You Can’t Save Everyone.

Hi there!

I will not be around for a long time because my university started. If you want to support me with my university expenses, I would like to tell you that I take drawing commissions on Fiverr. Because of the economic situation in our country, I draw for a very cheap price (I can draw anything. Yes... anything Even for 5 dollars I can draw pregnant sonic💀)

(But unfortunately paypal is not used in my country, this is the only way I can get drawing orders). Anyway. Here is the link! I really appreciate your support, see you in a few months!

Said Snape…

An analysis inspired by my username :)

There are about 300* times in the series that Snape’s delivery of dialogue contains additional descriptives beyond “said”, giving us insight into his tone. I thought it might be interesting to take a look at what this can tell us about Snape’s character. And if you’re a fic writer looking to have your Snape reflect canon!Snape as much as possible (or even if not, and you’re looking to make choices that will distinguish him from canon!Snape), I figured this might be a helpful resource.

[Adverbs] Snape says things…

...softly or quietly, most often, followed by coldly, coolly, or icily, and then smoothly, silkily, or sleekly.

This trend holds when we look across not just adverbs modifying “said” but all verbs of speech. Here's how those descriptors are used across the books in the series:

And here's what that looks like split up by the different eras in Snape's life:

Snape is most often described as saying things “repressively” or “dismissively” as well as “calmly”, “slowly”, or “deliberately” in his double agent days, which are adverbs that convey a certain amount of control over the conversation, information, and his own temperament. Taken together, this may reflect his increased caution and the high-stakes nature of information at this stage.

Although Snape displays little patience for those not at his level even in his teenage years (“just shove a bezoar down their throats” comes to mind), his dialogue only reflects this with adverbs such as “sharply” or “curtly” once he has established himself as an authority figure. We will see a similar pattern below with verbs and adjectives conveying impatience.

[Verbs] When Snape doesn’t simply “say” something, he…

...Most often is expressing a negative emotion: shouting, yelling, bellowing or snarling and spitting. The largest portion of Snape’s shouts occur in HBP, specifically in Flight of the Prince, as he tries to direct the Death Eaters to leave and faces Harry. But looking across these first two emotionally-charged categories, about 30% of these (perhaps not surprisingly) occur in Prisoner of Azkaban, where Snape is spends a notable chunk of the book in an extremely emotional state.

However, he's not always shouting or snarling; approximately 15% of the time when he is not simply speaking, he is whispering or hissing, which complements the 25% of the time that he is speaking softly or quietly.

Let's look at this in relation to Snape's timeline:

It's fitting that the majority of Snape’s inquiries occur after Voldemort’s return, when he returns to his double agent role, gathering intelligence.

I also think it’s interesting what we don’t see in Snape’s school days. In childhood/school there’s relatively little superciliousness—instead, we see more argumentation; Snape argues, demands, pants, splutters, and backtracks.

Snape’s brand of snippy impatience and condescension (sneered/snarled/snapped, etc) is most evident in his days as a professor (before Voldemort’s return through his years as a double agent). In his deep cover years it declines; he no longer has the time and he’s focused on the task at hand.

Let's now look at the adjectives used to describe Snape's tone. Snape says things in a tone of voice that is…

...Most often soft, low, or quiet, followed by cold or icy, and then by sneering or sardonic. I find it fitting that Snape’s tone is described as impatient in GOF and HBP, both books in which Snape spends the year on tenterhooks, waiting for the axe to fall.

When we look at how these adjectives are distributed across Snape's lifetime, we can see that Snape’s vocalizations described as “terrible” only three times, and they occur at pivotal moments: Lily’s death and his own. Additionally, Snape’s unconcerned or bored tone comes out during his double agent years, and 3 out of the 4 times it is used as an affectation.

Misc. notes: It is also notable when there are a lack of descriptors surrounding Snape’s speech altogether. There are definitely fewer in the first two books, likely given their shorter length and lower reading level. However, there are three moments in Deathly Hallows that, taken together, really stood out to me: The Dark Lord Ascending, Voldemort’s visit to Hogwarts to take the Elder Wand, and Snape’s meeting with Voldemort in the Shrieking Shack (no descriptions of speech besides "blankly", up until the moment of Snape’s murder, during which he protests and lets out a terrible scream). The lack of description of Snape's speech is a neat nonverbal way to convey to us readers the flattening effect of Occlumency.

Anyway, hope this was interesting, and I’d absolutely love to hear any additional insights you all pull out of this!

*This is by no means meant to be the definitive, exhaustive analysis of Snape’s speech. This was completed doing simple searches for dialogue with “Snape” (didn’t have the raw text to write a script or anything), so it’s entirely possible that I’ve missed several instances of Snape speaking when referred to as “he” and the dialogue in question is several lines away from his name. However, I believe those cases are relatively few, so I’m fairly confident that I have a majority of the instances in which Snape’s dialogue is described with an adverb, adjective denoting tone, or with a verb other than “said”. It’s likely the remainder would follow similar trends if they are dispersed sporadically throughout the series.

The entire point of Snape’s character is to show that someone socially unpleasant and physically unattractive, someone mean, petty and vindictive can also be brave, self-sacrificing, devoted, brilliant and morally righteous, where it counts the most. That behind all the snark and bitterness there’s a story, that explains where his pain and prickliness comes from. That your caricature villain Death Eater has hidden depth and can be a man who has laid his life to right the wrongs he committed. That’s a moral lesson of revealing his true alliances, for God’s sake. That there’s a line between being dark, twisted, bitter and unfair and being actually evil. And you should not confuse the two. Harry’s greatest power is the power of love and when he names his child after Snape, he shows that Severus Snape, as he was, IS worthy of appreciation, worthy of love. This is a message the books carry.

cold blood

The Marauders map becomes a really creepy concept when you remember it was made by a pack of bullies who loved to torture, torment and humiliate their victims. If you were their target, there would be no escaping them. They could find you whenever they wanted. You would have nowhere to hide.

Very tiny portraits, within tiny washi tape frames. ♡

I know the harry x Hermione ship is not liked by most, but i ship it, i don't have a dislike for harry x Ginny ship and i like ginny but i think Harry and Hermione would have been great together then with Ron and hermione. You may argue with me about it, we all have our dislikes and likes about ships.

we r nearly finished replaying aa3

Lily & Sev friendship moments ♡

Okay hear me out on this one, after episode 3 I’ve had a lot of theories about the cast (mainly Kinger) but one that I’ve seen no one really talk about is this.

I think if Kinger were to abstract it will indirectly cause the groups downfall. In an actual game of chess, if you lose the king you lose the game. I think I’d be cool if this is applied in a more literal sense in the circus - they lose the king they slowly start to crumble.

Perhaps there’s more tension in the group after it, maybe say Jax makes a jokey comment about how he knew I’d happen and that annoys Pomni cause she grew to really like Kinger, maybe someone else abstracts as a result of Kinger’s loss. Idk haven’t really thought further ahead, there’s honestly many ways to go about this.