent the first 18 years of my life in Yorkshire, but I no longer sound like it. I find occasionally I have to justify myself to people – mostly other Yorkshiremen. I still visit quite a lot, and when I’m home the accent creeps back in. Doing Happy Valley was a blessing, as Tommy had a West Riding accent that I could easily slip into.
Cooking At university at first all I ate was beans on toast, but that had changed by my final year when I lived with a big group of friends. We often ate together, and I got more and more into cooking. I wouldn’t say I do fine dining, but I love getting people round a table for a feast. My sister gave me this cooking pot, which is ideal as I always end up making three times the amount I need.
Bracelet There was a girl at Cambridge who directed my first few shows, a couple of which went to Edinburgh semi-professionally. She was older and became a bit of a mentor, convincing me that acting could be a career rather than just something I mess about with for a few years. She gave me a bracelet for my 19th birthday, then saw me a year later and swapped it for hers. I’m quite sentimental, so a decade on I still wear it every day in gratitude to her.
Directing At some point I’d like to transition into directing. On set I spend a lot of time watching the technical craft of filmmaking, and it’s made me realise how much more I have to learn. As an actor you are effectively one brushstroke in a painting, which is liberating at times, but at others I find myself wishing I could have a greater role in the overall storytelling. Maybe I’m just a control freak.
The answer: we have NO IDEA. Most taxonomists think that we have not even begun to discover all the species that live on Earth. After nearly 250 years of organized study and exploration, and the finding of over 15,000 new living beings each year, taxonomists are still uncomfortable giving concrete estimates. And they are the experts! What makes counting species so hard?
Scientists have identified and named nearly 8.7 million species, but that number is constantly challenged by scientists presenting new methods and models for estimating how many more we have to find. Statistical models are the most inexact of sciences. And scientists are proposing new models for estimating the number of species every year, each with wildly different numbers.
But it’s not just statistics. One of the biggest reasons we do not know how many species share our planet is that 99 percent of all potential living space is under the ocean, and we humans have explored less than 10 percent of it.
Beautiful cabinetry.
indulgy.com
You don’t lose when you push away the wrong people. There’s some people you truly need to take out and keep out of your life.
Unknown (via deeplifequotes)
So I’ll remain within your reign, until my thoughts can travel somewhere new… and I wonder if you wonder about me too.
Happy Birthday Pyotr Ilyich Tchaikovsky!
Composer: Pyotr Ilyich Tchaikovsky (1840 - 1893)
Work: Allegretto moderato from String Sextet in D minor “Souvenir de Florence” (1890)
Performer: Rostislav Dubinsky, Yaroslav Alexandrov, Dmitri Shebalin, Valentin Berlinsky, Genrikh Talalyan, Mstislav Rostropovich
Cleomenes. Maris Warrington Billings. New York: John Lane Company, 1917. First edition. Original dust jacket; art by D. P. Lathrop.
“The central figure is Cleomenes, the great sculptor, who is commissioned by the emperor to make a statue symbolizing maidenhood. This piece of art is known in the present as the famous Medici Venus. In his search for a beautiful virtuous maiden to serve as model Cleomenes chooses a young Greek slave girl and sets to work in the atmosphere of danger and intrigue of Nero’s court.”
#lovecats
A Scene from Milton’s ‘Comus’ (exh.1844). Charles Robert Leslie (English, 1794-1859). Oil paint on canvas. Tate.
Seated on an enchanted chair, the Lady is immobilised, and Comus accosts her, holding a necromancer’s wand, he offers a vessel with a drink that would overpower her. Comus urges the Lady to “be not coy” and drink from his magical cup (representing sexual pleasure and intemperance), but she repeatedly refuses, arguing for the virtuousness of temperance and chastity.