One of my favourite post formats is when someone with a similar URL to op torments them like they are failed clones of each other and it completely changes the tone of the original post.
Clothes and Folds Tutorial by fakhear
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Hello, I've been watching your content for a while. While I quit League a long time ago I still hold partial interest to Runeterra's lore, (such as it is) . In particular I really enjoy Bilgewater in general as well as Illaoi and Ezreal as individual characters and I've enjoyed your takes on said things. (Also fuck Demacia) And I wanted to ask you, after so much dissillussionment from Riot's content, in particular from the latest "cinematic" , how they have always prioritized e-sports and skins over actually giving the lore a proper direction and conclusion or how Legends of Runeterra is getting downsized and unlikely to last much longer, why do you still do League content? You are clearly very critical of a lot of the decisions the higher ups do that affect the output of artists and writers in charge of Runeterra's universe and character designs. And there has not been much sign of improvement since a lot of your points. It's like screaming into a brick wall at this point, so why not move on?
Why not spend your time on something that doesn't lead its fans along with empty promises, breaking them, promising to do better next time and then repeating the cycle all over again for years like an abusive relationship. Beyond doing it because it's what you're most well known for, why stick with content that you know will keep disappointing you?
I'm glad you are diversifying your content but I personally feel your passion for art, animation and writing analysis would be better spent away from League and into more games beyond that (in particularly really liked your take on "Despite everything, it's still you" from Undertale). The indie scene in particular is chock full of incredible and unique takes in terms of character design and narratives I'm sure you will enjoy. League is clearly not worth the time for people who are into the lore, art and setting of videogames anymore. I hope I wasn't too personal or intrusive with my question. Cheers.
So that's a very long question. I'll start with the short and cynical answer:
I am doing League of Legends content because that is what my audience wants, and that is what makes me most of my money.
My channel is a League of Legends channel primarily, the algorithm likes it and pushes it that way, and League of Legends is an absolutely enormous intellectual property with an absolutely enormous player base, which means there's a big audience for my content about the game. A large audience means more engagement, means more ad revenue, more sponsorship opportunities, more subscribers, and so on and so on.
That's the cynical part of the answer. I don't want to sidestep it with some guff about "being passionate about the subject," because the truth of my job is that it is a job. I'm not sailing freely on the oceans of creative impulse pursuing my bliss, I'm trying to pay my rent and my pets veterinarian bills and pay down loans and have enough left over to help my friends when they need it.
I approach this job much the same way I approached being a freelance illustrator - having passion for the subject is a nice bonus, but you don't always need it to do good and valuable work.
And with the cynicism out of the way... I also just genuinely love the fucking League of Legends universe. With all its many, many stupid flaws and its garbage corpo owner and its years of systematic neglect and the constant disappointment, god help me, I still love this stupid shit. And when management gets out of the way and lets the good writers at Riot be good at their goddamn jobs, amazing things can happen.
The Ashe: Warmother comic is still such a beautiful short narrative work, with such visual verve and empathy for the characters it's depicting.
It zeroes in so acutely on the idea that Ashe and Sejuani are shaped by their difficult relationships with their mothers, and that THAT is ultimately the difference that drives them apart when they should by rights have had the chance to be sisters. When they become warmothers of their own tribes, it is the memory of their mothers that drive them, and just as the Freljord is divided by generations of strife engineered by Lissandra, the matriarch of the whole region, that generational trauma resonates into Ashe and Sejuani and sets them against each other.
Or Ekko's short story, where he has been accepted to the fancy Piltover academy that's supposed to be his golden ticket out of poverty, his chance to escape Zaun, everything his parents have worked their whole lives to give him, and...
Like, FUCK, you can't just invent these silly cartoon muppets to throw at each each other in your dumb MOBA beat 'em up and then give them INTERIORITY like this??? Apply their silly cartoon powers in way that explores their emotional difficulties and works thematically with their internal philosophies?
god dammit I love this stupid game's universe, I cannot be saved, leave me and go before it infects you too!
some gentle snuggles with a big pubby
fanart for @sundaeserenade's hidden underneath go read it 🤨 what are you still doing here
😘ðŸ˜ðŸ˜«my poor baby…
i think too many people forget that gojo is actually insane
they>>>
Because theres GOTTA be a reason for some of his downright criminal fits.
if i had a nickel for every time Mads Mikkelsen plays a gay supervillain who functions as the toxic influence to our hero i’d have two nickels. which isn’t a lot, but it’s still weird that it happened twice.
19 | he/they | occasionally draws | current obession: clark kent
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