So I found this cool website for learning ancient languages
go wild
my personal correspondences by time of day, complied form my grimoire.
dawn - breaking curses, beauty and glamour spells. weather and sea spells. magic involving delicate feelings, friendship and forgiveness, budding romance.
morning - fertility, good luck, green/herbal witchcraft. best time to brew potions. intuition and justice.
noon - wealth and career spells. success and motivation. confidence and courage spells. kitchen magic.
afternoon - the time to gather herbs. communication spells. travel protections.
evening - psychic protections, peace/balance spells. kitchen spells and pop culture spells
twilight - catalysts, movement and growth. astral travel and divination. love/lust spells. technology witchcraft.
evening - curses, hexes, banishment, bindings. space and cosmic magic. dream magic. hedgecraft
midnight - creativity, switching between realms. spirit work, liminal spaces, reaching through the veil.
Let’s just start a series of crash courses in witchcraft, since sometimes we need to learn things the quick and dirty way. Today, let’s talk about wards.
What are wards? Wards are protective energy barriers. They keep things out. You can place them around your home, certain rooms, even on certain objects. With practice and clear intentions, you can focus the wards to block out everything or only certain things. We’ll get to that in a bit.
Why should I ward my space and my things? Wards can keep out all sorts of things you don’t want in your home. They can block out negative entities, wayward spirits, mischievous entities, demons, and (if you’re really good at what you’re doing) even gods. Some people ward their divination tools so they know there are no spirits tampering with the results.
So what do I need to do first? Cleanse. This is very important. Wards are kind of like walls, or perhaps more accurately, bubbles. If you don’t clean the space first, you might trap things inside your ward bubble. You do not want that. There are lots of methods of cleansing, from burning sage to spritzing oil-infused water. Find a method you’re comfortable with and cleanse everything you’re going to be warding.
I’ve cleansed my home/item. Now what? Now we ward. I’m going to give you a couple methods. Let’s start with my favorite, incense warding.
Incense warding can also be done with spritzes of water/essential oil blends or herb-infused water if you can’t have smoke in your space. Whichever you’re using, you want to have a blend of protective herbs. Bay leaves, cinnamon, ginger, mustard seed, and salt are some great options that you can find in the grocery store, no fancy witch shop necessary. If you’re using incense, make sure you’re using natural incense and not super cheap stuff that’s artificially scented. The magic is in the herbs, and you won’t get that from fake scents.
How to Incense/Spritz Ward an Item
Smoke or spray item.
Visualize the smoke or spray clinging to the item and wrapping around it like a tight blanket, protecting it from anything that would cause harm (or interference, etc.).
How to Incense/Spritz Ward Your Space
Pick a place to start. I always start at my altar, but it’s up to you. If you’re doing multiple floors, start either at the top or bottom floor.
Moving continuously to your right, smoke or spray along the walls and door frames. As you go, imagine a barrier being formed around the walls, ceiling, and floor, pushing outwards to fill the room. Visualize the smoke or spray forming the barrier to keep out anything that will do you harm. [If you have a hard time with visualization, you can simply focus on the intent of the smoke or spray keeping things out.]
Keep moving right, following the layout of your home, making sure you get all the closet spaces. You basically want to outline the entire area you’re protecting, whether it’s you’re room or your whole house.
For multiple floors, repeat on each level.
For big layouts where there are rooms in the middle, go around those rooms as well.
I like to reinforce the wards over outside doors, windows, and mirrors. These are all passages of sorts, and when I reach them, I use the incense to draw a pentagram in the air over them. This is entirely up to you.
You’re done when you’ve reached the point where you began.
So why do we go to the right? Is that important? Kind of. Going to the right is like going clockwise. It’s about making things and progression, where going to the left or counter-clockwise is about deconstruction or reversal. [I read this idea in a witchy book a long time ago and will try to find a source when I can. If you honestly don’t feel it makes a difference, do whatever you’re comfortable with.]
Can I place wards that keep out certain things but not others? Sure. When you’re going around your space/warding your item, your intent is what’s important. I like to ward out entities that mean harm - it’s nice and general and doesn’t keep the fae out. Some people might want certain spirits and not others. Have your intentions clear in your mind as you place your wards.
That’s neat and all, but what are some other ways to ward? Let’s list a few.
Symbol/Sigil Wards
Choose (or make) a symbol or sigil that has protective properties. I’ve done this with Pluto’s astrological symbol because I worship him and it’s my way of being like, “Hey, Pluto. Please protect me, kthanxbai.” Pentagrams are nice and basic witchy/pagan symbols if you like them.
Draw the symbol over doors and windows. You do not literally have to draw it. It can be in water, incense smoke, or just your finger against the surface if you want.
As you’re drawing, make sure you have your intentions in mind - that nothing harmful can pass through this door, that the windows remain closed against entities, etc.
