Latest Posts by the-writer-muse - Page 2

{Juansen Dizon, I Am The Architect of My Own Destruction page 24/ Anaïs Nin, The Diary of Anaïs Nin, Vol. 6: 1955-1966/ Alice Hoffman, The Red Garden/ Anaïs Nin, from The Diary of Anaïs Nin, Vol. 5: 1947-1955/ Haruki Murakami: Norwegian Wood, page 276/ Michael Ondaatje/ Catherynne M. Valente, The Orphan's Tales: In the Night Garden/ D.H. Lawrence, from The Complete Works; The Plumbed Serpent/ Jean-Paul Sartre, from No Exit/ Alice Notley, from In The Pines: Poems; "In The Pines,"}

In my personal experience (which is, granted, not universal) I have never been an actor in a play that 100% went as it was supposed to the whole time. There is always an actor who skips a line, or forgets stage directions, or took a bit too long to change costumes and is now late for their appearances. But the thing about theater is that it's a live performance- you can't just apologize and redo the scene. You have to carry the characters through the important plot beats even if you have to ad-lib to do so. Do you get what I'm saying? A character in a play is not a fixed thing. A book will not change lines between readings. A movie will not change shots between rewatchs. But in theater, a character may act differently, speak differently, but they have to reach the same ending regardless. Characters in a play are trapped, not because things are already written- they do have some leeway- but because everything will conspire to drag them back on their predestined road. Do you understand? Do you understand what I'm saying?

everything from danielle’s solo to alana being scared when taylor tapped her is perfect (no body no crime - eras tour seattle n1) (x)

"I am nothing but literature, and can and want to be nothing else."

-Franz Kafka

PACING IS ABOUT LOAD BEARING WALLS.

*staples violently to my own forehead*

I had a writing professor who told us how he was sitting at a window seat in a coffee shop when somebody fell from the roof to the sidewalk. He was horrified, yet nobody else in the shop even looked up from their coffee. Some of us were appalled right away and others jumped to questioning the validity of the story. We never got a straight answer from him on if he was telling the truth but he had us discuss the entire class time whether it matters if people looked up or not. What story is told either way and why are we focusing on those in the coffee shop rather than the man who fell from the roof? How many stories can we tell from a singular event that may not have ever happened and what’s the goal in telling each one? Does there ever have to be a point in telling a story?

That one class reshaped how I think about reading and writing, and I’ll never forget it

me, sternly, to a blank google doc: i have written hundreds of thousands of words over the course of my life. you won’t defeat me.

the cursor, blinking: |

How to Write Devastating Betrayals (Pt. 1)

Here are some elements + tips on satisfying betrayals that will destroy both your characters AND your readers!

1. Relationship Between Trust and Betrayal 

The #1 Betrayal Rule:

MORE TRUST = WORSE BETRAYAL

This is because TRUST implies 2 main things:

The traitor has probably PROVEN their trustworthiness, and now has a shared history + bond with the character they’re betraying 

The traitor probably has access to a LOT OF INFORMATION about the character, whether it’s career-wise or personal. Probably at least some information the character considers STRICTLY confidential 

An act of betrayal undermines Point 1 by manipulating Point 2 to their advantage.

So, if you want your betrayal to DESTROY, have the traitor be CLOSE with the character they’re about to betray. Lets compare examples: 

you are a gang boss. You hire a new recruit who doesn’t really know anything except one insignificant operation, like “today we buy groceries at 2PM”

your recruit tells the rival gang about the grocery trip   

→ betrayal doesn’t really matter that much

you probably didn’t place much trust in a new recruit 

the implications of information leak are insignificant 

→ not much plot weight 

On the other hand:

you find out that the entire time, your RIGHT HAND MAN (also your childhood friend!) has been feeding information to the rival gang and sabotaging your operations 

→ HURTS a lot more emotionally

might ruin everything you’ve built, career-wise, for good 

→ LOTS of plot weight

From a completely SECULAR PLOT STANDPOINT (please don’t come for me, theologians), Judas’ betrayal of Jesus is a good example because:

Judas was one of Jesus’ disciples, a.k.a. the people considered closest to him, and who followed Jesus throughout all of his preaching years

Judas’ information about Jesus’ identity and whereabouts led to Jesus’ crucifixion → LOTS of plot weight (the entire Bible from a Christian standpoint foreshadows this moment, and every point after is spreading word of this moment. Talk about plot implications!)  

ONCE AGAIN, I know all the “Jesus knew and allowed it to happen” “it was the will of God” stuff but this is purely used as a good plot example!!!!

2. Reason for Betrayal

“’Cause it’s super edgy/evil/cool” is DEFINITELY not a valid option. 

All the plot points in a book build towards achieving a goal, and all the characters do things they think will get them closer to what they want. Likewise, the traitor must want a specific thing that ONLY betrayal can get them, or that betrayal can get them more efficiently. 

People generally portray typical traitors as: 

completely selfish with no personality trait aside from infinite ambition and ruthless pragmatism

a hero whose had enough

someone who sees the person they betrayed as a “worthless disposable” or something 

Traitors don’t have to be morally bankrupt, even though betrayal is typically seen as something inherently bad, or just a bad means to a good end at best. 

