White T Girl I Love You. And Also Do Not Forget That You Are Not The Modern Martyr For The Oppressed

white t girl i love you. and also do not forget that you are not the modern martyr for the oppressed voice. that's still black girls. it's always been black girls. stories of black martyrdom simply don't make it into the news cycle until the unrest caused by its reporting can be packaged as a "riot" segment between traffic reports. i know you suffer, but whatever you're experiencing, i beg you, when interacting with your community and building nuanced understandings of each other and the system which binds us, to not forget that a black tgirl has felt it 100 times worse before positioning yourself as an authority on all systems of oppression for having suffered unjustly at all. because you have suffered unjustly, but suffering unjustly as a white person means something so much different.

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You know, it's kinda funny how much of high fantasy centers around kings and nobility and courtly intrigue considering that the archetypal high fantasy, Lord of the Rings, had the rather explicit moral of "saving the world is up to this backwater hick and his gardener because no politician, least of all inherited nobility, would have the ability to see past their own ambition and throw away a weapon". Oh sure, Aragorn is a great king and all, but there's a reason he's over there running a distraction ring while the hobbits do the real work. Sauron loses because he gets distracted by kings and armies and great battles (i.e. typical high fantasy stuff) letting Frodo and Sam sneak through his back door and blow it all to hell.

Just saying, maybe old Jirt knew what he was saying when he said that the small folk doing their best and holding to each other was more powerful than a dozen alliances and superweapons and we should respect him for it.

putting a polaroid of you on my unhinged conspiracy board and linking you with a red string to a post it note that just says "gay"

dealing with the worst case scenario

your condom breaks

you feel a lump on your breast

your friends are ignoring you

you’re stranded on an island 

you got rejected by a crush

you get into a car accident

you got stung by a bee/wasp

you got fired from your job

you’re in an earthquake

your tattoo gets infected

your house is on fire

you’re lost in the woods

you get arrested abroad

you get robbed

your partner cheated on you

you’re on a ship that’s sinking

you fall into ice

you’re stuck in an elevator

you hit a deer with your car

you have food poisoning

your pet passed away

you fall off of a horse

you or your friend has alcohol poisoning

you have toxic shock syndrome

your house has a gas leak

"i'm too old to trick-or-treat" what the HELL are u talking about. that is FREE candy. in this economy. "i'm too old to make responsible financial decisions" you sound like a goddamn lunatic

Drew This So Fast Oh My God

Drew this so fast oh my god

be a good piggie and sniff out truffles in the underbrush for mommy.

god i’m so tired. i can’t do this. i can’t keep fucking doing this.

honestly being around people who are not uncomfortable with you having feelings and desires makes the people who were uncomfortable so much worse in retrospect

“Time And Time Again, History Shows Us That Caveat-laden Arguments About What Is Or Isn’t A Concentration

“Time and time again, history shows us that caveat-laden arguments about what is or isn’t a concentration camp only occur in countries with sound political systems. When people are splitting hairs over the specific methodology and intent behind mass detention and human rights abuses, that’s when you know you’re looking at a vibrant, civilized society. It’s as true today as it was a hundred years ago. Civilizations are healthier when citizens are raising trivial objections to the use of the term ‘concentration camp’ on the grounds that their neighbor’s rendition to an oversight-free mass prison still technically exists within a legal framework, at least on paper.” Boyd went on to state that blindly insisting that anyone who wound up in a concentration camp must have done something wrong to get there has historically always been a sign of a healthy conscience.

Full Story

you really gotta spoon that tgirl. i don’t care if she’s a foot talker than you you’ve gotta do it regardless.

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

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