A Deeper Look Into The Abonna

BOWYNN GODS: TREYA

Treya  (Trae-ah)  Goddess of sunset and dusk. She is the daughter of Shayla and Saul and sister of Enya. Aside from the goddess of these two periods of time, she is also the goddess if the evening frost. In her roles, she is the messenger of the celestial gods and goddesses; waking them up so they can fulfill their roles and duties. She is the herald of the dusk, painting the skies vibrant colors during these time periods. As a goddess of the evening, she also coats the ground with evening frost, so to lull the earth to sleep for the night.

     There are no sacred stories of Treya, as her role is fixed and too important to stray from, for her to be partaking in the deeds and dealings of gods and men.

     Treya is seen as a glorious young woman, often winged and clad in a gown and hladd of hues the colors of a sunset - purples, yellows, red and gold. Her hair is said to be red and long and eyes of a sunset. In hand she is often depicted with a pitcher which her evening frost is stored. Her brow bears a circlet with a gem in it, representing the Evening Star, Venus. Her totem animal is the Firefly or Lightning Bug, which she will at times take the form of. Other times she is said to have a circlet of Fire-Flys about her brow, much like Moryghynn and Mystara. For Treya, there is a special offering prepared with is that of a holy meal “Matenerm.” These are plates of food offered at sunset hours. Other scared gifts to Treya are tea libations, small lanterns, honey, flowers, and votive images of fireflies.

QUESTION & ANSWER: Maenna

QUESTION: I saw your Bio on the goddess Maenna. It gave me chills in that she sounds like the Egyptian Goddess and concept of Maat. May there be a connection of the two? I ask because I have become interested in Maenna since I read your article.

ANSWER: Knowing of Maat very well I can say that, yes, there is somewhat of a connection. Maenna is the divine version of Bia. Balance and Order. We pray to Maenna to make sure there is an order when bad, evil and discourse become over inflated. So yes, we as the children of the gods must make sure balance is attained.

Bowynn Gods: Allapae

Allapae (Al-lah-pay)  This is the name for the “Upper World” or better known as space, the universe and sky. Allapae is where the celestial bodies are located and where the god Unthar resides and where Morrighynn and Hern drive the moon and sun. Also where Naraea spins her web in the night sky. It is from Allapae where Bia and the first gods (Brea, Phoenix, Sumon and their siblings) came from.

The Bowynn Faith

So with the posting of the holidays/Calendar, that is pretty much all to post. Gods, implements, holidays, proper offerings... I am not sure what else to post at this point. That is outside of holiday details as they fall.

So if there are any questions at this point, you are free to ask.

My Personal Prayer to Aleglea

O Aleglea, radiant patroness of the Bowynn, I raise my voice in reverence before your divine essence, the embodiment of happiness that dances upon the breath of life. Your name is a melody that fills the air with light, and in your presence, joy blooms like the flowers of spring, casting away shadows of sorrow. O Aleglea, goddess of beauty and mirth, I honor you, adorned in saffron and ruby, your hair crowned with a bounty of blossoms. Your green eyes gleam with the laughter of the stars, and I bask in the warmth of your glorious light. Let my heart awaken to the pure joy you inspire, showering my spirit with the gifts of song, dance, and festivity. In heartfelt gratitude, I gather fragrant blossoms to weave a garland for your divine presence. Let the sweet aroma of honey offer my love, as I lay before you butterfly images, symbols of transformation, and resilience. The incense of my devotion rises like an invocation, calling forth the benevolence of your sacred spirit.

O dear Aleglea, guide my steps as I walk upon this earth, barefoot like you, feeling the heartbeat of life through the ground. Bestow upon me the lightness of being, a spirit filled with laughter and connection to the beauty that envelops us. I seek your blessing in every festive gathering, every celebration of life, and every shared moment of happiness. As garlands of flowers adorn the paths we tread, I join the chorus of your devoted followers, dancing in rhythmic unison to celebrate the joys of existence. Under your watchful gaze, may we foster community, laughter, and shared delight, reveling in the magnificence of your gifts. O Aleglea, though I am but a humble mortal, let my life reflect the spark of joy you ignite. As I take each step in your honor, may I carry forth the spirit of abundance and cheer, spreading happiness wherever I go. For in the glory of your name and the beauty of your creations, the world becomes a tapestry of pure delight. So shall it be, in the embrace of the goddess of happiness.

Bowynn Gods: The Heather

Heather     (Heh-thur)  Kii folk that tend to the flowers, wild and domestic. These forms of Kii are diminutive in size, no bigger than a small bird and bare insect like wings. Heather are mostly spring and summer Kii, spending winter asleep. They are keepers of flowers both wild and domestic. They are easily drawn to any area that has flowers. It a said that Heather Kii are born from flowers.  In many ways, The Heather bare a strong resemblance to “fairies.”

BOWYNN GODS: Ve

Ve  (Vay)  Sometimes spelled "Vay" or "Vae." Mammoth goddess of seed and fertility. Vae is the creation of the Brea to populate the earth, long before the creation of man. She, along with her Mammoth brothers and giants, were the first gods of the earth.

     During this time before the Akua, Vae was the guardian of the plains, the grasses and cereals that grew there-on. Making sure they spread far and wide, so to cover the earth with life so there would be food for all. After the Akua took over the old giants place as rulers, Vae was able to keep her position as an attendant and advisor to the goddess of Deanna. But Vae still kept her status as a seed and fertility goddess but just of the wild world, which she was proud to maintain.