They can be conflicted about the betrayal (like Macbeth delaying his murder of King Duncan), remorseful about it (like Discord from MLP feeling super guilty after he hands the main protagonists over to the villain), or even do it for the “greater good.”

e.g. Brutus thought Caesar was becoming too power hungry, and would destroy the republic by becoming a dictator, so Brutus betrayed him to preserve the republic 

→ example of a betrayal that was NOT self-serving

However, building on the MLP Discord example, a traitor can also have been manipulated into it themselves. 

(For context, the villain basically promised Discord lots of power if he handed over the protagonists, but then the villain also sucked away Discord’s powers afterwards—won’t bother explaining MLP magic mechanics LOL) 

3. Foreshadow It 

A satisfying betrayal is usually a subtle, looming shadow that creeps over your plot before it makes its grand entrance during the scene when the character realizes the traitor sold them out. 

A good example is in Shakespeare’s dramatization of Brutus’ betrayal: 

Brutus’ loyalty to the REPUBLIC is made super clear throughout. When Caesar starts deviating, seeming more dictatorial, Brutus remains firm.

Their values are CLEARLY conflicting, so SOMETHING has to be done. Either:

they reconcile by both agreeing on either dictatorship or democracy

they turn on each other…and that’s what happens

Basically, planting the possibility in your reader’s mind is a great way to foreshadow a betrayal. 

Other ideas could be: 

traitor begins suddenly acting a lot warmer to the unsuspecting character, or even colder right BEFORE the betrayal

traitor is always TOO obedient and/or sycophantic 

traitor acts suspicious, e.g. caught in lies, using inconsistent body language (ex. pretending to cry when talking about something really bad), caught talking to people they shouldn’t be talking to (e.g. rival gang)

∘₊✧────── ☾☼☽ ──────✧₊∘

instagram: @ grace_should_write

stay tuned for part 2!

Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333

Happy writing, and have a great day!

- grace <3

You know. Reading is important. Because I'm like always trying to make every line I write this groundbreaking mindfucking art but like. A book is 90% just saying what happened. "I hugged him around the waist." "The chair was brown and overstuffed." "I woke up alone." Etc etc. Like normal ass lines. I just keep comparing my boring, necessary to set a scene lines, with famous authors' absolute best lines and like.... every line doesn't have to shatter the earth. Sometimes someone just sits in a chair and the lines that wreck you come later, one at a time, here and there. It's alright.

language is literally so beautiful like in english "i miss you" comes from being unable to locate someone in the field after battle, it's "i look for you but i can't find you" but the french "tu me manques" is also about absence but it's not something i do, it's something that happens to me, as in "you are something essential lacking inside me", in portuguese it's either "sinto a tua falta" as in "i feel your absence" or, from solitude you get "saudade de você" as in "i am lonely [of] you", and in spanish the word comes from stranger and it's something one does, "te extraño" as in "i am making a stranger out of you", and, and, and

“No need to force yourself to do something the “right way” if it’s not your right way. Your job is to honor your process.”

— Andi Cumbo-Floyd

i think eventually we're all just gonna have to come to terms with the fact that it's impossible to tell a story with any degree of subtlety or nuance without risking a portion of the audience taking the "wrong message", and that's ok. art isn't meant to be strictly a teaching tool, and if you're goal is just to convince people or critique an idea, just write an essay or a polemic

fuck it. be creative even if you never really *make* anything. write out plot synopses of stories and then move on. design OCs you'll never use. make mood boards and concept art and don't do anything with them. life's too short to forget everything that inspired you and creation doesn't have to be "complete" to be worth the time you put into it.

sometimes i just really want to just take my spine and whip it around like a lasso to crack it

Every peice in chess was carefully considered before inclusion. The pawns are there cause you need a bunch of little guys. The bishop is there to market to the religious demographic. Horsie is there cause people like horsies. And the rook? That's sex appeal baby

reblogging because this would be a cool magic system and who knows it might come in handy someday for my writing

I demonstrate the 10 types of magic ✨

It's not an "abandoned" WIP, I didn't intentionally leave it in the forest to die and forget about it, it is a lost wip who wandered into the forest despite my pleas not to. I sit at the edge of the forest every day and hear it calling for help but there is nothing I can do. It is a haunting wip

the duality of man <3

WHERE HAS THIS BEEN ALL MY LIFE

Did I daydream this, or was there a website for writers with like. A ridiculous quantity of descriptive aid. Like I remember clicking on " inside a cinema " or something like that. Then, BAM. Here's a list of smell and sounds. I can't remember it for the life of me, but if someone else can, help a bitch out <3

i want you carnally *shoves a knife into your abdomen*

safe and sound stans reblog this so i know who loves feeling like a calm, ethereal forest nymph

relationships are so much healthier when the goal is to experience life together and not to try to make the person into who you want them to be or to make them do what you want them to do. 

so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god

one thing about orpheus and eurydice is you guys are all like “i’m different i wouldnt turn to look at her” because you are all familiar with the story of orpheus and eurydice. but orpheus wasnt familiar with the story because he was in it lol.

is it just me or the books that I always delay reading are the ones that actually becomes my favorite

Okay so a production of Hamlet that ends with “Goodnight, sweet prince,” etc. and then Horatio looks up and sees the audience for the first time and is both shocked and furious, because his world is falling apart and you sat there and watched.

im not joking when i say that my friends are everything to me

(Btw forgot to put this in my last ask but I love the new aesthetic)

thank youu ❤