Energy Bubbles (if you have control over your energy)
Pick an item - any item.
Get your warding intentions in mind.
Channel lots of energy into the item. Visualize it emanating from the item in a bubble to fill your space.
If you’ve got mad skillz, you can form the bubble to the walls and be super exact with where its barriers are.
Vocal Wards
If you like spoken (or thought) spells, come up with a small chant to protect your space.
You can repeat this chant as you focus on your item being protected or as you walk around your home, protecting every room.
This is really great to incorporate into basically any other form of warding and gives your magic an extra bit of oomph.
I’ve heard wards can “fade” over time. True or false? Wards are just energy. Like all energies, they can disperse and weaken over time, or if something particularly nasty puts effort into destroying them. Redo your wards every so often (I do mine every few months, but it’s up to you), and especially before spiritual interactions. I also like to do mine after I’ve had lots of company, to kind of clear out family’s lingering energies and reinforce what I don’t want in my house.
In general, the intent of your wards is the most important part. Know what you want to keep out. This concludes our crash course on warding. Now go forth and protect some stuff!
“She says nothing at all, but simply stares upward into the dark sky and watches, with sad eyes, the slow dance of the infinite stars.” ― Neil Gaiman, Stardust
Written and originally posted by manannanschild on GreyNecromancerJournal
Mullein: Erroneously described as a substitute for graveyard dirt, this in fact is a misconception. Known as the “Hag’s Taper”. The soft leaves are used as candle wicks and the dried stalks are soaked in beeswax or tallow to make a torch for rituals of necromancy. It is also burnt to see manifestations of spirits of the dead at night, to see into the Otherworld, and communicate with the spirits and deities that dwell there. Can also be used in talismans.
Wormwood: Used for summoning spirits and to help them manifest.
Cedar: The dried needles when smouldered serve both as a sustaining feast and call for the blessed dead, and the smoke is used to exorcise malevolent shades. The wood works for this purpose as well when turned into a fetish or as a staff.
Dittany of Crete: Used to aid in the manifestation of the spirits of the dead. Also has somewhat of a nasty reputation because of where it tends to grow. Harvesters tend to fall from the cliffs and crags where it grows and plummet to their death.
Aconite: Also known as Wolfsbane or Monkshood. Because of its incredible toxicity it is better to not to harvest it. If one has the dried root it can be preserved in order to serve as a tutelary spirit. Not to be used by amateurs.
Yew: Known in European countries as the Death Tree, it is a symbol of death, reincarnation, and longevity. Is planted in graveyards to protect the spirits of the dead. It can be used to banish malevolent spirits of the dead. Often associated with sorcery and dark magic. It is considered the sister of the Tree of Life, the birch.
Apple: Considered the food of the Irish dead and the inhabitants of the Otherworld. Can be added to incense blends to feed the spirits of the dead and ancestors.
Mugwort: Ingested as a tea to aid in divination and talking to the dead. Also boiled in water and, then the liquid is used to wash divination tools.
Copal: Serves as a offering to the dead and can be used to appease the spirits who remain in states of trauma or confusion after death.
Willow: The wood of the willow is used in incenses and in the construction of fetishes dedicated to the dead.
Tobacco: May be presented as a herbal offering upon a ancestral altar or a grave in the form of a incense or sacramental smoke to honor the shades of the dead.
Cypress: The oil of this tree serves as a great addition to incenses and formula of the underworld.
Myrrh: The oil aids in all blends of a necromantic design. Can also be mixed into incenses.
Graveyard Mold: Technically no folklore or magical traditions associate this herb with necromancy of any kind. However I have included it here because I believe it can be used as a compound in necromantic incenses. Since it grows on graves it should contain some of the essence of the dead.
Mandrake: According to legend King Solomon carried a piece of this root in his seal ring to give him sovereignty over souls. Since one of its names is the “Little gallows man” it can be used as a poppet for laying curses of death, illness, pain, etc.
Birch: Petitions and blessings are written on the bark of this tree which is then burnt or buried in the grave of the spirit.
Bay Laurel: Used to communicate with the dead, possibly through use as an incense. Easily available in the form of bay leaves.
Chervil: Also known as garden chervil or “gourmet’s parsley” a tea or other drink made with it can be imbibed to aid in rituals of communion with the dead.
Lavender: Burnt as incense in order to bring peace of mind to the dead.
Marigold: Associated with funerals and used in funeral sprays.
Asphodel: In Greek legend is connected with the dead and the underworld. Sacred to Hades, Persephone, and Hekate. The roots were eaten by the poor of Greece and hence thought good enough food for the dead. Could be burnt as incense or the roots could be given as food offerings.
Thyme: Burnt as an incense helps ease the soul of a person who died a violent death.
American Sycamore: Known as “Ghost Trees” for their distinctive patchy appearance. Associated with the dead and poverty.
