The Intro Of Transformers Series (1984 - 2020)

st. george and the dragon (1908-9) - briton rivière / the vigil (1884) - john pettie / vanitas still-life (1705) - evert collier / david garrick as richard iii (1745) - william hogarth / micro sff stories tweet

Werefox brainrot

i love how first we thought wanda had messed up the multiverse, then sylvie, then peter and stephen

JUST TO FIGURE IT OUT IT WAS ALL OF THEM AT THE SAME FUCKING TIME

Greetings. 

Uh, so I’ve been working on this meta post for around 3 months now, gathering screenshots, gathering feedback, gathering more screenshots. The result is what could conceivably be called thorough.

Compared to the animation I made as the header, the post’s content was much harder to put together and write; I consider the animation icing on the cake. If you liked the animation, and like Chara (or don’t like Chara) then please consider reading the meta. It’s finally done!

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Anyone else think that Ultraman King is technically Laiha's grandfather by way of saving her life when she was still an infant? I mean, if Zero is allowed to call Mayu his daughter than it isn't farfetched for him to call Laiha his granddaughter, if for nothing more than because she's the Little Star of Ultraman King, like Mayu is the Little Star of Zero.

Most of Binks no Sake is just pretty descriptions of sailing an ongoing journey, but the last line stuck out to me. (I looked up the English lyrics, and it looks like they kind of didn’t translate the last bit all that accurately for the sake of making it rhyme?)

It goes: 果てなし あてなし 笑い話/hatenashi, atenashi, waraibanashi.

-nashi as a suffix means ‘without,’ while hate is ‘end’ and ate is ‘aim/purpose’ so hatenashi, atenashi means basically ‘never-ending, aimless,’

But the word that REALLY caught my attention is the last one, waraibanashi. It means ‘funny story.’

Or, to be a bit more literal-

...laugh tale.

How do you kill a God?

Aphrodite laughs, head tossed back with stars in her hair, ‘We are immortal. We are ageless. We will never die.’ 

How do you kill a God?

Hera sighs, ‘You rob them of love and loyalty. They will be alone and unhappy, and eternity will seem like a punishment, but it is not death.’ 

How do you kill a God?

Zeus declares, rather confidently, ‘You deny them their power. Poseidon nods his head in agreement. ‘They will be weak and defeated, perhaps even chopped up into pieces, but it is not death.’ 

How do you kill a God?

Apollo closes his eyes. ‘You strip them of their senses. Their eyes, and they cease to see. Their ears, and they are rendered silent. They will be in the dark, conscious and cut off for millennium, but it is not death.’

How do you kill a God?

Hades whispers, though still his voice carries, ‘With another God. An immortal for an immortal. Era for an Era. A celestial being to strip another’s soul. He pauses, the rest are silent. ‘A God for a God.’

L.H.Z // How do you kill a God?

“Resources for writing realistic injuries” no. I want to beat my characters to shit and I don’t care where the blood they’re coughing up is coming from. Like in anime.

@hizukkahere wrote an amazing poem about Zukka and I had to make a melody for it.  “The boy from the south gave his kiss to the moon And lost her again to the sky The boy from the south gave his heart to the earth And had to forgive her goodbye/ And with nothing to give the sun gave his hand The boy from the south asking why With a laugh like the rain and a dragon behind The sun promised he’d show him to fly”

I kind of imagine if becomes a folk song that people sing in the four nations and most people think it’s a myth or a metaphor but it’s actually about the Fire Lord and his Ambassador husband. 

Let’s talk about perspective and how to put characters into perspective.

Use your vanishing and parallel lines as measurement tools! The Horizon line can help, but I find using the vanishing lines way more helpful and practical, especially when it comes to different perspectives.