     Being a mammoth god, Vae has to major forms she takes; the first being her divine. In this form Vae is seen as a motherly aged goddess. She is seen with red hair and amber colored eyes, wearing a simple brown traveling gown of fur and a simple walking staff and/or a sack of seed. In her totem form, she is seen as an elegant massive mammoth with ancient reddish hair.   

Bowynn Gods: Odjett

Odjett  (Ohd-jet)  God of the 4th Gate of Daunnat, of balance and one of the gods of Daunnat. He, like the other Gate guardians of Daunnat, are the children of Chumash and Kalma.

     As with all the gods of Daunnat, Odjett is not an evil god, nor a god of judgment.  His role is that of a guardian of Daunnat. He is the bestower of balance to souls, as no spirit can enter Daunnat without this virtue. However, it is common for the living to call to Odjett who are suffering from the lack of balance in their lives. But sould prayers are more from divinities like Bia and Manaea. This is not to say that Odjett brings ill to souls but to balance out any ill in their lives with goodness and purity. So, if a person was plaque with misfortune in their lives, sickness, bad luck, it is Odjett that balances that out for the soul before reaching the presence of Chumash and Kalma. As god of the Gate of Balance, Odjett is represented as one of the 7 gods of the sacred septagram.

Odjett sustains from visiting Alaway, instead preferring to feast with the souls and other gods in Daunnat.

     Odjett has no known totem animal, instead always staying in his godly form; At times he is seen carrying a septagram tile or a staff, entwined with sage leaves or apple leaves.

     Sacred to Odjett is the Septagram and sage plant. During funeral services, a bowl of milk and sage leaves is left to him, as customary and a statuette of the departed, so the god will recognize the departed’s soul, which is identical to his body.

(Above) The soul of a young man in front of Odjett

Bowynn Gods: Narna

Narna (Nar-nah) Goddess of the present, Narna is one of the three Ano Taya goddesses, born by the will of Bia. Her divine attribute is that of the present and is the goddess that weaves the tapestry of Life, helped by her sisters.

Narna presides over everything dealing with The Now, the Present, That what is. Adulthood,

     Narna is a goddess seen as a mother figure, with a veil, colored red, representing a woman’s menstruation period and the blood loss during birth. As like her sisters, Narna has no totem animals.

A Deeper look into the Goddess Abbennaea

The character of Abbennaea embodies profound symbolism through her connection to purity, transformation, and balance between offerings and the divine. The number seven, representing the sacredness of her teachings and the seven acceptable offerings, resonates with various esoteric traditions where seven often signifies completion and wholeness. The act of cleansing and purifying altars can be seen as a mathematical interplay of addition (incorporating good offerings) and subtraction (removing ill-intended gifts), suggesting a duality intrinsic to her role as both a nurturer and curator of spiritual exchanges. Additionally, her association with elements like incense, which transforms material into ephemeral essence, mirrors alchemical processes and the idea of transmutation of life energies, underscoring the significance of intention behind offerings. The portrayal of her as a protector against the darker aspects of sacrifice (blood offerings) emphasizes a moral dualism inherent in spiritual practices, reflecting an underlying mathematical balance between life energy and its appropriate channeling.

Abbennaea's attributes suggest layers of hidden meaning that extend beyond surface interpretation. Her role as a "purifier" can symbolize the importance of intention and authenticity in spiritual practices, indicating that the quality of offerings impacts the overall harmony within the divine realm and by extension, the human experience. The imagery of deep red hair may signify passion, vitality, and even the life force, linking her to the cyclical nature of creation and destruction. The duality of her form—taking the shape of a bird or butterfly—hints at transformation and transcendence, characteristics that encourage spiritual growth and evolution. Furthermore, her title as the messenger and "chamber-maid" of Alaway suggests a deep interconnectedness between the divine and the earthly; she acts as a bridge between realms, highlighting the necessity of nurturing relationships between humanity and the divine. This underscores a possible hidden teaching: true devotion requires not just ritual, but also care, mindfulness, and a commitment to purity of intention in the offerings we present to the universe. Ultimately, Abbennaea serves as an archetype for balance and renewal, inviting followers to embrace a holistic approach to spirituality that honors both craft and consciousness.

Abbennaea’s role as a goddess associated with offerings and purification can be interpreted through various scientific lenses, particularly in anthropology and psychology. Her emphasis on acceptable offerings aligns with the concept of reciprocity found in many cultures, suggesting an evolutionary basis for human relationships with the divine, where mutual exchange fosters community and social cohesion. This reciprocal relationship mirrors the ecological balance observed in nature, where organisms depend on each other for survival, highlighting a broader interconnectedness that could be seen as symbolic of ecosystems where each element plays a crucial part in sustaining life.

Scientifically, her act of purging ill intentions from offerings can be likened to the principles of homeostasis found in biological systems, where balance and purity are essential for health and function. This aspect of her character underscores the significance of mental and emotional clarity—something supported in psychology, where intentions and emotional states are shown to affect interpersonal relationships and environments. Add to this the very science of the art of making of incense, which is an exact science and act of pleasure all on its own. The time used to make these floral and woodland blends is used as a time to connect with Abbennaea.

Furthermore, Abbennaea’s frequent association with incense may have a deeper, physiological implication; the act of burning incense has been shown to have both calming and meditative effects on humans, promoting a sense of well-being that could reflect her nurturing qualities. The transformation of offerings into “that which is good for all beings” can parallel the biochemical processes where substances are metabolized for benefit, emphasizing a transmutation of energy from material offerings into spiritual sustenance. At the core of Abbennaea's mythology lies a tapestry of scientific truths about interconnectedness, the importance of purity and intention, and the profound psychological impact of rituals—all of which resonate with the laws of nature and human experience.