Elder: In Norse mythology the tree is considered the Guardian of the Road to Hel (and thus sacred to Hela, Goddess of the Dead). Also associated with the ancestors.
10 Different Crystal Shapes and How To Use Them
TUMBLED
Crystals that have been smoothed or polished from their raw form are usually classified as tumbled stones. They have not been carved into any specific form, but are not jagged to the touch. These crystals are usually more affordable and are good for basic crystal use, including grids, meditation, affirmations, altar work, feng shui or more.
ABUNDANCE
Crystals in an Abundance formation are made up of an elongated quartz crystal with smaller crystals clustered around its base. This is a great stone to attract abundance to your life (hence its name) and is great for acting as a conduit to your wealth and business stones.
NATURAL POINT
Natural points are not necessarily long crystals in a wand-like formation. They are any part of a faceted crystal with a point that has formed naturally, and has not been carved to perfection. These types of stones must be used with caution as the point draws energy to the body (when pointed toward a person) or it draws energy away from the body (when pointed away from the body). These properties make it a great tool for cleansing and healing work.
PHANTOM
The Phantom formation is slightly difficult to find. These crystals have a hazy image within them, although most of the crystal is particularly transclucent. This phantom of ghost within the crystal is said to carry a vast array of information for the past, making it a powerful tool for past-like work and healing. Depending on the crystal that the phantom is found within, additional properties will apply. However, any Phantom formation will be a powerful stone to shake out your skeletons and pave a healthy path for growth.
GENERATOR
A Generator will have six facets (of equal or unequal proportions) that meet into one point. It gets its name for its ability to generate amplified energy, boosting the power of other stones, or the stone it is made of. This type of formation is also very powerful for charging other stones.
GEODE
These stones are elusive because they appear ordinary from the outside. However, when they are opened or broken they reveal a hollow cave with crystals sparkling within. Because of their contained form, geodes have the ability to hold energy within and soften it, allowing it to naturally flow out and disperse evenly. These formations are great for protection or for assisting with healing abusive habits such as alcoholism, drug abuse, sex addiction, shopping addiction, and abusive internal monologues.
RAW
Raw stones are in their natural form and have not been smoothed, polished or altered. Though they are more fragile and can break more easily than other formations, many prefer the look of these stones as they would appear raw in their natural habitat. Like tumbled stones, raw stones are great for all spiritual work and are often quite affordable.
PYRAMID
Pyramids are stones that have been shaped into a point with four equal faceted sides and a square base. These formations are great for warding off negative vibrations or removing blocks within the chakra system. This shape is also a great choice to use in affirmation and manifestation work. The properties of the crystal are amplified in this formation. It is a good choice for healers.
SPHERE
The circle emits energy evenly from all angles, and the Sphere formation is no different. These are powerful formations and are often used in scrying as a tool to peer into the past and future. Because the shape is even from every possible angle, it is believed that light, energy and time pass through it with no rules or hindrances, hence their scrying abilities. They often have flaws or occlusions within them which help with the scrying process, though they can be quite expensive depending on their size.
SQUARE
This formation works well with grounding energies and intentions since its energy is contained and enhanced evenly within the stone. It acts as a foundation to meditation practices and has the ability to transmute negative energy into positive energy. They’re stacking ability makes them great tools for mindfulness and concentration, especially if you’re doing detailed work.
That’s the thing about tragedies, They only befall the pure of heart, And darling, yours was so righteous, Even the stars mourned when you fell.
But, oh, how the devil rejoiced //
k.s. (via worthygamora)
adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose
appealing (adj): an appealing look/voice shows that you want help, approval, or agreement
breathy (adj): with loud breathing noises
brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry
croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat
dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion
disembodied (adj): a disembodied voice comes from someone who you cannot see
flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region
fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way
grating (adj): a grating voice, laugh, or sound is unpleasant and annoying
gravelly (adj): a gravelly voice sounds low and rough
gruff (adj): this voice has a rough, low sound
guttural (adj): a guttural sound is deep and made at the back of your throat
high-pitched (adj): true to its name, a high-pitched voice or sound is very high
hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore
honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking
husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way
low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength
matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about)
modulated (adj): a modulated voice is controlled and pleasant to listen to
monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower
nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose
orotund (adj): an orotund voice is loud and clear
penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable
plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this
quietly (adj): in a soft, quiet voice
raucous (adj): a raucous voice or noise is loud and sounds rough
ringing (adj): a ringing voice is very loud and clear
rough (adj): a rough voice is not soft and is unpleasant to listen to
shrill (adj): a shrill voice is very loud, high, and unpleasant
silvery (adj): this voice is clear, light, and pleasant
singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way
small (adj): a small voice is quiet
smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way
softly spoken (adj): someone who is softly spoken has a quiet, gentle voice
soft-spoken (adj): speaking or said in a quiet, gentle voice
sotto voce (adj, adv): in a very quiet voice
stentorian (adj): a stentorian voice sounds very loud and severe
strangled (adj): a strangled sound is one that someone stops before they finish making it
strident (adj): this voice is loud and unpleasant
taut (adj): used about something such as a voice that shows someone is nervous or angry
thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
thickly (adv): with a low voice that comes mostly from your throat
thin (adj): a thin voice or sound is high and unpleasant to listen to
throaty (adj): a throaty sound is low and seems to come from deep in your throat
tight (adj): shows that you are nervous or annoyed
toneless (adj): does not express any emotion
tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited
wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing
wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
booming (adj): very loud and attention-getting
quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid
a voice like a foghorn: very loud voice
in an undertone: using a quiet voice so that someone cannot hear you
someone’s dulcet tones: the sound of someone’s voice as they speak
I love your work, you are very good at fitting Kagome into over universes. Could you do a nsfw of Kagome and Ichigo? Thanks.
Hope this is spicy enough. ;)
Ichigo Kurosaki was a passionate man, it was easy to see when he threw himself into what mattered to him. Especially when it came to protecting those he cared for. However, many wouldn’t believe if she had told them that he was just a passionate lover.
“I-Ichigo!” she whined out, her hold on him tightening.
She didn’t know what brought this on, and while she wasn’t going to stop him, she might ask him when her senses returned and was able to think straight once again.
A male grunt sounded in her ear, large hands slicked down her sides, his form hunching over her own as he finally gripped her thighs and hoisted her frame up to his level. His hands began to squeeze, massaging her thighs as she wrapped her legs around his waist. The shinigami’s uniform was still present, a testament to the urgentness Ichigo felt, he had not returned to his physical body. Though not a problem for her, what with being a miko and able to interact with spirits and gods.
Keep reading
Here is a catalog of my most requested and most liked posts. I hope this helps you navigate your witchy world a little easier. Collecting resources is key!
Witchcraft 101 Lesson (on Soundcloud!)
Casting a Circle for Beginners
Tarot Workbook Tutorial
ASK: I’m a baby witch. Where do I start?
ASK: Defining “Magic”
ASK: Witch Stereotypes
ASK: Centering, Grounding, Shielding
ASK: Are there “Christian” witches?
ASK: Finding Familiars
ASK: Is Voodoo a closed religion?
ASK: Interviewing Your Tarot Deck
ASK: The differences between Wicca and witchcraft
ASK: I was raised Christian, but I want to be a witch…
ASK: Uh oh! Dark Magic!
ASK: Help! I think I was hexed!
Joining My Discord Server: WITCH HAVEN
Witch Locator Map
Appropriation: Part One
Appropriation: Part Two
Sea Witchery: a Brief Overview
Calling on the Power of Water
a (Growing) List of Water Deities
ASK: Snow/Ice/Frost Deities
Mother Ocean Spell
Siren Allure Spell
Bring My Friend Back to Me Spell
the Salt Jinx
to Turn a Heart Cold
Ocean Potion for Beachy Hair
Charging Sea Shells
Ocean Facts!
ASK: What do I do with all this sea glass?
ASK: I am a baby sea witch. Where do I start?
ASK: Trees associated with Sea/Water Magick
ASK: a Note on the Merfolk
ASK: What other elements do sea witches use?
ASK: What does “bound to the sea” mean?
ASK: Collecting rainwater
ASK: Diluting seawater
ASK: Offerings for River Spirits
ASK: How long can I keep saltwater?
La Mer
“Like Elements” Prayer
Simple Healing Charm
Self-Improvement Spell
Finding Motivation Spell
the Web of Protection (LGBTQ+)
Waning Moon Hex
Maneuvering Around Negativity: a Visualization Exercise
Beltane May Queen Prayer
ASK: Stage Fright
Calling the Corners
the Witch Lullaby
to Make Friends with Fate (Magic Words)
Aesthetics of Elements —Earth —Air —Fire —Water
Magickal Uses of Cinnamon
Divination Incantation
Spread: Have I been cursed?
Readings for Followers Tag
Tarot FAQ: Receiving Readings from Me
Essential Oils on Skin
Sigil: RESOLVE
Sigil: RETURN
Sigil Bottle Necklace
About Page
When did I become a sea witch?
I Promise…I am not an A-hole
a Shout-out and Thank You
My Face
That One Post Where I Sing
Personal Writings and Poetry Tag
Let’s Talk: Gender Hierarchies and Identity Politics
Story Time: MAGICK IS REAL
Story Time: SALEM WITCH TRIAL MEMORIAL
ASK: What are your favorite crystals?
ASK: Tell us about Voodoo (the cat)!
ASK: What is your favorite myth?
Ghost Rivers: Southern Gothic Playlist (by me!)
Element Music
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